Збірники робіт з мистецтва

Alex Katz's long-standing fascination with dance and collaborations with renowned playwrights and choreographers yielded some of his most complex compositions.

Since Alex Katz first painted the Paul Taylor in 1959, he has invited dancers to model for him. Dance, according to the artist, belongs to the same “long tradition of gestures” as painting. This publication is the first to examine the many decades of Katz’s work for the stage, including the ways that he introduced tenets of postwar painting into theater and dance aesthetics.

“I’d never seen anything like it,” Katz recalls of his first encounter with the work of dancer and choreographer Paul Taylor. The two partnered on fifteen productions for which Katz innovated with flat lighting, humorous obstacles, and framing mechanisms. His involvement with Paul Taylor led to collaborations with other companies including Yoshiko Chuma, Laura Dean, William Dunas, and Parsons.

Among Katz’s most celebrated sets is the ensemble of cutouts he created for Kenneth Koch’s 1961 production, George Washington Crossing the Delaware. Katz heightened the absurdity of the Revolutionary War-inspired play with Pop-adjacent figures and props. This publication brings together paintings, sketches, costumes, photographs, film stills, and ephemera. Newly-commissioned essays, unpublished materials, and major paintings will provide an overview of Katz's working relationships with individual choreographers and shed new light on avant-garde collaborations in New York between the 1960s and 80s.

About the Authors:

Diana Tuite served as the Katz Curator of Modern and Contemporary Art at the Colby College Museum of Art in Waterville, Maine. Charles L. Reinhart served as the longtime director of the American Dance Festival. David Salle is an American painter, printmaker, photographer, and stage designer. Jennifer Tipton is an award-winning American lighting designer. Robert Storr is an American curator, critic, painter, and writer. Jacqueline Terrassa is the Carolyn Muzzy Director of the Colby College Museum of Art.

____________

Пролистать книгу Alex Katz: Theater & Dance

Twentieth-century American society wittily and ironically portrayed by a great artist. Norman Rockwell (1894–1978), one of the most popular American artists of the past century, has often been regarded as a simple illustrator and had his work identified with the covers of the Saturday Evening Post. He is, instead, a total artist. An acute observer of human nature and talented storyteller, Rockwell captured America’s evolving society in small details and nuances, portraying scenes of the everyday life of ordinary people and presenting a personal and often idealized interpretation of the American identity. His images offered a reassuring visual haven in a period of epoch-making transformation that led to the birth of the modern American society.

The art of Norman Rockwell entered the homes of millions of Americans for over fifty years, illustrating the Roaring Twenties, the Depression, World War II, and the 1950s and 1960s. His works mirror aspects of the life of average Americans with precise realism and often in a humorous light. The exhibition catalog organized in collaboration with the Norman Rockwell Museum of Stockbridge, Massachusetts, presents well-known and beloved masterpieces like the Triple Self-Portrait (1960), Girl at the Mirror (1954), and The Art Critic (1955) alongside carefully observed images of youthful innocence (No Swimming, 1921) and paintings with a powerful social message like The Problem We All Live With (1964).

106 colour and duotone plates

Centered around one of India’s greatest painters, Amrita Sher-Gil, this book introduces the Sher-Gil family of artists to the European public. An early 20th-century pioneer photographer, a female painter merging European Modernism with native traditions, and today’s leading video artist, “the Kahlos of India” finally receive their due recognition in the Western world.

Andres Serrano is one of America's most mythologized contemporary artists. To many, he's the man responsible for Piss Christ and a national scandal over government funding of controversial art. For those who look beyond the headlines, he's a highly accomplished and ever-evolving photographic artist showing us the ordinary in extraordinary ways. With his post-Piss Christ series, Nomads, he made studio portraits of New York's ethnic homeless and juxtaposed them with members of the Ku Klux Klan. In the Morgue series he dissected violent death and found the human thread on the coroner's slab, while A History of Sex explored the human mating urge in its infinite variety.

Andres Serrano considers America his greatest achievement. Three years of work produced over one hundred 50-by-60-inch photographic portraits representing the cultural diversity of this immigrant country, as filtered through the critical lens of Serrano. There are celebrities: Arthur Miller, Snoop Dogg, Anna Nicole Smith, B.B. King, Vanessa del Rio; and ordinary citizens: a pimp, a boy scout, a doctor, a Russian Orthodox Bishop. America is intimate, honest, and demanding of response, like all Serrano's work. The second half of this big volume, Other Work, is a retrospective of Serrano's previous photographic series. Together these two impressive halves create the whole of Andres Serrano's artistic oeuvre.

In 1989 US Senator Jesse Helms accused Andres Serrano of taunting the American people. America and Other Work is the perfect rebuttal.

An extraordinary private collection of watercolours and drawings by Andrew Wyeth depicting the subjects memorialized in his legendary painting Christina's World, one of the best-known works of American art.

This book presents rarely seen watercolours and drawings Andrew Wyeth made of his friend Christina Olson, her brother Alvaro, and the weathered Maine farmstead where they lived. It features moving portraits and serene interior and exterior views of the house and the surrounding land, now memorialized in Wyeth's 1948 tempera painting Christina's World, one of the most famous paintings in the history of American art and now in the Museum of Modern Art, New York. Some forty-five works from the collection of the Marunuma Art Park in Japan, rarely shown before in the United States, are accompanied by works from the Farnsworth as well as by historical photographs of Wyeth, the Olsons, and the house.

Otoyo Nakamura writes about the history of this collection of Wyeth works, and Michael Komanecky addresses the place of the Olson farm in Wyeth's career over three decades, and how Christina's World and the Olson House have inspired pilgrimages for fans of Wyeth's work. Despite its isolated location and seasonal schedule, Olson House draws thousands of visitors each year from around the world. The Olson House, acquired by the Farnsworth Art Museum in 1991, has been recommended for National Landmark status.

About the Authors:

Michael K. Komanecky is Chief Curator at the Farnsworth Art Museum, Rockland, Maine; and former Chief Curator at the Phoenix Art Museum, and author of and contributor to numerous books, including The Art of the Missions of Northern New Spain (2008), Copper as Canvas: Two Centuries of Masterpiece Paintings on Copper, 1575-1775 (1998), The Folding Image: Screens by Western Artists of the Nineteenth and Twentieth Centuries (1984), and Robert Indiana and The Star of Hope (2009).

Otoyo Nakamura is Wyeth Collection Curator at Marunuma Art Park, Asaka, Japan.

До 1960-х років Andrew Wyeth користувався зірковою репутацією висхідної зірки у світі мистецтва. Відтоді критики та вчені здебільшого ігнорували його. Проте Вайет, якому на момент публікації було 88 років, продовжував малювати, на радість своїм шанувальникам, колекціонерам і любителям мистецтва.

Тепер, разом із виставкою High Museum, Ендрю Ваєт: Пам’ять і магія по-новому дивиться на творчість одного з найулюбленіших художників Америки. Розглядаючи всю його творчість, книга відзначає постійну любов митця до повсякденного життя – домашнього, природного та архітектурного. Ці об’єкти, які зустрічаються в усіх роботах Ваєта, утворюють візерунки, які висвітлюють ключові теми та показують, що художник бореться з проблемами пам’яті, тимчасовості, втілення та метафізики. Книга, організована хронологічно та тематично, досліджує, як підхід художника до цих тем формувався на початку його кар’єри, а останніми роками був переглянутий у новий та дивовижний спосіб.

Andrew Wyeth: Memory & Magic містить 150 темперних картин і 50 малюнків і акварелей, включаючи його найвідоміші роботи, але також багато з них опубліковані тут уперше.

Про авторів:

Енн Натсон — запрошений куратор виставки «Ендрю Ваєт: пам’ять і магія». Кетлін А. Фостер — куратор американського мистецтва Роберта Л. Макніла молодшого в Музеї мистецтв Філадельфії. Майкл Р. Тейлор — помічник куратора та виконуючий обов’язки керівника відділу сучасного мистецтва в Музеї мистецтв Філадельфії. Крістофер Кросман, директор бібліотеки та художнього музею Вільяма А. Фарнсворта в Рокленді, штат Мен. Джон Вілмердінг — професор американського мистецтва Крістофера Б. Сарофіма в Прінстонському університеті.

There is perhaps no artist of the 20th century that is as famous and infamous as Andy Warhol; Andy Warhol "Giant" Size takes its inspiration from the over-the-top quality of Andy Warhol's life, career, and legacy and in a mammoth format and huge extent depicts, in roughly chronological order, the major events, people, works, and moments in the life of an artist who continues to be endlessly fascinating to those inside and outside of the art world. Now available in a new format.

- A spectacular visual biography of the life and career of one of the most colourful and innovative artists of the twentieth century
- A rare, behind-the-scenes look at the New York art world of the 1950s to the 1980s
- Introduction by renegade art critic Dave Hickey, who has his own cult following, and additional texts by Bruno Bischofberger, Ronnie Cutrone, - David Dalton, Kenneth Goldsmith, Ivan Karp and Peggy Phelan
- A must-have for Warhol fans and any pop culture enthusiast is accessible to all at this amazing new price

The art of Andy Warhol continues to hold surprises for even the seasoned Warhol admirer. The best works from one of the world's largest private collections of Warhol paintings are published here for the first time in book form. Beginning with whimsical paintings from the pre-Pop period, this selection of over 100 works spans the full breadth of Warhol's spectacular career, up until his last project: The Last Supper, after Leonardo da Vinci. More than 200 illustrations, many in full color, give a comprehensive overview of the many facets in the work of the "pope of Pop art."

Of particular interest is a little-known series of "Paintings for Children," published here for the first time. These delightful pictures of ships, planes, robots, and toys were hung just three feet from the floor when first shown in 1983.

A concise biography, richly illustrated with many color plates; quotations from Warhol about art and about himself, as essay on Warhol and the American Dream by David Bourdon; a memoir by art historian and critic Pierre Restany; an interview from 1963 by G.R. Swenson and the last one with Paul Taylor in 1987; as well as a chronology and a detailed and updated bibliography contribute to this fascinating, colorful book.

Throughout his career as an artist, filmmaker, director of the Factory, band manager, magazine publisher, and television entrepreneur, Andy Warhol intentionally blurred the line between art and commerce, calling into question the very values of art by claiming, “Good business is the best art.” Andy Warhol Enterprises examines Warhol's complex and multifaceted relationship with commerce in both his work and his life - from his highly successful career as a commercial artist to his reign as a major cultural trendsetter in the eighties. The catalogue features essays by prominent scholars such as Thomas Crow, as well as an interview with Vincent Fremont, one of Warhol’s close associates, in which he illuminates aspects of Warhol’s critical examination of consumer society.

Following a successful career as a commercial graphic designer, in the early sixties, Andy Warhol (1928–1987) decided to move on to work as a freelance artist. His focus, however, remained on the world of consumption and mass production. This publication illuminates Warhol’s crucial early years—from 1961 to 1964—as a painter and draftsman. During this period, he gradually replaced his individual pictorial language with already medialized (and thus collective) image material as well as the mechanical production of pictures, thus calling into question some of modernity’s fundamental categories. This volume examines this process based on numerous examples, such as the famous Campbell’s Soup Cans and Dollar Bills, the Elvis and Liz series, the Death & Disaster pictures, and the Flowers cycle from 1964. Concentration on the drawings and paintings of the early years demonstrates the far-reaching significance of this oeuvre for art history.

Instant Andy. Before there was Instagram, there was Warhol

“A picture means I know where I was every minute. That’s why I take pictures. It’s a visual diary.” - Andy Warhol

Andy Warhol was a relentless chronicler of life and its encounters. Carrying a Polaroid camera from the late 1950s until his death in 1987, he amassed a huge collection of instant pictures of friends, lovers, patrons, the famous, the obscure, the scenic, the fashionable, and himself. Created in collaboration with The Andy Warhol Foundation, this book features hundreds of these instant photos, many of them never seen before.

Portraits of celebrities such as Mick Jagger, Alfred Hitchcock, Jack Nicholson, Yves Saint Laurent, Pelé, Debbie Harry are included alongside images of Warhol’s entourage and high life, landscapes, and still lifes from Cabbage Patch dolls to the iconic soup cans. Often raw and impromptu, the Polaroids document Warhol’s era like Instagram captures our own, offering a unique record of the life, world, and vision behind the Pop Art maestro and modernist giant.

The author

Richard B. Woodward is a New York-based art critic who contributes regularly to the Wall Street Journal and New York Times. His journalism has appeared in numerous publications, from The Atlantic, Bookforum, Film Comment, The American Scholar, and The New Yorker to Vanity Fair, Interview, and Vogue. His essays on art and photography have been featured in more than 20 monographs and museum catalogues.

The editor

Reuel Golden graduated in politics from the University of Sussex, UK, and is the former editor of the British Journal of Photography. He has edited various titles for TASCHEN including The Rolling Stones, Her Majesty, Harry Benson: The Beatles, Age of Innocence: Football in the 1970s, and the New York and London editions of the Portrait of a City series.

_________________

О книге Andy Warhol. Polaroids

AndyWarhol. Polaroids – расскажет вам историю «Мгновенного» Andy, как его называли. До того, как появился современный Инстаграмм, «фото в моменте» делал Уорхол.

«Я хочу запомнить, где я был каждую минуту своей жизни. Вот зачем я снимаю. Это дневник воспоминаний», - так говорил известный фотограф.

Энди Уорхол

Энди Уорхолбыл не устающим летописцем своей жизни. Всегда носил с собой камеру Polaroids с конца 1950-х годов, и аж до смерти в 1987 году. Он собрал большую коллекцию быстрых фото друзей, влюбленных, меценатов, знаменитостей, неизвестных, художников, модельеров и конечно, себя.

Книга AndyWarhol. Polaroidsсоздана в тесном общении с фондом Энди Уорхола и имеет на свих страницах сотни фотографий, многие из которых никогда ранее не публиковались.Портреты таких известных личностей, как Мик Джаггер, Альфред Хичкок, Джек Николсон, Ив Сен

Лоран, Пеле, Дебби Гарри. Вместе со снимкамиближайшего окружения Уорхола и его публичной жизни. А также, пейзажи и натюрморты, от кукол из капусты, до легендарных суповых банок.

Фотографии Polaroids, часто сырые и импровизируемые вошли в историю, как эпоха Уорхола. Как сегодняшний Instagram захватывает нашу жизнь, эти фото – способ заглянуть в жизнь и мир великого маэстро поп-арта и гиганта модернизма.

Автор

Ричард Б. Вудворд - искусствовед из Нью-Йорка, регулярно вносящий вклад в Уолл-стрит

Журнал и Нью-Йорк Таймс. Его журналистские работы появлялись в многочисленных публикациях из Atlantic, Bookforum. Как комментарии к фильмам «Американский ученый» и «Ярмарка тщеславия» от NewYorker, в интервью в журнале Vogue. Его эссе об искусстве и фотографии были представлены в более чем 20 монографиях и музейных каталогах.

Редактор

Руил Голден окончил политический факультет Университета Сассекса в Великобритании и является бывшим редактором Британского Журнала Фотографии. Он редактировал различные издания для TASCHEN, включая The Rolling Стоунс, Ее Величество, Гарри Бенсон: Битлз, Эпоха невинности: футбол в 1970-х годах, Нью-йоркские и лондонские издания серии «Портрет города».

Throughout his career, Andy Warhol easily crossed the boundaries between fine art and graphic design; in fact, he made no distinction between art and advertising.

Posters were a natural medium for this talented artist, and he was much in demand to promote some of the most renowned celebrities, causes, and brands of his time.

This richly illustrated book catalogs all of Warhol's posters commissioned for a specific purpose and features original artwork. Arranged chronologically, they present a fascinating array of subjects, including cultural events, musicians, political campaigns, and iconic brands. Each of the posters is exquisitely reproduced, including some with multiple variations, and accompanied by informative texts and comparative illustrations.

The author's introductory essay offers a brief history of poster art and contextualises Warhol's output against masters of the form such as Henri de Toulouse-Lautrec and Keith Haring. Seen in their entirety, these posters - bearing all the hallmarks of the artist's finest work - both reflect and reveal the cultural zeitgeist that drove Warhol's innovative practice.

Посмотреть избранные развороты книги Andy Warhol: The Complete commissioned Posters 1964-1987

Überblick über das Gesamtwerk von Giuseppe Arcimboldo, der als Schöpfer fantastischer Porträts einer der extravagantesten und zugleich rätselhaftesten Maler der Kunstgeschichte ist.

Giuseppe Arcimboldo (1526–1593), der für seine verblüffenden Porträts gefeierte Künstler der italienischen Spätrenaissance, bleibt – der Bekanntheit seines Namens zum Trotz – bis heute geheimnisvoll. Sein Ruhm gründet sich vornehmlich auf seine einzigartige Serie von Jahreszeitenbildnissen, die aus Pflanzen und Früchten komponiert sind. Hoch verehrt im Leben, gerät Arcimboldo nach seinem Tod schnell in Vergessenheit, bis er im frühen 20. Jahrhundert als einer der Wegbereiter moderner Kunst wiederentdeckt wird.
Der Band erschließt die ganze Spannweite seines Schaffens einschließlich der weniger bekannten Facetten und ermöglicht – eingebettet in das kulturhistorische Umfeld der Zeit – ein vertieftes Verständnis seines Werkes: Neben den berühmten Komposit- und Umkehrköpfen werden etwa Arcimboldos künstlerische Anfänge in seiner Geburtsstadt Mailand und vor allem auch seine 25-jährige Tätigkeit als Hofmaler der Habsburger Kaiser Maximilian II. und Rudolf II. ausführlich beschrieben. Auch die Naturstudien Arcimboldos, die ebenfalls auf die ungewöhnliche Verknüpfung von Natur, Wissenschaft und Kunst in seinem Werk verweisen, werden vorgestellt.

The most comprehensive volume devoted to the life and work of pioneering African American artist Robert Colescott, accompanying the largest traveling exhibition of his work ever mounted.

Robert Colescott (1925-2009) was a trailblazing artist, whose august career was as unique as his singular artistic style. Known for figurative satirical paintings that exposed the ugly ironies of race in America from the 1970s through the late 1990s, his work was profoundly influential to the generations of artists that have followed him, such as Kara Walker, Kehinde Wiley, and Henry Taylor, among many others.

This volume surveys the entirety of Colescott's body of work, with contributions by more than ten curators and writers, including a substantive essay by the show's cocurator, the renowned Lowery Stokes Sims. It provides a detailed stylistic analysis of his politically inflected oeuvre, focusing on Colescott's own consideration of his work in the context of the grand traditions of European painting and contemporary polemic. In addition, the book features reminiscences and thought pieces by a variety of family, friends, students, curators, dealers, and scholars on his work as well as a selection of writings by the artist himself. Relying on previously unpublished transcripts of lectures, reviews, and archival materials provided by institutions and individuals, the book will provide a fuller story of the artist's life and career.

About the Authors:

Raphaela Platow is the Alice & Harris Weston Director and Chief Curator of the Contemporary Arts Center, Cincinnati. Lowery Stokes Sims is a dedicated advocate for diversity and inclusion in the art world. She is an independant curator after working for the Museum of Arts and Design, the Studio Museum in Harlem, and the Metropolitan Museum of Art. Matthew Weseley is an independent art historian. He is currently working on an academic monograph on the work of Robert Colescott.

______________

Пролистать книгу Art and Race Matters: The Career of Robert Colescott