Збірники робіт з мистецтва

Never Show Everything. Big curves and suggestive smiles

“Girls, Gags & Giggles,” ran publisher Robert Harrison’s recipe for dishing up pin-up to the American male. Men loved his tasty dishes, a mixture of strippers and starlets dressed in outfits so fetishistic no one noticed they were never nude. While other magazines delivered the girl next door, Harrison’s publications banked on bad girls in satin and leather, fishnet stockings, and six-inch heels performing slapstick stunts straight from the burlesque stage.

Harrison lured his readers in with vibrantly painted covers by top pin-up artists Earl Moran, Billy DeVorss and, most famously, Peter Driben. This Bibliotheca Universalis edition celebrates this eye-catching candy with every single cover from Beauty Parade, Wink, Titter, Eyeful, Flirt, and Whisper, from 1942 to 1955, as well as interior spreads, featuring, among others, a budding Bettie Page. In an age when far more graphic material is the norm, 1000 Pin-Up Girls celebrates an era of pin-up and pulp style to fuel your erotic imagination.

About the series:

Bibliotheca Universalis — Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!

Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together more than 100 of our all-time favourite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.

Bookworm’s delight — never bore, always excite!

Adolf Born je obdivovatel rakousko-uherské monarchie i tureckých sultánů, milovník vína, umění, kejklířů, alchymistů, faunů a kentaurů, přítel zvířat i sběratel klobouků a čepic, jehož vášní je cestování, ale především je Adolf Born karikaturista, grafik a malíř světového formátu. Jeho obrazy plné humoru, ironie, nadsázky, fantastických představ a překvapivých metafor milují děti i dospělí. Reprezentativní výběr dávných, novějších, ale hlavně nejnovějších ukázek z Bornovy volné tvorby vás zve slovy Miloše Macourka „do světa, v němž je přítomen nejen humor, ale i nostalgie, tajemství a také kapka hrůzy, ale především závratný pocit svobody, neboť v tomto beztížném prostoru je možné všechno, o čem dokážete snít“. Knihu doplňuje obsáhlé, bohatě ilustrované Kalendárium, které rok po roce zachycuje život i všechny aktivity umělce – a že jich není málo, jak konstatoval Ivan Kraus: „Soudě podle toho, kolik Adolf Born ilustroval knih, na kolika filmech a seriálech se podílel, kolik vytvořil litografií, kdy a kde všude vystavoval, řekl bych, že za posledních třicet let nejedl ani nespal.“ A přidejme, za posledních šedesát let. Publikace vychází k Mistrovým osmdesátinám.

Often wryly funny and just as smart, Albert Oehlen’s paintings play the medium for all it's worth - and then some. After realizing that the so-called death of painting freed him to explore "the number of aspects through which one could expand painting," Oehlen started work on a wide variety of figurative and non-objective offerings, in what he has called his "post-non-figurative" art. The artist continuously challenges himself, setting up rules that force him to overcome convention and his own routine in order to arrive at a satisfying image. During his career, he has chosen to paint in primary colours only or in grey, to integrate mirrors into his canvases, or to start on computer paintings when the first PCs became available. In his most recent work, Oehlen expands painting through the use of advertising posters whose in-your-face aesthetics he transforms with subtle brushwork. Never without a touch of tongue-in-cheek humour, his work seems to be winking at us as it dares us to change the way we perceive an image.

This XL monograph covers the entire scope of Oehlen’s oeuvre: Roberto Ohrt discusses the early years when Oehlen came into his own alongside Kippenberger, Büttner, and others, part of a scene that broke rules in art and rock music. Klaus Kertess examines the years from 1988 onwards, when Oehlen saw himself more self-consciously as a painter and started his first abstract works, then continued to probe the limits of the medium. Martin Prinzhorn and John Corbett take a close look at aspects of Oehlen’s iconography, and Oehlen discusses his computer paintings in a conversation with Corbett. An exhaustive biography and bibliography round out this comprehensive study. While Oehlen fans will rejoice at the publication of this breathtaking book, no one with an interest in contemporary art should pass up this unique opportunity to discover Oehlen’s remarkable body of work.

Alberto Giacometti forged a singular path within European Modernism, restlessly seeking a new language for sculpture as a double of reality. Presenting some 100 sculptures and paintings, the publication tracks the evolution of Giacometti’s work from Post-Cubism through Surrealism to post-war Realism.

Throughout his life, Alberto Giacometti (1901–1966) was in conversation with some of the most influential intellectuals of the twentieth century. By highlighting three writers – Georges Bataille, Jean Genet, and Samuel Beckett, with whom the artist sustained lasting friendships – the publication examines how these dialogues may be traced in Giacometti’s oeuvre.

The lavishly illustrated book not only provides an overview extending from his early to his later works, and newly commissioned essays but also presents important historical texts by the three authors and the artist himself.

Ця книга охоплює всі періоди та види мистецтва художника: скульптуру (гіпс, бронза), картини, малюнки, гравюри… Вона дозволить отримати повне уявлення про творчість Альберто Джакометті, від ранніх робіт до сюрреалістичного періоду, від повернення до фігуративності до роботи за моделями та винаходу великих повоєнних ікон. Представлено понад 230 робіт, включаючи кілька шедеврів, таких як «Жінка з ложкою» (1927), «Невидимий предмет» (1934-35), «Жінка з колісницею» (1945), «Ніс» (1947) та «Людина, що йде» (1960).

Роботи Джакометті поділені на чотирнадцять оригінальних розділів, що розкривають теми, яким уподобав художник – зображення голови, обличчя, жіночого тіла тощо. Книга доповнена сімома есе, написаними провідними мистецтвознавцями, які розглядають відхилення та питання, що характеризують творчий процес Альберто Джакометті, а також дозволяють читачеві відкрити його ставлення до самотності, меланхолії та наполегливої ​​роботи з моделями: дружиною Аннет, братом Дієго, близькими друзями. Цей каталог має на меті познайомити читача з іншим Джакометті, тим, хто експериментує з межами скульптури, та грізним художником, який також практикує, поряд з портретом, жанри пейзажу чи натюрморту.

145 илл.

Настоящее издание – это полный каталог проектов современного русского художника Александра Константинова, созданные им для городских и ландшафтных пространств в 2002–2006 годах. Разработав свой собственный стиль и язык в искусстве, Константинов занимает особое место на современной художественной сцене. Его грандиозные произведения требуют нового пространственного опыта и культурно-исторического контекста, расширяя географию современного русского искусства. Уникальная интегрированность его работ в окружающую среду ставит их на самую границу между изобразительным искусством и архитектурой. Трудно представить собранные в книге произведения в контексте какой­либо выставки, настолько они самодостаточны. Но если посмотреть на настоящее издание как на каталог выставки, то ее экспозиционными залами мог бы стать весь мир.

This book contains all of the diaries, programs, essays, and major articles written by Alexander Rodchenko between 1911 and 1956.

The word "experiment" was a keyword for the artist, who conceived of his multimedia oeuvre as one huge experiment. Referred to by his friends and contemporaries as "a scout of the future," Rodchenko sought new paths in graphic design and painting, sculpture and architecture, poster design and cinema, photography and book design, and furniture and theatre design.

The first chapter in this volume covers the early life of Rodchenko and relates to the time of his studies in the Kazan art school. His diaries from 1911-15 relate the vivid atmosphere of the school, explain the artist's early tastes for theatrical, oriental and medieval motifs, and recall the moments when he first met Varvara Stepanova, his lifetime partner and fellow artist.

The second chapter covers the most active years of the Russian avant-garde movement: 1916-21. Here Rodchenko is linked to Vladimir Tatlin and his evolution as a non-objective painter comes about. His writings from this period explore his interest in the artistic process, in the way ideas are born, and often make comparisons with other artistic trends of the time: suprematism, cubism, and impressionism.

The third chapter runs through the 20s and the height of the constructivist movement, when Rodchenko became one of the leading designers of the time. This chapter is the most comprehensive, featuring writings dedicated to industrial design education, graphic design, advertising, photomontage and photography.

The fourth chapter reveals the artist's mood and the general Soviet culture situation of the 30s, a time of political change, accusations of formalism, and great success in photography.

The last chapter is dedicated to the war and postwar period and contains only diary texts in which the artist recounts his family's evacuation to the country, his subsequent hard living and working conditions, as well as his musings on the cultural politics of the time and life in general.

Originally published in 1996 in Moscow by Rodchenko's family, Experiments for the Future appears here in its first English edition. This new edition contains additional material and features a different design and images, but the content remains essentially unchanged.

Alex Katz's long-standing fascination with dance and collaborations with renowned playwrights and choreographers yielded some of his most complex compositions.

Since Alex Katz first painted the Paul Taylor in 1959, he has invited dancers to model for him. Dance, according to the artist, belongs to the same “long tradition of gestures” as painting. This publication is the first to examine the many decades of Katz’s work for the stage, including the ways that he introduced tenets of postwar painting into theater and dance aesthetics.

“I’d never seen anything like it,” Katz recalls of his first encounter with the work of dancer and choreographer Paul Taylor. The two partnered on fifteen productions for which Katz innovated with flat lighting, humorous obstacles, and framing mechanisms. His involvement with Paul Taylor led to collaborations with other companies including Yoshiko Chuma, Laura Dean, William Dunas, and Parsons.

Among Katz’s most celebrated sets is the ensemble of cutouts he created for Kenneth Koch’s 1961 production, George Washington Crossing the Delaware. Katz heightened the absurdity of the Revolutionary War-inspired play with Pop-adjacent figures and props. This publication brings together paintings, sketches, costumes, photographs, film stills, and ephemera. Newly-commissioned essays, unpublished materials, and major paintings will provide an overview of Katz's working relationships with individual choreographers and shed new light on avant-garde collaborations in New York between the 1960s and 80s.

About the Authors:

Diana Tuite served as the Katz Curator of Modern and Contemporary Art at the Colby College Museum of Art in Waterville, Maine. Charles L. Reinhart served as the longtime director of the American Dance Festival. David Salle is an American painter, printmaker, photographer, and stage designer. Jennifer Tipton is an award-winning American lighting designer. Robert Storr is an American curator, critic, painter, and writer. Jacqueline Terrassa is the Carolyn Muzzy Director of the Colby College Museum of Art.

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Пролистать книгу Alex Katz: Theater & Dance

Twentieth-century American society wittily and ironically portrayed by a great artist. Norman Rockwell (1894–1978), one of the most popular American artists of the past century, has often been regarded as a simple illustrator and had his work identified with the covers of the Saturday Evening Post. He is, instead, a total artist. An acute observer of human nature and talented storyteller, Rockwell captured America’s evolving society in small details and nuances, portraying scenes of the everyday life of ordinary people and presenting a personal and often idealized interpretation of the American identity. His images offered a reassuring visual haven in a period of epoch-making transformation that led to the birth of the modern American society.

The art of Norman Rockwell entered the homes of millions of Americans for over fifty years, illustrating the Roaring Twenties, the Depression, World War II, and the 1950s and 1960s. His works mirror aspects of the life of average Americans with precise realism and often in a humorous light. The exhibition catalog organized in collaboration with the Norman Rockwell Museum of Stockbridge, Massachusetts, presents well-known and beloved masterpieces like the Triple Self-Portrait (1960), Girl at the Mirror (1954), and The Art Critic (1955) alongside carefully observed images of youthful innocence (No Swimming, 1921) and paintings with a powerful social message like The Problem We All Live With (1964).

106 colour and duotone plates

Centered around one of India’s greatest painters, Amrita Sher-Gil, this book introduces the Sher-Gil family of artists to the European public. An early 20th-century pioneer photographer, a female painter merging European Modernism with native traditions, and today’s leading video artist, “the Kahlos of India” finally receive their due recognition in the Western world.

Andres Serrano is one of America's most mythologized contemporary artists. To many, he's the man responsible for Piss Christ and a national scandal over government funding of controversial art. For those who look beyond the headlines, he's a highly accomplished and ever-evolving photographic artist showing us the ordinary in extraordinary ways. With his post-Piss Christ series, Nomads, he made studio portraits of New York's ethnic homeless and juxtaposed them with members of the Ku Klux Klan. In the Morgue series he dissected violent death and found the human thread on the coroner's slab, while A History of Sex explored the human mating urge in its infinite variety.

Andres Serrano considers America his greatest achievement. Three years of work produced over one hundred 50-by-60-inch photographic portraits representing the cultural diversity of this immigrant country, as filtered through the critical lens of Serrano. There are celebrities: Arthur Miller, Snoop Dogg, Anna Nicole Smith, B.B. King, Vanessa del Rio; and ordinary citizens: a pimp, a boy scout, a doctor, a Russian Orthodox Bishop. America is intimate, honest, and demanding of response, like all Serrano's work. The second half of this big volume, Other Work, is a retrospective of Serrano's previous photographic series. Together these two impressive halves create the whole of Andres Serrano's artistic oeuvre.

In 1989 US Senator Jesse Helms accused Andres Serrano of taunting the American people. America and Other Work is the perfect rebuttal.

An extraordinary private collection of watercolours and drawings by Andrew Wyeth depicting the subjects memorialized in his legendary painting Christina's World, one of the best-known works of American art.

This book presents rarely seen watercolours and drawings Andrew Wyeth made of his friend Christina Olson, her brother Alvaro, and the weathered Maine farmstead where they lived. It features moving portraits and serene interior and exterior views of the house and the surrounding land, now memorialized in Wyeth's 1948 tempera painting Christina's World, one of the most famous paintings in the history of American art and now in the Museum of Modern Art, New York. Some forty-five works from the collection of the Marunuma Art Park in Japan, rarely shown before in the United States, are accompanied by works from the Farnsworth as well as by historical photographs of Wyeth, the Olsons, and the house.

Otoyo Nakamura writes about the history of this collection of Wyeth works, and Michael Komanecky addresses the place of the Olson farm in Wyeth's career over three decades, and how Christina's World and the Olson House have inspired pilgrimages for fans of Wyeth's work. Despite its isolated location and seasonal schedule, Olson House draws thousands of visitors each year from around the world. The Olson House, acquired by the Farnsworth Art Museum in 1991, has been recommended for National Landmark status.

About the Authors:

Michael K. Komanecky is Chief Curator at the Farnsworth Art Museum, Rockland, Maine; and former Chief Curator at the Phoenix Art Museum, and author of and contributor to numerous books, including The Art of the Missions of Northern New Spain (2008), Copper as Canvas: Two Centuries of Masterpiece Paintings on Copper, 1575-1775 (1998), The Folding Image: Screens by Western Artists of the Nineteenth and Twentieth Centuries (1984), and Robert Indiana and The Star of Hope (2009).

Otoyo Nakamura is Wyeth Collection Curator at Marunuma Art Park, Asaka, Japan.

До 1960-х років Andrew Wyeth користувався зірковою репутацією висхідної зірки у світі мистецтва. Відтоді критики та вчені здебільшого ігнорували його. Проте Вайет, якому на момент публікації було 88 років, продовжував малювати, на радість своїм шанувальникам, колекціонерам і любителям мистецтва.

Тепер, разом із виставкою High Museum, Andrew Wyeth: Memory & Magic по-новому дивиться на творчість одного з найулюбленіших художників Америки. Розглядаючи всю його творчість, книга відзначає постійну любов митця до повсякденного життя – домашнього, природного та архітектурного. Ці об’єкти, які зустрічаються в усіх роботах Ваєта, утворюють візерунки, які висвітлюють ключові теми та показують, що художник бореться з проблемами пам’яті, тимчасовості, втілення та метафізики. Книга, організована хронологічно та тематично, досліджує, як підхід художника до цих тем формувався на початку його кар’єри, а останніми роками був переглянутий у новий та дивовижний спосіб.

Andrew Wyeth: Memory & Magic містить 150 темперних картин і 50 малюнків і акварелей, включаючи його найвідоміші роботи, але також багато з них опубліковані тут уперше.

Про авторів:

Енн Натсон — запрошений куратор виставки «Ендрю Ваєт: пам’ять і магія». Кетлін А. Фостер — куратор американського мистецтва Роберта Л. Макніла молодшого в Музеї мистецтв Філадельфії. Майкл Р. Тейлор — помічник куратора та виконуючий обов’язки керівника відділу сучасного мистецтва в Музеї мистецтв Філадельфії. Крістофер Кросман, директор бібліотеки та художнього музею Вільяма А. Фарнсворта в Рокленді, штат Мен. Джон Вілмердінг — професор американського мистецтва Крістофера Б. Сарофіма в Прінстонському університеті.

There is perhaps no artist of the 20th century that is as famous and infamous as Andy Warhol; Andy Warhol "Giant" Size takes its inspiration from the over-the-top quality of Andy Warhol's life, career, and legacy and in a mammoth format and huge extent depicts, in roughly chronological order, the major events, people, works, and moments in the life of an artist who continues to be endlessly fascinating to those inside and outside of the art world. Now available in a new format.

- A spectacular visual biography of the life and career of one of the most colourful and innovative artists of the twentieth century
- A rare, behind-the-scenes look at the New York art world of the 1950s to the 1980s
- Introduction by renegade art critic Dave Hickey, who has his own cult following, and additional texts by Bruno Bischofberger, Ronnie Cutrone, - David Dalton, Kenneth Goldsmith, Ivan Karp and Peggy Phelan
- A must-have for Warhol fans and any pop culture enthusiast is accessible to all at this amazing new price