Сборники работ по искусству

The fourth volume of this highly praised, definitive reference to Andy Warhol’s (1928–1987) extensive artistic production

The 607 paintings and one sculpture documented in Volume 4 of The Andy Warhol Catalogue Raisonné were produced during a period of less than three years, from late 1974 through early 1977. In September 1974, Warhol changed studios, moving across Union Square from the sixth floor of 33 Union Square West to the third floor of 860 West Broadway. Like Volumes 2 and 3, Volume 4 is identified with a new studio, where Warhol continued to work for a decade, until he moved into his last studio at 22 East 33 Street on December 3, 1984. Volume 4 may be seen as the first in a series of books associated with one studio that will document an enormously productive ten-year period in Warhol's oeuvre from the mid seventies to the mid eighties.

About the authors:

Sally King-Nero, Executive Editor of Volumes 2 and 3 of the Andy Warhol Catalogue Raisonné, is Curator of Drawings and Photographs at the Andy Warhol Foundation for the Visual Arts in New York.

Neil Printz, co-edited the first two volumes of the Andy Warhol Catalogue Raisonné. Paintings and Sculptures, 1961–1963 and Paintings and Sculptures, 1964–1969. He is the Editor of Volume 3: Paintings and Sculptures, 1970–1974. He was formerly Editor of the Isamu Noguchi Catalogue Raisonné and Research Curator for Twentieth Century Art at The Menil Collection, Houston.

The second in a multi-volume series on Warhol's complete artworks.

Andy Warhol (1928-1987) is arguably the most iconic figure of twentieth-century art, a highly enigmatic personality who not only altered the definition of art itself but also left in his wake a vast and staggeringly complex record of his activities. Warhol's archive consists not only of his artworks but also of 1,500 cardboard boxes, flat files and trunks filled with source material, memorabilia, correspondence and junk mail. The catalogue raisonné constitutes an indispensable record of the artist's paintings, drawings and sculptures: some 15,000 works produced by the artist between 1948 and 1987, the year of his death.

Volume 2 documents the artist's paintings, sculpture and installations made between 1964 and 1969, the important period known as 'The Factory Years', when Warhol began to acquire Pop Art fame as well as a cadre of collaborators and groupies - all of which made 'The Factory' into one of the most mythologized artist's studios ever, and Warhol's work at this time emblematic of his career as a whole. This volume documents 23 series and more than 1,400 individual works, including the well-known series Thirteen Most Wanted Men, the box sculptures, approximately 300 works in the Jackie series, and the 1964 and 1964-5 Flowers series, amongst others.

As in Volume 1, Volume 2 includes a fascinating collection of source material: especially the rare studio photographs taken by Billy Name-Linich, who became The Factory's first de facto photographic historian. In this volume, editors Georg Frei and Neil Printz focus on Warhol's serial production, analysing the evolution of Warhol's working methods and the growing relationship between Warhol's exhibitions and his studio production. They establish a sophisticated and extensive chronology for the works of this period, many of which have been difficult to locate and to date, due to their seriality. The text provides both a compelling overview and an unparalleled deconstruction of Warhol's riveting story.

The project is co-sponsored by the Andy Warhol Foundation for the Visual Arts in New York and by Thomas Ammann Fine Art in Zurich.

About the authors:

Georg Frei is a curator, art critic and editor who has been affiliated with Thomas Ammann Fine Art AG in Zurich since 1988. Previously he wrote art, dance, and theatre criticism for several Swiss newspapers and magazines. For the Thomas Ammann gallery he has organized more than a dozen exhibitions and edited the accompanying catalogues on such artists as Picasso, Cy Twombly, Max Beckmann and Willem de Kooning. For the Fondation Beyeler in Basel, he was the Guest Curator of the exhibition 'Andy Warhol: Series and singles, 2000-2001'.

Neil Printz, a specialist in twentieth-century American art, in New York, is currently Editor of the Isamu Noguchi Catalogue Raisonné. He is Professor of Art History at Caldwell College in Caldwell, New Jersey.

Sally King-Nero is Curator of Drawings and Photographs at the Andy Warhol Foundation for the Visual Arts, a position she has held since 1993. She has been extensively involved in the examination and cataloguing of Warhol's works since the 1980s.

The third in the multi-volume series on Warhol's complete artworks.

The sculpture and paintings of 1970–74 are the subject of this third volume of the catalogue dedicated to publishing the complete paintings, sculptures and drawings of Andy Warhol (1928–87). As authoritative and detailed as the highly praised first two volumes, here Warhol's sculptures and paintings of these four years are comprehensively catalogued and illustrated. Early in this period Warhol was concentrating on film and sculpture, as he had been since being shot in 1968, but by late 1971 or early 1972 he was returning to painting and developing his painterly, 'sloppy and fast' style. The volume covers major sculptures, such as the Rain Machine, the series of paintings Mao and Man Ray, and commissioned portraits of important, celebrated and fashionable people of the day – many from Warhol's travels through Europe during this time. It is a time of great transition for Warhol, including developing his relationships with various media and the impact of his first purchase of a Big Shot Polaroid camera. His diaries and the photographs he took on travels and of his subjects enliven the narrative and give intriguing insights into his works of these years and his unique engagement with the culture and society of that time.

About the authors:

Neil Printz, co-edited the first two volumes of the Andy Warhol Catalogue Raisonné. Paintings and Sculpture, 1961-1963 and Paintings and Sculptures, 1964-1969. He is the Editor of Volume 3: Paintings and Sculptures, 1970-1974 and currently preparing Volume 4: Paintings and Sculpture, late 1974-1976.

Sally King-Nero is executive editor of the Warhol Catalogue Raisonné and Curator of Drawings and Photographs at the Andy Warhol Foundation for the Visual Arts in New York.

This glorious, authoritative, and unprecedented retrospective of Doré’s prints and paintings, drawn from an oeuvre of more than 10,000 works, comes in a spectacularly ornate package that reflects the artist’s own dramatic style.

If you were a consumer of literature in the nineteenth century, chances are the volumes in your library featured the illustrations of Gustave Doré. From the Bible to Shakespeare, Balzac to Milton, Cervantes to Poe, Doré’s intricate, romantic, and exuberant drawings brought great works to life, and were as treasured as the stories and poetry they depicted. Furthermore, as this magnificent book reveals, he was also a skilled sculptor, painter, and cartoonist. This book spans Doré’s entire career, with chapters dedicated to specific works such as The Divine Comedy, Don Quixote, Tennyson’s Idylls of the King, and medieval fairy tales — each featuring exquisite full-page reproductions that allow Doré’s genius for line, shading, and texture to shine through.

The authors also provide a background on the techniques that Doré employed to achieve his exquisite works. Fans of Doré will appreciate this volume’s spectacular production, which features quarter binding, gold foil stamping, embossing on the cover and spine, a belly band, and silkscreen printing on three edges. Filled with incisive analysis and expert historical perspectives, this book is the consummate collector’s item — a volume as expansive and sensational as the artist himself.

About the Authors:

Alix Paré is a lecturer specializing in 17th, 18th, 19th, and 20th century Western painting. She held previous positions at the Louvre Museum in Paris and the Château de Versailles, France.

Valérie Sueur-Hermel is curator of the Department of Prints and Photography at the Bibliothèque Nationale de France, in Paris, France. She has curated numerous exhibitions such as: Daumier (2008), Gustave Doré (2014), Odilon Redon (2011).

Previously published by Taschen and Rizzoli, Mark Ryden is currently one of today s most celebrated names in the contemporary art scene. Crowned the 'godfather of pop surrealism', he is adored and followed by millions of fans.

The Gay 90's, fondly known as Ryden's greatest work. Showcased in two large galleries in New York and Los Angeles, the exhibit became the subject of a book published by Rizzoli in the United States. Now, Cernunnos brings Ryden's fans 24 collector s postcards of his most famous paintings.

Crowned the “godfather of pop surrealism”, Mark Ryden is followed and adored by millions of fans. Contained in this set are 24 collector postcards of his most famous paintings.

About the Author:

Blending pop cultural themes with art techniques reminiscent of the Old Masters, Mark Ryden has created a singular style that blurs the traditional boundaries between high and low art. His paintings have been exhibited in museums and galleries worldwide, and his work is part of the permanent collection of the Los Angeles County Museum of Art. Amanda Erlanson is a writer, art collector, and editor of the art blog "Erratic Phenomena."

One of the most revered Latin American artists of the early 20th century, best known for his abstract and primitive paintings, with key works from private collections published for the first time.

With 70 paintings, sculptures, and works on paper, this is the largest survey of Torres-García’s work to be on view in an American gallery since Joaquín Torres-García curated his own exhibition at the Sidney Janis Gallery in 1950. The book includes previously unpublished texts by the artist and iconic works that were kept by the family as representative examples of different moments in his career, first by the artist and later by family members who inherited them as a group. Torres-García founded the avant-garde group Circle and Square (Arp, Kandinsky, Léger, Mondrian), where he was inspired by indigenous art from the Americas, Africa, and Oceania, which reinforced his vision of symbols and cosmic order.

About the Author:

Abigail McEwen is Associate Professor at the University of Maryland. Tomàs Llorens is the Director of the Museo Thyssen-Bornemisza in Madrid. Previously, he served as Director of the Museo Nacional Centro de Arte Reina Sofia in Madrid. Frederic Tuten is an American novelist, short story writer, and essayist best known for his novel Tintin in the New World.

The most recent body of work by the popular American artist to focus on his highly inventive interpretation of space travel, published for the first time.

Published to accompany exhibitions simultaneously in New York and Palm Beach, the book follows the interdisciplinary show that centers around the theme of spaceships by the artist Tom Sachs (b. 1966), both with representations of spaceships and rockets in sculptural and painted forms, and more indirect references that relate either formally or conceptually to the idea of the spaceship in our society. A sculpture of a Hoover vacuum suggests the vacuum of space; a bricolage rendition of Sachs’ favorite record player recalls the form of a spaceship; and a work relating to the Titanic suggests the idea of transporting between realms. Other works more directly represent spaceships and relate to Sachs’ space program, which has been of central importance to his work over the past decade and a half.

The book follows Sachs’ immersive, participatory installations on the theme of space, most recently at the Deichtorhallen in Hamburg. Last August, Sachs launched his Rocket Factory, a genre-defying project that brought NFTs into the physical realm by launching fully assembled replicas of NFT rockets (one of which took place at LACMA in 2021) and then making paintings after component and assembled rockets.

About the Author:

Thomas E. Crow is Rosalie Solow Professor at the Institute of Fine Arts, New York University.

The definitive monograph on the work of one of the most prolific, versatile, and exciting artists of the last three decades

Over the past 30 years, Swiss-born, New York-based artist Ugo Rondinone has developed a distinct body of work: vibrant paintings, immersive installations, sculptures, and text-based works, all united by a poetic quality and an enduring preoccupation with such universal themes as time and cosmic cycles.

Profoundly interested in the contemplation of everyday life, Rondinone reconciles the visual language of psychedelia and advertising with meditative, intimate reflections on personal and collective experiences. This book brings fresh perspective to his remarkable life and career and is a must-have for his huge global following.

About the Authors:

Laura Hoptman is Executive Director of the Drawing Center in New York.

Erik Verhagen is an independent curator and an art critic and an Associate Professor of Contemporary Art History at Université de Valenciennes.

Nicholas Baume is Director and Chief Curator of the Public Art Fund in New York.

Jason Schmidt is a photographer based in New York.

This magnificent boxed-set features stunning, accordion-fold, color reproductions of Van Gogh’s essential works, accompanied by a separate booklet with a background and descriptions of each painting.

Van Gogh's brilliant colors and expressive brush strokes come vibrantly to life in this sumptuous book that features approximately fifty of his most important works in generous accordion-fold pages. The large-format reproductions, printed on heavy stock, are presented chronologically, allowing for a close study of Van Gogh’s development as an artist. In addition to his more well-known works, such as Irises, The Starry Night, Sunflowers, The Bedroom, Almond Blossom and Wheatfield with Crows, readers will also discover how he experimented with the landscape, still life and portraiture and how his influences changed over his brief but prolific career to embrace Impressionism, Neo-Classicism, and Pointillism, and incorporated elements of Symbolism as well as the techniques of Japanese woodcuts.

An accompanying booklet features thumbnails of each painting along with captions that highlight key elements, as well as a brief appraisal of his life and work. Both volumes are encased in a sturdy slipcase. The set is a must-have for fans of Van Gogh and an excellent resource for understanding why he remains one of the world’s most beloved painters.

About the Author:

Valérie Mettais is the author of several works on painting and artists' writings

Vasily Kandinsky became the pioneer of abstract art; he was a co-founder of the Blauer Reiter, an art theorist and an influential teacher at the Bauhaus. When he abandoned his promising career as a lawyer in favour of art at the age of 30, no one could have guessed that a few years later he would play a decisive role in determining and revolutionising twentieth-century art.

What the art critic Will Grohmann wrote in 1924 about Kandinsky in the historic series Junge Kunst, reflects current opinion at the time about the path Kandinsky had chosen towards abstraction, which was regarded as both irritating and bold. However, it was not just his radical views about art that polarised people; the charismatic painter also provoked them with his personality, prompting admiration and repudiation in equal measure. This volume is designed to appeal to book-lovers and is lavishly illustrated. It illuminates the principal milestones in Kandinsky’s artistic and private life, providing an insight into his legacy and focusing in particular on his years at the Bauhaus, where he taught together with artist colleagues like Paul Klee and Lyonel Feininger.

Today we marvel at the shimmering light, the detail and hidden significances within the subtle techniques of Vermeer, Rembrandt, Van Eyck, Frans Hals and their compatriots. 

The luminescent art of the Dutch Masters grew from the bounding confidence of the newly independent Netherlands in the early 1600s. Shed of religious conflict it encouraged a wealthy mercantile class that sought the oceans of the world in search of riches and influence, and a new sensibility in art that cast light across the actions and objects of daily life. 

The Dutch Masters are characterized by the abandonment of religious patronage, allowing, for the first time, a relentless focus on everyday subjects: the taverns, breakfast tables and living rooms of the newly wealthy and the places they loved to visit. 

This wonderful new book, also highlighting the work of the pioneering Rachel Ruysch, is the latest addition to Flame Tree’s highly successful Masterworks series.

Vincent van Gogh's career lasted just a decade, but in this short time, he created more than two thousand paintings, including some of the most famous and influential works of Western art. He was also prolific writer, penning hundreds of letters to his brother, Theo, that form an unusually rich record of his life and work, from his early development as an artist to his struggles with mental illness that sadly cut short a promising career. This book draws on Van Gogh's letters to provide a powerful and poignant account of his life and work.

Lively, accessible, and lavishly illustrated, this new book offers a concise introduction to this great master of art.

Praised as much by Hollywood as by his fan base, Jason Edmiston is THE greatest painter of Geek culture of our time.

Adopting a classic style, he creates incredible oil paintings of Batman, Daenerys Targaryen, and Dracula, to name a few. Featured in various American and Canadian conventions, he is followed by a huge, loyal fanbase who are desperate to procure all of his posters and limited editions.

This book brings together all of Edmiston’s most famous works, including his posters for MONDO and many new drawings, as well as several pages of technical advice.

This landmark monograph is the first comprehensive survey of Walter De Maria’s exceptionally diverse and visionary art practice, providing an in-depth look at more than 200 works and presenting the first detailed chronology ever published.

Although best known as a creator of seminal works of Land art, Walter De Maria also maintained an extensive and highly original practice as a sculptor, painter, draftsman, writer, filmmaker, and composer. This expansive publication presents more than 200 works created or envisioned by the artist from 1960 until his death in 2013. Each work is fully illustrated and accompanied by detailed text entries written by Elizabeth and Michael Childress, supplemented by archival images, many of which have never been published before.

Essays by Michael Govan, Christine Mehring, and Lars Nittve provide detailed overviews and analyses of the early, middle, and later periods of De Maria’s production. The monograph also includes an introduction by Donna De Salvo; the first detailed, thoroughly documented, and illustrated chronology of De Maria’s life and work, written by Dagny Corcoran; and an exhibition history and bibliography.

About the Authors:

Elizabeth Childress is the director of the Walter De Maria Archives. Michael Childress is the archivist at the Walter De Maria Archives. Dagny Corcoran was the founding proprietor of Art Catalogues, an art bookstore in Culver City, California. She also served as director of books and multiples at Marian Goodman Gallery. Donna De Salvo is the senior adjunct curator of special projects at Dia Art Foundation in New York. Michael Govan is the CEO and Wallis Annenberg Director of the Los Angeles County Museum of Art. Christine Mehring is the Mary L. Block Professor in the Department of Art History at the University of Chicago, as well as associate faculty in the Department of Visual Arts at the University. She also serves as an adjunct curator at the David and Alfred Smart Museum of Art. Lars Nittve is the director of the Moderna Museet, Stockholm.

The first complete monograph of artist Walter Tandy Murch explores the life of an unsung yet remarkable artist whose paintings and illustrations of everyday objects and mechanical devices are familiar yet mysterious, or as George Lucas puts it, “in a magical middle.”

Walter Tandy Murch (1907–1967) is best known for his enigmatic, dreamlike still-life paintings of everyday objects and mechanical devices in a style that falls between Magic Realist, Surrealist, and Realist. This volume offers the most comprehensive collection of his work, including his striking commercial work for magazines and his paintings from the extensive collection of George Lucas.

Lucas calls himself a “fanboy” of Murch’s art — paintings and drawings he describes as simultaneously “functional and dreamy, simple and complicated; they are quiet yet grab your attention.” The tension of these opposing reactions draws viewers into Murch’s still lifes, which caught the attention of famed art dealer Betty Parsons, who also represented artists such as Jackson Pollock, Mark Rothko, Ellsworth Kelly, and Agnes Martin. Murch showed his work at Parsons’s gallery for nearly thirty years.

With illuminating essays and extensive plates sections displaying Murch’s works, this celebration of an exceptionally talented and visionary artist is long overdue.

About the Author:

George Lucas is a film director, producer, screenwriter, and art collector. Walter Scott Murch is a writer and an Oscar-winning film editor and sound engineer. Robert Storr is a curator, critic, author, professor, and dean of the School of Art at Yale. Winslow Myers has taught art and art history for forty years, chairing the art department at the Bancroft School in Massachusetts. Judy Collischan is a curator, lecturer, writer, and professor of contemporary art.

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Пролистать книгу Walter Tandy Murch: Paintings and Drawings, 1925–1967