Книги про сучасне мистецтво

The Joan Miro Foundation presents "Her Memory", an exhibition by Kiki Smith organised in collaboration with the Museum Haus Esters in Krefeld and the Kunsthalle Nurnberg, containing recent work by this US artist. It could in fact be called an exhibition in progress, since it has been amplified in each venue anterior to the exhibition presented in the Foundation, which is the last location of this tour. Kiki Smith was born in Nurnberg in 1954 to an artistic family: her mother an opera singer and her father Minimalist artist Tony Smith. Her work is characterised by a constant reflection on human existence and on life and death; and her drawings of the human body, which are both traumatic and poetic. She reached international recognition at the end of the 1980s. In 2006-2007, the Walker Art Center in Minneapolis and the Whitney Museum in New York organised a touring retrospective exhibition, "Kiki Smith: A Gathering, 1980-2005", which signalled the end of a period.

This book includes 79 excellent landscape installation artworks.Through showcasing high resolution images with detailed text descriptions,this book presents the world’s latest and most creative landscape installation artworks.There are plenty of sketches and other detailed drawings to help the readers better understand the ideas of the artists and the construction process.At the end of the book,there are 25 more projects that are showcased through QR code.

Project Introduction:

010 - Flower from the Universe

014 - In/odore

018 - Tsunami 1.26

022 - reALIze

026 - Circular Chamber

030 - Womb

034 - Palace on Pillars

038 - Boomerangs

040 - Arch

042 - Pampol

046 - Aeolus-Acoustic Wind Pavilion

050 - Blaze

056 - Whatami

Latin America is bursting with creativity. As economies in this region have prospered, the demand for work by local creative talent has grown. In this context, an aspiring generation of designers and artists has been evolving and refining its own visual language. latino-gráfico presents a colorful selection of graphic design, illustration, and typography that explores of one of the world's most dynamic and unique design cultures. The striking visuals, an included DVD with an inspiring selection of moving images, and insightful texts in English and Spanish make this book a comprehensive documentation of today’s Latin American design.

From Mexico to Patagonia, Latin America is bursting with creativity. As economies in this region have prospered over the last few years, the demand for work by local creative talent has grown with them. In this context, an aspiring generation of Latin American designers and artists has been evolving and refining its own visual language. latino-gráfico presents a colorful selection of graphic design, illustration, and typography that examines the fresh look of today’s Latin American design.

Whether critical or glorifying, all of the work collected in this book reflects truly mixed societies. From African folk art to Christian symbolism and imported North American lifestyle, latino-gráfico examines the diverse influences that shape this often chaotic design culture and make it one of the most dynamic in the world today. The included DVD with moving images and a foreword by longtime MTV creative director and native Chilean Christian Jofre make it a comprehensive compendium of this region’s design.

latino-gráfico was compiled by TwoPoints.Net founder Martin Lorenz, formerly of Hort, and Lupi Asensio. Since 2007 the husband and wife designers have lived in Barcelona, where they document design developments in the Latin American cultural sphere.

Mutabor’s practical guide to creating logos for our digital age

Mutabor has developed into one of the most important and creative design agencies in Germany. The company has also made a name for itself internationally with its succinct logos and icons for renowned clients such as the German soccer league, the Bundesliga. Over the years Mutabor has successfully expanded its core expertise into the comprehensive design of interdisciplinary brand presentations. Its award-winning projects for clients such as Audi, Adidas, Deutsche Telekom, and BMW range from printed editorial design to the creation of brand showrooms and large-scale presentations for automobile trade shows. A key aspect of Mutabor's work is optimally showcasing brands in digital media.

In Lingua Digitalis Mutabor demonstrates how to develop effective logos and icons for our digital age including applications for the iPad, apps, and interface design. The book presents over one thousand pieces of work, some of which are published here for the first time. Through these examples, Mutabor explains how designers can unlock even the most complex or abstract logo design assignments across various platforms.

Lingua Digitalis is a practical reference tool that is specifically intended to assist designers in their daily work. On the basis of the broad scope of featured examples this internationally recognized design company reveals its proven approaches and methods for creating digital logos.

This extraordinary three-dimensional package of Live the Art, is a suitable homage to Jeffrey Deitch’s legendary stature and influence as an art dealer and producer of memorable installations and art happenings that robustly transcended the idea of a mere “exhibition.”

More than four years in the making, and divided into chapters devoted to each year between 1996 and 2010, Live the Art explores in detail the astonishing shows and performances the visionary Deitch mounted in a one-story former garage on Grand Street in Soho that would be the primary home of Deitch Projects for fifteen years.

Deitch illuminates the founding concept by stating, “Deitch Projects was not meant to be an art gallery. The concept was simple. We would not operate as a gallery but would become a commercial version of the ‘project room’ that the Museum of Modern Art and a number of other American Museums had established in the ‘70s and ‘80s.”

Deitch’s original guidelines were simple: his intention was to invite artists who had not yet had a solo exhibition to create a “project” rather than a conventional show of work, and he would provide funds for the artist to produce their visions in the space.
The first artist was Vanessa Beecroft who produced “VB16 Piano Americano-Beige, 1996” which consisted of the immediately notorious roomful of models clad in pantyhose, bras, high heels and matching platinum wigs milling languorously around the space. Images in the book of this performance are accompanied by Beecroft’s notes and memories about the project, and this formula is repeated throughout the book with the artist’s own commentary alongside images of over 150 projects mounted in the space, and in other locations including Union Square Park, Woodlawn Cemetery, Miami Beach, Rockefeller Center, Brooklyn, and Deitch’s satellite space in Long Island City.

Artists whose no-holds-barred projects graced Deitch Projects in its fifteen years include Barbara Kruger, Cecily Brown, Malick Sidibé, Tim Noble and Sue Webster, ASFOUR, Liza Lou, a collaboration between Madonna and photographer Steven Klein, Kehinde Wiley, assume astro vivid focus, Yoko Ono, Jeff Koons, film director Michel Gondry, Dan Colen, Vito Acconci, Stefan Sagmeister, Stephen Sprouse, Jules de Balincourt, Shepard Fairey, and Miranda July, among many others.

A Deitch Projects event launch was the place for an art-savvy New Yorker to be, and the street theater of attendees became part of the events themselves.  As Deitch notes in Live the Art, “One of my goals in starting Deitch Projects was to create not just a gallery but a community. It is very rewarding to see that we created not just a community, but an art family.” There is no question that this goal was achieved, and Live the Art is a detailed look back on every event created by Deitch and shared by this “family” of artists and art lovers for fifteen incredible years.

About the Authors:

Deitch Projects created a new model redefining what an art gallery could be. In addition to presenting more than 250 artist projects during the fifteen years of its existence it created a remarkable community of artists, musicians and other creative talents. After closing the gallery Jeffrey Deitch became the director of The Museum of Contemporary Art, Los Angeles. Deitch is now working on bringing his influential Art in the Streets exhibition to New York.  

Stefan Sagmeister is a New York-based graphic designer and typographer. He is co-founder of Sagmeister & Walsh, a design firm that creates identities, commercials, websites, apps, films, books and objects.

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Пролистать книгу Live the Art

The exhibition constitutes an important milestone as the first show on kinetic art, means art with moving parts, to be held in Spain that features works created since the late 19th Century up to those produced in 2006. The museum received loans never before seen in Spain from the most important museums in the world, such as the MoMA/NY, the Centre Georges Pompidou/Paris, the Whitney Museum of American Art/NY, the Metropolitan Museum of Art of New York, the Tate Modern/London and the Galería Nazionale D'Arte Moderna di Roma. Important galleries also loaned pieces, such as the Denise René Gallery, which in 1955 organized the first exhibition dedicated to kinetic artists. The show brings together over 80 works by 45 Spanish and foreign artists. In this exhibition, visitors will be able to view paintings, objects, chronophotographs, calotypes, serigraphs, digital prints and films that all have one thing in common - the implicit concept of movement. Kinetic art is art that contains moving parts or depends on motion for its effect.The moving parts are generally powered by wind, a motor or the observer. The term kinetic sculpture refers to a class of art made primarily from the late 1950s through 1960s. Kinetic art was first recorded by the sculptors Naum Gabo and Antoine Pevsner in their Realist Manifesto issued as part of a manifesto of constructivism in 1920 in Moscow. Bicycle Wheel, of 1913, by Marcel Duchamp, is said to be the first kinetic

This monograph features Jaybo's font designs, logos, record covers and examples of his work as the Art Director of the lifestyle magazine Style and the Family Tunes. Lord of Mess presents the broad spectrum of his new-school style artwork - from very clean-cut graphic design to glaring Hip Hop illustrations and installations. The characters, toys and clothes he has designed as the co-founder and chief designer of the streetwear label Irie Daily are additionally showcased.

Luxury and art have never been more closely linked than they are in these early years of the twenty-first century.

Virtually all the world’s major luxury houses have associated themselves with contemporary art through sponsorships, commissions, or foundations, and these points of exchange nourish the increasingly symbiotic relationship between fashion, art, and other design disciplines. Of all modern luxury brands, Louis Vuitton can claim to maintain the richest and most varied associations with the world of art. Included in this volume are Louis Vuitton’s important collaborations with an elite group of artists, architects, designers, and photographers, such as Jun Aoki, Shigeru Ban, Vanessa Beecroft, Olafur Eliasson, Zaha Hadid, David LaChapelle, Jean Larivière, Annie Leibovitz, Takashi Murakami, Richard Prince, Stephen Sprouse, James Turrell, Inez Van Lamsweerde, and Vinoodh Matadin. The book is structured as a seductive anthology of the house’s most visible collaborations. Critical essays examine and position Louis Vuitton’s patronage — under the guidance of Artistic Director Marc Jacobs — during one of the most fertile periods of contemporary art and design.

About the Author:

Marc Jacobs is the Creative Director of Louis Vuitton Malletier and the chief designer of Vuitton’s ready-to-wear collections.

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Пролистать книгу Louis Vuitton: Art, Fashion and Architecture

The exhibition La Corte del Rey Arturo (The Court of King Arthur) presented in the Crystal Palace was a project that reflects Abakanowicz's childhood experience in the Polish forests and lakes where, according to her own words, there were strange powers with magical force of the local popular religious festivals. The exhibition catalog combines, in a retrospective way, a review of Abakanowicz' s previous work with the series that she completed for this occasion. This publication includes three essays of the specialists in her work: Mariusz Hermansdorfer, Karoline Hubner and Mary Jane Jacob.

This book gathers a vast body of recent works by Marc Quinn, including those made for the exhibition Myth, in the evocative spaces of the Casa di Giulietta (Juliet's House) in Verona. Inspired by graffiti from the walls of the courtyard of Juliet's House, Quinn also created the Love Paintings, an interpretation of Shakespeare's Romeo and Juliet, which initiates a dialogue with Verona that extends in further works installed in piazzas across the city. Alongside the artist's more celebrated works, such as the Flower Paintings, numerous new works are reproduced here, including the landmark "Siren," which was made from solid gold.

Марина Абрамович (нар. 1946) — ключова постать, чиї роботи, засновані на перформансі, революціонізували візуальне мистецтво та продовжують бути сприйнятими останнім поколінням художників, критиків та мистецтвознавців.

Її знакові роботи в стилі ендурінг займають чільне місце практично в кожному комплексному дослідженні перформансу.
Маючи кар'єру, що охоплює понад тридцять років, Абрамович продовжує створювати новаторські нові роботи, включаючи відомий семиденний перформанс «Сім легких п'єс» у музеї Гуггенхайма у 2005 році.

Як перша книга за понад десять років, яка розглядає її творчість у повному обсязі, ця монографія запропонує свіжий погляд на художницю, чия творчість є ключем до розуміння останніх подій у сучасному мистецтві.

Одночасно радикальна, суперечлива та шанована, Марина Абрамович (*1946 у Белграді, Сербія) є однією з найбільш обговорюваних художниць сьогодення. Відома своїми новаторськими перформансами, вона продовжує розширювати межі мистецтва. Видання, що супроводжує її першу велику ретроспективу в Європі, дає широкий огляд її творчості від найперших років до сьогодні: фільми, фотографія, картини та об'єкти, інсталяції та архівні матеріали.

З початку 1970-х років Марина Абрамович досліджує перетин між перформансом та візуальним мистецтвом у своїй творчості та, хоча рідко відверто політично, ставить питання влади та ієрархії. Розглядаючи фундаментальні питання нашого існування та шукаючи суть таких понять, як втрата, пам'ять, біль, витривалість та довіра, вона одночасно провокує та зворушує нас.

Пухнасті зайчики, великоокі дівчата, м'ясо, магія та таємниця. Карнавал курйозів Марка Райдена

Поєднуючи теми поп-культури з технікою, що нагадує старих майстрів, Марк Райден створив унікальний стиль, який стирає традиційні межі між високим і низьким мистецтвом. Його роботи вперше привернули увагу в 1990-х роках, коли він започаткував новий жанр живопису, «поп-сюрреалізм», потягнувши за собою безліч послідовників. Він перевершив початкові сюрреалістичні стратегії, вибравши предмет, насичений культурним відтінком.

Словниковий запас Райдена коливається від загадкового до милого, проходячи тонку межу між ностальгічним кліше та тривожним архетипом. Спокушений його нескінченно деталізованими та ретельно обробленими поверхнями, глядач стикається з протиставленням дитячої невинності та таємничих закутків душі. У його картинах панує тонке занепокоєння; робота неймовірно красива, оскільки натякає на темніші психічні речі під поверхнею культурного кітчу. У світі Райдена дівчата-херувими торкаються ліктів дивними та таємничими фігурами. Вишукано різьблені рами надають картинам пишності бароко, що додає серйозності їхнім загадковим темам. Роботи Райдена, складні за своєю таємничою та своєрідною темою, не залишать байдужим жодного глядача.

Pinxit, назва якого вказує на латинський термін, що означає «намальований», організований за темами головних виставок Райдена — The Meat Show, Bunnies & Bees, The Tree Show тощо — і включає збірку есе Йошітомо Нари, Карло Маккорміка та інших, а також нове есе культуролога Крістін Маккенни. Ця масштабна ретроспектива об’єднує картини та роботи Марка Райдена, написані на папері майже за два десятиліття, розширюючи горизонти його дивовижного всесвіту та представляючи його світові, сторінку за сторінкою.

Художник:

Марк Райден отримав ступінь бакалавра в 1987 році в коледжі дизайну Art Center у Пасадені. Його картини виставлялися в музеях і галереях по всьому світу, включаючи ретроспективу Wondertoonel в Музеї мистецтв Фрай в Сіетлі та Музеї каліфорнійського мистецтва Пасадени, а також на виставці The Artist’s Museum в Музеї сучасного мистецтва в Лос-Анджелесі. Зараз живе і працює в Лос-Анджелесі.

Masters of Science Fiction and Fantasy Art profiles and celebrates the work of today’s leading practitioners of art of the fantastic, as well as a handful of gifted newcomers from around the globe. The range and impact of their work is both inspiring and far-reaching. These 28 masters have created images for television, movies, gaming, museum exhibits, theme park rides, and every area of publishing. Some of the artists featured only employ traditional painting techniques, while others use only digital methods, and many more blend the mediums to create their fantastical images. Each artist discusses his/her influences and techniques as well as offering tips to beginning artists. Science Fiction Grandmaster and Hugo Award-winning author Joe Haldeman contributes a foreword. Artists, science fiction fans, and art collectors will appreciate the outstanding artwork featured here.

Featured artists include:

—Brom
—Jim Burns
—Kinuko Y. Craft
—Dan Dos Santos
—Bob Eggleton
—Donato Giancola
—Rebecca Guay
—James Gurney
—Gregory Manchess
—Stephan Martiniere
—Terese Nielsen
—John Picacio
—Greg Spalenka
—Shaun Tan
—Charles Vess

Catalog of the exhibition Mistaken Identity by The Hilton Brothers (Christopher Makos and Paul Solberg). The Hilton Brothers artistic duo emerged as a result of a series of collaborations between the two artists. While travelling a few years ago, they realised that they were interested in the same themes and, as something of a joke, decided to photograph the same things. The idea of identity who took which photo and why was the difference discernible led them to begin a series of diptychs in which they would photograph two objects separately but then put them together in the same print. This marked the beginning of their exploration of other collaborative projects.The Hilton s photographs reveal a naïve perspective diffused by a certain contemporary cynicism. Captured on their travels around the world, their images are the outcome of subdivisions and reconstructions in which the different locations of places are merely panels of aesthetic snippets combined to produce works which form an intrinsic part of their philosophy of life, taste and American culture.