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The official behind-the-scenes art book for Sony Pictures Animation’s feature film The Mitchells vs. The Machines.

Foreword by Debbie Rianda

Ramin Zahed’s The Art of The Mitchells vs. The Machines gives insight into how the filmmakers behind Sony Pictures Animation’s movie The Mitchells vs. The Machines were able to bring a fresh, new vision to the screen through concept art, sketches, and early character designs. The book also features exclusive commentary from director/cowriter Michael Rianda and codirector/cowriter Jeff Rowe, alumni of the team behind Emmy Award-winning Gravity Falls, and producers Phil Lord and Christopher Miller, the innovative and creative minds behind The LEGO Movie and the Academy Award-winning Spider-Man: Into the Spider-Verse.

The Mitchells vs. The Machines is an animated action-comedy about an ordinary family who find themselves in the middle of their biggest family challenge yet . . . saving the world from the robot apocalypse. No big deal, right? It all starts after creative outsider Katie Mitchell is accepted into the film school of her dreams and is eager to leave home and find “her people,” when her nature-loving dad insists on having the whole family drive her to school and bond during one last totally-not-awkward-or-forced road trip. But just when the trip can’t get any worse, the family suddenly finds itself in the middle of a robot uprising! Everything from smartphones to Roombas to evil Furbys is employed to capture every human on the planet. Now it’s up to the Mitchells, including upbeat mom, Linda, quirky little brother, Aaron, their squishy pug, Monchi, and two friendly but simple-minded robots to save humanity.

Featuring the voices of Abbi Jacobson, Danny McBride, Maya Rudolph, Beck Bennett, Fred Armisen, Eric Andre, and Oscar winner Olivia Colman, The Mitchells vs. The Machines is about embracing the things that make us unique, learning what it means to be human in a world increasingly filled with technology, and holding tight to the people most important to you when the unexpected hits.

About the Authors:

Ramin Zahed is an L.A.-based author and editor in chief of Animation Magazine. He has written for numerous outlets including Variety, the Hollywood Reporter, and Sight & Sound. His recent books include Spider-Man: Across the Spider-Verse: The Art of the Movie, The Art of Klaus, The Art of Captain Underpants, and The Art of DreamWorks Animation.

Debbie Rianda is the inspiration for Linda Mitchell and director Michael Rianda’s mom.

The official behind-the-scenes art book for four-time Academy Award-nominated animation studio Cartoon Saloon’s and their co-producer Melusine’s stunning new animated fantasy adventure, WolfWalkers

Cartoon Saloon, the Irish animation studio behind the Academy Award-nominated films The Secret of Kells (2009), Song of the Sea (2014), and The Breadwinner (2017), and their co-producer Melusine Productions, returns in 2020 with their latest feature, WolfWalkers, directed by Tomm Moore and Ross Stewart. To be released later this year theatrically, followed by streaming on Apple TV+, this mythic tale tells the story of a young hunter named Robyn, and her unlikely friendship with a wild girl living among wolves. Filled with exclusive hand-drawn sketches, paintings, interviews, and digital renderings that showcase Cartoon Saloon’s unique artistic style, The Art of WolfWalkers takes fans behind the scenes of one of animation’s most celebrated studios.

Through exclusive commentary and interviews with cast and crew, renowned animation critic and historian Charles Solomon showcases the craft and skill behind some of the most lovingly detailed and imaginative 2-D animation currently being produced. Featuring a foreword by award-winning animator James Baxter and an afterword by Cartoon Saloon cofounder and codirector of WolfWalkers Tomm Moore and codirector Ross Stewart, The Art of WolfWalkers is a must-have for animation fans everywhere.

About the Author: 

Charles Solomon is the author of more than a dozen books on the art and making of animated films and television specials, as well as a lecturer in animation at the UCLA School of Theater, Film and Television. He lives in Los Angeles.

From such cult hits as Raising Arizona (1987) and The Big Lebowski (1998) to major critical darlings Fargo (1996), No Country for Old Men (2007), and Inside Llewyn Davis (2013), Ethan and Joel Coen have cultivated a bleakly comical, instantly recognizable voice in modern American cinema. In The Coen Brothers: This Book Really Ties the Films Together, film critic Adam Nayman carefully sifts through their complex cinematic universe in an effort to plot, as he puts it, “some Grand Unified Theory of Coen-ness.” The book combines critical text — biography, close film analysis, and enlightening interviews with key Coen collaborators — with a visual aesthetic that honors the Coens’ singular mix of darkness and levity. Featuring film stills, beautiful and evocative illustrations, punchy infographics, and hard insight, this book will be the definitive exploration of the Coen brothers’ oeuvre.

About the Author:

Adam Nayman is a contributing editor for Cinema Scope and writes on film for The Ringer, Sight and Sound, Reverse Shot, and Little White Lies. He has written books on Showgirls and the films of Ben Wheatley, and lectures on cinema and journalism at the University of Toronto and Ryerson University.

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The definitive guide to the characters of the DC Multiverse and a vital addition to every comic book fan's bookshelf.

Iconic Super Heroes Batman, Superman, Wonder Woman, Aquaman, and The Flash have been transformed in recent years, along with many other DC characters. This new edition of the most comprehensive A-Z guide to DC's pantheon of Super Heroes and Super-Villains includes the latest earth-shaking developments in the DC Multiverse, with profiles of more than 1,200 characters.

Created in full collaboration with DC, the encyclopedia features characters and art from every key crossover event, including Dark Nights: Metal and its sequel Dark Nights: Death Metal.

With a foreword by DC legend Jim Lee, a brand-new cover design, and thrilling comic artwork, the fun and excitement of more than 80 years of comics history explodes off every page.

Experience the DC Multiverse like never before with The DC Comics Encyclopedia New Edition.

Copyright ©2021 DC Comics. All DC characters and elements © & ™ DC Comics. WB SHIELD: ™ & © Warner Bros. Entertainment Inc.

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From Turner Classic Movies, this is the essential guide to all the must-know details on the style, achievements, and landmark films of the most influential directors in cinema history from the silent era through the 1970s.

For well over a century, those who create motion pictures have touched our hearts and souls; they have transported and transformed our minds, intoxicated and entranced our senses. One artist’s vision is the single most prominent force behind the scenes: the director. The Essential Directors illuminates the unseen forces behind some of the most notable screen triumphs from the aesthetic peak of silent cinema through the New Hollywood of the 1970s. Considering each artist’s influence on the medium, cultural impact, and degree of achievement, Turner Classic Movies presents a compendium of Hollywood’s most influential filmmakers, with profiles offering history and insight into the filmmaker’s narrative style, unique touches, contributions to the medium, key films, and distinctive movie moments to watch for. The work of these game-changing artists is illustrated throughout by more than 200 full-color and black-and-white photographs.

In The Essential Directors, you’ll read how Cecil B. DeMille revamped religion to define an era, and how Oscar Micheaux broke barriers to become the most influential Black filmmaker of the 1920s. You’ll marvel at the efficient artistry of “One-Take Woody” Van Dyke and fall in love again with the sophisticated studio-era classics of George Cukor. You’ll gain insight into how women like Dorothy Arzner and Ida Lupino built thriving careers in an industry ruled by men and discover what drove Mike Nichols to mix comedy with tragedy, becoming the highest-paid director of his day in the process. The Essential Directors presents the work of these game-changing artists and dozens more in this stunning volume.

About the Author:

Sloan De Forest is a writer, actor, and film historian who has written about film for Sony, Time Warner Cable, the Mary Pickford Foundation, and Bright Lights Film Journal. She has contributed essays to the books Natalie Wood: Reflections on a Legendary Life by Manoah Bowman and Grace Kelly: Hollywood Dream Girl by Jay Jorgensen and Manoah Bowman. She lives in Hollywood-mentally, spiritually, and geographically.

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A filmmaker's most precious assets - not just for directing actors, but also for making all the storytelling decision - are his instincts, imagination, and intuition. The author reveals the secrets that can keep an imagination alive and free a director's intuition, so everyone on the set can function at full creativity. You will learn about: sources of imagination ; goals of script analysis ; tools of the storyteller ; the lost art of rehearsal ; and the director's authority.

The Film Director's Intuition is the follow up book to Weston's best-selling book, Directing Actors also published by Michael Wiese Productions

About the Author:

Judith Weston, who lives in Los Angeles, has taught "Acting for Directors" for over a decade throughout the U.S. and Europe, and is the author of the best-selling book, Directing Actors.

Intended to be kept at a screenwriter’s fingertips, The Hollywood Standard provides what even the best script software can’t: clear, concise instructions and hundreds of examples to take the guesswork out of a multitude of formatting questions that perplex even seasoned screenwriters.

Contents include:

• When a new scene heading is appropriate and when it isn’t
• How to format shot headings, dialogue, direction and transitions
• How to control pace with formatting • How to make a script page visually inviting to the reader
• What to capitalize and why
• How to get into and out of a POV shot
• How to handle text messages and Zoom meetings
• How Hollywood’s most innovative screenwriters are pushing the boundaries of format
• How format for animation differs from live-action formats Simply put, Riley knows more about script format than anyone in Hollywood and shares it all in this indispensable guide.

About the Author: 

Christopher Riley is a professional screenwriter who cowrote with his wife Kathy Riley the award-winning German-language film After the Truth. The Rileys have written scripts for Disney’s Touchstone Pictures, Paramount Pictures, Mandalay Television Pictures, Sean Connery’s Fountainbridge Films, and Robert Cort Productions. Christopher produced the action-thriller Red Line and executive produced the web series Bump+. He began his career as a proofreader in the standard-setting script processing department at Warner Bros., a department he eventually rose to manage. He is the former director of the Act One Hollywood Writing Program, the author of the classic screenplay format guide The Hollywood Standard, an instructor of screenwriting at the undergraduate and graduate levels, a founding partner of Story Masters Film Academy, and a longtime member of the Writers Guild of America West.

The first of three volumes collecting the complete Simpsons Treehouse of Horror comics by creator Matt Groening, packaged in a deluxe, die-cut slipcase that glows in the dark The Treehouse of Horror started as an annual Halloween tradition on The Simpsons, beginning during the second season in 1990. In fall 1995, the first of 23 comics were produced by Bongo, telling new stories written and illustrated by some of the biggest names in comics, including Michael Allred (Madman), Sergio Aragonés (MAD magazine), Kyle Baker (Nat Turner), Jeffrey Brown (Star Wars: Darth Vader and Son), and Jill Thompson (Scary Godmother), as well as celebrities such as Mark Hamill, Thomas Lennon, and Patton Oswalt.

Collected for the first time in a deluxe hardcover slipcase with an all-new die-cut cover, these award-winning comics place the world’s most beloved animated family in exciting horror, science-fiction, and supernatural settings, making this series the perfect gift for the Halloween season and Simpsons fans of all ages. The volume also includes an introduction from Bart Simpson.

About the Author:

Matt Groening is the creator and executive producer of the Emmy Award–winning series The Simpsons, as well as the creator of the animated television series Futurama and Disenchantment. In addition to supervising the ongoing production of his television series, he wrote and illustrated “Life in Hell,” a weekly syndicated comic strip from 1977 to 2012. Groening lives in Los Angeles.

The Treehouse of Horror started as an annual Halloween tradition on The Simpsons, beginning during the second season in 1990. In 1995, the first of 23 comics were produced by Bongo, and while some adapted the TV episodes, most told new stories written and illustrated by some of the biggest names in comics, including Kyle Baker, Dan Brereton, Gerry Duggan, Pia Guerra, Peter Kuper, Carol Lay, Nina Matsumoto, Terry Moore, Steve Niles, Brian Posehn, James Robinson, Scott Shaw!, and Jim Woodring. Collected for the first time in a deluxe hardcover slipcase with an all-new die-cut cover, these award-winning comics place the world’s most beloved animated family in exciting horror, science-fiction, and supernatural settings, making this series the perfect gift for the Halloween season and Simpsons fans of all ages. This second volume in the trilogy is the perfect addition to any Simpsons collection. The volume also includes an introduction by Lisa Simpson.

About the Author:

Matt Groening is the creator and executive producer of the Emmy Award–winning series The Simpsons, as well as the creator of the animated television series Futurama and Disenchantment. In addition to supervising the ongoing production of his television series, he wrote and illustrated “Life in Hell,” a weekly syndicated comic strip from 1977 to 2012. Groening lives in Los Angeles.

May the Force Be With You. Volume two of the definitive exploration of the Star Wars galaxy

From the moment Star Wars burst onto the screen in 1977, audiences have been in equal parts fascinated and appalled by the half-man/half-machine hybrid Darth Vader. In 1999, creator George Lucas began the story of how Anakin Skywalker grew up to train as a Jedi under Obi-Wan Kenobi, found love with the Queen of Naboo, Padmé Amidala, before turning to the dark side of his nature and becoming more machine than man.

After driving the development of nascent digital technology, George Lucas perceived how he could create new creatures and new worlds on a grander scale than ever before. He created the first digital blockbuster, and met fierce resistance when he pushed for widespread digital cameras, sets, characters, and projection – all of which are now used throughout the industry. He essentially popularized the modern way of making movies.

Made with the full cooperation of George Lucas and Lucasfilm, this second volume covers the making of the prequel trilogy — Episode I The Phantom Menance, Episode II Attack of the Clones, and Episode III Revenge of the Sith — and features exclusive interviews with Lucas and his collaborators. The book is profusely illustrated with script pages, production documents, concept art, storyboards, on-set photography, stills, and posters.

The author:

Paul Duncan is a film historian whose TASCHEN books include The James Bond Archives, The Charlie Chaplin Archives, The Godfather Family Album, Taxi Driver, Film Noir, and Horror Cinema, as well as publications on film directors, film genres, movie stars, and film posters.

An updated edition – with completely new chapters – of the most accessible and compelling history of the cinema yet published, and complements Mark Cousins’ fascinating 15-hour film documentary The Story of Film: An Odyssey.

Filmmaker and author Mark Cousins shows how filmmakers are influenced both by the historical events of their times, and by each other. He demonstrates, for example, how Douglas Sirk’s Hollywood melodramas of the 1950s influenced Rainer Werner Fassbinder’s despairing visions of 1970s Germany; and how George Lucas’ Star Wars epics grew out of Akira Kurosawa’s The Hidden Fortress.

The Story of Film is divided into three main epochs: Silent (1885–1928), Sound (1928–1990) and Digital (1990–Present). Films are discussed within chapters reflecting both the stylistic concerns of the film-makers and the political and social themes of the time. This edition includes new text that encompasses the further-reaching scope of world cinema today, and the huge leaps in technology that have changed cinema screens forever.

Film is an international medium, so as well as covering the great American films and film-makers, The Story of Film explores cinema in Europe, Africa, Asia, Australasia and South America, and shows how cinematic ideas and techniques cross national boundaries. Avoiding jargon and obscure critical theory, the author constantly places himself in the role of the moviegoer watching a film, and asks: ‘How does a scene or a story affect us, and why?’ In so doing he gets to the heart of cinematic technique, explaining how film-makers use lighting, framing, focal length and editing to create their effects. Clearly written, and illustrated with over 400 stills, including numerous sequences explaining how scenes work, The Story of Film is essential reading for both film students and moviegoers alike.

About the Author:

Mark Cousins is an Irish-Scottish filmmaker and author. His films – including The Story of Film, The First Movie, The Eyes of Orson Welles, Atomic, I am Belfast, Stockholm My Love and Women Make Film: A New Road Movie Through Cinema – have won the Prix Italia, a Peabody and the Stanley Kubrick Award. They have premiered at the world’s major film festivals. Their themes are looking, cities, cinema, childhood, and recovery. 

His other books include Imagining Reality: The Faber Book of Documentary, and The Story of Looking. He loves walking across cities such as Los Angeles, Moscow, Paris, Beijing, Berlin, London and Mexico City with his camera. 

This New York Times bestselling overview of Wes Anderson's filmography features previously unpublished behind-the-scenes photos, artwork, and ephemera, with an introduction by Michael Chabon.

Writer/director Wes Anderson guides movie/television critic Matt Zoller Seitz through Anderson's life and career in a hardcover book-length conversation, woven together with original illustrations and production images from Bottle Rocket, Rushmore, The Royal Tenenbaums, The Life Aquatic with Steve Zissou, The Darjeeling Limited, Fantastic Mr. Fox, and Moonrise Kingdom.

The result is a meticulously designed book that captures and reflects the spirit of Wes Anderson's movies: melancholy, playful, wise, and wonderfully unique.

Also available from Matt Zoller Seitz: The Oliver Stone Experience, The Wes Anderson Collection: Bad Dads, The Wes Anderson Collection: The Grand Budapest Hotel, and Mad Men Carousel.

About the Authors:

Matt Zoller Seitz, a finalist for the Pulitzer Prize in criticism, is the TV critic for New York Magazine and Vulture.com, as well as the editor-in-chief of RogerEbert.com.
A Brooklyn-based writer and filmmaker, Seitz has written, narrated, edited, or produced more than a hundred hours' worth of video essays about cinema history and style for The Museum of the Moving Image and The L Magazine, among other outlets. His five-part 2009 video essay, "Wes Anderson: The Substance of Style," was later spun off into a New York Times bestselling hardcover book series: The Wes Anderson Collection (Abrams, 2013) and The Wes Anderson Collection: The Grand Budapest Hotel (Abrams, 2015). 
Seitz is the founder and original editor of The House Next Door, now a part of Slant Magazine, and the publisher of Press Play, a blog of film and TV criticism and video essays. He is the director of the 2005 romantic comedy Home.
Michael Chabon is the Pulitzer Prize-winning author of many novels, the most recent being Telegraph Avenue. He lives in Berkeley, California, with his wife and four children.
Max Dalton is a graphic artist living in Buenos Aires, Argentina, by way of Barcelona, New York, and Paris. He has published a few books and illustrated some others, including The Wes Anderson Collection: The Grand Budapest Hotel (Abrams, 2015). Max started painting in 1977, and since 2008, he has been creating posters about music, movies, and pop culture, quickly becoming one of the top names in the industry.

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The official behind-the-scenes companion to The French Dispatch and the latest volume in the bestselling Wes Anderson Collection series.

The French Dispatch - tenth feature film from writer-director Wes Anderson a love letter to journalists set at the titular American newspaper in the fictional 20th-century French city of Ennui-sur-Blasé. The film stars a number of Anderson's frequent collaborators, including Bill Murray as the newspaper's editor in chief; Owen Wilson, Tilda Swinton, and Frances McDormand, as well as new players Jeffrey Wright, Benicio del Toro, Elisabeth Moss, and Timothée Chalamet, who bring to life a collection of stories published in The French Dispatch magazine.

In this latest one-volume entry in The Wes Anderson Collection series - the only book to take readers behind the scenes of The French Dispatch-everything that goes into bringing Anderson's trademark style, meticulous compositions, and exacting production design to the screen is revealed in detail. Written by film and television critic and New York Times bestselling author Matt Zoller Seitz, The Wes Anderson Collection: The French Dispatch presents the complete story behind the film's conception, anecdotes about the making of the film, and behind-the-scenes photos, production materials, and artwork.

About the Author:

Matt Zoller Seitz is the editor in chief of RogerEbert.com; the TV critic for New York magazine; the author of The Wes Anderson Collection, The Wes Anderson Collection: The Grand Budapest Hotel, The Oliver Stone Experience, and Mad Men Carousel; and the coauthor of The Sopranos Sessions. He is based in New York City.

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This companion to the New York Times bestselling book The Wes Anderson Collection takes readers behind the scenes of the Oscar®-winning film The Grand Budapest Hotel with a series of interviews between writer/director Wes Anderson and movie/television critic Matt Zoller Seitz.

Learn all about the film's conception, hear personal anecdotes from the set, and explore the wide variety of sources that inspired the screenplay and imagery — from author Stefan Zweig to filmmaker Ernst Lubitsch to photochrom landscapes of turn-of-the-century Middle Europe. Also inside are interviews with costume designer Milena Canonero, composer Alexandre Desplat, lead actor Ralph Fiennes, production designer Adam Stockhausen, and cinematographer Robert Yeoman; essays by film critics Ali Arikan and Steven Boone, film theorist and historian David Bordwell, music critic Olivia Collette, and style and costume consultant Christopher Laverty; and an introduction by playwright Anne Washburn. Previously unpublished production photos, artwork, and ephemera illustrate each essay and interview.

The Wes Anderson Collection: The Grand Budapest Hotel stays true to Seitz's previous book on Anderson's first seven feature films, The Wes Anderson Collection, with an artful, meticulous design and playful, original illustrations that capture the spirit of Anderson's inimitable aesthetic. Together, they offer a complete overview of Anderson's filmography to date.

About the Authors:

Matt Zoller Seitz, a finalist for the Pulitzer Prize in criticism, is the TV critic for New York Magazine and Vulture.com, as well as the editor-in-chief of RogerEbert.com.
A Brooklyn-based writer and filmmaker, Seitz has written, narrated, edited, or produced more than a hundred hours' worth of video essays about cinema history and style for The Museum of the Moving Image and The L Magazine, among other outlets. His five-part 2009 video essay, "Wes Anderson: The Substance of Style," was later spun off into a New York Times bestselling hardcover book: The Wes Anderson Collection (Abrams, 2013). 
Seitz is the founder and original editor of The House Next Door, now a part of Slant Magazine, and the publisher of Press Play, a blog of film and TV criticism and video essays. He is the director of the 2005 romantic comedy Home.
Anne Washburn's plays include Mr. Burns, The Internationalist, A Devil at Noon, and a trans adaptation of Euripides’s Orestes. She lives in New York City and, occasionally, Buenos Aires.
Max Dalton is a graphic artist living in Buenos Aires, Argentina, by way of Barcelona, New York, and Paris. He has published a few books and illustrated some others, including The Wes Anderson Collection (Abrams, 2013). Max started painiting in 1977, and since 2008, he has been creating posters about music, movies, and pop culture, quickly becoming one of the top names in the industry.

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The sixth volume in the They Drew as They Pleased series from award-winning Disney historian Didier Ghez!

They Drew as They Pleased Volume 6: The Hidden Art of Disney's New Golden Age explores the Disney Animation Studios from the 1990s through 2010s.

This gorgeous volume is the culmination of this landmark series, profiling artists Joe Grant, Hans Bacher, Mike Gabriel, and Michael Giaimo.

-  Blockbusters like The Little Mermaid, The Lion King, Beauty and the Beast, Aladdin, Frozen, and Moana captivated audiences around the globe.
-  Explores how Disney navigated the dramatic shift to computer animation
-  Filled with vivid descriptions, never-before-seen art, and interviews with the artists themselves

This visually rich collection offers a rare view of the artists whose collective talents exemplify Disney's storied past and visionary leap forward.

As Disney shifted to computer animation, the featured artists were part of the animation process through it all ― as they had been since the studio's inception.

-  Ideal for anyone looking for a unique visual history of Disney's artists, as well as unprecedented access to concept art
-  Makes a wonderful gift for fans of Disney, animation, pop culture, and film history
-  A visually gorgeous volume that can be displayed on the coffee table or on the shelf
- Perfect for those who loved The Illusion of Life: Disney Animation by Ollie Johnston and The Animator's Survival Kit by Richard Williams

©2020 Disney Enterprises, Inc. All Rights Reserved.

About the Authors:

Didier Ghez is the author and editor of numerous books about the Disney studio and its artists, including the books in the Walt’s People series and in the They Drew as They Pleased series. In 2018, Ghez received the prestigious June Foray Award for significant and benevolent impact on the art and industry of animation. He lives in Coral Gables, Florida.

Burny Mattinson is the longest-serving employee in Disney history and one of the few remaining artists who worked with Walt Disney. The veteran Disney filmmaker has worked on a number of classics including Lady and the Tramp, The Jungle Book, Beauty and the Beast, and Tarzan, and he was officially inducted as a Disney Legend in 2008. He lives in San Francisco.