Архітектура

Japandi – це найновіший і найпопулярніший тренд в інтер'єрі: гармонійне поєднання функціональності, комфорту та мінімалістичного вигляду, що характеризує скандинавський дизайн, з найчистішою елегантністю традиційної японської майстерності.

Japandi гармонійно поєднує скандинавський хюґе з вабі-сабі, концепцією, що походить з дзен-буддизму, яка пропагує мирну тверезість і запрошує нас помилуватися красою, прихованою в незначних недосконалостях природи. Цей перший великий огляд стилю Japandi познайомить читача з основами та знаковими предметами, які перетворять інтер'єр на натхненний Japandi куточок.

У першому розділі книги розглядаються спільні принципи, що сприяли виникненню стилю Japandi, такі як функціональність, нейтральні кольори, важливість органічних матеріалів та продумана простота форм. У другому розділі представлені деякі з найбільш знакових робіт стилю Japandi та дизайнерські студії, що стоять за ними. У третьому розділі наведено приклади того, як декорувати та обставляти кімнати – вітальню, їдальню, спальню, ванну кімнату, зимовий сад або домашній офіс – у стилі Japandi.

Про авторiв:

Агата Тороманофф — історик мистецтва та дизайну, яка курувала численні проекти сучасного мистецтва. Вона писала статті для арт-преси та є авторкою кількох книг, зокрема Chairs by Architects (2016), Sofas: 340 Iconic Designs (2018), Vases: 250 State-of-the-Art Designs (2019) та Designs for Children (2022). П'єр Тороманофф вивчав математику та російську літературу. Після понад двадцятирічної кар'єри в книжковій індустрії на посаді менеджера з міжнародних продажів, а потім керуючого директора кількох художніх видавництв, він разом зі своєю дружиною Агатою у 2014 році заснував агентство з упаковки книг. Відтоді він є автором кількох публікацій про сучасне мистецтво, поп-культуру та моду.

This book chooses 58 projects in Japan and classifies them into four categories(cultural&commercial, educational, public and multipurpose) in order to describe the kernel of Japanese architecture.

The creation of a Japanese garden combines respect for nature with adherence to simple principles of aesthetics and structure. In Japanese Garden Design, landscape architect Marc Peter Keane presents the history and development of the classical metaphors that underlie all Japanese gardens.

Keane describes the influences of Confucian, Shinto and Buddhist principles that have linked poetry and philosophy to the tangible metaphor of the garden. Detailed explanations of basic design concepts identify and interpret the symbolism of various garden forms and demonstrate these principles in use today.

The Japanese garden, like all gardens, is more than mere nature; it is nature crafted by man. It needs the hands of the designer to give it meaning.

The Japanese garden belongs to the realm of architecture; at its best, it is nature as art. The phases of its history document the constant redefinition of man's position within and towards nature. Its changing forms respond both to socio-economic developments and to religious and philosophical trends, and thereby reflect the spiritual climate in which its architecture was conceived.

At the same time as detailing the characteristics distinguishing and differentiating each of the five major epochs in the history of the Japanese garden, the author identifies the common motif which underlies them all: the recurrent attempt to unite beauty as natural accident and beauty as human-perfected type, to achieve an aesthetic symbiosis between the seeming randomness of natural form and the strict geometry of the right angle.

Japan embodies the fascinating cross-section of a country endowed with a rich and varied culture, firmly imbued with traditional knowledge, skill and experience. The book features 50 of the best of Japanese interior design trends in Japan in different categories such as offices, bars, culture, living and shopping, from traditional tatami to modern minimal. The interiors presented in this book offer a glimpse into the eastern design and its philosophy of simplicity: the use of neutral and natural colors to minimize feelings of clutter and the color black to lend definition and form; furthermore, it reveals the ingenious, minimalistic way of living and being.

The beauty of the Japanese garden lies in its combination of natural and artificial beauty. It represents the unique aesthetic taste of the Japanese people, mainly because of the distinct seasons of the insular country. Under the influence of religion, culture, history and customs, Japanese landscapes feature delicacy in design and elaboration in materials. An exquisite garden often reflects ideas in literature, calligraphy, paintings, ikebana and teaism, becoming an art work that assembles the essence of Japanese culture. We thus can find the zen implied in the design of Japanese gardens. The concept of Zen could be found throughout their designs. In their works, a narrow space could turn into a deep, richly-layered, savoring and meaningful landscape that was poetic and somewhat zenic.

This book consists of three chapters, Japanese gardens, public landscapes and interior landscapes, including the outstanding works of Japanses landscape designers, and giving full expression to the essence of Japanese landscape. May the book a source of inspiration to all the lovers of landscaping design.

The elegant design of the hotel and the perfect harmony between Japanese traditional culture and the modern design concept in this book present you both sensual and psychological appreciation of the affluent spa culture of Japan, the spa kingdom in the world. With more than fifty well-known and distinguished Japanese hotels included, the book gives detailed descriptions of the scales, facilities, and the design styles of the Japanese spa baths of each hotel in particular. From the interior design of the spacious and bright reception halls, the luxurious ocean-front guest rooms, and the cozy beauty and wellness salons to the exterior landscape design of Japanese gardens and the ideal location near the mountains or by a river, and especially the individualized recuperative spa baths, all demonstrate the work of the Japanese spa hotel master designers.

This book features the following Japanese Spa Resort projects

Shimoda Yamatokan
Otsuki Hotel Wafuukan
Seizanyamato
Hotel MICURAS
The Prince Hakone Resort
Ootaki Hotel
Hakone Hougetu
Gora Tensui
Hotel Kajikaso
Yushintei
Kamogawakan
Amagisou
Mizuniwa no Hatago Sumiyoshikan
Nishiizu Toi Onsen Hotel Miyabi
Toi Hotel Sankaitei
Ochiairou Murakami
Hotel Izukyu
Hoshinoya Karuizawa
Hotel Hananoi
IZUMISOU
ANGINE
Horai
Kishoan
Sun Hatoya Hotel
Hotel Hatoya
Sora Togetsusou Kinryu
Atami Sakuraya Ryokan
Yagyu-No-Sho
ASABA Ryokan
HANAFUBUKI Ryokan
Isawa View Hotel
Hotel Hana-Isawa
Kasugai View Hotel
Southern Cross Resort Hotel
Hotel Laforet Nasu
Laforet Club Hotel Naka-Karuizawa
Laforet Club Hotel Yitou
Zagyosoh
Yokikan
Inatori Ginsui
Dougashima New Ginsui
Tubaki
Sansuirou
Seiransou
Onyadomegumi
Mikawaya Ryokan
Hakone Hotel Kowakien
Hotel ChooBoo
Yugawara Mizunokaori
Hotel Shiroyama
Prince Hotel Manza

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The Japanese stone garden is an art form recognized around the globe. These gardens provide tranquil settings where visitors can shed the burdens and stresses of modern existence, satisfy an age-old yearning for solitude and repose, and experience the restorative power of art and nature. For this reason the value of the Japanese stone garden today is arguably even greater than when many of them were created.

Japanese Stone Gardens provides a comprehensive introduction to the powerful mystique and dynamism of the Japanese stone garden—from their earliest use as props in animistic rituals, to their appropriation by Zen monks and priests to create settings conducive to contemplation and finally to their contemporary uses and meaning. With insightful text and abundant imagery, this book reveals the hidden order of stone gardens and in the process heightens the enthusiast's appreciation of them.

Storefront design in Japan is part of Japanese culture and reflects the traditional concern for aesthetics, symmetry, discretion and simplicity. The commercial culture from brand identity to consumer psychcology calls for distinctive, innovative design statements consistent with widely diverse and high quality goods and services. This book presents the best of contemporary storefront design taking account of layout, colour, lighting, advertisement drawing, logo design, display cases and materials. It also shows the critical importance of the store window space to both the brand owner and the storefront designer.

TABLE OF CONTENTS

004/ Preface
006/ Brand Store
108/ Bags, Shoes and Hats
128/ Jewelry Shop
154/ Watch and Spectacles
170/ Cosmetics
184/ General Category
206/ Japanese Restaurants
214/ Chinese Restaurants
228/ The Restaurants Inside
236/ Cafés and Bakery

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Nouvel by Nouvel. France's premier architect designs his own monograph

The work of France's internationally celebrated contemporary architect - and recipient of the 2008 Pritzker Prize - in a book designed by the master himselfю

Jean Nouvel, the winner of the 2008 Pritzker Prize, is widely regarded as France’s most original and important contemporary architect. From 1967 to 1970, he assisted influential architects Claude Parent and Paul Virilio, before creating his own practice in Paris. His first widely acclaimed project was the Institut du Monde Arabe in Paris (1981-87). Since then, he has completed the Lyon Opera House, the Euralille Shopping Center, Lille, and the Fondation Cartier, Paris. His major completed projects since 2000 include the Culture and Convention Center in Lucerne, Switzerland, the spectacular Agbar Tower in Barcelona, the extension of the Reina Sofia Museum, Madrid, the Quai Branly Museum in Paris, and the Guthrie Theater in Minneapolis, Minnesota. Nouvel won the RIBA (Royal Institute of British Architects) Gold Medal in 2001 and the Pritzker Prize in 2008.

Jean Nouvel worked for five years with author Philip Jodidio on this prodigiously illustrated TASCHEN monograph, a book commensurate with the architect’s talent. Two 400-page hardcover volumes give the most complete overview to date of Jean Nouvel’s career, including works in progress such as the new Louvre in Abu Dhabi, the Philharmonie de Paris, and the MoMA extension in New York. The book’s graphic design and images were conceived and selected by the architect; in addition, the transparent printed dust jackets mimic the architect’s own tendency to play with contrasts and overlaid patterns. This publication is Nouvel by Nouvel, inside and out.

About the author:

Philip Jodidio studied art history and economics at Harvard, and edited Connaissance des Arts for over 20 years. His books include TASCHEN's Architecture Now! series, Building a New Millennium, and monographs on Tadao Ando, Norman Foster, Richard Meier, Jean Nouvel, and Zaha Hadid. He is internationally renowned as one of the most popular writers on the subject of architecture.

Recipient of the 2008 Pritzker Prize, Jean Nouvel is, without any doubt, France’s most original and important contemporary architect. From 1967 to 1970, he was an assistant of the influential architects Claude Parent and Paul Virilio, then creating his own office in Paris. His first widely acclaimed project was the Institut du Monde Arabe in Paris (1981–87, with Architecture Studio). Since then, he has completed the Lyon Opera House (1986–93), the Euralille Shopping Center, Lille (1991–94), and the Fondation Cartier, Paris (1991–94). His major completed projects since 2000 include the Culture and Convention Center in Lucerne, Switzerland (1998–2000), the spectacular Agbar Tower on Barcelona’s Diagonal Avenue (2001–03), the extension of the Reina Sofia Museum, (Madrid, 1999–2005), the Quai Branly Museum on the Seine in Paris (2001–06), and the Guthrie Theater in Minneapolis, Minnesota. Apart from receiving this year’s Pritzker Prize, Jean Nouvel won the RIBA (Royal Institute of British Architects) Gold Medal in 2001.

Jean Nouvel worked for five years with author Philip Jodidio on this prodigiously illustrated TASCHEN monograph, a book that will finally give the full measure of the architect’s talent. Two 400-page hardcover volumes give the most complete overview to date of Jean Nouvel’s career, including works in progress, such as the new Louvre in Abu Dhabi, the Philharmonie de Paris, and the extension of the MoMA in New York. The book’s graphic design and images were conceived and selected by the architect; in addition, the transparent printed dust jackets mimic the architect’s own tendency to play with contrasts and overlaid patterns. One can truly say that this publication is Nouvel by Nouvel, inside and out.

In many regards, the architecture of the 21st century has to fit a square peg into a round hole. It should be energetic and meaningful and yet be as sustainable as possible in all details. It should offer ample and proportioned space for its inhabitants, but also fit harmoniously into its environment. Architect Jean-Francois Koenig has been meeting these requirements for four decades. With the goal of improving the life quality of the inhabitants and users of his buildings, he sets out elaborate aesthetic designs that also include infrastructure and transport connections. The projects in Jean-Francois Koenig’s portfolio — including offices, private houses, hotels, public buildings, and schools — reflect his enhancement and integration of the many facets of urban life. When he won the third prize in an RIBA (Royal Institute of British Architects) competition in 1979, with Norman Foster as judge, Koenig was the only student amongst the winners. Even at that stage, his drawings for a pedestrian link between Trafalgar Square and Leicester Square demonstrated his sense for the city environment, not to mention his outstanding graphic talent. One of Koenig’s many esteemed projects is the Mauritius Commercial Bank on the island of Mauritius, Koenig’s native home, where he continues to reside.

JEAN-FRANCOIS KOENIG was elected one of the “100 Architects 2012,” a competition organized by the International Union of Architects (UIA) and the Korean Institute of Architects (KIA). In the 1980s, he worked with the RIBA Gold Medal Award architect, Sir Philip Dowson. At the 2011 UIA World Congress in Tokyo, under the heading “Sustainable by Design 2050,” his Mauritius Commercial Bank was amongst the best of the architecture of Africa. Koenig has worked in England, South Africa, India, United Arab Emirates, Australia, Madagascar, the Seychelles, La Réunion, and Mauritius for the last 30-plus years.

- An architecture book for all those excited by contemporary, innovative building design and development
- Richly illustrated with a broad spectrum of architectural photography, drawings, and sketches
- A look behind the scenes with one of the world’s leading architects

Jean-Michel Frank was perhaps the most influential Parisian designer and decorator of the 1930s and 1940s, inspiring such varied talents as Andree Putman and Bonetti and Garouse. Frank established his reputation and signature look with the design of the Paris apartment of the Vicomte Charles de Noailles. The Noailles were leading progressives of their day and patrons of the major painters of Paris.

Frank’s style of understated luxury — vellum-sheathed walls, bleached leather, lacquer and shagreen — perfectly complemented the Picassos and Braques on the walls. Frank’s blocky, rectangular club chairs and sofas have been endlessly copied and produced by many admirers. He is credited for the design of the modern Parsons table, a stark form that Frank embellished with the most luxurious finish.

Admiringly described by the French "le style Frank," his look continues to exert its influence through the powerful combination of the simplest forms and the most exquisite materials to produce objects that are truly noble and utterly modern.

An interior designer shares the principles and techniques of great design in a volume that demystifies the decorating process, covering such topics as space, scale, color, materials and details, fabrics and finishes, and furniture and accessories.