A fully updated edition of the most comprehensive illustrated survey of the life and work of Peter Blake, one of Britain’s most popular artists

Since his emergence in the early 1960s as a key member of the Pop Art movement, Peter Blake has become one of the best-known and most popular artists of his generation. Though primarily a painter, he has worked across many media, from drawings, watercolours and collages to sculpture and printmaking, as well as commercial art in the form of graphics and album covers – most notably his design for The Beatles’ Sgt. Pepper album in 1967.

Exploring his remarkable creative output from the 1950s to the present, Peter Blake is the most comprehensive illustrated survey available of the life and work of the artist. Marco Livingstone grounds Blake’s art firmly in his working-class origins, identifying a yearning for the innocence of childhood in his bittersweet paintings of the early to mid-1950s that depict children reading comics or going to the Saturday matinee at the cinema. From that moment, while studying at the Royal College of Art in London, Blake concerned himself with popular entertainments as subject matter, and as the source of formal solutions, for his paintings. The directness with which Blake gave expression to his enthusiasms for mass culture during the 1950s brought him to the forefront of the Pop Art movement before it had even been named, and independently of the investigations into similar areas by other British, American and European artists. The radical nature of his collage paintings of 1959–62, in particular, in which he combined existing imagery from popular culture with unapologetically bold and bright colours, made him a singularly influential figure within British Pop.

This fully updated edition includes a new chapter on what the artist has jokingly styled his ‘Late Period’, in which Blake has continued to mine the many strands of his art with undiminished energy and completed some of his most ambitious long-standing projects. As well as the sheer scale of Blake’s production, what becomes clear is the kaleidoscopic variety of subject matter, form and medium to be found in his work, its humour and friendly appeal, and, above all, its celebration of life and humanity.

Contents List:

Acknowledgmentsbr
Introduction
1 Amusements
2 Pop!
3 Fantasy Figures
4 Observations
5 Art for Others
6 Escapist Fantasies
7 Revisiting Art History
8 Encores and Premières: Blake in his Eighties
Postscript: Collecting as an Art
Chronology
Solo Exhibitions
Public Collections
Selected Bibliography
List of Illustrated Works
Photo Credits
Index

About the Author:

Marco Livingstone is an art historian, writer and independent curator who has written extensively on post-war painting and sculpture, particularly on Pop Art and figurative painting. His many publications include books and museum catalogues on David Hockney, Patrick Caulfield, R.B. Kitaj, Allen Jones, Clive Barker, Paula Rego, Peter Kinley, Adrian Berg, Duane Michals, Jim Dine, Tom Wesselmann, George Segal, Duane Hanson and Caroline Walker. Livingstone’s Hockney’s Portraits and People won the Sir Banister Fletcher Award for best book on the arts, and his other publications include Pop Art: A Continuing History, David Hockney and The Essential Duane Michals, all published by Thames & Hudson.

An updated and expanded edition of the definitive monograph on R. B. Kitaj (1932–2007), a major figure of the School of London alongside Lucian Freud, David Hockney and Francis Bacon

R. B. Kitaj (1932-2007) is recognized universally as a modern master. His powerful, controversial and highly personal paintings, pastels and drawings reflect his unfashionable commitment to the human figure as a subject and his complex involvement with the art of the past, with political and social issues and with his own Jewish identity. 

In the fourth and final edition of his definitive and much-praised monograph on the artist, Marco Livingstone has updated his text to include a survey of Kitaj's work from 1999 to 2007. 30 illustrations of recent works and 20 additional illustrations of earlier works have been added. Virtually all of the illustrations that were in black-and-white in earlier editions are now reproduced in full colour. 30 new 'prefaces' written by Kitaj himself have been added, some of them never before published. A full catalogue of every work from his entire career completes the book. 

This updated edition is a significant extension of the volume's scope, providing a more complete picture of the artist's work as a life achievement, as well as greatly enhancing the beauty of the book itself. The previously essential monograph on Kitaj is now the definitive volume.