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The first and only comprehensive overview of Givenchy’s collections, presented through catwalk photography and published in collaboration with the celebrated fashion house.

Founded by the dashing Hubert de Givenchy in 1952, the house would go on to symbolize the height of effortless elegance, as embodied by Givenchy’s muse (and close friend) Audrey Hepburn. After its founder’s retirement in 1995, John Galliano first took the reins of the house, before being succeeded by a young Alexander McQueen, who created his first (and only) haute couture collections for Givenchy. More recently, Italian designer Riccardo Tisci took the brand into a resolutely contemporary direction following his appointment in 2005 (dressing icons such as Beyoncé), followed by Clare Waight Keller and American designer Matthew M. Williams.

This definitive publication – the only monograph in print on the house of Givenchy – opens with a concise history of the fashion house before exploring the collections themselves, which are organized chronologically. Each new era in Givenchy’s history opens with a brief overview and biography of the new designer, while individual collections are introduced by a short text unveiling their influences and highlights, illustrated with carefully curated catwalk images. A rich reference section, including an extensive index, concludes the book.

After Chanel, Dior, Louis Vuitton, Yves Saint Laurent, Prada, Vivienne Westwood, Versace and Chloé, Givenchy is the ninth in the Catwalk series of high-end, clothbound books that offer an unrivalled overview of the collections of the world’s top fashion houses through original catwalk photography.

About the Authors:

Alexandre Samson is a fashion historian and curator at Palais Galliera. He has curated exhibitions such as ‘Margiela Galliera 1989–2009’, as well as ‘Back Side, Fashion from Behind’ in Brussels and then the Musée Bourdelle. Anders Christian Madsen is the fashion critic at British Vogue.

A visually captivating history of the evolution of Glamour magazine and its decades at the forefront of female empowerment in an incredible photographic volume.

For 85 years, Glamour has been the preeminent women’s empowerment brand in America. But until now, no one has told the extraordinary story of its origins, the famous names who helped shape the magazine into the global powerhouse it is today, and Glamour’s many historic firsts and contributions.

Chronicled visually and narratively through historic and modern-day Glamour covers, stunning photographs, editorial features, and never-before-seen correspondences, Glamour: An Extraordinary History charts the evolution of the magazine from its inception just months before World War II began in 1939 to today as an unparalleled testament to trailblazing women.

Glamour was the first American fashion magazine to feature a Black cover star, Katiti Kironde, and the first to put model Beverly Johnson on the cover (she starred 15 more times). It was one of the first to present Gloria Steinem’s writing, and publish Andy Warhol’s illustrations. Presidents Reagan, Kennedy, Johnson, Nixon, Bush, and Obama all featured in or contributed to Glamour.

And its courageous reporting on reproductive rights garnered numerous prestigious awards. In a gripping journey, follow some of the critical women editors and journalists who spearheaded the magazine as it became, in the words of Condé Nast himself, “a periodical devoted to…the life of our day.”

Glamour is one of the biggest women’s brands in the world, reaching an all-time high of over 37 million people a month. Glamour believes in the power of women being themselves and stands with women as they do their own thing: honestly, authentically, and awesomely. Glamour is the ultimate authority for the next generation of change-makers.

This debut art book from self-taught digital illustrator Raide is one not to miss. Golden Hour: The Art of Raide allows readers behind-the-scenes insight into the artist’s creative process, as well as the tools and techniques she regularly uses to create her stunning, whimsical artwork. Readers will discover brand-new tutorials and studies that focus on lighting and expression, and will also learn about her artistic journey, including what it takes to become a social-media success. Thanks to its high-quality finish and beautiful design, this is a keepsake art book to treasure for many years.

Golden Hour: The Art of Raide is the debut art book from popular self-taught digital illustrator Raide. This unique book allows readers behind-the-scenes insight into the artist's creative process, including the tools and techniques she uses to create her stunning portraits and whimsical scenes. Driven by her passion for character art, Raide has collaborated with big industry names such as ClipStudio, XP-Pen, Huion, HarperCollins, and has worked on the German animated TV-series SimsalaGrimm.

Fans will also know that Raide creates popular online art courses, and in this book, they will discover brand-new tutorials and studies that focus on some of her many artistic strengths, such as lighting and expression. Readers will also be able to follow her early creative years, from education to her first professional steps, and learn about what it takes to become a social-media success. Thanks to its high-quality finish and beautiful image-focused design, Golden Hour is a keepsake art book to treasure for many years to come. 

About the Artist:

Raide is a self-taught digital artist from Germany, with Portuguese roots, who has been creating art from a young age. She now has a big fanbase with over 400K followers on Instagram and has worked with big names such as Huion, ClipStudioPaint, and HarperCollins. Raide also runs a successful Domestika course that teaches students how to apply her coveted techniques in lighting, texture, and character design.

Filled with inspiration for your next party, this stunning lookbook combines beautiful imagery of celebrations around the world with practical advice for designing your own unforgettable events.

Travel from the coast of Japan to the beaches of Mexico, from New York City to the Utah desert, and discover how a professional planner designs exquisite celebrations inspired by the world’s most stunning destinations. In these pages, Alison Hotchkiss — named best wedding planner by Vogue, Harper’s Bazaar, and Goop, and widely recognized in the event industry as a creative luminary — reveals the process of choosing the color palette, flowers, paper goods, textiles, menus, music, and other travel-inspired details to create memorable parties with a sense of place.

Helpful tips and how-tos for designing bespoke weddings and events are woven throughout, such as:

- Making a mood board
- Constructing a floral chandelier
- Choosing your first dance song
- Dealing with inclement weather
- Crafting a sweet send-off gift
And so much more

Brimming with breathtaking photos and insightful guidance, Gorgeous Gatherings is essential inspiration for brides and hostesses and a blissful armchair escape to faraway places and fabulous soirees.

About the Authors:

Alison Hotchkiss is the founder of Alison Events, a globally recognized luxury event production and design company that creates unforgettable celebrations and travel experiences in local and far-flung spots worldwide. Since 2003, she and her team have produced over five hundred events in over seventy-five cities on four continents. Alison Events has been recognized as one of the best wedding planners by Vogue, Harper’s Bazaar, Martha Stewart Weddings, and Goop. When she’s not working, she’s surfing, snowboarding, and hiking in Marin County, California, where she lives with her daughter, Vivienne.

Elizabeth Graves is an award-winning writer and editor. Most recently she was Editor-in-Chief of Martha Stewart Living and Martha Stewart Weddings. She continues to create special issues for the Martha Stewart brand.

Norman + Blake is an LA-based photography duo composed of Shannen Norman and Emily Blake. Specializing in destination weddings across the globe, their work has taken them from iconic cities like Paris and New York to remote islands off the coast of Japan to quaint New England villages. Always seeking beauty and authenticity, their photography aims to capture the fleeting emotion of a moment in time.

The first book to reveal Jean-Paul Goude’s previously unseen drawings and sketches for his iconic perfume campaigns for Chanel

For the first time, Chanel and Jean-Paul Goude reveal the unseen drawings, collages and sketches that have inspired Goude’s iconic advertising campaigns for Chanel’s world-famous fragrances, from ‘Egoiste’ and ‘Coco’ to ‘Chanel No. 5’ and the recently launched ‘Chance’.

Inspired by a small gold birdcage in Coco Chanel’s Paris apartment, Goude famously cast a young Vanessa Paradis as a Chanel ‘Tweety Pie’ bird, swinging on a trapeze to promote Chanel’s ‘Coco’ perfume. He went on to make Estella Warren the face of his Chanel No.5 campaign and called for the entire façade of a Riviera Palace to be built in Rio de Janeiro for the first ‘Egoïste’ film, before capturing Karl Lagerfeld, Lily-Rose Depp and the ghost of Coco Chanel herself.

A must-have for Chanel lovers, the book also allows creatives and advertising enthusiasts to discover the imagination and creative process at work behind these unforgettable images.

About the Authors:

Jean-Paul Goude has worked at the forefront of commercial art, advertising and illustration for over three decades. From his time as art director at Esquire, to his advertising work for Chanel, Kodak, Cacharel and the Galeries Lafayette, and even to his work with the latest supermodels – Goude has triumphantly captured, time after time, the spirit of his age. His previous books include So Far So Goude, The Goude Touch and Jean-Paul Goude.

Patrick Mauriès is a writer and editor of many important titles on fashion and design, including Jewelry by Chanel, Cabinets of Curiosities, The World According to Karl, Chanel: The Karl Lagerfeld Campaigns, So Far So Goude and The Goude Touch, all published by Thames & Hudson.

Discover 500 of the world’s greatest graphic designs in one big, bold, and brilliant volume

This deep dive into graphic design history presents the work of more than 400 designers across 33 countries and 5 continents, with work dating back to the 14th century.

Reimagined from the Phaidon best-seller Graphic: 500 Designs that Matter, the book’s dizzying array of designs range from the Gutenberg Bible to Joy Division album art, with work by both anonymous creators and industry icons such as Aleksandr Rodchenko, Paul Rand, Paula Scher, Ahn Sang-soo, and Julia Born.

The generous format and two-part design structure allows designs to be shown in detail, with large images up front and a 300+ word text for each entry in the back – making this equal parts picture and reading book. A design category key adds functionality while indicating the sheer variety of disciplines at work within one medium, from advertising and information design to posters, books, magazines, and logos.

This book is the perfect reference guide for design and art lovers, enthusiasts, and professionals at any stage of their careers, as well as all those interested in and impacted by visual communication.

Carefully revised to bring every detail up to date, organized chronologically, and with the addition of 50 new examples that highlight designers reshaping the graphic culture of today, this collection is more comprehensive, compelling – and relevant – than ever before.

Featured designers include: Reza Abedini, Otl Aicher, Herbert Bayer, Max Bill, Laurenz Brunner, A. M. Cassandre, Joseph Churchward, Alan Fletcher, Federica Fragapane, Graphic Thought Facility, Béla Horovitz, Eric Hu, Shira Inbar, Tibor Kalman, Amos Paul Kennedy, Jr., Frith Kerr and Amelia Noble, Anita Klinz, El Lissitzky, George Lois, Karel Martens, Bruno Munari, Nontsikelelo Mutiti, Hassan Rahim, Aleksandr Rodchenko, Stefan Sagmeister, Koichi Sato, Paula Scher, Elena Serrano, Ladislav Sutnar, Ikko Tanaka, Jan Tschichold, Carol Twombly, Jop van Bennekom, Andy Warhol, and Tao Yuan-qing.

The book is a collection of about one hundred graphic designs for wineries of various size from across the world. The graphic design approaches are equally varied, either photographic or minimal, based on line drawings or digital concepts, resulting in either artisanal or serial solutions. While this selection has no pretence of exhaustiveness, it certainly conveys a meaningful sample of the recent graphic design production in this field.

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Пролистать книгу Graphic Design for Wine: A Selection of Contemporary Wine Labels

Armin Hofmann’s richly varied work is recognized for its reliance on the fundamental elements of graphic form – point, line, and shape – and the economic use of colour and fonts. The thoroughly revised edition of the 1965 design manual classic is still setting standards. Especially in times of the return to clear and minimalistic geometric forms and patterns, his rich body of work serves as a perfect starting point for contemporary design practices.

Elements of image and form are analyzed and examined with regard to their inherent laws. To correspond to the contemporary design techniques, this new edition is divided into computer-system-friendly sections. Thus adapting Hofmann’s methods to the requirement of modern design practices and serving as a valuable handbook for a new generation of designers.

_ revised edition of the 1965 design manual
_ adapted to modern design practices
_ divided into computer-system-friendly sections
_ detailed analyses of image elements
_ easy to use examples and instructions

365 daily design mantras from four leading industry experts, providing you with valuable design dos and don'ts for every day of  year. Packed with practical advice presented in a fun, lighthearted fashion, this is the perfect book for the ever-growing group of non-designers who want some graphic design guidance. And for more experienced designers, individual entries will either bring forth knowing nods of agreement or hoots of derision, depending on whether or not the reader loves or hates hyphenation, has a pathological fear of beige, or thinks that baseline grids are boring. In the style of a classical almanac, 365 entries combine a specific rule with a commentary from a variety of experienced designers from all fields of the graphic design industry. Covering topics such as typography, colour, layout, imagery, production, and creative thinking, you can either dip in at random or use the book as the source of a daily lesson in how to produce great graphic design.

About the Authors:

Peter Dawson (gradedesign.com) has over 19 years experience in the UK design arena and co-founded his practice, Grade, in 2000. He has won a number of awards for his work including an ISTD Certificate of Excellence, and, most recently, Best Jacket/Cover Design at the 2010 British Book Design and Production Awards. He is a Fellow, and former Chair, of the International Society of Typographic Designers and has also acted as a visiting typography lecturer at a number of Universities.

John Foster was a teacher for 20 years before becoming a full-time writer. He is the author of twelve books of poetry and over 150 anthologies. He has performed at all the UK's national book festivals and visits schools and libraries regularly. His books include The Poetry Chest, The Oxford First Book of Poetry, Dinosaur Poems, Dragon Poems and Magic Poems. He lives in Oxfordshire.

Tony Seddon is a designer and art director. He is also the author of Images and Graphic Design for Nondesigners. Luke Herriot is a graphic designer. He is also the author of Instant Graphics and the bestselling The Packaging and Design Templates Sourcebook. He lives in Hastings, UK.

Sean Adams and Noreen Morioka are partners at AdamsMorioka, a Los Angeles-based strategy and communications firm with offices in Beverly Hills and New York. AdamsMorioka has been globally recognized by every major competition and publication, including Communication Arts, AIGA, Graphis, and the New York Art Director’s Club. Adams is the national president and past national board member of AIGA, and past president of AIGA Los Angeles. www.adamsmorioka.com

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Пролистать книгу Graphic Design Rules: 365 Essential Design Dos and Don'ts на Google Books

An essential foundation course for graphic designers working in digital media, print and moving image.

Regularly revised and in print for over twenty years, this practical resource for students is used in graphic design classes in Europe, the UK and the USA. Graphic Design School is organized into two main sections, 'principles' and 'practice'. The first section deals with the fundamentals of design, such as composition, hierarchy, layout, typography, grid structure, colour and so on. The second section puts these basics into practice, and gives information about studio techniques and production issues relevant to a number of different graphic design disciplines. The second section closes with an overview of some of the different career choices open to students entering the graphic design field.

This new edition features over forty new images, updated reading lists and expert voices referencing a more diverse set of practitioners, and is as packed as ever with exercises, tutorials, and real-world graphic design briefs. Examples are taken from all media - digital media, websites, magazines, books and corporate brand identities. It remains a must-have book for anyone starting in graphic design.

About the Author:

Abbie Vickress is senior lecturer for MA Graphic Communication Design at Central Saint Martins in London and teaches BA Graphic Design at the University of the West of England in Bristol. Abbie revised the 6th and 7th editions. Sandra Stewart is Professor Emeritus, Graphic Design at Drexel University's Antoinette Westphal College of Media Arts & Design faculty, US. David Dabner taught at the London College of Printing.

The seventh edition of the market-leading, practical book for both students and small businesses.

Graphic Design School is organized into two main sections, ‘principles’ and ‘practice’. The first section deals with the fundamentals of design, such as composition, hierarchy, layout, typography, grid structure, colour and so on. The second section puts these basics into practice, and gives information about studio techniques and production issues relevant to a number of different graphic design disciplines. The last part of the second section provides an overview of some of the different career choices open to students entering the graphic design field.

This seventh edition of Graphic Design School features all-new assignments and fully updated reading lists. Over a third of the images are entirely new, and include a mix of professional work and outstanding student pieces. In addition, Part II: Practice Plus features new software and revisits old print technologies – for example, risograph printing and screen printing – which are becoming increasingly popular forms of production again.

About the Authors: 

David Dabner teaches at the London College of Communication and is an experienced industry professional.

Sandra Stewart is the Associate Dean for Academics at Drexel University’s Westphal College of Media Arts & Design.

Abbie Vickress teaches BA Graphic Communication Design at Central Saint Martins in London

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About the Sixth Edition

The market-leading practical book for both students and small businesses Graphic Design School has been refreshed and updated throughout.

The book is organized into two main sections, ‘principles’ and ‘practice’. The first section deals with the fundamentals of design, such as composition, hierarchy, layout, typography, grid structure, colour and so on. The second section puts these basics into practice and gives information about studio techniques and production issues relevant to a number of different graphic design disciplines. The last part of the second section provides an overview of some of the different career choices open to students entering the graphic design field.

New to this edition are two articles, one on User Experience Design (UX) and User Interface Design (UI), and one on Motion Graphics.

Packed with practical guidance on all areas of graphic design – from understanding the basics to devising an original concept and creating successful finished designs - Graphic Design School is a must-have book for anyone starting in graphic design.

Legendary designer Ellen Lupton demystifies the creative process in another essential graphic design book. 

Graphic Design Thinking explores a variety of techniques to stimulate fresh thinking to arrive at compelling and viable solutions. Each approach is explained with a brief narrative text followed by a variety of visual demonstrations and case studies. Lupton's hands-on, close-up approach, made famous with Thinking with Type, makes the creative process accessible to anyone and removes the myth that creativity is an in-born talent.

Presents a wide range of methods applicable to any brainstorming scenario.

• Techniques are grouped around the three basic phases of the design process: defining the problem, inventing ideas, and creating form
• From informal strategies that are ideal for quick, seat-of-the-pants thinking, to formal research methods
• Learn to approach problems through focus groups, interviewing, brand mapping, and co-design

Includes discussions with leading professional designers. Art Chantry, Ivan Chermayeff, Jessica Helfand, Steven Heller, Abbott Miller, Christoph Niemann, Paula Scher, and Martin Venezk reveal how they get ideas and overcome blocks to creativity.

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Graphic Design Thinking is directed at working designers, design students, and anyone who wants to apply inventive thought patterns to everyday creative challenges in the design process.

Creativity is more than an inborn talent. It is a hard-earned skill that, like all skills, improves with practice. Graphic Design Thinking explores a variety of techniques --- from quick, seat-of-the-pants approaches to more formal research methods -- -for stimulating fresh thinking and solving design problems. Brainstorming techniques are grouped around the three main phases of the design process: defining problems, getting ideas, and creating form. Visual demonstrations and case studies show the design processes and solutions at work. Featuring best-selling author Ellen Lupton's hands-on, accessible approach to instructional writing, this most recent addition to the Design Briefs series will help designers create projects that satisfy clients, users, and themselves.

About the Authors:

Ellen Lupton is curator of contemporary design at Cooper Hewitt, Smithsonian Design Museum in New York City and director of the Graphic Design MFA program at Maryland Institute College of Art (MICA) in Baltimore. An author of numerous books and articles on design, she is a public-minded critic, frequent lecturer, and AIGA Gold Medalist.

Jennifer Phillips is principal of J. Cole Phillips Design. She is also associate director of the Graphic Design MFA program at the MICA. Phillips coauthored Graphic Design: The New Basics with Lupton. She currently serves on the AIGA Advisory Board.

What comes to mind when you think of graphite? Is it the stains that stay on your fingers, or the beautiful gradients that can result from simply playing with pressure? Through skilfully applied smudges and smears, the humble pencil is capable of expressing minute details and textures in myriad shades of grey, creating layered universes that draw viewers into their folds.

From the fine and crisp work produced with an H-grade to the fuzzier, ink-like impressions by the B end, Graphite collates some of the most stunning, hand-drawn contemporary pencil art across the lead spectrum, along with exclusive interviews with renowned pencil artists Amandine Urruty, Armando Veve, and Dukhoon Gim. Step into an enigmatic world of monochrome chronicling a unique perspective or story on every page, brought to life by 28 artists and illustrators from around the globe.

This book is suitable for those who work with automated text and image design. It shows examples of working correctly on a conceptual level. Exact directions for using all of the grid systems presented (8 to 32 grid fields) are given to the user. These can be used for the most varied of projects. The three-dimensional grid is treated as well. Put simply: a guidebook from the profession for the profession.

The development of organisational systems in visual communication was the service and the accomplishment of the representatives of simple and functional typography and graphic design. In the 1920s in Europe, works already arose in the areas of typography, graphic design and photography with objectified conception and rigid composition. In 1961 a brief presentation of the grid with text and illustrations appeared for the first time in an earlier book by the author. Articles published mainly in trade journals then followed.

This book now attempts to close a gap by giving examples and exact directions to the professional concerning all grid problems that can occur.

The author, a world-renowned professional, thus offers his colleagues the tools to solve problems more easily.

This is the first art collection by the young Canadian artist/illustrator Koyamori (also known as Maruti_Bitamin). Over the past five years, she has gained attention through regularly sharing her fascinating illustrations on her Instagram, Tumblr and Twitter accounts. This work has been collected in grow and accompanied by a selection of specially created new illustrations.

Using mostly watercolor ink, Koyamori's highly imaginative but intimate illustrations incorporate colorful natural elements such as plants, creatures, water and stars, and also feature super-cute manga-inspired characters. A reversible dust jacket includes the cover from the Japanese edition on the reverse side. Both covers are new illustrations exclusively drawn for this long-awaited book.

About the Author:

Koyamori is an Asian-Canadian watercolor painter who also focuses on illustration and design. Her work often features nature and nostalgic elements, stemming from a background in biology and a childhood in Asia. She attempts to create a sense of peace and comfort through these still images.