Книги про сучасне мистецтво

An expansive and timely survey on contemporary British photographer and artist Nick Waplington, with work spanning his entire 40-year career – his first comprehensive retrospective volume

London- and New York-based artist Nick Waplington uses photography to capture the complex and far-reaching aspects of our lived experience. He rose to prominence in the early 1990s with Living Room and has since become known for his unfiltered depictions of people and places, and the sociopolitical backgrounds that define them.

From the chaos, violence, and euphoria of riots, protests, and free parties to the surreal, hypnotic quiet of his large-format landscapes, Waplington’s work (in all its messy humanness) transcends stereotypes and confounds expectations, and this book is no exception. Including never-before-published images, offering new insight into both well- and lesser-known projects, as well as Waplington’s painting and artistic practice, the book opens with a newly commissioned introduction from Simon Baker, one of the leading curators of contemporary photography in Europe and director of the Maison Européenne de la photographie (MEP), Paris.

This is the most extensive survey of Waplington's work to date, and includes previously unpublished photographs, as well as paintings, sketchbooks, and other artworks that complement his practice.

About the Authors:

Nick Waplington is a British artist living between London and New York. He has published extensively throughout his career, including Safety in Numbers (1995), Truth or Consequences (Phaidon, 2001), Working Process (2013), a collaboration with Alexander McQueen, Hackney Riviera (2019), and Anaglypta (2020). Waplington has exhibited in galleries and museums worldwide, and in 2015, was the first living British artist to have a solo photographic exhibition in the main galleries of Tate Britain, London.

Simon Baker is a curator, writer, and educator, and is currently director of the Maison Européenne de la Photographie, Paris. Formerly, he was senior curator of international art at the Tate Modern, London

Незалежно від того, чи є ви палким шанувальником цієї захопливої ​​художниці, чи просто дізнаєтеся про її життя та творчість, цей жвавий том пропонує глибокий портрет світу Нікі де Сен-Фалль, її бурхливого життя та надзвичайного мистецтва.

Біографія Нікі де Сен-Фалль читається як бестселер: важка освіта, рання слава як фотомоделі та сімейний бунт. Її найперші роботи, відомі як картини зі стріляниною, були виконані з гвинтівки та куль, наповнених фарбою. Вона продовжила досліджувати жіночу ідентичність за допомогою фігур з пап'є-маше. Зі зростанням її репутації зростали й її роботи. До її грандіозних «Нан» можна було увійти та оглянути їх зсередини. Вона створювала парки скульптур в Ізраїлі, Італії та Каліфорнії, серед інших місць. Ця книга знайомить читачів з Нікі де Сен-Фалль у розділах, що містять репродукції її робіт, фотографії з її життя та історичну довідку, що дає уявлення про її життя та творчість. Настільки ж жваве, як і життя, яке вона розкриває, цей том є чудовим поглядом у світ цікавої та сміливої ​​художниці.

Про авторку:

Крістіана Вайдеманн — історик мистецтва та авторка книг з мистецтва для дітей та дорослих. Серед її книг — Salvador Dali, Leonardo da Vinci, та 50 Women Artists You Should Know (усі видавництва Prestel).

Багатогранність Нікі де Сен-Фалль

Нікі де Сен-Фалль любила псевдопорядки, які вона використовувала для довільного поєднання термінів та піктограм на аркуші паперу. Наприклад, під заголовком «Я люблю» поруч із емблемою справедливості можна було знайти знак змії, поруч із двома зірками – помаранчеву пляму відповідного кольору, як символ астрології. Niki de Saint Phalle A–Z дозволяє собі таку ж свободу та розташовує численні грані творчості Нікі де Сен-Фалль в алфавітному порядку. Однак цей логічний порядок оманливий. Від А, як у «СНІДі», до Я, як у «Цюрихському ангелі», від Б, як у «Нареченій», до В, як у «Ванітасі», виникає мозаїка концепцій, яка фільтрує різні рівні значення в її різноманітній творчості та грайливо залучає їх до взаємного коментаря.

Нікі де Сен-Фалль (1930–2002) була однією з найважливіших художниць та скульпторок свого покоління. Зростаючи в Парижі та Нью-Йорку, вона повернулася до Парижа в 1950-х роках, де розпочала свою художню кар'єру з легендарної серії «стрілянина». Її чуттєві жіночі фігури, Нани, здобули їй широку популярність.

Про авторку:

Мистецтвознавця Катаріна Сикора (*1955) була професоркою Бохумського університету та Брауншвейзького університету мистецтв з 1994 по 2018 рік. Її сфери досліджень включають конструювання авторства, гендер та трансмедіальність.

The Curious Desert was the first solo exhibition of Olafur Eliasson’s work in the Gulf region, staged in March 2023.

The exhibition brought together a dozen new site-specific installations located in the desert, near the Al Thakhira Mangrove in Northern Qatar, and an extensive gallery presentation at the National Museum of Qatar of artworks created over the artist’s career.
The outdoor installation consisted of 12 temporary pavilions that Eliasson considers to form an artistic laboratory in the desert. Many of the experiments inside the pavilions utilised natural phenomena, such as wind, water, and sunlight, to create artworks that emerged over the course of the day or, as the seasons change, over the duration of the exhibition.

At the National Museum of Qatar, the gallery exhibition featured a variety of artworks from different periods of Eliasson’s career and in a wide range of media, including expansive light installations, complex geometric models, photo series from Iceland, watercolours, optical devices and an extensive map of the research areas that occupy the artist and his studio. The themes that run throughout the two-part exhibition relate to the broad interests expressed in Eliasson’s wider practice.

Text by Olafur Eliasson, Bouthayna Baltaji, Lina Patmali, Aspa D. Chatziefthimiou, Reem Al Selawhi, Hashim Sarkis. Photographs by Ali Faisal Al Anssari, Iwan Baan, Anders Sune Berg.

Text in English and Arabic.

Artist Oliver Jeffers gives readers an unprecedented and intimate window into his creative process, weaving his popular works with never-before-seen art and illustrations, alongside his personal story of how he came to art, his love of books, and his bookmaking, fashioned from his personal sketchbooks.

This dynamic visual biography is Jeffers's personal chronicle of an artist who blends his love of creating stories with his love of art and his infectious charm, and is a must-have for art lovers and bibliophiles both young and old.

Oliver Jeffers takes a dive into Oliver's own origin story, inspirations, art evolution, and passion for storytelling: from growing up loving art and creating stories as a young boy in Belfast, Ireland; to finding a huge audience for his loveable stories; to what led him to his enormously clever found painting; to his collaborations with U2, TED, Colette, and Apple, to his newest meditative dipped painting performances. Oliver Jeffers is a fresh canvas for his imagination, and includes a pass through his most popular work, never-before-published illustrations and art, and a look into his more personal world of sketchbooks and doodles. Oliver's own story, infused with the whimsy and joy his work is famous for, is must-have not only for current fans of Oliver Jeffers's picture books, but also new fans, art lovers, and bibliophiles both young and old.

About the Author:

Oliver Jeffers is an award-winning artist, illustrator, and writer. his work has been exhibited in The Brooklyn Museum, Berlin, Dublin, London, Paris, Sydney, Washington, DC, and Belfast. Bono is a musician, humanitarian, and cofounder of U2. John Maeda is an artist, designer, and technologist. Sharon Matt Atkins is the director of curatorial affairs at the Brooklyn Museum.Sir Quentin Saxby Blake, CBE, is an English illustrator, and children's writer perhaps best known for illustrating the books of Roald Dahl.

Мистецтво трансформації

Використовуючи власне тіло як сировину для своєї художньої практики, французька художниця Орлан деконструює традиційну іконографію жіночності. У 1990-х роках ОРЛАН викликала сенсацію хірургічними операціями, проведеними на її тілі, але вже в 1964 році, у віці 17 років, вона народила своє художнє «я». Відтоді вона постійно перетворює себе та гостро досліджує концепцію ідентичності. У своєму «тілесному мистецтві» тіло стає одночасно суб'єктом і об'єктом. Ця публікація охоплює шість десятиліть творчості Орлан, зокрема, переглядаючи її ранні перформанси. Одним з її останніх творінь є робот ORLAN-OÏDE, і завдяки додатку доповненої реальності аватари Орлан оживають і з'являються з цього багато ілюстрованого тому. Політичний статус тіла очевидний у всіх її роботах: у 1989 році вона перетворила відому картину Гюстава Курбе «Походження світу» на «Походження війни», замінивши вульву фалосом. Це твердження не втратило своєї актуальності.

Про авторку:

Орлан (*1947, Сент-Етьєн) — одна з найвизначніших представниць феміністичного авангарду та перформансу, а також засновниця L'Art Charnel (тілесного мистецтва). Французька художниця використовує власне тіло як художній матеріал протягом шести десятиліть. Вона живе та працює в Парижі.

Overs!ze представляє найкраще мистецтво інсталяції у великому масштабі по всьому світу.

Дизайнери, скульптори та художники-інсталятори, представлені на цих сторінках, обговорюють такі аспекти, як погода, потік вітру, спосіб монтажу, часові обмеження, бюджети, транспортування твору на місце, використані матеріали та їх довговічність, а також процес вибору місця.

Готові проекти взаємодіють у симбіотичних або контрастних методах із своїм оточенням ретельно контрольованими способами для створення нових просторових значень.

A Mosaic of Femininity

Founded in 1984 by women around Gabriele Stötzer, the Erfurt Women Artists’ Group pursued a radically creative lifestyle to counter the rigid structures of everyday life in the GDR, over a period of ten years. Subversive, witty, borne of a liberating sense of defiance against normative gender roles, their artistic expressions provide an insight into the little-known feminist subculture in the GDR. Their pioneering role in terms of an exploration of female identity is particularly reflected through five experimental Super 8 films, subsequent live performances, and fashion-object shows. Often unfolding intuitively from sequences of audio, dance, and literary elements, self-created and provocative costumes that served as alter egos of the artists took center stage. Their political commitment culminated in December 1989 in the first occupation of a Stasi, State Security Service, headquarters, initiated by five women, three of whom were part of the group.

The Erfurt Women Artists’ Group remained active with personnel changes — Monika Andres, Tely Büchner, Elke Carl, Monique Förster, Gabriele Göbel, Ina Heyner, Verena Kyselka, Claudia Morca Bogenhardt, Bettina Neumann, Ingrid Plöttner, Marlies Schmidt, Gabriele Stötzer, Harriet Wollert and others — until 1994.

The definitive illustrated overview of contemporary postwar art

Now one of the most highly visible art forms, in the last two decades performance has emerged from the margins to become an essential vehicle for communication, transforming museums and galleries into lively cultural hubs for future generations.

This landmark survey by renowned authority RoseLee Goldberg reveals how live art has developed in the 21st century as a visual medium, a global language and a political force. A mesmerizing survey of this most varied art form, Performance Now is the ultimate reference for artists, art students and historians, as well as theatre, film, dance and architecture enthusiasts with an eye on the avant-garde.

About the Author:

RoseLee Goldberg is Director of Performa, a multi-disciplinary arts organization for the research, development and presentation of 21st-century visual art performance.Among her other books are Performance: Live Art Since the 60s and Laurie Anderson, both published by Thames & Hudson.

Contents List:

Introduction • 1. Performance as Visual Art • 2. World Citizenship: Performance as a Global Language • 3. Radical Action: On Performance and Politics • 4. Dance After Choreography • 5. Off stage: New Theatre • 6. Performing Architecture

The most comprehensive monograph on Turner Prize-nominated artist Peter Doig.  In every generation of artists, there are a few-or perhaps just one-who propose a new set of questions and alter the way we understand art. Peter Doig is such an artist. While stories of painting’s demise in the early 1990s deemed painters and their work quaintly anachronistic, Doig-looking ahead as much as back for inspiration-forged a new painterly language: an ironic mix of Romanticism and post-impressionism to create haunting and sometimes dreamlike landscape vistas.

In this lavish new volume devoted to his entire career-which includes paintings, drawings, and reference material, such as found photographs-art historians Richard Shiff and Catherine Lampert mine the artist’s rich and varied work. Doig’s landscapes have been inspired by the many places the artist has lived-England, Canada, Trinidad. So, too, does memory, or the idea of memory, inform much of his production.

This volume is designed in close collaboration with the artist, with Doig specially creating the cover and various elements of the interior. Every facet of the painter’s singular vision is explored, from his earliest paintings of the early 1990s to the most recent series of works.

Published in association with Michael Werner Gallery  

About the Authors:

Peter Doig has been the subject of scores of exhibitions throughout his career, including a major traveling survey in 2008 at Tate Britain, Musee d’Art Moderne de la Ville de Paris, and Schirn Kunsthalle Frankfurt. Richard Shiff is a renowned art historian and critic. Catherine Lampert is an independent curator and writer based in England.

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Пролистать книгу Peter Doig

Coupling defeat and despair with rebellious humor, Danish artist Peter Linde Busk explores the grotesque conditions of human existence. Populating his works with tragic and awkward figures like fallen heroes, jesters, or outlaws in abstract spaces of detailed ornamentation, his figurations are  meticulously composed using a great variety of textures and techniques, and often incorporate random material relics from previous works. Similarly, his titles are wry quotes or poetic fragments: it is from Rilke that Peter Linde Busk has borrowed the title of the book, Who speaks of victory? To endure is all. 

This richly illustrated monograph features a major essay by art historian Maria Fabricius Hansen juxtaposing Linde Busk’s work with medieval mosaics and the grotesques of Renaissance art. A catalogue raisonné of works from 2015 to 2022 is supplemented by short prose texts and a playlist by writer Minna Grooss that suggests a sound track to the materially emphatic works by Linde Busk.

About the Author:

Peter Linde Busk (*1973, Copenhagen) is one of the most renowned Danish artists of his generation. Educated in London, New York and Düsseldorf and working in multiple media such as painting, sculpture, relief, and mosaic, a central theme of his work is seeing the beauty and value in what is normally considered failed. This is evident both in his motifs and in his choice of materials such as discarded matter or studio debris. Linde Busk lives and works in Berlin.

The first definitive career retrospective of the visionary underground godfather of street art at the center of New York’s 1980s urban art scene.

Richard Hambleton (1954–2017) was a Canadian artist known for his pioneering street art. He was a surviving member of a group that emerged from the New York City art scene during the booming art market of the 1980s, which also included his close friends Keith Haring and Jean-Michel Basquiat.

As a conceptual artist, Hambleton’s early work installations titled “Image Mass Murder” from 1976–1979 were secretly placed onto streets in over 15 cities, depicting chalk-body outlines and blood-splattered crime scenes of what appeared to be “victims.” This theme of a prevailing violence, fear, and morbid curiosity elicited surprise and anxiety from its unsuspecting viewers. In the early 1980s, Hambleton created his most iconic “Shadow Man” works — artfully splattered ominous shadowy figures on unexpected street corners, walls, and alleys that startled viewers into a visceral awareness that the city was still a dangerous place.

This book features over 200 images including his early “Shadow Man” canvas paintings, as well as photographs of his in situ street work, a selection of his “Marlboro” rodeo horse silhouettes, and his “Beautiful Paintings” series of landscapes and seascapes, alongside other works on paper; behind-the-scenes studio shots; personal, unseen photographs of the artist; and inspirational imagery. Hambleton was renowned for influencing artists such as Banksy, Blek le Rat, and Shepard Fairey. This arresting, one-of-a-kind book will appeal to those interested in visual arts, street art, graffiti, and art history.

About the Author:

Vladimir Restoin Roitfeld is a French-American businessman and president of CR Fashion Book Ltd. media company. Andy Valmorbida is an Australian-born art entrepreneur, collector, and president of Untitled-1 Holdings.

The first comprehensive book in more than twenty years of the artist’s haunting and textural photographic work, published to accompany a major retrospective at the Addison Gallery of American Art.

A definitive monograph to accompany the first museum survey of the renowned photographer and conceptual artist Rosamond Purcell (b. 1942), known for her strangely beautiful, often unsettling photographs of objects from the natural and man-made world.

With more than 150 illustrations, the book reflects the breadth of the artist’s career from the late 1960s to the present day, and includes photographs, assemblages, collages, and installations that serve to illuminate and explore the shifting boundaries between art and science. From large-format Polaroid prints to objects rescued from obscurity, Purcell’s empathetic, evocative, multifaceted work explores the interstices between the unsettling and the sublime, the beautiful and the bizarre, the natural and the manufactured.

With thoughtful and insightful texts from an eclectic list of critical voices — including the acclaimed documentary filmmaker Errol Morris and the writer Christoph Irmscher — and featuring an interview between Purcell and fellow contemporary artist Mark Dion, this book rejuvenates the critical approach Purcell’s work and brings to light the evolution of a remarkable career.

About the Author:

Gordon Wilkins is the Robert M. Walker Associate Curator of American Art at the Addison Gallery of American Art at Phillips Academy, Andover. Mark Dion is an American conceptual artist living and working in New York. Christoph Irmscher is a writer and biographer, and the author of The Poetics of Natural History, with photographs by Rosamond Purcell. Errol Morris is an Academy Award–winning American documentary filmmaker. Belinda Rathbone is a writer, historian, and critic of photography.

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Пролистать книгу Rosamond Purcell: Nature Stands Aside

The first book on painter and sculptor Sam Moyer, best known for her unique practice of combining remnants of stone and natural materials inlaid into painted canvas, creating powerfully expressive works.

Sam Moyer has developed a distinctive language of abstraction, creating paintings, structures, and sculptural objects that draw inspiration from architectural space and natural materials. Recognized for a diverse practice in which she unites found textures and objects in innovative ways, Moyer crafts compelling hybrids, often combining hand-painted fabrics with repurposed marble, slate, and stone that carry textural imperfections reflecting industrial design processes. Her practice has evolved from its more conceptual and process-based origins to address formal and theoretical issues regarding the construct of painting. In all her productions, issues of scale and space remain critical. Moyer is particularly interested in the way architecture functions in tandem with her objects to create dynamic visual experiences.

In this volume, the artist’s first monograph, curators Renaud Proch and Scout Hutchinson contribute the first extended critical essay on the artist’s art and career, identifying key works and exhibitions of the last ten years and detailing her artistic trajectory. Artist and writer Ross Simonini, who has known Moyer for a decade, contributes an in-depth interview with the artist, and noted novelist Kaitlyn Greenidge offers a poetic reading of Moyer’s artwork.

About the Author:

Kaitlyn Greenidge’s debut novel, We Love You, Charlie Freeman (Algonquin Books), was one of the New York Times Critics’ Top 10 Books of 2016. Her writing has appeared in Vogue, Glamour, the Wall Street Journal, Elle, Buzzfeed, Transition Magazine, Virginia Quarterly Review, the Believer, and American Short Fiction. She is the recipient of fellowships from the Whiting Foundation, the National Endowment for the Arts, the Radcliffe Institute for Advanced Study, the Lewis Center for the Arts at Princeton University, and the Guggenheim Foundation. She is currently Features Director at Harper’s Bazaar as well as a contributing writer for the New York Times. Her second novel, Libertie (Algonquin Books), was published in 2021. Scout Hutchinson is a curator, researcher, and writer based in New York. She has provided cura­torial support to numerous art institutions, includ­ing deCordova Sculpture Park and Museum, the Fred Jones Jr. Museum of Art at the University of Oklahoma, the Mead Art Museum at Amherst College, and the Whitney Museum of American Art. She served as a research assistant for Hauser & Wirth Institute’s catalogue raisonné of Franz Kline's paintings, and in 2021 was an inaugural research fellow with the Holt/Smithson Foundation. Renaud Proch is Executive and Artistic Director of Independent Curators International (ICI), an organization dedicated to advancing the work of curators to create stronger art communities through experimentation, collaboration, and inter­national engagement. Before joining ICI in 2009, he was senior director of the Project gallery in New York, as well as director of MC in Los Angeles. He is a co-founder of the Backroom, an evolving archive of artists’ source materials and itinerant research project, and of ART2102, an independent art space in Los Angeles (2003–11). Ross Simonini is a multidisciplinary artist, working in painting, writing, music, performance, and dia­logues. He has held exhibitions of his work at the Sharjah Biennial 13, anonymous gallery, Et al., Shoot the Lobster, Jack Hanley Gallery, and Human Resources. He has released many albums of music, under his own name and with collaborators. His first novel, The Book of Formation, was published in 2018 (Melville House Books).

Of Absence and Weight is the first comprehensive monograph of Pakistani-born, New York-based artist Seher Shah, a leading figure in South Asian art working at the edge of architectural drawing and abstraction.

The book surveys twenty years of Shah’s practice across drawing, printmaking, and sculpture. Her work speaks to the poetics and fractures of the surrounding landscape, spanning the historical and the intimate. She has explored ideas in architecture and perspective drawing traditions; contested relationships between history, objects, and time; and examined the relationship between poetry and abstraction.

Her works are found in collections including the Metropolitan Museum of Art and the Museum of Modern Art, in New York; the Centre Pompidou, in Paris; the Tate Modern, in London; and the Art Jameel Collection, in Dubai.

About the Author:

Murtaza Vali is a writer and curator based between Brooklyn and Sharjah, United Arab Emirates. Sean Anderson is associate professor and director of the undergraduate program in architecture at Cornell University. Jyoti Dhar is an art critic and editor based in Dubai. Catherine David is an art historian, curator, and former director of the Musée National d’Art Moderne at Centre Pompidou in Paris.