Сборники работ по искусству

A detailed and highly personal account of the life and works of Berthe Morisot, the most influential female impressionist painter.

Berthe Morisot won over the impressionists with her talent and became the first woman of the group alongside Monet, Degas, and Renoir. She was the foremost female painter of the impressionist movement and, to quote Apollinaire, “one of the most complete artists of her day.” Underestimated for more than a century, today her works demonstrate how visionary she was, pioneering a new style of painting.

Including correspondence with key members of the impressionist movement, this book focuses on the most important stages of Morisot’s career: her precocious artistic talent as a child, her participation at age twenty-three in the Salon de Paris of 1864, her marriage in 1874 to Eugène Manet and the birth of their daughter, Julie ― a frequent subject in Morisot’s paintings―and the expressive freedom of her later works. This intimate portrait of the artist and her work is an essential reference on the impressionists.

About the Author:

The late Jean-Dominique Rey, art historian and writer, curated numerous exhibitions and published many books including Monet: Water Lilies, The Complete Series (Flammarion, 2008/2018).
Sylvie Patry, global artistic director for the Kamel Mennour contemporary art gallery in Paris, is former director of conservation and collections at the Musée d’Orsay, and former conservation consultant at the Barnes Foundation in Philadelphia.

Although Bosch's known works amount to no more than two dozen paintings and a handful of drawings, the artist had an enormous impact on religious imagery during his lifetime and for centuries afterward. His enigmatic and mind-bending depictions of humans, animals, and nature undoubtedly influenced the surrealist movement of the 20th century. This book explores Bosch's works in terms of medieval morality, the religious beliefs of his time, and the Northern Renaissance in general. This elegant volume offers exquisite, full-colour reproductions that afford readers the opportunity to linger over the works-amazing details. The accompanying text examines Bosch's singular place in the canon of Western art, as a revolutionary portrayer of the imagination, and as a pioneer in the depiction of heaven and hell.

A major monograph on the artist widely regarded as the 16th century's greatest Netherlandish painter, published to mark the anniversary of his death 450 years ago

Pieter Bruegel the Elder and his work have attained a legendary status in our collective consciousness. The most important Netherlandish painter and draughtsman of the 16th century had already achieved great fame during his own lifetime, but was largely forgotten until his rediscovery by art historians in the early 20th century. Just over forty paintings by Bruegel’s own hand survive. His complex, multi-layered compositions, which draw on the earlier pictorial traditions of Hieronymus Bosch, are often moralizing, and teem with characters. The variety of subjects and their originality of execution inspire wonder to this day.

Published to accompany the major exhibition at the Kunsthistorisches Museum in Vienna, this spectacular catalogue allows readers to immerse themselves in the immensely rich pictorial world of the Netherlandish master. In uniting the artist’s works in different media – paintings, drawings and prints – it highlights his perfect handling and execution, his virtuoso use of colour and his draughtsmanship. The book is complemented by an e-book featuring five further essays by the curators, who present the fruits of recent research on the artist’s materials and techniques.

Bruegel’s inventions and stories create artworks with a timeless power, and this volume, presenting a full survey of the artist’s entire oeuvre, will be an indispensable resource for Bruegel fans and scholars alike.

About the Authors:

Manfred Sellink is the director of the Royal Museum of Fine Arts Antwerp, and is the author of Bruegel: The Complete Paintings, Drawings and Prints.

Ron Spronk is a professor (by special appointment) specializing in Hieronymus Bosch and Early Dutch painting at Radboud University.

Sabine Pénot is Curator of Netherlandish and Dutch Paintings, Kunsthistorisches Museum (KHM) at Vienna, Austria.

Elke Oberthaler is Head of Painting Conservation at Kunsthistorisches Museum (KHM) at Vienna, Austria.

Contents List:

Foreword by Geert Bourgeois • Preface by Sabine Haag • Introduction to the exhibition by Elke Oberthaler, Sabine Pénot, Manfred Sellink and Ron Spronk, with Alice Hoppe-Harnoncourt • Short Biography of Pieter Bruegel the Elder • Cat. nos. 1 to 87 • Separate E-book featuring five essays

- This monograph documents the complete works of Michelangelo Merisi da Caravaggio (Milan, 1571 - Porto Ercole, 1610)
- It aims at highlighting the master's integrità and the fascination of his extraordinary art
- Michelangelo Merisi da Caravaggio was a milestone in Italian and European artistic culture

Caravaggio and his works have been in the past years the object of a sort of collective infatuation that on one side brought the value of the master's painting to very high levels and, on the other, generated a proliferation of new attributions, with a subsequent uncertainty and confusion among Caravaggio's devotees, but also a devaluation of the excellent level of the autographed works.

This new book, published on the fourth centenary of Michelangelo Merisi's death, is based on the analysis of the artistic production which is confirmed as Caravaggio's, thanks also to the discoveries of recent years.

The author tells the artist's life, characterised by lights and shadows, by marvel and scandal, thus presenting us an exceptionally real and alive profile of Caravaggio as a man, as well as his capability to innovate painting through creativity and technique. A complete work, with high-quality reproductions of the paintings, this volume presents the surprising and troubled style of the greatest genius of seventeenth-century Italy.

About the Authors:

Rossella Vodret is the Director of the Polo Museale in Rome, and Francesco Buranelli is the secretary of the Pontifical Commission for Cultural Heritage.

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- This monograph documents the complete works of Michelangelo Merisi da Caravaggio (Milan, 1571 - Porto Ercole, 1610)
- It aims at highlighting the master's integrità and the fascination of his extraordinary art
- Michelangelo Merisi da Caravaggio was a milestone in Italian and European artistic culture

Caravaggio and his works have been in the past years the object of a sort of collective infatuation that on one side brought the value of the master's painting to very high levels and, on the other, generated a proliferation of new attributions, with a subsequent uncertainty and confusion among Caravaggio's devotees, but also a devaluation of the excellent level of the autographed works.

This new book, published on the fourth centenary of Michelangelo Merisi's death, is based on the analysis of the artistic production which is confirmed as Caravaggio's, thanks also to the discoveries of recent years.

The author tells the artist's life, characterised by lights and shadows, by marvel and scandal, thus presenting us an exceptionally real and alive profile of Caravaggio as a man, as well as his capability to innovate painting through creativity and technique. A complete work, with high-quality reproductions of the paintings, this volume presents the surprising and troubled style of the greatest genius of seventeenth-century Italy.

400 years after the death of Caravaggio, some of the world’s most illustrious art historians comment on an extraordinary collection of 25 of his works.
How is it possible that an artist who lived over four centuries ago is still seen today as an icon of modernity? The answer must be sought in his works; this is where we will grasp Caravaggio’s aesthetic pursuit. His is a simple, non ideal, art.
He observed without prejudice, hewing close to the truth of things. In short, his was a revolutionary art, one which continues to fascinate laypeople and experts alike to this day.
The curators of the exhibition, which will take place in Rome in the spring of 2010, asked some of the world's preeminent Caravaggio scholars to share their feeling and insights about their favorite works by the artist.
The result is an original catalogue of great rigour yet expressed in deeply human and richly subjective tones.

- Pieces from museums all over the world: including the Nelson-Atkins in Kansas City and the Metropolitan Museum in New York City.
- The works include Crowning with Thorns from the Kunsthistorisches Museum of Vienna with comments by Wolfgang Prohaska; Amor Victorious of the Gemäldegalerie – Staatliche Museen of Berlin discussed by Bernd Lindemann; Bacchus from the Galleria degli Uffizi, Florence, chosen by Antonio Paolucci; Supper at Emmaus from the Pinacoteca di Brera, Milan, in the eyes of Rossella Vodret; Saint Jerome Writing from St John’s Co-Cathedral Foundation, Malta, with comments by Stefania Maciocie; the Lute Player from the Hermitage Museum; Saint John the Baptist from the Nelson-Atkins Museum of Art, Kansas City; and the Musicians from the New York Metropolitan Museum of Art.
- Caravaggio is an extremely well-loved artist with an intriguing life story.
- World-class art historians comment on this extraordinary collection.

Widely regarded as the bridging link between late nineteenth-century Impressionism and Cubism, Cezanne's work is characterized by his intense study of his subjects. Overflowing with impeccably reproduced images, this book offers full-page spreads of masterpieces as well as highlights of smaller details - allowing the viewer to appreciate every aspect of the artist's technique and oeuvre.

The painter as poet. A world of floating symbols

For Marc Chagall (1887–1985), painting was an intricate tapestry of dreams, tales, and traditions. His instantly recognizable visual language carved out a unique early 20th-century niche, often identified as one of the earliest expressions of psychic experience.

Chagall’s canvases are characterized by loose brushwork, deep colors, a particular fondness for blue, and a repertoire of recurring tropes including musicians, roosters, rooftops, flowers, and floating lovers. For all their ethereal charms, his compositions were often rich and complex in their references. They wove together not only colors and forms, but also his Jewish roots with his present encounters in Paris, markers of faith with gestures of love and symbols of hope with testimonies of trauma.

Across scenes of birth, love, marriage, and death, this dependable artist introduction explores the many versions of Chagall’s rich vocabulary. From visions of his native Vitebsk in modern-day Belarus to images of the Eiffel Tower, we explore the unique aesthetic of one of the most readily identifiable modern masters and one of the most influential Jewish artists of all time.

About the Series:

Every book in TASCHEN's Basic Art Series features:

* a detailed chronological summary of the artist's life and work, covering the cultural and historical importance of the artist
* approximately 100 color illustrations with explanatory captions
* a concise biography

Charles Rennie Mackintosh was one of the most intriguing and influential artists of his time. 

Charles Rennie Mackintosh Masterpieces of Art reveals a selection of some of his most important and popular works, from stained glass pieces and furniture through to architecture, at the same time giving an overview of his life and career. 

The introduction reveals his journey from early Symbolist watercolours and Japanese-influenced details to his influence on the Vienna Secession and crowning works of architecture such as the Glasgow School of Art. 

The informed text and beautiful images of key artworks give depth and fuller understanding to create a beautifully rich and enjoyable tribute to the father of the 'Glasgow Style'.

Discover the powerful photography nominated for the prestigious Pictet prize.

This unique photo book places the work of contemporary female photographers in the spotlight.

Collage showcases the recent work on the theme of sustainability of 64 outstanding female presenting photographers who have been shortlisted or nominated for the Prix Pictet, the leading global award in photography and sustainability.

Their strong and poetic images address the most urgent environmental and social problems facing the planet today.

About the Author:

The Prix Pictet is the leading global award in photography and sustainability. Founded in 2008 to draw worldwide attention and stimulate action on issues of sustainability through the medium of photography, the award is supported by the leading asset and wealth management firm, Pictet Group.

From politics to religion, psychology to nuclear physics, learn how Dalí's work embraces nearly every major historic development of the twentieth century

Although Salvador Dalí’s characteristically provocative behavior and bizarre pictorial language made him an outlier in high society, his body of work reflects his century’s most important innovations and concerns. This introduction to Dalí’s work features dozens of exquisite reproductions as it traces the artist’s development, life and career. Readers will learn how he was influenced by contemporaries Miró, Ernst, and de Chirico as well as by Raphael and Gaudí. It explores his early adoption of Surrealism, his fascination with the subconscious, and his antipathy toward war. It illustrates how Dalí’s return to the Catholic church and his interest in nuclear and atomic physics was manifested in his paintings; how he experimented in film and, later, even created holograms. By making Dalí’s often perplexing art accessible to audiences of every level, this engaging introduction helps readers understand why he remains one of the most influential―and imitated―artists of all time.

Get a glimpse into the life and work of painter, sculptor, and printmaker Edgar Degas, who is regarded as one of the founders of Impressionism

Best known for his depictions of young dancers on the stage and in the studio, Degas was an accomplished draughtsman and portraitist of superb emotional depth. Much of his work eschewed bright colors and spontaneity for carefully studied interiors and scenes of daily life. This book explores the full range of Degas's work, from his celebrated paintings of dancers and depictions of cafe life to his pencil sketches and wax and bronze sculptures. Stunning reproductions help readers understand many aspects of Degas's oeuvre, such as his gift for capturing movement, the ways he drew inspiration from Japanese prints and Old Masters, and his experiments with color and form. A biographical text traces Degas's life from his studies at the Ecole des Beaux-Arts and his early history paintings to his friendships with Cassatt and Manet, his reliance on painting dancers to keep him financially afloat, and his lonely, final days in Paris. Accessible and engaging, this exploration of Degas's life and art looks beyond his well-known works to reveal a talented and complicated genius.

A fascinating examination of Munch’s prints, which were central to his creative process and established his reputation as an artist

Edvard Munch (1863–1944) is best known today as a painter, but his reputation was in fact established through his prints, which were central to his creative process. His printmaking was experimental and innovative, and he continually revisited the subjects of his paintings in striking prints, in which he evoked a wide range of emotion and mood through the use of varied techniques.

Munch’s early life in the industrial town of Kristiania (renamed Oslo in 1925) was marked by sickness and poverty. His first works centred on the expression of deep emotional experiences, specifically the deaths of his mother and teenage sister, as well as passionate yet unhappy love affairs of which his deeply religious father disapproved. Encouraged by his encounters with a Bohemian society of artists, writers and poets, he developed a visual landscape that was a radical deviation from the slick society portraits and grand Scandinavian landscapes then so much in vogue. His efforts attracted considerable attention and much criticism, and he practised with little financial success as a painter for ten years before he started to gain his reputation as a profoundly innovative printmaker.

Written by a team of experts, and with an interview by writer Karl Ove Knausgaard, this book will shed new light on the production of some of Munch’s most remarkable works.

Contents List:

Foreword by the directors of the British Museum and the Munch Museum; Sponsor’s foreword • Introduction • 1. Transfigured continent: Impressions from Munch’s Europe • 2. The inner soul of an artist: Munch’s background and the development of his Frieze of Life • 3. Munch and the world of printmaking • 4. Munch and the theatre in Paris • 5. ‘Is art influenced by too much business?’: Cultural capital and the market for Munch • 6. Plates, stones and blocks: Munch’s printing matrices • Reflections on Edvard Munch: an interview with Karl Ove Knausgaard • Checklist of works in the exhibition • Chronology; Checklist of exhibited items; Notes; Selected bibliography; Prints by Munch in UK public collections; Acknowledgments; Picture credits; List of contributors; Index

About the Authors:

Giulia Bartrum is Curator of German Prints and Drawings at the British Museum.

Karl Ove Knausgaard is a Norwegian author, known for six autobiographical novels titled My Struggle.

Munch’s pictorial worlds – the initial impetus for modernism

Edvard Munch’s radical modernity in painting was a challenge for his contemporaries. This applied in particular to the art scene in Berlin around 1900 which the Norwegian Symbolist artist influenced profoundly. In return, he received support there and was able to continue to develop his work. The publication is lavishly illustrated and describes knowledgeably the story of Munch and Berlin.

In 1892 the Association of Berlin Artists invited the still-unknown Edvard Munch (1863–1944) to an exhibition. The public was shocked by the colourful, sketch-like pictures. The artist enjoyed the furore and moved to the city on the Spree, where he repeatedly sojourned until 1908. Here he learned the techniques for printed graphics and presented for the first time paintings in several continuous series which would become central to his oeuvre. In Berlin, before long, the concept of the “Magic of the North” (Stefan Zweig) was no longer associated with romantic or naturalistic fjord landscapes, but with Munch’s psychologically concentrated pictorial worlds.

About the Authors:

Thomas Köhler has been the director of the Berlinische Galerie, the State Museum of Modern Art, Photography and Architecture in Berlin since 2010.

Stefanie Heckmann has been the head of the fine art collection at the Berlinische Galerie since 2014 and is the curator of the exhibition.
 

Edward Hopper’s world-famous paintings articulate an idiosyncratic view of modern life. With his impressive subjects, independent pictorial vocabulary, and virtuoso play of colors, Hopper continues to influence to this day the image of the United States in the first half of the twentieth century. He began his career as an illustrator and became famous around the globe for his oil paintings. They testify to his great interest in the effects of color and his mastery in depicting light and shadow. The Fondation Beyeler is devoting its large exhibition in the spring of 2020 to Hopper’s iconic images of the vast American landscape. The catalogue gathers together all of the paintings, watercolors, and drawings from the 1910s to the 1960s on display in the exhibition, and supplements them with essays focused on the subject of depicting landscape.

About the Artist:

Edward Hopper (1882–1967) is the master of American Realism. His paintings captured life during his era. His method of painting rapidly became the stylistic foundation of a type of American modernism. A source of inspiration for countless painters, photographers, and filmmakers, his body of work continues to be influential to this very day.

Everything You’ve Always Wanted to Know About Hopper

That incomparable melancholy in Edward Hopper’s pictures occasionally leads us to look at the details of his life. Where exactly did this master of loneliness live and work? What were his most important influences while he was working on his great paintings of America? In this wonderful, simply structured, A-to-Z book, Ulf Küster pursues these themes, which say a great deal about the painter and his interests, and yet he never loses sight of the artist and the necessary distance to his inimitable pictures.

Thus, Küster strolls through the ABCs of Hopper’s life and work, from the “American landscape,” “Buick” “Goethe,” and “shadow and sunlight” to the key word, “zero.” On the way he opens up many new doors or insights, enriching the views of Hopper’s paintings and making it possible to interpret them in new ways. An entertaining and informative book.

Edward Hopper (1882–1967) is the master of American Realism. His paintings captured life during his era. His method of painting rapidly became the stylistic foundation of a type of American modernism. A source of inspiration for countless painters, photographers, and filmmakers, his body of work continues to be influential to this very day.

The art theoretician and curator Ulf Kuster(*1966, Stuttgart) has worked at the Fondation Beyeler in Riehen since 2004. He produces many internationally respected exhibitions and publications. Hatje Cantz has published a number of these, including his essay on Louise Bourgeois in the series Reading Art.

Twisted Brilliance. Obsessive, radical, disturbing: Egon Schiele

With his revolutionary and liberated view of the naked body and sexuality, Egon Schiele emphatically wrote himself into the history of art at the beginning of the last century. Even today, the women and self-portraits painted by the enfant terrible of the Viennese modern age still have an exciting and bold effect. They were all created during the last decade of his short life.

After Egon Schiele (1890–1918) freed himself from the shadow of his mentor and role model Gustav Klimt, he had just ten years to inscribe his signature style into the annals of modernity before the Spanish flu claimed his life. Being a child prodigy quite aware of his own genius and a passionate provocateur, this didn’t prove to be too big a challenge.

His haggard, overstretched figures, extreme depiction of sexuality and self-portraits, in which he staged himself with emaciated facial expressions bordering between brilliance and madness, had none of the decorative quality of Klimt’s hymns of love, sexuality and yearning devotion. Instead, Schiele’s work spoke of a brutal honesty, one that would upset and irreversibly change Viennese society.

Although his works were later defamed as “degenerate” and for a time were almost forgotten altogether, they influenced generations of artists—from Günter Brus and Francis Bacon to Tracey Emin. Today, his then misunderstood oeuvre continues to fetch exorbitant prices on the international art market.

This monograph, first published in an XL edition, is now available in a slightly abridged, more compact edition to celebrate TASCHEN’s 40th anniversary and features the paintings and drawings that retrace the fertile last decade of Schiele’s life. These works are accompanied by essays introducing his life and oeuvre, situating the Austrian master in the context of European Expressionism and charting his extraordinary legac

The editor:

Tobias G. Natter is an internationally acknowledged expert on art in “Vienna around 1900.” For many years he worked at the Austrian Belvedere Gallery in Vienna, latterly as head curator. He also worked as guest curator at the Tate Liverpool, the Neue Galerie New York, the Hamburger Kunsthalle, the Schirn in Frankfurt am Main, and the Jewish Museum in Vienna. From 2006 to 2011, he directed the Vorarlberg Museum in Bregenz, and from 2011 to 2013 was director of the Leopold Museum in Vienna. In 2014 he founded Natter Fine Arts, which specializes in assessing works of art and developing exhibition concepts. He is the author of TASCHEN’s Gustav Klimt. Complete Paintings, Art for All. The Colour Woodcut in Vienna around 1900 and Egon Schiele. The Complete Paintings 1909–1918.

About the series:

TASCHEN is 40! Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible publishing, helping bookworms around the world curate their own library of art, anthropology, and aphrodisia at an unbeatable price. Today we celebrate 40 years of incredible books by staying true to our company credo. The 40 series presents new editions of some of the stars of our program — now more compact, friendly in price, and still realized with the same commitment to impeccable production.