Книги про современное искусство

This monograph features Jaybo's font designs, logos, record covers and examples of his work as the Art Director of the lifestyle magazine Style and the Family Tunes. Lord of Mess presents the broad spectrum of his new-school style artwork - from very clean-cut graphic design to glaring Hip Hop illustrations and installations. The characters, toys and clothes he has designed as the co-founder and chief designer of the streetwear label Irie Daily are additionally showcased.

A landmark book documenting the first-ever art amusement park – launched in 1987 in Hamburg, Germany – in anticipation of its global reintroduction

In the late 1980s, more than 30 of the era’s most acclaimed artists – including Jean-Michel Basquiat, David Hockney, Roy Lichtenstein, Salvador Dalí, and Keith Haring – designed unique and fully operational fairground attractions specifically for the original park, including rides, interactive sculptures, games, performances, and music.

Each artist’s contribution is documented in photographs that show the artist at work, with details of the artworks, and showing the art in the context of the exhibition. Giving access to rare artworks that have not been widely viewed in 35 years, this book is being published for the first time in English with an updated preface.

About the Author:

André Heller is an acclaimed international multimedia artist. He is the creator of best-selling books, largescale flying and floating sculptures, and garden artworks, and has had a platinum-selling career as a singer and songwriter. In addition to directing shows, plays, circuses, films, and operas, he has also designed fire spectacles, labyrinths, and museums. He lives and works between Vienna and Marrakech.

The exhibition La Corte del Rey Arturo (The Court of King Arthur) presented in the Crystal Palace was a project that reflects Abakanowicz's childhood experience in the Polish forests and lakes where, according to her own words, there were strange powers with magical force of the local popular religious festivals. The exhibition catalog combines, in a retrospective way, a review of Abakanowicz' s previous work with the series that she completed for this occasion. This publication includes three essays of the specialists in her work: Mariusz Hermansdorfer, Karoline Hubner and Mary Jane Jacob.

This book gathers a vast body of recent works by Marc Quinn, including those made for the exhibition Myth, in the evocative spaces of the Casa di Giulietta (Juliet's House) in Verona. Inspired by graffiti from the walls of the courtyard of Juliet's House, Quinn also created the Love Paintings, an interpretation of Shakespeare's Romeo and Juliet, which initiates a dialogue with Verona that extends in further works installed in piazzas across the city. Alongside the artist's more celebrated works, such as the Flower Paintings, numerous new works are reproduced here, including the landmark "Siren," which was made from solid gold.

Marina Abramovic (b.1946) is a pivotal figure whose performance-based works have revolutionized visual art and continue to be embraced by the latest generation of artists, critics and art historians

Her iconic endurance works have featured prominently in virtually every comprehensive survey of performance art
With a career that spans more than thirty years, Abramovic continues to produce groundbreaking new work, including the acclaimed seven-day performance Seven Easy Pieces at the Guggenheim in 2005

As the first book in more than a decade to look at her work in its entirety, this monograph will offer a fresh take on an artist whose work is key to understanding the latest developments in contemporary art

At once radical, controversial and revered, Marina Abramovic (*1946 in Belgrade, Serbia) is one of the most discussed artists today. Famous for her groundbreaking performance works, she continues to expand the boundaries of art. The publication accompanying her first major retrospective in Europe gives an extensive overview of her work from the earliest years until today: film, photography, paintings and objects, installations and archival material.

Since the early 1970s Marina Abramovic explores the intersection between performing and visual art in her work and, though rarely overtly political, poses questions of power and hierarchy. In addressing fundamental issues of our existence and seeking the core of notions like loss, memory, pain, endurance, and trust, she both provokes and moves us. 

Fuzzy bunnies, big-eyed girls, meat, magic, and mystery. Mark Ryden's carnival of curiosities

Blending themes of pop culture with techniques reminiscent of the old masters, Mark Ryden has created a singular style that blurs the traditional boundaries between high and low art. His work first garnered attention in the 1990s when he ushered in a new genre of painting, "Pop Surrealism," dragging a host of followers in his wake. He has trumped the initial surrealist strategies by choosing subject matter loaded with cultural connotation.

Ryden’s vocabulary ranges from cryptic to cute, treading a fine line between nostalgic cliché and disturbing archetype. Seduced by his infinitely detailed and meticulously glazed surfaces, the viewer is confronted with the juxtaposition of the childhood innocence and the mysterious recesses of the soul. A subtle disquiet inhabits his paintings; the work is achingly beautiful as it hints at darker psychic stuff beneath the surface of cultural kitsch. In Ryden’s world cherubic girls rub elbows with strange and mysterious figures. Ornately carved frames lend the paintings a baroque exuberance that adds gravity to their enigmatic themes. Complex in its arcane and idiosyncratic subject matter, Ryden’s work can leave no viewer unmoved.

Pinxit, whose title refers to the Latin term meaning "painted by," is organized by the themes of Ryden’s major exhibitions — The Meat Show, Bunnies & Bees, The Tree Show, and so on — and includes collected essays by Yoshitomo Nara, Carlo McCormick, and others, and a new essay by culture critic Kristine McKenna. This sweeping retrospective brings together nearly two decade’s worth of Mark Ryden’s paintings and works on paper, broadening the horizons of his uncanny universe and bringing it to the world, one page at a time.

The artist:

Mark Ryden received a BFA in 1987 from Art Center College of Design in Pasadena. His paintings have been exhibited in museums and galleries worldwide, including a retrospective Wondertoonel at the Frye Museum of Art in Seattle and Pasadena Museum of California Art, and in the exhibition The Artist’s Museum at the Museum of Contemporary Art in Los Angeles. He currently lives and works in Los Angeles.

Masters of Science Fiction and Fantasy Art profiles and celebrates the work of today’s leading practitioners of art of the fantastic, as well as a handful of gifted newcomers from around the globe. The range and impact of their work is both inspiring and far-reaching. These 28 masters have created images for television, movies, gaming, museum exhibits, theme park rides, and every area of publishing. Some of the artists featured only employ traditional painting techniques, while others use only digital methods, and many more blend the mediums to create their fantastical images. Each artist discusses his/her influences and techniques as well as offering tips to beginning artists. Science Fiction Grandmaster and Hugo Award-winning author Joe Haldeman contributes a foreword. Artists, science fiction fans, and art collectors will appreciate the outstanding artwork featured here.

Featured artists include:

—Brom
—Jim Burns
—Kinuko Y. Craft
—Dan Dos Santos
—Bob Eggleton
—Donato Giancola
—Rebecca Guay
—James Gurney
—Gregory Manchess
—Stephan Martiniere
—Terese Nielsen
—John Picacio
—Greg Spalenka
—Shaun Tan
—Charles Vess

Catalog of the exhibition Mistaken Identity by The Hilton Brothers (Christopher Makos and Paul Solberg). The Hilton Brothers artistic duo emerged as a result of a series of collaborations between the two artists. While travelling a few years ago, they realised that they were interested in the same themes and, as something of a joke, decided to photograph the same things. The idea of identity who took which photo and why was the difference discernible led them to begin a series of diptychs in which they would photograph two objects separately but then put them together in the same print. This marked the beginning of their exploration of other collaborative projects.The Hilton s photographs reveal a naïve perspective diffused by a certain contemporary cynicism. Captured on their travels around the world, their images are the outcome of subdivisions and reconstructions in which the different locations of places are merely panels of aesthetic snippets combined to produce works which form an intrinsic part of their philosophy of life, taste and American culture.

Masters that matter in Modern Art

A blow-by-blow account of groundbreaking works in Modernism

The story of Modern Art began roughly 150 years ago in Paris, where a circle of painters, whom we now know as Impressionists, shook up the established art world. They painted their pictures with broad strokes that seemed unfinished in light of the meticulous official art, they portrayed life on the street instead of overblown heroic scenes and they escaped the power of the reigning salon painters by organising their own independent exhibitions. Once standard academic practice had been overcome, there was no holding back, and in a constant desire to pursue new roads, one style supplanted the next, always bringing different innovations: after Impressionism, there followed Symbolism, Expressionism, Futurism, Dada, Abstract Art, renewed Realism, Surrealism, Abstract Expressionism, Pop, Minimal and Conceptual Art. And still in Post-Modernism and the contemporary work of a Koons, Kelley or Wool, this modernist drive to make something new is still much alive.

Essays introducing all the major art movements give the reader a thorough grounding in the historical development of Modern Art. At the heart of this book though is the year-by-year succession of groundbreaking works, with 200 featured pieces receiving an own text that introduces the artist and makes the importance of the work apparent. These paintings and sculptures, photographs and conceptual works, both classics and surprising rediscoveries, tell the story of an art epoch that continued to thrive on ever fresh ideas and innovations.

• 187 artists’ portraits
• 44 original photos of artists in their studios
• 14 essays
• 7 fold-outs
• 30-page appendix with artists’ biographies, a glossary of key terms and an index of names and works

Click here to download table of contents

The editor:
Hans Werner Holzwarth is a book designer and editor based in Berlin, with numerous publications mainly on contemporary art and photography. For TASCHEN he has edited, among other titles, Jeff Koons, Christopher Wool, Albert Oehlen and Neo Rauch.

This story of modern art unfolds like a timeline of watershed events that decisively influenced popular opinion and paved the way for further artistic achievement.

Chronologically arranged, each chapter focuses on a particular work or idea that changed modern art as we know it. Through beautiful spreads and with informative text, readers will discover how a painting such as Édouard Manet’s »Le Déjeuner sur l’Herbe« shocked the art establishment with its depiction of nude women alongside fully clothed men. The author explains how the work’s striking visual quality and easy brushstrokes helped give birth to the Impressionist movement. This book features a number of similarly pioneering works such as Monet’s »Impression, Sunrise«, Cézanne’s »Mon Sainte-Victoire«, Van Gogh’s »Wheatfield with Crows«, Rodin’s »Monument to Balzac«, Matisse’s »Woman with a Hat«, Picasso’s »Les Demoiselles d’Avignon«, Duchamp’s »Bicycle Wheel«, Ernst’s »Aquis Submersus«, Rivera’s »La Creación«, Calder’s »Lobster Trap and Fish Tail«, Pollock’s »Full Fathom Five«, Nam June Paik’s »TV Cello«, Smithson’s »Spiral Jetty«, and Chuck Close’s »Bob«. Perfect for perusing or reading from cover to cover, this book illustrates how the world’s greatest artists are geniuses at synthesizing the accomplishments of those before them in order to create groundbreaking works for others to follow.

From Leighton to Lucas, thismagnificent survey explores sculpture in Britain over the last 130 years.

Considering the way in which sculpturemediates issues of national identity and how Britains links with its Empire have shaped its artistic output, the book also highlights the dialogues between British and international sculpture.

The importance of the countrys landscape as a location andmediumis examined, as is the perennial choice faced by the sculptor between figuration and abstraction.

Sculpture has changed dramatically in the last century. Traditionalmaterials have given way to expanded practices and the dematerialisation of the art object altogether.

With incisive essays by a number of leading authorities, and including previously unpublished archivematerial and new bibliographic sources, this compelling book documents these seismic shifts.

What has prompted contemporary artists to investigate modernity and modernism over the course of the past decades? This publication accompanying the exhibition Modernologies sets out to explore artistic responses to modernity as a socio-political movement aspiring to cultivate a universal language. Diverging conceptions of modernity and the knowledge gained through postcolonial studies in recent years have led to the notion of ‘multiple modernities’.

Against this backdrop, this exhibition advocates neither a ‘new formalism’ nor a ‘return to abstraction’. Its aim is neither to discover hitherto unknown or largely forgotten currents of modernism. On the contrary, it fundamentally challenges the conditions, constraints and consequences of modernity, exposes ambivalences, attempts to develop new readings of the rhetoric of modernity and the concomitant grammar of modernism.

A younger generation of artists is increasingly addressing the legacy of modernity and modernism and the failure of the utopia associated with these terms. What is these artists’ relationship to the promises and formal languages of modernity? How can this historical era even be critically reflected in and be subjected to re-evaluation?

Modernologies unfolds a cartography of alternative viewpoints and narratives, lines of conflicts and unresolved contradictions. More than eighty works and projects by more than thirty artists and collectives establish a new ‘mapping of the critique of modernity’ to which an additional layer is added through comprehensive essays exploring the ideology of aesthetic modernity and delving into interrelationships between modernity and coloniality.

Artists’ statements generated by André Rottmann and texts by various authors, including Inke Arns, Silke Baumann, Benjamin H.D. Buchloh, Sabeth Buchmann, Barbara Clausen, Helmut Draxler, Jordi Font Agulló, Karin Gludovatz, Teresa Grandas, Patricia Grzonka, Matthias Michalka, Juliane Rebentisch, Anne Rorimer, Gertrud Sandqvist, Kerstin Stakemeier.

With extraordinary exhibitions and the world’s finest collection of modern and contemporary art, MoMA is dedicated to the conversation between the past and the present, the established and the experimental

With 126 years spanning the time between the earliest and most recent works, MoMA Masterpieces offers an unparalleled opportunity to immerse oneself in the multitude of artistic approaches encompassed under the banner of modern art.

This richly illustrated overview provides the perfect means to understand and enjoy the art of our time. The book opens with an introduction by Ann Temkin, who offers reflections on the development of the collection. The thoughtful selection of works that follows highlights the collection’s peerless range of styles and ideas.

Legendary favourites, such as van Gogh’s 'The Starry Night', Picasso’s 'Girl before a Mirror' and Andy Warhol’s 'Gold Marilyn Monroe', sit alongside lesser-known masterworks such as Horace Pippin’s 'Abe Lincoln, The Great Emancipator' and Niki de Saint Phalle’s 'Shooting Painting American Embassy'. Contemporary landmarks, such as Gerhard Richter’s 'October 18, 1977' and Kara Walker’s 'Gone: A Historical Romance of a Civil War as It Occurred b’tween the Dusky Thighs of One Young Negress and Her Heart' demonstrate the outstanding contributions of more recent art.

About the Author:

Ann Temkin is the Marie-Josée and Henry Kravis Chief Curator of Painting and Sculpture at The Museum of Modern Art.

Альбом знакомит с МоМА (Museum of Modern Art) - одним из самых известных музеев Нью-Йорка, где хранится лучшее в мире собрание современного искусства. Здесь представлены работы художников, созданные в период с конца XIX века по сегодняшний день. Живопись, скульптура, архитектура, дизайн, графика, иллюстрированная книга, рэди-мейд - вот далеко не полный перечень форм, в которых проявляется сейчас искусство. Читатель познакомится со ставшими уже классическими полотнами Пикассо, Сезанна, Моне, Гогена, Ван Гога, с произведениями авангардистов XX века: Мондриана, Уорхола, Поллока, Колдера, с искусством наших дней. Сопоставление разных стилей, техник и форм позволяет составить пеструю картину современного искусства.