Книги про кіно

Learn how to master light and darkness.

Through interviews with current ASC cinematographers, and a balance between technical, aesthetic, and historical content, this book guides the director into a powerful collaboration with their closest on-set ally. Topics include selecting a cinematographer, collectively discussing the script, choosing an appropriate visual style for a film, color palette, film and digital formats, lenses, camera movement, genres, and postproduction processes--including the digital intermediate (DI). Interwoven are quotes from working ASC cinematographers.

About the Author:

Jacqueline Frost has been teaching the language of motion pictures -- production, history, and cinematography -- for thirty years at various universities. Currently a full professor at California State University, Fullerton, she is also an adjunct professor at Farleigh Dickinson University in Madison, NJ. In 2016 Jacqueline was invited to Camerimage to serve on the jury of the Student Etudes competition. She has taught workshops at Hunter College, Intermedia Arts Department, and the CSU Summer Arts program, where she created a digital-cinematography workshop (2012) with Robert Primes, Amy Vincent, and ASC. She has taught Cinematography for Directors at the UCLA extension program, and for three lucky summers taught documentary production in Florence, Italy, as part of the CSUF study-abroad program. For over a decade Jacqueline programed the CSUF Collegiate Showcase at the Newport Beach Film Festival. Additionally, Jacqueline has been the cinematographer or producer on numerous short films, independent features, and documentaries that have screened at festivals around the world. She is a partner and freelance cinematographer at Corazon Pictures.

Explore the works of one of Hollywood's most renowned filmakers - the iconic Clint Eastwood.

Clint Eastwood is Hollywood’s elder statesman and its conscience. He is the standard by which other films and filmmakers are judged. He represents both classical Hollywood and an entirely modern, uncompromising and unfussy directorial presence.

There are those who adore him as a cowboy, a superstar, the rugged, unyielding yet introspective face of American machismo. There are those who read him as a great American auteur fashioning uncompromising, fascinating, intellectual films about his country, about life, about whatever the hell takes his fancy.

No single figure in all of Hollywood, operates so freely outside of the strictures of commercial pressure. And yet, or perhaps that is because, he makes hit after hit.

Separation of actor and director is almost impossible. They are intimately related, cross pollinating, but in the latter half of his career he has come to be viewed as one of the great American artists. While drawing connections from his wider work as an actor, and those who have influenced him, it is his identity as a director that this book will celebrate.

This is not a career — it is a landscape.

About the Author:

Ian Nathan, who lives and works in London, is one of the UK's best-known film writers. He is the author of nine previous books, including Alien Vault, the best-selling history of Ridley Scott's masterpiece, Terminator Vault, Tarantino, Tim Burton, The Coen Brothers and Anything You Can Imagine: Peter Jackson and the Making of Middle-earth. He is the former editor and executive editor of Empire, the world's biggest movie magazine, where he remains a contributing editor. He also regularly contributes to The Times, The Independent, The Mail on Sunday, Cahiers Du Cinema and the Discovering Film documentary series on Sky Arts.

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Пролистать книгу Clint Eastwood: The Iconic Filmmaker and his Work на Google Books.

This revised and expanded edition of Eddie Muller’s Dark City is a film noir lover’s bible, taking readers on a tour of the urban landscape of the grim and gritty genre in a definitive, highly illustrated volume.

Dark City expands with new chapters and a fresh collection of restored photos that illustrate the mythic landscape of the imagination. It’s a place where the men and women who created film noir often find themselves dangling from the same sinister heights as the silver-screen avatars to whom they gave life. Eddie Muller, host of Turner Classic Movies’ Noir Alley, takes readers on a spellbinding trip through treacherous terrain: Hollywood in the post-World War II years, where art, politics, scandal, style — and brilliant craftsmanship — produced a new approach to moviemaking, and a new type of cultural mythology.

About the Author:

Eddie Muller, aka the "Czar of Noir," is the host of TCM's Noir Alley franchise, and the prolific author of novels, biographies, movie histories, plays, and films. He also programs and hosts the "Noir City" film festival series, curates museums, and provides commentary for television, radio, and DVDs. As founder of the Film Noir Foundation, Muller has been instrumental in restoring and preserving more than thirty lost noir classics. He resides in Alameda, CA.

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Пролистать книгу Dark City The Lost World of Film Noir (Revised and Expanded Edition)

'In Dreams. Scenes from the Archive' adds to our understanding of Dennis Hopper’s personal vision as an artist by tracing the threads of Hopper’s life through photography, and connecting his roles as an actor, husband, father, and photographer.

'In Dreams' eschews Hopper’s iconic stand-alone images and instead looks to distill the archive into a connected set of photographs that offer new impressions and stories. Themes emerge, visual rhymes are made, and characters come and go while the reader is invited along for the journey. Hopper’s photographic output was especially concentrated in the ‘60s, a period in which his film career had cooled off. During these years Hopper’s primary creative outlet was his photography. The Nikon camera his wife Brooke Hayward gifted him hung so prominently around his neck that friends jokingly called him ‘the tourist.’

While 'In Dreams', which references Roy Orbison’s song by the same name made famous in Blue Velvet, includes appearances by famous faces, they are intimately intertwined with Hopper’s peripatetic life and his everyday use of the camera. Hopper was very much an insider — at ease with celebrities and artists of his day — but this new conversation with his archive shows that, like many photographers, Hopper was also distinctly an outsider. Famous himself, but also an observer: it’s this unique duality that allowed Hopper to view the world in his unique way.

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Пролистать книгу Dennis Hopper: In Dreams: Scenes from the Archive

This stunning book showcases the art, behind-the-scenes details, and making of the Disney and Pixar animated feature film Inside Out 2 .

The next in the fan-favorite, collectible Art of series, The Art of Inside Out 2 presents the story behind the newest film from Pixar Animation Studios and the sequel to the beloved blockbuster Inside Out . It highlights the stunning artwork from the film's creation-including character designs, storyboards, color scripts, and much more-and features exclusive interviews with the creative team along with behind-the-scenes details. This book is the perfect gift for aspiring artists, animators, film buffs, and fans.

© 2024 Disney/Pixar. All rights reserved.

EXCLUSIVE LOOK AT ANIMATION FILMMAKING: Fans will want to delve into and explore this Pixar Animation film through production art, stories, and making-of details exclusive to this book.

PART OF THE FAN-FAVORITE SERIES: The collectible Art of series is perfect for animation enthusiasts, filmmakers, students, and fans of Disney and Pixar. Add The Art of Inside Out 2 to the shelf with other bestselling books like The Art of Elemental, The Art of Turning Red, and The Art of Soul.

Perfect for:

- Animators and animation students
- Disney fans of all ages
- Cinephiles and movie buffs
- Pop culture enthusiasts and historians
- Families that love watching Disney and Pixar films tog

A fashion icon in her own right, Keaton amusingly revisits and reflects on some of her favorite and not-so-favorite fashion moments over the decades, from childhood homemade outfits to red carpet ensembles and street style experiments she tried from the 1960s until today.

Since she could remember, Keaton has been fascinated by clothing and style. As a little girl, she would pick out patterns and request that her mother make her custom outfits. This was the beginning of a love affair with clothes and looks, and sometimes, fashion. From the outset of her acting career in the 1970s, the legendary star has experimented and thought outside the lines of what a Hollywood icon should wear and still became lauded as a style icon by Vogue, W, The Hollywood Reporter, and countless fashion websites. Keaton’s style is at once timeless, experimental, bold, effortless, androgynous, quirky, and utterly and distinctly her own.

This is the celebrated film star’s ode to her unforgettable fashion moments examined through Keaton’s self-deprecating, charming voice, as she comments on her favorite looks and her biggest fashion faux pas. Images includes photos of a young Keaton sporting her mother’s homemade ensembles, stylish snapshots from the 1960s and iconic 1970s looks highlighting her signature Annie Hall style, red carpet moments, magazine editorials, street-style shots, and selfies from the 1980s until present day. Striking fashion photographs by renowned photographers such as Annie Leibovitz, Ruven Afanador, and Ron Gallela are accompanied by anecdotes about Keaton’s inspiring style from her longtime friends, collaborators, and fashion designers, including Giorgio Armani, Ralph Lauren, Sarah Jessica Parker, Kris Jenner, Nancy Myers, Blake Lively, and Thom Browne. Truly entertaining and stylish, this is the book fashion lovers and fans of the inimitable actor have been waiting for.

About the Authors:

Diane Keaton is an Oscar-winning actress, director, and author whose books with Rizzoli include California Romantica, House, The House That Pinterest Built, and Saved. Ralph Lauren is an American fashion designer, philanthropist, businessman, and four-time CFDA winner.

Shot by Shot is the world’s go-to directing book, now newly updated for a special 25th Anniversary edition! The first edition sold over 250,000 copies, making it one of the bestselling books on film directing of all time. Aspiring directors, cinematographers, editors, and producers, many of whom are now working professionals, learned the craft of visual storytelling from Shot by Shot, the most complete source for preplanning the look of a movie.

The book contains over 800 photos and illustrations and is by far the most comprehensive look at shot design in print, containing storyboards from movies such as Citizen Kane, Blade Runner, Dead-pool, and Moonrise Kingdom. Also introduced is the concept of A, I, and L patterns as a way to simplify the hundreds of staging choices facing a director in every scene.

Shot by Shot uniquely blends story analysis with compositional strategies, citing examples then illustrated with the storyboards used for the actual films. Throughout the book, various visual approaches to short scenes are shown, exposing the directing processes of our most celebrated auteurs ― including a meticulous, lavishly illustrated analysis of Steven Spielberg’s scene design for Empire of the Sun.

About the Author:

Steven D. Katz is an award-winning writer, producer, and director. His work has appeared on Sat-urday Night Live and in many cable and theatrically released films, such as Clear and Present Dan-ger, for which he completed the first full digital previsualization of a motion picture. He has taught workshops at the American Film Institute, Sundance Film Festival, Parsons School of Design, Danish Film Institute, School for Visual Arts (in New York), and Shanghai University, among many others.

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Пролистать книгу Film Directing: Shot by Shot - Visualizing from Concept to Screen на Google Books.

Into the Night. All you need to know about Film Noir

Explore the dark and brooding elegance of Film Noir with this essential handbook to the genre, exploring key noir themes and their most representative movies. Copiously illustrated with film stills as well as original posters, the book also lists TASCHEN’s top 50 noir classics. A must for amateurs and aficionados alike.

Whether it’s Double Indemnity, Kiss Me Deadly, or The Big Sleep, roam a screen world of dark and brooding elegance with this essential handbook to Film Noir. From private eyes and perfect crimes to corrupt cops and doomed affairs, editors Paul Duncan and Jürgen Müller examine noir’s key themes and their most representative movies from 1940 to 1960.

Copiously illustrated with film stills as well as original posters, this book offers page after page of noir’s masterful visual compositions while exploring the narrative paradigms of this cryptic, compelling, and evolving genre. If that weren’t enough to tickle your cinematic appetite, the volume concludes with TASCHEN’s top 50 pick of noir classics.

Brimming with the enigmatic dames, desperate gangsters, and psycho killers that continue to cast a long and captivating shadow over cinema, this is a must-have handbook for noir aficionados and amateurs alike.

The authors:

Film producer, critic and historian Alain Silver is the author of 20 books on cinematic topics, including The Noir Style, LA Noir, the Film Noir Reader series, and Steve McQueen, Frank Sinatra, and Katharine Hepburn for TASCHEN's Icon Series. His audio commentaries on classic film noir DVDs include Call Northside 777 and Double Indemnity. A member of the Directors Guild of America, the Screen Actors Guild, and the Writers Guild of America, he graduated from UCLA with degrees in film production and critical studies.

James Ursini has co-written eleven books with Alain Silver, including their Film Noir Reader series, which established them as two of the foremost authorities on film noir. Ursini has also written for various film magazines and supplied the commentary for numerous classic film noir DVDs. He has a doctorate in motion pictures studies and lectures on filmmaking in the Los Angeles area.

The editors:

Paul Duncan is a film historian whose TASCHEN books include The James Bond Archives, The Charlie Chaplin Archives, The Godfather Family Album, Taxi Driver, Film Noir, and Horror Cinema, as well as publications on film directors, film genres, movie stars, and film posters.

Jürgen Müller holds the chair of Early Modern and Modern Art History at the Technical University of Dresden. He studied art history at the universities of Bochum, Münster, Pisa, Paris and Amsterdam, and has worked as an art critic and curated numerous exhibitions. He is also the editor for TASCHEN’s movies by decade series.

About the series:

Bibliotheca Universalis — Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!

Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together more than 100 of our all-time favourite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.

Bookworm’s delight — never bore, always excite!

Film Production Management 101 and Patz’s previous Surviving Production were quickly adopted as the essential road map to the business and logistics of on-the-job film and television production since 1997.

Originally developed from practical tools Patz created for her film and television production career, this new edition has undergone a comprehensive update to address the shifting balance between digital and film technologies and to pave the way as we progress further into the digital age.

The book includes everything from budgeting, to managing the production office, to script revisions, to cost reporting, to copyright, to publicity, and much, much more. With Patz’ penchant for sharing knowledge and her knack for communicating concepts, Film Production Management 101 continues to be the book you have to have open on your desk for every prep, shoot, and wrap day. The more than 50 useful forms and checklists which are included (and downloadable) will save you time, money, and headaches, working like a pro right from day one.

About the Author:

Deborah S. Patz has been a filmmaker on award-winning productions since the mid-1980s, primarily as a production manager and coordinator, and then as production executive. She has worked with Lucasfilm, IMAX, MCA/Universal, Alliance/Atlantis, Nelvana, BBC, CBC, the Disney Channel, and the list goes on. A peek at her filmography includes L5: First City in Space, Mission to MIR, William Shatner's TekWar, Alfred Hitchcock Presents, Ewoks & Droids, Maniac Mansion, The Magician's House, and The Big Comfy Couch, to name a few. Her first book, Surviving Production (on coordination) was published by MWP in 1997, and was then incorporated into this, her second book, which was published in 2002 and remains on sale around the world.

Cinema is both an art form and a unique social and media institution: while moving pictures provide hours of pleasure and entertainment, they also deserve serious intellectual consideration. Film: A Critical Introduction, Fourth Edition is the perfect starter text for students of film studies and general readers who love movies, but who may not possess all the tools necessary for analyzing films and creating interpretive arguments.

This updated and expanded version illustrates film concepts in context and in-depth, addressing techniques and terminology used in both film production and criticism. With reference to 450 new and existing images, the authors discuss contemporary films and film studies scholarship, as well as recent developments in film production and exhibition, such as digital technologies and new modes of screen media. Key revisions to the fourth edition of the text were specifically made to emphasize on helping students translate their ideas about film into written analysis and criticism. The material helps readers to understand film techniques and terminology, highlights research skills and rhetorical strategies enabling students to build comprehensive, thoughtful interpretations of films in discussion and writing.

About the Authors:

Maria Pramaggiore is Professor of Media Studies and Dean of Graduate Studies at Maynooth University in Co. Kildare, Ireland. Her publications explore topics in gender and sexuality, documentary, Irish film, and animal studies.

Tom Wallis has taught film and media studies at North Carolina State University and University College Dublin. He is part of the Communications team at the University of North Carolina System Office and serves on the Selection Committee for Full Frame Documentary Film Festival in Durham, North Carolina.

Explore the films of magical Japanese animation masters Studio Ghibli in this film-by-film celebration for newcomers and long-time fans alike.
Revised and updated - includes Miyazaki's new masterpiece, The Boy and the Heron.

Explore the films of magical Japanese animation masters Studio Ghibli in this film-by-film celebration for newcomers and long-time fans alike.

Ghibliotheque reviews each Studio Ghibli movie in turn, in the voice of expert and newcomer. The lively text delves into production details, themes, key scenes and general reviews, as well as Ghibli-specific information. It's beautifully illustrated with stills and posters from each movie.

Written by the hosts of the acclaimed Ghibliotheque podcast, this is the first and last word on the films of Studio Ghibli.

About the Author:

Michael Leader is a writer and broadcaster whose writing has appeared in Sight & Sound and Little White Lies, and whose voice has appeared on podcasts and radio ranging from Ghibliotheque and Truth & Movies to BBC Front Row and BBC Radio 5. At Little Dot Studios, he is a Senior Producer working on projects related to film and video games. For several years he was Editorial Director for Film4 Online, and he is now Commissioning Editor of the BBC Arts/iPlayer series Inside Cinema and Inside Games, for which he has written and produced short-form documentaries about, among other things, Studio Ghibli. He lives in London with his partner and a small child.

Jake Cunningham is a writer and producer working in film and audio. At Little Dot Studios he works across podcasts and video essay production with a focus on film. As well as Ghibliotheque, he has produced podcasts with Channel 4, Curzon Cinemas, and the British Independent Film Awards. He has appeared on air for the BBC World Service, and has written and voiced video essays for the BBC and Little White Lies. He has written about film for The I, BFI, NME and more. His first animated short film as writer and producer, made with BFI Network, will be released in 2021. He lives in London with his partner and a small dog.

Вийдіть за рамки чарівних фільмів і досліджуйте широкий світ Studio Ghibli.

Вплив Studio Ghibli, яку називають чи не найбільшою анімаційною студією у світі, поширюється далеко за межі кіноекрану. Ghibliverse прокладає курс всесвіту за межами фільмів, демонструючи чудову мережу натхнення та впливів для старих і нових шанувальників Ghibli.

Від сценічних блокбастерів і рідкісної манги до забутих телевізійних серіалів і абсолютно нових тематичних парків, від літературних шедеврів і конкуруючих студій до саундтреків і секретних короткометражних фільмів, автори-експерти та ведучі хітового подкасту Ghibliotheque Майкл Лідер і Джейк Каннінгем показують, що магія не припиняється, коли з’являються титри до фільму.

Про авторів:

Джейк Каннінгем — сценарист і продюсер, який займається кіно та аудіо. Крім Ghibliotheque, він створив подкасти для Channel 4, Curzon Cinemas і British Independent Film Awards. Він виступав в ефірі Всесвітньої служби Бі-бі-сі, писав і озвучував відеоесе для Бі-Бі-Сі та Little White Lies. Він писав про кіно для The I, BFI, NME тощо. Його перший короткометражний анімаційний фільм як сценариста та продюсера, знятий спільно з BFI Network, вийшов у 2021 році. Він живе в Лондоні зі своїм партнером і маленьким песиком.

Майкл Лідер — письменник і телеведучий, чиї твори з’являлися в Sight & Sound і Little White Lies, а також чий голос з’являвся в подкастах і радіо, починаючи від Ghibliotheque і Truth & Movies до BBC Front Row і BBC Radio 5. Протягом кількох років він був редакційним директором Film4 Online і головним редактором серії BBC Arts/iPlayer Inside Cinema і Inside Games, для яких він написав і продюсував короткометражні документальні фільми. про, зокрема, Studio Ghibli. Він живе в Сассексі зі своїм партнером і маленькою дитиною.

Guillermo del Toro is a complete and intimate study of the life and work of one of modern cinema's most truly unique directors, whose distinct aesthetic and imagination are unmatched in contemporary film.

Widely regarded as one of the most imaginative directors working in cinema today, Guillermo del Toro has built up a body of work that has enthralled movie fans with its dark beauty and edge-of-the-seat set pieces.

In this book, acclaimed author Ian Nathan charts the progression of a career that has produced some of contemporary cinema’s most revered scenes and idiosyncratic characters. This detailed examination looks at how the strands of del Toro’s career have woven together to create one of modern cinema’s most ground-breaking bodies of work.

Delving deep into del Toro's psyche, the book starts by examining his beginnings in Mexico, the creative but isolated child surrounded by ornate catholicism and monster magazines, filming stop motion battles between his toys on a Super-8 film camera. 

It follows him to film school, where we learn of his influences, from Kafka to Bunuel, and explores his 1993 debut Cronos, the independent horror debut which draws on the religious and occult themes which would recur throughout del Toro's work.

It goes on to cover his development as a director with 1997's Mimic, his blockbuster success with the Hellboy films and goes on to study the films which have cemented his status as a legendary auteur, Oscar award winners Pan's Labrynth and The Shape of Water, as well as his sci-fi masterpiece Pacific Rim, as well as looking at his exciting upcoming projects Nightmare Alley and Pinocchio.

An enlightening look into the mind of an auteur blessed with a singular creative vision, Guillermo del Toro analyses the processes, themes and narratives that have come to be recognised as distinctly del Toro, from practical effects to an obsession with folklore and paganism. It looks into the narrative techniques, stylistic flourishes and creative decisions which have made him a true master of modern cinema.

Presented in a slipcase with 8-page gatefold section, with scores of illuminating photographs of the director at work on set as well as iconic stills from his films and examples of his influences, this stunning package will delight all Guillermo del Toro devotees and movie lovers in general.

Unauthorised and Unofficial.

About the Author:

Ian Nathan, who lives and works in London, is one of the UK’s best-known film writers. He is the author of nine previous books, including Alien Vault, the best-selling history of Ridley Scott’s masterpiece, Terminator Vault, Tarantino, Tim Burton, The Coen Brothers and Anything You Can Imagine: Peter Jackson and the Making of Middle-earth. He is the former editor and executive editor of Empire, the world’s biggest movie magazine, where he remains a contributing editor. He also regularly contributes to The Times, The Independent, The Mail on Sunday, Cahiers Du Cinema and the Discovering Film documentary series on Sky Arts. 

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Пролистать книгу Guillermo del Toro: The Iconic Filmmaker and his Work на Google Books.

Newly updated and revised, How to Shoot Video That Doesn’t Suck is a quick and easy guide that will make your video better instantly — whether you read it cover to cover or just skim a few chapters. It’s about the language of video and how to think like a director, regardless of equipment (amateurs think about the camera, pros think about communication). It’s about the rules developed over a century of movie-making — which work just as well when shooting a two-year-old’s birthday party on your phone. Written by Steve Stockman, the director of the award-winning feature Two Weeks, plus TV shows, music videos, and hundreds of commercials, How to Shoot Video That Doesn’t Suck explains in 74 short, pithy, insightful chapters how to tell a story and entertain your audience. In other words, how to shoot video people will want to watch.

Here’s how to think in shots — how to move-point-shoot-stop-repeat, instead of planting yourself in one spot and pressing “Record” for five minutes. Why never to shoot until you see the whites of your subject’s eyes. Why to “zoom” with your feet and not the lens. How to create intrigue on camera. The book covers the basics of video production: framing, lighting, sound (use an external mic), editing, special effects (turn them off!), and gives advice on shooting a variety of specific situations: sporting events, parties and family gatherings, graduations and performances. Plus, how to make instructional and promotional videos, how to make a music video, how to capture stunts, and much more. At the end of every chapter is a suggestion of how to immediately put what you’ve learned into practice, so the next time you’re shooting you’ll have begun to master the skill. Steve’s website (stevestockman.com) provides video examples to illustrate different production ideas, techniques, and situations, and his latest thoughts on all things video.

About the Author:

Steve Stockman is a director, producer, and writer of films, television shows, and commercials. He made the feature film Two Weeks (2007) starring Sally Field, Ben Chaplin, and Tom Cavanagh. Every summer he mentors aspiring filmmakers and teaches video-making at Summer Stars Camp. He lives with his family in Los Angeles.

Industrial Light & Magic Presents: Making Solo: A Star Wars Story is an eyewitness account of the film’s production from visual effects supervisor and coproducer Rob Bredow. The book gives readers an intimate glimpse into the journey that Solo took from pre-production, production, and post-production, fully documenting how this film came to the big screen.

Making Solo gives a chronological overview of how this multiple-Academy-Award-winning visual effects company created new worlds, aliens, droids, and vehicles for a galaxy far, far away, including insights into how the train heist on Vandor, L3-37, the Kessel Run, and the reimagined Millennium Falcon were brought to life. A must-have for Star Wars fans, this authorized, all-access book will be an indispensable work for all movie fans and devotees of popular culture.

About the Authors:

Rob Bredow is the SVP, executive creative director, and head of Industrial Light & Magic, responsible for the company’s overall creative strategy and global operations. He was the visual effects supervisor and coproducer on Solo: A Star Wars Story, where he served as a creative partner to the filmmakers throughout the entire production process. Bredow joined Lucasfilm in 2014 as vice president of New Media and head of Lucasfilm’s Advanced Development Group. Previously, he was CTO and visual effects supervisor at Sony Pictures Imageworks.  

Ron Howard is the cofounder of Imagine Entertainment and a director, producer, and actor who has won two Academy Awards, four Emmys, a Grammy, and two Golden Globes. He additionally received the National Medal of Arts as well as two stars on the Hollywood Walk of Fame. In additional to Solo: A Star Wars Story, he has directed A Beautiful Mind, The Da Vinci Code, Apollo 13, and other award-winning films.