Книги про східне мистецтво

Meet the artist whose majestic breaking wave sent ripples across the world. Hokusai (1760–1849) is not only one of the giants of Japanese art and a legend of the Edo period, but also a founding father of Western modernism, whose prolific gamut of prints, illustrations, paintings, and beyond forms one of the most comprehensive oeuvres of ukiyo-e art and a benchmark of Japonisme. His influence spread through Impressionism, Art Nouveau, and beyond, enrapturing the likes of Claude Monet, Berthe Morisot, Edgar Degas, Mary Cassatt, and Vincent van Gogh.

Hokusai was always a man on the move. He changed domicile more than 90 times during his lifetime and changed his own name through over 30 pseudonyms. In his art, he adopted the same restlessness, covering the complete spectrum of Japanese ukiyo-e, “pictures of the floating world”, from single-sheet prints of landscapes and actors to erotic books. In addition, he created album prints, illustrations for verse anthologies and historical novels, and surimono, which were privately issued prints for special occasions.

Hokusai’s print series Thirty-Six Views of Mount Fuji, published between c. 1830 and 1834 is the artist’s most renowned work and, with its soaring peak through different seasons and from different vantage points, marked the towering summit of the Japanese landscape print. The series Under the Wave off Kanagawa, also known simply as The Great Wave, is one of the most recognized images of Japanese art in the world.

This TASCHEN introduction spans the length and breadth of Hokusai’s career with key pieces from his far-reaching portfolio. Through these meticulous, majestic works and series, we trace the variety of Hokusai’s subjects, from erotic books to historical novels, and the evolution of his vivid formalism and decisive delineation of space through colour and line that would go on to liberate Western art from the constraints of its one-point perspective and unleash the modernist momentum.

About the series:

Each book in TASCHEN's Basic Art series features:

- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions

150 full-colour illustrations

Katsushika Hokusai is without a doubt the most famous Japanese artist known in the Western world since the middle of the nineteenth century.
Reflecting the artistic expression of an isolated civilisation, the works of Hokusai, one of the first Japanese artists to emerge in Europe, greatly influenced Impressionist and Post-Impressionist painters, such as Vincent van Gogh.
Considered a Ukiyo-e master even during his lifetime, Hokusai fascinates us with the variety and the significance of his work which spanned almost ninety years and is presented here in all its breadth and diversity.

About the author
Friend of Émile Zola, Gustave Flaubert and Alphonse Daudet, Edmond de Goncourt was a French writer belonging to the naturalist movement. Eyewitness to the events of the worldly and artistic life of the second half of the nineteenth century, his major work remains the Journal written with his brother, Jules. Beginning in 1850, they collaborated on history books, most notably treating painting, such as Eighteenth Century Art. Impassioned by the delicate beauty of the Japanese woodblock prints, Edmond de Goncourt became, through his monographs on Utamaro and Hokusai, one of the first to reveal the magnificence of this art to the Western world.

A one-of-a-kind book of pop-ups based on the works of the Japanese artist Hokusai

Hokusai (1760–1849) was an extraordinarily prolific Japanese master artist and printmaker of the ukiyo-e (‘pictures of the floating world’) genre. More than 150 years after his death, his legacy remains as important as any Western painter’s. His work inspired a roll-call of great artists including Van Gogh, Renoir, Monet, Gauguin, Manet, Degas and Klimt as well as craftsmen and architects such as Frank Lloyd Wright.

A wonderfully illustrated exploration of one of Hokusai's key motifs: Mount Fuji.

Hokusai's Thirty-six Views of Mount Fuji and the three volumes of his subsequent One Hundred Views of Mount Fuji show his fascination with a single motif: Mount Fuji. Hokusai's near-obsession with Fuji was part of his hankering after artistic immortality – in Buddhist and Daoist tradition, Fuji was thought to hold the secret to eternal life, as one popular interpretation of its name suggests: 'Fu-shi' ('not death'). Thirty-six Views of Mount Fuji was produced from c. 1830 to 1832 when Hokusai was in his seventies and at the height of his career. Among the prints are three of the artist's most famous: The Great Wave off Kanagawa, Fine Wind, Clear Morning and Thunderstorm Beneath the Summit. By the time he created his second great tribute to Mount Fuji, three volumes comprising One Hundred Views of Mount Fuji, he was using the artist names Gakyo rojin ('Old Man Crazy to Paint'), and Manji ('Ten Thousand Things', or 'Everything'). Contrasting the mountain's steadfastness and solidity with the ravages of the surrounding elements, Hokusai depicts Fuji through different seasons, weather conditions and settings, and in so doing communicates an important message: while life changes, Fuji stands still.

Including all the illustrations from these two masterpieces, this book also features many of Hokusai’s earlier renditions of the

About the Author:

Katsushika Hokusai (1760–1849) was a Japanese artist, ukiyo-e painter and printmaker of the Edo period. Kyoko Wada is an art writer, critic and historian of Japanese culture.

In the Footsteps of a Master. Hokusai’s complete Views of Mount Fuji

This XXL edition transports readers to 19th-century Japan with Katsushika Hokusai’s seminal Thirty-six Views of Mount Fuji, an artifact of art history and masterpiece of woodblock practice. This sweeping reproduction of the complete 46 plates and 114 color variations, gathered from museums and collections worldwide, is bound in Japanese style.

Mount Fuji has long been a centerpiece of Japanese cultural imagination, and nothing captures this with more virtuosity than the landmark woodblock print series Thirty-six Views of Mount Fuji by Katsushika Hokusai (1760–1849). The renowned printmaker documents 19th-century Japan with exceptional artistry and adoration, celebrating its countryside, cities, people, and serene natural beauty. Produced at the peak of Hokusai’s artistic ambition, the series is a quintessential work of ukiyo-e that earned the artist world-wide recognition as a leading master of his craft.

The prints illustrate Hokusai’s own obsession with Mount Fuji as well as the flourishing domestic tourism of the late Edo period. Just as the mountain was a cherished view for travelers heading to the capital Edo (now Tokyo) along the Tōkaidō road, Mount Fuji is the infallible backdrop to each of the series’ unique scenes. Hokusai captures the distinctive landscape and provincial charm of each setting with a vivid palette and exquisite detail. Including the iconic Under the Great Wave off Kanagawa (also The Great Wave), this widely celebrated series is a treasure of international art history.

Among only a few complete reprints of the series, this XXL edition pays homage to Hokusai’s striking colors and compositions with unprecedented care and magnitude. Bound in the Japanese tradition with uncut paper, Thirty-six Views of Mount Fuji presents the original 36 plates plus the additional 10 later added by the artist. The perfect companion piece to TASCHEN’s One Hundred Views of Edo and The Sixty-Nine Stations along the Kisokaidō, this publication paints an enchanting picture of pre-industrial Japan and is itself a stunning monument to the art of woodblock printing.

The editor and author:

Andreas Marks studied East Asian art history at the University of Bonn and obtained his PhD in Japanese studies from Leiden University with a thesis on 19th-century actor prints. From 2008 to 2013 he was director and chief curator of the Clark Center for Japanese Art in Hanford, California, and since 2013 has been the Mary Griggs Burke Curator of Japanese and Korean Art, head of the Department of Japanese and Korean Art, and director of the Clark Center for Japanese Art at the Minneapolis Institute of Art. He is the author of The Sixty-Nine Stations along the Kisokaido (2017), Japanese Woodblock Prints (2019), and Thirty-six Views of Mount Fuji (2021).

Now available again, this delightful selection of prints depicting nineteenth-century Japan’s natural beauty is a colorful introduction to the country’s most beloved artist.

The Japanese artist Hokusai spent the second half of his life sketching and painting with tremendous energy nearly everything he saw, and this book focuses on one of his most productive periods, when the artist was in his seventies. This book presents fifty works of the artist’s astonishing oeuvre. It includes selections from his renowned series of woodblock prints, Thirty-Six Views of Mount Fuji, including “In the Hollow of a Wave,” “Shower below the Summit,” and “South Wind at Clear Dawn.” Also presented are images of flowers, waterfalls, bridges, birds, and fish, demonstrating the uniquely precise yet passionate quality of Hokusai’s art. An expert on the artist’s work, Matthi Forrer provides illuminating commentary on Hokusai’s life and technique, offering insight into his enduring popularity throughout the world.

Zen. Soothing. Mystical. Meditative. All the most serene words in the world couldn't begin to describe the effect of Asia's most beautiful interiors. Whether it's a monastery in Tibet, a beautiful garden on a rubber plantation in Sri Lanka, or a Tadao Ando-designed house in Japan, each spot chosen for this book is remarkable not only for its aesthetics but for its spirit. Presented in two sublime volumes, these interiors have what it takes to transport you to a sacred place; breathe deeply, delve in, and be inspired. Featuring 100 locations in the following countries: Tibet, Nepal, India, Sri Lanka, Myanmar, Thailand, Laos, Cambodia, Singapore, and Malaysia, Indonesia, Philippines, Vietnam, Hong Kong, China, and Japan.

Islam, the second largest and the youngest of the major world religions, has changed the world and left its mark on human history since the appearance of the prophet Mohammed in the seventh century.

This book follows the historical development of the Islamic dynasties and regions, showing the variety of their forms of artistic expression from the beginning until today. From decorative elements of buildings to calligraphy and the embellishment of everyday objects, ornamentation, that most characteristic Islamic art form, is displayed in an extraordinary rich range of ways.

The contributions of important scholars bring to life before our very eyes this culture, which belongs next to Greek and Roman antiquity as one of the pillars of our modern society.

The Visual Encyclopaedia series provide up to 300 beautiful photographic and artwork images, illustrating subjects of perennial cultural interest. Images are accompanied by narrative providing background, brief criticism, and details on relevant museums, brief biographies and time lines

An encounter with the artistic heritage of Islam is characterized by two factors that make it very special: the vast dimension of the areas involved, from Spain to Central Asia as far as China - without forgetting the expansion to sub-Saharan Africa - and the continuation of the phenomenon during fourteen centuries of history. Is it possible to treat such a complex and multifaceted phenomenon as a single subject? The images that follow are the answer.

Другие книги серии Visual Encyclopedia of Art:

20th Century Art. Искусство XX века

Art Nouveau. Арт Нуво

Baroque. Барокко

Renaissance. Ренессанс

This gorgeous survey of art from the Islamic world covers three continents and fourteen centuries.

From its birth in the seventh century through modern times, the Islamic religion has inspired glorious works of art. This stunning book includes more than four hundred reproductions of treasures of Islamic art that span the world: from southern Europe, along the entire Mediterranean basin to sub-Saharan Africa through the Middle East, India, and Central Asia. Arranged geographically, the objects include paintings, miniatures, ceramics, calligraphy, textiles, carpets, and metal works. Each region is given a thorough introduction that offers historical context and extensive descriptions of its artifacts. Accompanying essays offer guidance in interpreting the many themes that tie these works together, including typology, calligraphy, and religious beliefs. Despite its wide-ranging history and origins, Islamic art is unified by its devotion to faith and beauty. With its large format, exquisite reproductions and extensive research, this book is a thorough introduction to an artistic tradition

Timeless Beauty. Land of the Rising Sun at the Turn of the Century

The Golden Age of Travel neatly overlaps with the reign of the Emperor Meiji, which began in 1868 with the overthrow of a feudal order that had kept Japan secluded from the outside world for more than 200 years. In the ensuing four-and-a-half decades, Japan became a less remote and more attractive destination for the international traveler and a popular subject for photographers, both Japanese and foreign.

In 536 pages, this book presents more than 700 vintage images of Japan, texts by a specialist in early Japanese photography, and extensive commentary through thematic sections exploring traditions as varied as tea, silk and Buddhism, as well as itineraries across five regions, all of which guide the reader through this captivating land.

Our travels take us from the enchanting vistas of Nagasaki to the seagirt shrine of Miyajima, long esteemed among the "Three Views" considered the most beautiful in Japan; from the rambling streets of Kobe to the energetic bustle of Osaka; from the cornucopia of historic sights in the ancient cities of Kyoto and Nara to the twin delights of shopping and sex in the vibrant modern port of Yokohama; from the timeless beauty of Mount Fuji and the mountainside scenery of nearby Hakone to the urban melange of Japan’s modern capital, where the traditions of Edo and the modernity of Tokyo co-existed; and, finally, from the jewel-like architecture of Nikkō set amidst forests and waterfalls to the islet-studded bay of Matsushima, until our journey ends in the remote wilds of Hokkaido, home to the indigenous Ainu.

The authors:

Sebastian Dobson is an independent scholar of the history of early photography in Japan and East Asia. He lectures widely in Europe, the United States, Australia and Japan, and his publications include encyclopedia entries, book reviews, numerous articles and catalogue essays for exhibitions hosted in Boston, Singapore and Tokyo.

Sabine Arqué is a photo researcher, editor, and author. She has collaborated on numerous publications on the themes of travel, the history of tourism, and photography.

Illustrations and photographs, each paired with an eloquent quotation, take the reader on a tour of the Land of the Rising Sun in Japan. The images include some of the earliest photographs taken in Japan, in addition to the work of contemporary photographers, plus traditional and modern prints and designs. The accompanying texts are taken from classic works like The Tale of Genji, as well as more modern literature, each one revealing a piece of wisdom from the East for each season of the year.
Japan has held a certain fascination for many Westerners since its reopening by Commodore Matthew Perry in 1854. Thanks to two centuries of isolation, its classical traditions and customs survived industralization and globalization, resulting in a unique blending of old and new. This book brings together the historical and the current in a broad portrait of Japanese heritage through the centuries.

For the art enthusiast, the doll collector, as well as the casual reader, the world of Japanese dolls is a fascinating one to explore. For many centuries Japanese doll artisans created spectacular works of art, invested with both significant cultural meaning and elemental beauty. The focus of this book is on collecting: What types of ningyo are available for the collector of today? What are some of the features and characteristics which will help collectors identify the ningyo they find and evaluate them? Who were some of the earliest collectors in Japan, Europe, and the United States? and, How do we preserve and care for these invaluable artifacts from Japan's past?

About the Author:

Alan Pate was born in Florida and studied in France, Korea and the US. He has an MA in East Asian Studies from Harvard University. He is the owner of the Japanese antique firm Akanezumiya in St Ignatius, Montana, specializing in the religious and figural art of Japan from the Edo period and earlier. He is the leading expert on Japanese dolls in the US, where he has curated exhibitions and lectured extensively. He has also published widely in journals focusing on Japanese antiques. He has been appointed Guest Curator for an exhibition on important US collections of Japanese dolls to be held at the Mingei International Museum in San Diego, CA, in 2005.

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Пролистать книгу Japanese Dolls: The Fascinating World of Ningyo на Google Books.

Красиво оформлена та візуально вражаюча книга про японське еротичне мистецтво, шунга

Японське еротичне мистецтво або шунга має довгу історію, з тисячами високоякісних картин, гравюр та ілюстрованих книг, створених як знаменитими, так і анонімними художниками, переважно з кінця XVII до XIX століття. Часто відвертий, але також ніжний, чуттєвий і жартівливий, навіть повчальний, shunga – евфемізм, що означає «образ весни» – відзначає всі грані людської сексуальності. Надзвичайно популярні в японському суспільстві, такі зображення вважалися цілком природними та є вираженням витонченої культури «плаваючого світу», яка прагне до насолоди, якою славиться Японія періоду Едо, коли було створено багато з цих творів.

Твори шунга подобалися всім верствам суспільства, від самураїв до звичайних новоспечених пар, особливо після того, як поява ксилографічного друку зробила їх доступними за ціною – можна було навіть брати книги шунга в бібліотеках. Майже кожен художник знаменитої школи ukiyo-e, включаючи Хокусая, Утамаро та Кунійоші, створив сюнга, демонструючи блискучу уяву, великі технічні досягнення та оригінальність.

У приголомшливому розмаїтті зображень, взятих із його власної неперевершеної колекції, Офер Шаган показує нам повний спектр сексуальних практик і самовираження, включаючи оголеність і одяг, вуайєризм, богів, монстрів і тварин, оргазм, перелюб і ревнощі, і багато іншого. Ця книга, організована тематично, висвітлює символи та мотиви, часто приховані на тлі мистецтва, які є вирішальними для правильного розуміння та оцінки цього жанру.

Довгий час шунга залишалася табуйованою та виключеною з наукової сфери, але ця амбітна книга з передмовою професора Ендрю Герстла зі Школи східних і африканських досліджень Лондонського університету повертає ці чудові твори мистецтва на належне їм місце в історії японського мистецтва, культури та суспільства.

Завдяки понад 1200 ілюстрацій, усі спеціально сфотографовані та багато з яких рідко або ніколи раніше не публікувалися, ця чудово створена книга досліджує інтимне багатство шунга так, як це не робило жодне інше видання.

Про автора:

Офер Шаган написав кілька книг про аспекти своєї колекції, включно з Мудмі Ікат з Таїланду та Мистецтво та історія Південно-Східної Азії, а також понад сотню статей у періодичних виданнях, що стосуються історії, культури та мистецтва, включаючи обширні праці про шунга.

History, technique, content and style of Japanese prints This volume reproduces 139 Japanese woodblock colour prints by 43 famous masters of ukiyo-e, the popular art of the 17th to the 19th century. The originals are in the Riccar Art Museum in Tokyo, the world's largest and most celebrated collection of such prints. On account of their rarity and value, 87 of them have been designated Japanese National Treasures or Major National Cultural Heritage Items. The introductory essay, "Ukiyo-e - Origins and History", by the Curator of the Riccar Art Museum, Mitsunobu Sato, familiarizes the reader with the history of this art form.

This is followed by the chapter "Cherry - Wood - Blossom", in which Thomas Zacharias, Professor at the Munich Academy of Art examines the technique, content and style of Japanese prints and their influence on European art at the turn of the century.

The major section of the book consists of the 139 reproductions, grouped by artist, each accompanied by a detailed, sensitive commentary. Street scenes, lovers' trysts, festivals, portraits of courtesans and actors, landscapes and travelogues - these are the motifs of the ukiyo-e print. The dominant theme, however, is woman's beauty, the grace of her posture and attitudes, and the decorative aesthetics of her flowing garments. Amongst the most celebrated of the artists featured here are Utamaro, with his beautiful courtesans and geishas; Sharaku, with his portraits of actors on the kabuki stage; Hokusai, with his landscapes, among them the "36 Views of Mount Fuji"; and Hiroshige, with his "53 Stations on the To-kaido-" and his "100 Views of Famous Places in and around Edo".

The ten-page appendix includes a glossary of technical terms and biographies of all 43 artists.