Книги про сучасне мистецтво

The first definitive career retrospective of the visionary underground godfather of street art at the center of New York’s 1980s urban art scene.

Richard Hambleton (1954–2017) was a Canadian artist known for his pioneering street art. He was a surviving member of a group that emerged from the New York City art scene during the booming art market of the 1980s, which also included his close friends Keith Haring and Jean-Michel Basquiat.

As a conceptual artist, Hambleton’s early work installations titled “Image Mass Murder” from 1976–1979 were secretly placed onto streets in over 15 cities, depicting chalk-body outlines and blood-splattered crime scenes of what appeared to be “victims.” This theme of a prevailing violence, fear, and morbid curiosity elicited surprise and anxiety from its unsuspecting viewers. In the early 1980s, Hambleton created his most iconic “Shadow Man” works — artfully splattered ominous shadowy figures on unexpected street corners, walls, and alleys that startled viewers into a visceral awareness that the city was still a dangerous place.

This book features over 200 images including his early “Shadow Man” canvas paintings, as well as photographs of his in situ street work, a selection of his “Marlboro” rodeo horse silhouettes, and his “Beautiful Paintings” series of landscapes and seascapes, alongside other works on paper; behind-the-scenes studio shots; personal, unseen photographs of the artist; and inspirational imagery. Hambleton was renowned for influencing artists such as Banksy, Blek le Rat, and Shepard Fairey. This arresting, one-of-a-kind book will appeal to those interested in visual arts, street art, graffiti, and art history.

About the Author:

Vladimir Restoin Roitfeld is a French-American businessman and president of CR Fashion Book Ltd. media company. Andy Valmorbida is an Australian-born art entrepreneur, collector, and president of Untitled-1 Holdings.

The first comprehensive book in more than twenty years of the artist’s haunting and textural photographic work, published to accompany a major retrospective at the Addison Gallery of American Art.

A definitive monograph to accompany the first museum survey of the renowned photographer and conceptual artist Rosamond Purcell (b. 1942), known for her strangely beautiful, often unsettling photographs of objects from the natural and man-made world.

With more than 150 illustrations, the book reflects the breadth of the artist’s career from the late 1960s to the present day, and includes photographs, assemblages, collages, and installations that serve to illuminate and explore the shifting boundaries between art and science. From large-format Polaroid prints to objects rescued from obscurity, Purcell’s empathetic, evocative, multifaceted work explores the interstices between the unsettling and the sublime, the beautiful and the bizarre, the natural and the manufactured.

With thoughtful and insightful texts from an eclectic list of critical voices — including the acclaimed documentary filmmaker Errol Morris and the writer Christoph Irmscher — and featuring an interview between Purcell and fellow contemporary artist Mark Dion, this book rejuvenates the critical approach Purcell’s work and brings to light the evolution of a remarkable career.

About the Author:

Gordon Wilkins is the Robert M. Walker Associate Curator of American Art at the Addison Gallery of American Art at Phillips Academy, Andover. Mark Dion is an American conceptual artist living and working in New York. Christoph Irmscher is a writer and biographer, and the author of The Poetics of Natural History, with photographs by Rosamond Purcell. Errol Morris is an Academy Award–winning American documentary filmmaker. Belinda Rathbone is a writer, historian, and critic of photography.

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Пролистать книгу Rosamond Purcell: Nature Stands Aside

The first book on painter and sculptor Sam Moyer, best known for her unique practice of combining remnants of stone and natural materials inlaid into painted canvas, creating powerfully expressive works.

Sam Moyer has developed a distinctive language of abstraction, creating paintings, structures, and sculptural objects that draw inspiration from architectural space and natural materials. Recognized for a diverse practice in which she unites found textures and objects in innovative ways, Moyer crafts compelling hybrids, often combining hand-painted fabrics with repurposed marble, slate, and stone that carry textural imperfections reflecting industrial design processes. Her practice has evolved from its more conceptual and process-based origins to address formal and theoretical issues regarding the construct of painting. In all her productions, issues of scale and space remain critical. Moyer is particularly interested in the way architecture functions in tandem with her objects to create dynamic visual experiences.

In this volume, the artist’s first monograph, curators Renaud Proch and Scout Hutchinson contribute the first extended critical essay on the artist’s art and career, identifying key works and exhibitions of the last ten years and detailing her artistic trajectory. Artist and writer Ross Simonini, who has known Moyer for a decade, contributes an in-depth interview with the artist, and noted novelist Kaitlyn Greenidge offers a poetic reading of Moyer’s artwork.

About the Author:

Kaitlyn Greenidge’s debut novel, We Love You, Charlie Freeman (Algonquin Books), was one of the New York Times Critics’ Top 10 Books of 2016. Her writing has appeared in Vogue, Glamour, the Wall Street Journal, Elle, Buzzfeed, Transition Magazine, Virginia Quarterly Review, the Believer, and American Short Fiction. She is the recipient of fellowships from the Whiting Foundation, the National Endowment for the Arts, the Radcliffe Institute for Advanced Study, the Lewis Center for the Arts at Princeton University, and the Guggenheim Foundation. She is currently Features Director at Harper’s Bazaar as well as a contributing writer for the New York Times. Her second novel, Libertie (Algonquin Books), was published in 2021. Scout Hutchinson is a curator, researcher, and writer based in New York. She has provided cura­torial support to numerous art institutions, includ­ing deCordova Sculpture Park and Museum, the Fred Jones Jr. Museum of Art at the University of Oklahoma, the Mead Art Museum at Amherst College, and the Whitney Museum of American Art. She served as a research assistant for Hauser & Wirth Institute’s catalogue raisonné of Franz Kline's paintings, and in 2021 was an inaugural research fellow with the Holt/Smithson Foundation. Renaud Proch is Executive and Artistic Director of Independent Curators International (ICI), an organization dedicated to advancing the work of curators to create stronger art communities through experimentation, collaboration, and inter­national engagement. Before joining ICI in 2009, he was senior director of the Project gallery in New York, as well as director of MC in Los Angeles. He is a co-founder of the Backroom, an evolving archive of artists’ source materials and itinerant research project, and of ART2102, an independent art space in Los Angeles (2003–11). Ross Simonini is a multidisciplinary artist, working in painting, writing, music, performance, and dia­logues. He has held exhibitions of his work at the Sharjah Biennial 13, anonymous gallery, Et al., Shoot the Lobster, Jack Hanley Gallery, and Human Resources. He has released many albums of music, under his own name and with collaborators. His first novel, The Book of Formation, was published in 2018 (Melville House Books).

Of Absence and Weight is the first comprehensive monograph of Pakistani-born, New York-based artist Seher Shah, a leading figure in South Asian art working at the edge of architectural drawing and abstraction.

The book surveys twenty years of Shah’s practice across drawing, printmaking, and sculpture. Her work speaks to the poetics and fractures of the surrounding landscape, spanning the historical and the intimate. She has explored ideas in architecture and perspective drawing traditions; contested relationships between history, objects, and time; and examined the relationship between poetry and abstraction.

Her works are found in collections including the Metropolitan Museum of Art and the Museum of Modern Art, in New York; the Centre Pompidou, in Paris; the Tate Modern, in London; and the Art Jameel Collection, in Dubai.

About the Author:

Murtaza Vali is a writer and curator based between Brooklyn and Sharjah, United Arab Emirates. Sean Anderson is associate professor and director of the undergraduate program in architecture at Cornell University. Jyoti Dhar is an art critic and editor based in Dubai. Catherine David is an art historian, curator, and former director of the Musée National d’Art Moderne at Centre Pompidou in Paris.

An influential figure in Eastern Europe’s 1960s neo-avantgarde, Stano Filko synthesized Dada, Pop Art, Fluxus, and Conceptual Art into a universalist vision of art and life. Influenced by subjects such as modernist architecture and mathematical algorithms, but also by spiritual transcendence and the cosmos, he designed pneumatic objects and interactive environments, assemblages, text-based works, performances, and happenings that attempted to circumvent state repression. Having fled to West Germany in 1981, Filko exhibited at documenta 7 in Kassel in 1982, and then relocated to New York, where he took up Neo-Expressionist painting, embracing a rainbow-colored chakra system, System SF, that he explored for the rest of his life. Not least thanks to his curiosity, experimental approach, and self-criticism Filko’s works sustain a character of contemporaneity and remain meaningful today.

About thee Artist:

Stano Filko (1937, Veľká Hradná–2015, Bratislava) was considered one of the most influential Slovakian artists from the 1960s until his death. Following achievements as a conceptual artist, he became “persona non grata” as a result of the suppression brought about by the Prague Spring in 1968. After having managed to escape to West Germany in 1981, he relocated to New York in 1982. In 1990 he returned to Bratislava, where he transformed his Snesčenkova studio house into a Gesamtkunst- werk designed according to the principles of his System SF.

A retrospective of the preeminent Greek-born American artist, who was a pioneer in the use of neon in the realm of fine art.

Prolific multimedia artist Stephen Antonakos (1926–2013) is best known for his resplendent abstract neon sculptures — instantly recognizable for their vibrant colors and crisp geometry. Along with well-known artists Lucio Fontana, Bruce Nauman, Keith Sonnier, and his compatriot Chryssa, Antonakos brought new perceptual and formal possibilities to the medium of neon.

This comprehensive book comprises Antonakos’s diverse output of neon, canvases, drawings, travel collages, chapels, and gold works, all of which reflect an abiding concern with illumination, incomplete geometric shapes, and an almost mystical spirituality that is manifest throughout his oeuvre, from his overtly religious pieces to his playful assembled collages from his trips to Greece. His later works feature neon lights placed behind painted or gold-leaf panels, often bathing the surfaces and the surrounding space in gold halos like Byzantine icons, a tradition that has long fascinated this extraordinary artist.

Author David Ebony provides research on Antonakos as a central figure in the international avant-garde of the 1960s and ’70s. He also discusses the artist’s Greek heritage and legacy, as well as the spiritual and mystical aspects of his later works.

About the Author:

David Ebony is a contributing editor of Art in America and a frequent contributor to Artnet News and Yale University Press online, among other publications.

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Пролистать книгу Stephen Antonakos: Neon and Geometry на сайте издательства.

Майбутнє (і минуле) жіноче: химерні, часто жартівливі картини Саммер Віт у насичених коштовних тонах, що перериваються яскравими неоновими вогнями, кишать фантастичними фігурами, що увічнюють племена жінок, які полюють, співпрацюють, святкують і зрештою замінюють тисячоліття зображень чоловіків-правителів та воїнів.

Унікальний формувальний досвід Саммер Віт з мистецтвом, що виросла в Оклахомі, був сформований естетичним та концептуальним поштовхом мистецтва корінних американців та культури корінних народів. Поєднуючи ці ранні впливи з каноном західного мистецтва (від античного мистецтва до середньовічних гобеленів) та популярними посиланнями, такими як астрологія та комікси, роботи художниці зосереджують увагу на жіночих архетипах у своїй широкій практиці живопису, скульптури та великомасштабних інсталяцій.

У першій монографії художниці куратор Дженніфер Судул Едвардс обговорює широкий спектр тем, які впливають на творчість Віт, включаючи інтерес художниці до алхімії. Куратор Енн Еллегуд у розмові з художницею обговорює скульптурні роботи Віт, великомасштабні інсталяції та перші спроби створити окремий архітектурний простір. Дженніфер Красінскі досліджує унікальний підхід Віт до живопису; її вражаючі настінні роботи нагадують щось середнє між складним бісероплетінням та піксельною структурою цифрового зображення.

Про автора:

Дженніфер Судул Едвардс, доктор філософії, є головним куратором та куратором сучасного мистецтва в Музеї Монетного двору в Шарлотті. Дженніфер Красінскі писала на теми мистецтва, кіно, відео та перформансу для численних видань, таких як Artforum, Art in America та Bidoun, серед багатьох інших. Енн Еллегуд є виконавчим директором Інституту сучасного мистецтва Лос-Анджелеса (ICA LA). Дідрік Брекенс — художник, найбільш відомий своїми тканими гобеленами.

Зухвале, пронизане попкультурою мистецтво Такаші Муракамі зробило його одним із найвідоміших японських художників сучасності. Однак його яскрава, сучасна галасливість приховує його глибоку обізнаність та захоплення традиційним японським мистецтвом.

Takashi Murakami: Lineage of Eccentrics представляє ключові приклади творчості Муракамі поряд із багатою добіркою японських шедеврів, що охоплюють кілька століть, і розташованих тут відповідно до концепцій, розроблених його наставником і колегою, провідним японським істориком мистецтва Нобуо Цудзі. Чудово ілюстрована добіркою Цудзі з видатної колекції японського мистецтва в Музеї образотворчих мистецтв Бостона, а також деякими з найвідоміших творів живопису та скульптури Муракамі, поєднання старого та нового в цьому новаторському томі збагачує наше розуміння кожного з них і, зрештою, показує нам, як сучасне мистецтво можна розглядати як частину континууму або лінії.

Про автора:

Такаші Муракамі став визнаним одним із найвидатніших сучасних художників свого часу. Його роботи були представлені на численних персональних виставках у музеях та художніх установах по всьому світу. Серед нещодавніх виставок – пересувна ретроспектива ©MURAKAMI та персональна виставка його робіт у Версальському замку на території палацу. Массіміліано Джіоні є заступником директора та директором виставок Нового музею в Нью-Йорку та куратором виставки Murakami – Ego для Управління музеїв Катару.

Art is constantly evolving, inviting experimentation, and, in today’s digital age, uses artificial intelligence to create entirely new realities. Data as a tool of expression is used by artists as an equal partner to break new ground at eye-level, while at the same time redefining the concept of art to revolutionize the world of design. This volume focuses on the esthetics and creativity of a new generation of designers who are using algorithm-supported tools along the vertical, from graphic design to 3D animation, kinetic objects and real-time visuals, to robotics and spatial installations, as well as hybrid approaches between digital and analogue. For this compendium, the editor was able to involve the biggest names in the world of data-driven design to present their most important work on the basis of facts, aspects, and stories and to provide insights into their creative processes. These range from the vision via the underlying code and challenges in the implementation concept, to the finished work. On a theoretical level, the presented works are significantly enriched by interviews and texts of experts and insiders of the scene.

“The Age of Data“ shows the future of art and design in this day and age in which the whole world is under close scrutiny due to the pandemic. It is an invitation to take the next steps and a motivation to keep up with the ongoing data-based design developments.

“What a wide range of works, artists, perspectives, technics – a stunning sampler of the 21st century! “
Stefan Weil
Atelier Markgraph & Museum of Modern Electronic Music

_Data-based design process throughout different categories
_A look behind-the-scene of the most important 40 pioneers
_With essays by specialists
_Promotion by Kickstarter campaign

An essential guide to the artists of tomorrow by one of the movers and shakers of the art world

With the birth of contemporary museum culture and the advent of digital technologies, the 21st century has brought a whole new means by which to access art and its histories. How do we engage with contemporary art in an ever-developing global context, without getting lost in a frenzied cult of novelty?

The Artists Who Will Change the World is a new global map of art that points to the future. Unlike a traditional atlas, its cartography illustrates a world of international artists who may not yet be household names, but who will undoubtedly shape the art of tomorrow. These are artists whose work engages with the aesthetics of technology and the issues of tomorrow; artists who are developing concepts rarely tested before, or who are engaging with politics in new ways. Omar Kholeif takes us on a journey of discovery that will influence generations of artists and art lovers to come.

About the Author:

Over the last decade, Omar Kholeif has quickly become one of the most recognisable curators of modern and contemporary art working globally. By the age of thirty he had curated over a hundred exhibitions and commissions of contemporary artists’ work. He has authored or edited over twenty books on art.

Contents List:

Mapping the Contemporary: Introduction by Omar Kholeif • The Cause but not the Symptom: Introduction by Douglas Coupland • Technology: Jeremy Bailey; James Bridle; Ian Cheng; DIS; Constant Dullaart; Guan Xiao; Katja Novitskova; Trevor Paglen; Heather Phillipson; Jacolby; Satterwhite; Hito Steyerl; Ryan Trecartin • Identity: Jonathas de Andrade; Zach Blas; Andrea Crespo; Celia Hempton; Adam Linder; Tala Madani; James Richards; Tejal Shah; Hank Willis Thomas; Amalia Ulman; Lynette Yiadom-Boakye • Place: Nadim Abbas; Assemble; Cao Fei; Cui Jie; Theaster Gates; Camille Henrot; Iman Issa; Samson Kambalu; Lee Kit; Basim Magdy; Taus Makhacheva; Koki Tanaka; Adrián Villar Rojas; Amanda Williams; Zhou Tao • Power: Lawrence Abu Hamdan; Sophia Al-Maria; Yto Barrada; Zachary Cahill; Simon Denny; GCC; Joana Hadjithomas & Khalil Jorge; Jumana Manna; Otobong Nkanga; Christodoulos Panayiotou; The Propeller Group; Imran Qureshi; Michael Rakowitz; Hrair Sarkissian; Kemang Wa Lehulere; Xu Zhen

Ця легендарна книга була визнана найкращою, найчитабельнішою та найпровокаційнішою розповіддю про сучасне мистецтво, коли-небудь написаною.

У кожному з тематичних розділів Г’юз зберігає свою історію, засновану на історії 20-го століття, демонструючи, як модернізм прагнув описати досвід тієї епохи, і показуючи, що для багатьох ключових напрямів мистецтва це було життєво важливим завданням.

Спосіб, у який Г’юз повертає цю життєву силу та безпосередність через вдало підібраний приклад і влучну фразу, є серцевиною успіху цієї книги.

Про автора:

Роберт Хьюз (1938 – 2012) був австралійським мистецтвознавцем, письменником і продюсером телевізійних документальних фільмів.

NFTs, or non-fungible tokens, exploded into the art space last year, no doubt because Beeple (a digital artist) sold his NFT at Christie’s auction house for a staggering $69 million. Yet the story of NFTs is much more interesting, significant, and subtle than that sale. This book explains NFTs in the art world — and the ways they might not only democratize the arts but enliven our larger democracy.

Since the NFT phenomenon took over the art world, useful information that isn’t too reductive is in short supply. Artists, collectors, arts professionals, art lovers, and museumgoers are still trying to understand what NFTs are, how to benefit from or engage with them, and what they mean for the art world in the future. This book is precisely for this audience.

The authors take the reader through the basic concepts of NFTs and the underlying technology of blockchain, including their origins, their surprising connections to the history of artmaking and art collecting, and their potential to radically reshape the art world. The book invites the reader to engage with this new technology, to understand its connections to the longer arc of art history, and to help shape its future.

The volume is structured around four key chapters: Origin Stories (where NFTs come from), Artists + Making (how artists are currently engaging with the technology and minting NFTs logistically and conceptually), Collectors + Buying (what does it mean to collect an NFT and other advice for current and soon-to-be collectors), and Future States (how NFTs will upend and democratize the arts). In addition to the authors’ extensive knowledge, the book draws on a wide range of interviews with leading contributors to the NFT story.

The Story of NFTs is an inventive, elegant, and not insufferable book on a topic that matters more than most people think, in ways that are surprising and at odds with the one-dimensional cryptocurrency story. The many intersecting stories of NFTs in this book—knowledge stories, artist stories, democracy stories — center how we know what is true in an age of digital records and how we build collaborative and equitable structures for the future.

About the Authors:

Amy Whitaker is a long-standing blockchain and NFT researcher in the arts and Associate Professor at New York University. She is the award-winning author of Museum Legs, Art Thinking, and Economics of Visual Art. 

Nora Burnett Abrams, PhD, is the Mark G. Falcone Director of MCA Denver.

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Пролистать книгу The Story of NFTs: Artists, Technology, and Democracy на сайте издательства.

Глибоко віддана соціальній справедливості, художниця Томаші Джексон створює яскраві принти, картини, відео, текстиль та скульптури, які потужно досліджують системну нерівність, що проявляється в історії США. Це перша книга, яка представляє еволюцію творчості Джексон.

Протягом своєї кар'єри Джексон ретельно досліджувала конкретні історії, пов'язані з містами, землями та окремими особами у Сполучених Штатах, з метою розкрити, як системний расизм та захист громадянських прав вплинули на підхід Америки до житла, освіти, транспорту, позбавлення виборців права голосу, жорстокості поліції, міграції та сільського господарства. Натхненна дослідженням Йозефа Альберса щодо відносності кольору, вона використовує нашарування зображень та вплив світла та сприйняття для висвітлення маловизнаних моделей активізму, опору, гноблення та суспільного прогресу.

Цей том пропонує можливість всебічно розглянути загальні теми та події в її процесі, зібравши роботи в різних медіа, створені протягом часу та в різних місцях. Захопливий та нюансований підхід Джексон до історії США позиціонує її як одну з найактуальніших художниць, що практикують сьогодні.

Про авторів:

Міранда Леш — старший куратор Еллен Брусс у Музеї сучасного мистецтва Денвера.

Робін Д. Г. Келлі — лауреат кафедри історії США імені Гері Б. Неша в Каліфорнійському університеті в Лос-Анджелесі.

Зої Вітлі — директорка галереї Chisenhale у Лондоні.

Ларрі Оссей-Менса — незалежний куратор і критик.

Ліз Манселл — кураторка сучасного мистецтва Barnett & Annalee Newman у Єврейському музеї в Нью-Йорку.

Меган О'Ґрейді — доцент кафедри критичних та кураторських досліджень у Каліфорнійському університеті в Боулдері.

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Погортати книгу Tomashi Jackson: Across the Universe​  на сайтi видавництва.

This highly anticipated follow-up volume presents the exquisite designs of Tord Boontje, one of the most creative and romantic industrial designers working today.

Tord Boontje: Enchanted World is a comprehensive visual document of the designer’s most recent work. As an artist and a craftsman, Boontje incorporates an artisanal sensibility into contemporary industrial design, drawing upon a rich graphic tradition to create objects of exceptional beauty and delicacy.

Featured here are some of his latest works, many undertaken after Boontje stepped down as Head of Design Products at the Royal College of Art in 2013 (a position he assumed after Ron Arad in 2009). Now, solely focused on his own design studio in London, Boontje showcases many of his designs, including the wispy Icarus Lamp, an armoire constructed entirely of pressed-metal fig “leaves” for Meta, a portable Bluetooth speaker for Yamaha hidden under a curtain of horsehair, and many other romantic explorations that have made Boontje’s output stand out in the world of design. Combining developing technologies and traditional approaches, his pieces are prized for their originality, delicacy, and intricate detail. This book is a must for design lovers, providing readers with a window into how Boontje crafts his unique objects, from studio prototype to retail. Indeed, the book is conceived as a work of total design, using special printing effects and beautiful marginalia on almost every page in the form of Boontje’s sensitive and romantic detailed hand-drawn illustrations that have served as the inspiration for many of the objects featured here.

About the Author:

Tord Boontje is an award-winning industrial designer from the Netherlands. He graduated from the Royal College of Art in London and was Head of Design Products at the college from 2009–2013. He first came into public prominence with his work for Target.

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Пролистать книгу Tord Boontje: Enchanted World: The Romance of Design

A new comprehensive monograph on the work of an enduring icon of contemporary art.

Compiled in close collaboration with the artist and unprecedented in its scope, this definitive book collects ten years of Tracey Emin’s drawings, paintings, sculptures, appliqués and embroideries, neons, video stills, and installations. A multimedia artist whose intensely personal work blurs the boundaries between art and life, Emin remains one of the most highly publicized contemporary British artists and continues to stir as much controversy as she has acclaim.

Moving chronologically through a prolific decade of work — from major public installations to recent reflective paintings and sculptures — this book shows a coherent vision that defies the idiosyncrasies of Emin’s evolution as an artist. The same mixture of anger, hope, curiosity, and vulnerability that informs her delicate drawings and handwritten neon works can be felt in the darker tones of recent monoprints and the weight of later bronze pieces.

Written by Jonathan Jones, whose text places Emin’s work in a broad art-historical context and sees this recent decade of her artwork as an entry point to examining her full career, this is a beautiful monograph on one of the world’s most influential living artists.

About the Author:

Tracey Emin, CBE, was nominated for the Turner Prize in 1999 and chosen to represent Britain at the fifty-second Venice Biennale in 2007. Emin is also a member of the Royal Academy of Arts. Jonathan Jones is an English art critic who writes for The Guardian. He has been a judge for the BP Portrait Award and the Turner Prize, and is the author of two books.

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Пролистать книгу Tracey Emin: Works 2007-2017