Книги о восточном искусстве

The second collection from Ilya Kuvshinov, the illustrator with magical colors.

Following the worldwide success of Momentary, PIE International is proud to present this second collection from Ilya Kuvshinov, Eternal. This book collects popular artworks the artist has posted on social media that were created after Momentary was published. After the success of that book, Ilya has gained popularity and has had major exhibitions and commercial works. One of the most prestigious jobs Ilya took on was as the character and visual designer for the anime "Birthday Wonderland" (directed by Keiichi Hara; Crayon Shin-chan series). This talented illustrator, who was influenced by many Japanese artists, now has 1.5 million followers worldwide on Instagram, and is established as an influencer of other illustrators around the world.

Eternal features special printing technology to reproduce the beautiful colors of Ilya's CG illustrations, enhancing the quality of the of 4-color printing. As social media is the main platform where Ilya presents his works, Momentary was published in a square format. But this time, to have more variety and include illustrations with different sizes, we have produced this book in a larger format.

About the Author:

Kuvshinov Ilya is an illustrator and storyboard artist born and raised in Russia, who now resides in Japan. With experience in concept art, comic art and animation, his goal is to create a unique story-based media to inspire people to believe in their own strength and ability to move forward in life.

Nearly 500 sensational illustrations with the taste of manga and anime.

Manga, anime, and video games are some of Japan’s modern cultural contributions to the world. Girl, Illustrated is a provocative collection by 100 professional illustrators who rise above the throng in this subculture. It features 500 high-quality works in the manga and anime styles - which have been getting more and more popular all around the world - showing female characters in various enticing poses. This book will be a must-have for manga and anime fans, as well as for professionals in the video gaming industry. It will also be a useful source of information and inspiration, highlighting hot trends for those in the advertising and publishing fields. Featured illustrators are all from Japan, such as mota, Akatsuki Kato, gorobots, redjuice, refeia, Nino, Masakichi and more.

From the kitsch cuteness of the ubiquitous Hello Kitty to the cult of manga and anime, Japanese design has long paved the way for the West to follow. Graphic Japan goes beyond this well-known territory to reveal the myriad styles of design produced in Japan today, from packaging to posters, typography to new media. Contemporary Japanese graphic design is a unique collision of traditional cultural influences and a focused thrust towards modernisation on global terms. No other country has found itself modernised so quickly while retaining such a distinct way of life, and the resulting graphic innovation enthralls the world. Divided into distinct sections, the book reflects the marriage of tradition and hyper-modernity that typifies Japanese design. Essays on today’s innovators are beautifully printed in a simple, elegant manner typical of traditional Japanese work, while visual matter is boldly, colourfully printed, reflecting the brash, global commerciality of much new material.

Discover the exceptional artistry and rich traditions being kept alive by Japanese artisans in the 21st century.

In an era where global interest in handmade, small-batch products is heightening as a response to mass production, Handmade in Japan takes a look inside the workshops of the country’s artisans, revealing their endless pursuit of excellence, and what it means to dedicate one’s life to the stewardship of irreplaceable cultural heritage. Find inspiration in the exploration of handmade processes using sustainable materials and discover the lengths these makers go to in ensuring every product is perfect.

From hand-painted kimono dyeing to wooden trays carving, Handmade in Japan meets the craftspeople of Japan's diverse regions with unique insights into their traditions and how they work.

About the Author:

Irwin Wong is an editorial and commercial photographer based in Tokyo. Originally from Melbourne, Australia, he moved to Japan in 2005. He developed an interest in craftsmanship after photographing several artisans for work. His clients include Apple, The Washington Post, Forbes, and Nike.

Utagawa Hiroshige (1797-1858) was one of the last great artists in the ukiyo-e tradition. Literally meaning "pictures of the floating world", ukiyo-e refers to the famous Japanese woodblock print genre that originated in the 17th century and is practically synonymous with the Western world`s visual characterization of Japan. Though Hiroshige captured a variety of subjects, his greatest talent was in creating landscapes of his native Edo (modern-day Tokyo) and his most famous work was a series known as "100 Famous Views of Edo" (1856-1858). This book provides an introduction to his work and an overview of his career.

The author:

Adele Schlombs studied sinology, East Asian art history, European art history, and comparative religious studies at Cologne and Heidelberg Universities. From 1984 to 1987 she studied at Kyoto University and gained her doctorate in 1989 at Heidelberg University. In 1991, she took over the directorship of the Museum of East Asian Art in Cologne and since then she has organized numerous loan exhibitions of Japanese and Chinese art.

About the Series:

Every book in TASCHEN's Basic Art Series features:

-  a detailed chronological summary of the artist's life and work, covering the cultural and historical importance of the artist
-  approximately 100 colour illustrations with explanatory captions
-  a concise biography

Orient Expressed. The master of Japanese ukiyo-e

Hiroshige was one of the last great artists of ukiyo-e, the woodblock print genre that flourished between the 17th and 19th century and did much to determine the world’s visual concept of Japan. This dependable introduction leads you through the blossoming cherry trees, beautiful women, and dramatic ocean views that made Hiroshige a household name and became exemplary of Japonisme.

Utagawa Hiroshige (1797–1858) was one of the last great artists in the ukiyo-e tradition. Literally meaning “pictures of the floating world,” ukiyo-e was a particular woodblock print genre of art that flourished between the 17th and 19th centuries. Subjects ranged from the bright lights and attractions of Edo (modern-day Tokyo), to spectacular natural landscapes.

In the West, Hiroshige’s prints became exemplary of the Japonisme that swept through Europe and defined the Western world’s visual idea of Japan. Because they could be mass produced, ukiyo-e works were often used as designs for fans, greeting cards, and book illustrations. The style influenced Impressionist, Post-Impressionist, and Art Nouveau artists alike, with Vincent van Gogh and James Abbott McNeill Whistler both particularly inspired by Hiroshige’s landscapes.

This introductory book presents key images from Hiroshige’s vibrant, vivid portfolio of blooming cherry trees, beautiful women, Kabuki actors, and busy shopping streets to introduce one of the greats of Asian art history.

The author:

Adele Schlombs studied Sinology, East Asian art history, European art history, and comparative religious studies at Cologne and Heidelberg Universities. From 1984 to 1987 she studied at Kyoto University and gained her doctorate in 1989 at Heidelberg University. In 1991, she took over the directorship of the Museum of East Asian Art in Cologne and since then she has organized numerous loan exhibitions of Japanese and Chinese art.

About the series:

Each book in TASCHEN's Basic Art series features:

- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions

Station to Station. A historic trail through the heart of Japan, as told by two legendary woodblock artists

This XXL edition reprints Keisai Eisen and Utagawa Hiroshige’s legendary series The Sixty-Nine Stations along the Kisokaidō, a stunning representation of the historic route between Edo (Tokyo) and Kyoto. Sourced from one of the finest surviving first editions, this vivid tapestry of 19th-century Japan is in equal parts a major artifact of its imperial past and a masterwork of woodblock practice.

The Kisokaidō route through Japan was ordained in the early 1600s by the country’s then-ruler Tokugawa Ieyasu, who decreed that staging posts be installed along the length of the arduous passage between Edo (present-day Tokyo) and Kyoto. Inns, shops, and restaurants were established to provide sustenance and lodging to weary travelers. In 1835, renowned woodblock print artist Keisai Eisen was commissioned to create a series of works to chart the Kisokaidō journey. After producing 24 prints, Eisen was replaced by Utagawa Hiroshige, who completed the series of 70 prints in 1838.

Both Eisen and Hiroshige were master print practitioners. In The Sixty-Nine Stations along the Kisokaidō, we find the artists’ distinct styles as much as their shared expertise. From the busy starting post of Nihonbashi to the castle town of Iwamurata, Eisen opts for a more muted palette but excels in figuration, particularly of glamorous women, and relishes snapshots of activity along the route, from shoeing a horse to winnowing rice. Hiroshige demonstrates his mastery of landscape with grandiose and evocative scenes, whether it’s the peaceful banks of the Ota River, the forbidding Wada Pass, or a moonlit ascent between Yawata and Mochizuki.

Taken as a whole, The Sixty-Nine Stations collection represents not only a masterpiece of woodblock practice, including bold compositions and an experimental use of color, but also a charming tapestry of 19th-century Japan, long before the specter of industrialization. This TASCHEN XXL edition revives the series with due scale and splendor. Sourced from the only-known set of a near-complete run of the first edition of the series, this legendary publication is reproduced in optimum quality, bound in the Japanese tradition and with uncut paper. A perfect companion piece to TASCHEN’s One Hundred Famous Views of Edo, it is at once a visual delight and a major artifact from the bygone era of Imperial Japan.

The editor and author:

Andreas Marks studied East Asian art history at the University of Bonn and obtained his PhD in Japanese studies from Leiden University with a thesis on 19th-century actor prints. From 2008 to 2013 he was director and chief curator of the Clark Center for Japanese Art in Hanford, California, and since 2013 has been the Mary Griggs Burke Curator of Japanese and Korean Art, head of the Department of Japanese and Korean Art, and director of the Clark Center for Japanese Art at the Minneapolis Institute of Art.

The author:

Rhiannon Paget studied at Tokyo University of the Arts and received her doctorate in Japanese Art History from the University of Sydney, Australia. The curator of Asian art at the John & Mable Ringling Museum of Art in Sarasota, Florida, she has published research on Japanese woodblock prints, textiles, board games, and nihonga.

Literally meaning "pictures of the floating world", ukiyo-e refers to the famous Japanese woodblock print genre that originated in the 17th century and is practically synonymous with the Western world’s visual characterization of Japan. Because they could be mass-produced, ukiyo-e works were often used as designs for fans, New Year’s greeting cards, single prints, and book illustrations, and traditionally they depicted city life, entertainment, beautiful women, kabuki actors, and landscapes. The influence of ukiyo-e in Europe and the USA often referred to as Japonisme, can be seen in everything from impressionist painting to today’s manga and anime illustration. This reprint is made from one of the finest complete original sets of woodblock prints belonging to the Ota Memorial Museum of Art in Tokyo.

Hiroshige (1797-1858) was one of the last great artists in the ukiyo-e tradition. Though he captured a variety of subjects, his greatest talent was in creating landscapes of his native Edo (modern-day Tokyo) and his final masterpiece was a series known as "One Hundred Famous Views of Edo" (1856-1858). This resplendent complete reprint pairs each of the 120 large-scale illustrations with a description, allowing readers to plunge themselves into Hiroshige’s beautifully vibrant landscapes.

 

City lights and cherry trees. The woodblock prints of Tokyo that captured Europe's imagination

Utagawa Hiroshige (1797–1858) was one of the last great artists in the ukiyo-e tradition. Literally meaning “pictures of the floating world,” ukiyo-e was a particular genre of art that flourished between the 17th and 19th centuries and came to characterize the Western world’s visual idea of Japan. In many ways images of hedonism, ukiyo-e scenes often represented the bright lights and attractions of Edo (modern-day Tokyo): beautiful women, actors and wrestlers, city life, and spectacular landscapes.

Though he captured a variety of subjects, Hiroshige was most famous for landscapes, with a final masterpiece series known as “One Hundred Famous Views of Edo” (1856–1858), which depicted various scenes of the city through the seasons, from bustling shopping streets to splendid cherry orchards.

This reprint is made from one of the finest complete original sets of woodblock prints belonging to the Ota Memorial Museum of Art in Tokyo. It pairs each of the 120 illustrations with a description, allowing readers to immerse themselves in these beautiful, vibrant vistas that became paradigms of Japonisme and inspired Impressionist, Post-Impressionist and Art Nouveau artists alike, from Vincent van Gogh to James McNeill Whistler.

About the series:

Bibliotheca Universalis — Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!

Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together more than 100 of our all-time favourite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.

Bookworm’s delight — never bore, always excite!

Views of 19th-Century Tokyo. Images of a city between visual poetry and idealized reality

From verdant panoramas to decadent pleasure quarters: Utagawa Hiroshige’s final masterpiece, One Hundred Famous Views of Edo, is a woodblock journey through 19th-century Tokyo and a jewel in the ukiyo-e tradition. This reprint is bound in the traditional Japanese fashion and reproduces one of the finest complete original sets belonging to the Ota Memorial Museum of Art in Tokyo.

“This luxurious Japanese-bound, boxed publication transcends the coffee table cliché by combining beauty with information.”
—ARTnews Magazine, New York

Literally meaning “pictures of the floating world,” ukiyo-e refers to the famous Japanese woodblock print genre that originated in the 17th century and is practically synonymous with the Western world’s visual characterization of Japan. Because they could be mass-produced, ukiyo-e works were often used as designs for fans, New Year’s greeting cards, single prints, and book illustrations, and traditionally they depicted city life, entertainment, beautiful women, kabuki actors, and landscapes. The influence of ukiyo-e in Europe and the United States often referred to as Japonisme, can be seen in everything from impressionist painting to today’s manga and anime illustration. This reprint is made from one of the finest complete original sets of woodblock prints belonging to the Ota Memorial Museum of Art in Tokyo.

Hiroshige (1797–1858) was one of the last great artists in the ukiyo-e tradition. Though he captured a variety of subjects, his greatest talent was in creating landscapes of his native Edo (modern-day Tokyo) and his final masterpiece was a series known as “One Hundred Famous Views of Edo” (1856–1858). This resplendent complete reprint pairs each of the 120 large-scale illustrations with a description, allowing readers to plunge themselves into Hiroshige’s beautifully vibrant landscapes.

The authors

Lorenz Bichler studied Sinology, Japanese studies, and Modern History in Zurich and Beijing. After scholarships at the Waseda and Tokai universities in Japan, he was appointed assistant professor of politics at New York University in 1999. He has held non-established teaching posts at various universities and given online instruction at the New School of Social Research. He has been a freelance sinologist working in Heidelberg since 2004.

Before taking her doctorate in Far Eastern art history at the University of Heidelberg, Melanie Trede worked at the Gakushuin University in Tokyo. She was assistant professor at the Institute of Fine Arts at New York University from 1999 to 2004, since which time she has been Professor of Far Eastern art history at the University of Heidelberg.

This highly regarded survey of the works of a master of Japanese printmaking is now available in a convenient and attractively priced flexi edition.

Utagawa Hiroshige holds an assured place in the history of art as one of the greatest and best-loved masters of the woodblock print. His immensely popular works capture the beauty and delicacy of Japan’s landscape. This superb overview of Hiroshige’s oeuvre is arranged according to subject matter: prints of birds and flowers; scenes of his native city; landscapes; still-lifes; a selection from his renowned series, “One Hundred Famous Views in Edo”; images of mist, snow, rain, and moonlight; and drawings and other works related to the artist’s prints. Matthi Forrer’s thorough and insightful essays are filled with scholarly detail and fascinating observations. The book’s breathtaking images allow readers to fully experience the splendor of Hiroshige’s prints in all their poetry and detailThis highly regarded survey of the works of a master of Japanese printmaking is now available in a convenient and attractively priced flexi edition.

About the Author:

Matthi Forrer is an independent curator and the author of numerous books on Hokusai and Japanese art, including Hokusai: Prints and Drawings and Hiroshige: Prints and Drawings (both by Prestel).

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Пролистать книгу Hiroshige: Prints and Drawings на сайте издательства.

 

This big and beautiful book presents a comprehensive survey of the work of one of Japan’s greatest and most influential artists, together with a collection of essays that focus on a key aspects of the master’s career. The book opens with an introductory essay by Gian Carlo Calza presenting an overview of the changing world Hokusai was born into and lived through. This is followed by a series of essays by distinguished Western and Japanese scholars that present new research on a range of crucial areas of interest in Hokusai studies. These form a context for the core of the book, which forms a retrospective of Hokusai’s entire career, divided into seven chapters. Each chapter provides a succinct account of a phase in Hokusai’s life, followed by a series of the finest and most representative works of that period. Great care has been taken throughout to choose for reproduction the best-preserved original prints that reveal Hokusai’s mastery of line and colour to full advantage. This magnificent pictorial survey of Hokusai’s prints, paintings and drawings is the first publication in English to make such a rich selection widely available, and to demonstrate the extraordinary range and quality of Hokusai’s achievement. The final component of the book is a detailed scholarly commentary on each illustration that provides not only the necessary technical information but also a revealing analysis of style, colour, composition and motif.

Meet the artist whose majestic breaking wave sent ripples across the world. Hokusai (1760–1849) is not only one of the giants of Japanese art and a legend of the Edo period, but also a founding father of Western modernism, whose prolific gamut of prints, illustrations, paintings, and beyond forms one of the most comprehensive oeuvres of ukiyo-e art and a benchmark of Japonisme. His influence spread through Impressionism, Art Nouveau, and beyond, enrapturing the likes of Claude Monet, Berthe Morisot, Edgar Degas, Mary Cassatt, and Vincent van Gogh.

Hokusai was always a man on the move. He changed domicile more than 90 times during his lifetime and changed his own name through over 30 pseudonyms. In his art, he adopted the same restlessness, covering the complete spectrum of Japanese ukiyo-e, “pictures of the floating world”, from single-sheet prints of landscapes and actors to erotic books. In addition, he created album prints, illustrations for verse anthologies and historical novels, and surimono, which were privately issued prints for special occasions.

Hokusai’s print series Thirty-Six Views of Mount Fuji, published between c. 1830 and 1834 is the artist’s most renowned work and, with its soaring peak through different seasons and from different vantage points, marked the towering summit of the Japanese landscape print. The series Under the Wave off Kanagawa, also known simply as The Great Wave, is one of the most recognized images of Japanese art in the world.

This TASCHEN introduction spans the length and breadth of Hokusai’s career with key pieces from his far-reaching portfolio. Through these meticulous, majestic works and series, we trace the variety of Hokusai’s subjects, from erotic books to historical novels, and the evolution of his vivid formalism and decisive delineation of space through colour and line that would go on to liberate Western art from the constraints of its one-point perspective and unleash the modernist momentum.

About the series:

Each book in TASCHEN's Basic Art series features:

- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions

150 full-colour illustrations

Katsushika Hokusai is without a doubt the most famous Japanese artist known in the Western world since the middle of the nineteenth century.
Reflecting the artistic expression of an isolated civilisation, the works of Hokusai, one of the first Japanese artists to emerge in Europe, greatly influenced Impressionist and Post-Impressionist painters, such as Vincent van Gogh.
Considered a Ukiyo-e master even during his lifetime, Hokusai fascinates us with the variety and the significance of his work which spanned almost ninety years and is presented here in all its breadth and diversity.

About the author
Friend of Émile Zola, Gustave Flaubert and Alphonse Daudet, Edmond de Goncourt was a French writer belonging to the naturalist movement. Eyewitness to the events of the worldly and artistic life of the second half of the nineteenth century, his major work remains the Journal written with his brother, Jules. Beginning in 1850, they collaborated on history books, most notably treating painting, such as Eighteenth Century Art. Impassioned by the delicate beauty of the Japanese woodblock prints, Edmond de Goncourt became, through his monographs on Utamaro and Hokusai, one of the first to reveal the magnificence of this art to the Western world.