Монографії та збірки робіт відомих архітекторів

With an internationally acclaimed body of work in cities around the globe, Kohn Pedersen Fox (KPF) exemplifies the global architectural practice at the beginning of the 21st century. The projects featured in this volume demonstrate the breadth and span of the firm's reach and the diversity of its design approach, and offer a snapshot of the trajectory of a global practice that continues to evolve as new projects are completed and new contexts are engaged. The international nature of KPF's portfolio is demonstrated in the three volumes of this work, featuring American, European and Asian projects. Its practice mirrors global flows and global business, producing an architecture of global scope.

Although Yao's work has been prolific and has had a significant positive impact on the face of his homeland, Taiwan, he is still relatively young. Works featured in this book are also indicative of the enormous variety of projects he has undertaken with his firm ARTECH. These include corporate, residential, cultural, educational, hospitality, retail, transportation, and industrial projects, as well as interiors. In the words of his former professor at Berkeley University, who also wrote the introduction to this book, 'What the architects at Artech, throughout Taiwan, and now from lands far away, see: is a designer insistent upon rigour and high quality, one who is open to ideas regardless of their source; one who understands the building culture of his homeland and is committed to improving the status of architecture within it. The work within these pages is a testament that this commitment is yielding important results.'

The Complete Kengo Kuma. Erasing architecture: a definitive survey of the architect’s oeuvre

Famous First Edition: First printing of 5,000 numbered copies

After Tadao Ando, Toyo Ito, and Fumihiko Maki, Kengo Kuma has breathed renewed vigor and lightness into Japanese architecture. Departing from the modernist skyscraper of the 20th century, Kuma travelled through his native Japan to develop a truly sustainable approach, translating local craftsmanship and resources into site-specific, timely buildings. Informed by tradition, and with both feet firmly planted in the present, this “materialist” heralds a new tactile architecture marked by its engaging surfaces, innovative structures, and fluid forms, reconnecting people with the physicality of a house. Kuma’s objective, above all else, is “just to respect the culture and environment of the place where I am working.”

To this end, Kuma shaped the China Academy of Art’s Folk Art Museum partially from discarded roof tiles; created a Chapel out of birch and moss in Nagano; and worked with local craftsmen to sculpt the V&A Dundee into a twisted, layered reflection of the Scottish coastal cliffs. With an extraordinary sensitivity for space, light, and texture, Kuma reveals unexpected qualities in materials, finding the weightlessness of stone in Chokkura Plaza and the softness of aluminium in the thatched roof of the Yangcheng Lake Tourist Transportation Center.

More recently, the architect brought his philosophy to the Japan National Stadium built for the Olympic Games, originally planned for 2020. Kuma has said the stadium could be “the catalyst that will transform Tokyo back from a concrete city. I want it to set an example that will help alter the direction of Japanese architectural design.”

In this XXL-sized monograph with some 500 illustrations spanning photographs, sketches, and plans, Kuma guides us through his entire career to date, detailing milestone projects as well as ongoing works.

The artist:

Kengo Kuma (born in Yokohama in 1954) attended the University of Tokyo and established Spatial Design Studio in 1979 after further studies at Columbia University, New York. In 1987, he founded Kengo Kuma & Associates. He is based in Tokyo and Paris, while he teaches at the Graduate School of Architecture at the University of Tokyo, where he also runs his own Laboratory, Kuma Lab.

The editor:

Philip Jodidio studied art history and economics at Harvard, and edited Connaissance des Arts for over 20 years. His TASCHEN books include the Architecture Now! series and monographs on Tadao Ando, Santiago Calatrava, Renzo Piano, Jean Nouvel, Shigeru Ban, Richard Meier, Zaha Hadid, and soon Norman Foster.

Lake|Flato Architects of San Antonio, Texas, is nationally and internationally acclaimed for buildings that respond organically to the natural environment. The firm uses local materials and workmanship, as well as a deep knowledge of vernacular traditions, to design buildings that are tactile and modern, environmentally responsible and authentic, artful and crafted.

Lake|Flato won the Global Award for Sustainable Architecture in 2013, and it has also received the American Institute of Architects’ highest honor, the National Firm Award. In all, Lake|Flato has won more than 150 national and state design awards.

Residential architecture has always been a priority for the firm, and Lake|Flato Houses showcases an extensive selection of landmark homes built since 1999.

Color photographs and architectural commentary create a memorable portrait of houses from Texas to Montana. Reflecting the firm’s emphasis on designing in harmony with the land, the houses are grouped by the habitats in which they’re rooted—brushland, desert, hillside, mountains, city, and water. These groupings reveal how Lake|Flato works with the natural environment to create houses that merge into the landscape, blurring boundaries between inside and outside and accommodating the climate through both traditional and cutting-edge technologies.

The sections are opened by noted architect and educator Frederick Steiner, who discusses Lake|Flato’s unique responses to the forms and materials of the various landscapes. An introduction by journalist Guy Martin summarizes the history of Lake|Flato and its philosophy, and explores the impact of its work on sustainable architecture.

American architect John Lautner (1911-1994) is responsible for some of the most original buildings of the space age and, indeed, the 20th century. The residences he designed in the Los Angeles area, including the Chemosphere House and the Silvertop, are synonymous with the hopes and dreams of an entire era. Characterized by sweeping rooflines, glass-paneled walls, and steel beams, his buildings displayed a combination of fantasy and minimalism, often integrating water and incorporating surrounding landscapes. Lautner always placed great importance on the relationship between humans, space, and nature.

About the Series:
Every book in TASCHEN's Basic Architecture Series features:

• approximately 120 images, including photographs, sketches, drawings, and floor plans
• introductory essays exploring the architect's life and work, touching on family and background as well as collaborations with other architects
• the most important works presented in chronological order, with descriptions of client and/or architect wishes as well as construction problems and resolutions
• an appendix including a list of complete or selected works, biography, bibliography, and a map indicating the locations of the architect's most famous buildings

Space-Age Architecture. Back to the future with the visionary West Coast architect

With his geometric structures perched upon the hillsides, beaches, and deserts of California, John Lautner is responsible for some of the most original buildings of the 20th century. This introductory book surveys his key works and his iconic aesthetic in an age of space-age technology, economic growth, and affluence.

With his geometric structures perched upon the hillsides, beaches, and deserts of California, John Lautner (1911–1994) was behind some of the most striking and innovative architectural designs in mid-20th-century America.

This introductory book brings together the most important of Lautner’s projects to explore his
his ingenious use of modern building materials and his bold stylistic repertoire of sweeping rooflines, glass-paneled walls, and steel beams. From commercial buildings to such iconic homes as the Chemosphere, we look at Lautner’s sensitivity to a building’s surroundings and his unique capacity to integrate structures into the Californian landscape. With several of Lautner’s houses now labeled Los Angeles Historic-Cultural Monuments, we’ll also consider the architect’s cultural legacy, as much as his pioneering of a visual paradigm of 1950s optimism, economic growth, and space-age adventure.

The author:

Barbara-Ann Campbell-Lange studied architecture in London, New York, and Cambridge. She is a director of the Campbell-Lange Workshop and lectures at the Royal College of Art.

The editor:

Peter Gössel runs an agency for museum and exhibition design. He has published TASCHEN monographs on Julius Shulman, R. M. Schindler, John Lautner, and Richard Neutra, as well as several titles in the Basic Architecture series.

About the series:

Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. 

Each book in TASCHEN’s Basic Architecture series features:

- an introduction to the life and work of the architect
- the major works in chronological order
- information about the clients, architectural preconditions as well as construction problems and resolutions
- a list of all the selected works and a map indicating the locations of the best and most famous buildings
- approximately 120 illustrations (photographs, sketches, drafts, and plans)

Born Charles-Edouard Jeanneret, Le Corbusier (1887-1965) adopted his famous pseudonym after publishing his ideas in the review L'Esprit Nouveau in 1920. The few buildings he was able to design during the 1920s, when he also spent much of his time painting and writing, brought him to the forefront of modern architecture, though it was not until after World War II that his epoch-making buildings were constructed, such as the Unité d'Habitation apartment complex in Marseilles, and the chapel of Notre Dame du Haut in Ronchamp.

About the Series:
Every book in TASCHEN's Basic Art Series features:

* a detailed chronological summary of the artist's life and work, covering the cultural and historical importance of the artist
* approximately 100 color illustrations with explanatory captions
* a concise biography

In his numerous writings, Le Corbusier remained uncharacteristically silent about his early career. This text examines his nascent years as a designer and architect, focusing on the period from 1907 to 1922 - the year he changed his name from Charles Edouard Jeanneret and established his identity as Le Corbusier.

The contributors to the book offer an account of Le Corbusier's formative years and the cultural, intellectual and artistic concerns that absorbed him as a young artist in Switzerland and Paris. From 1907 to 1922 Jeanneret learned the art and craft of architecture and design, and defined his own image as an artist.

The volume discusses the cultural climate of his Swiss hometown, La Chaux-de-Fonds; his early mentors, friends and clients; his educational pursuits, including his self-designed Grand Tour; and his first successes as an architect and designer.

More than 350 illustrations - including architectural drawings and models, watercolours, sketches, photographs and furniture - show the wide range of young Le Corbusier's work and illuminate the principal themes and issues of his formative years.

A spectacular visual biography of one of the greatest architects of the 20th century.

Le Corbusier (1887-1965) is one of the giants of twentieth-century architecture and design. Born Charles Edouard Jeanneret in La Chaux-de-Fonds, Switzerland, the self-named Le Corbusier was not only the creator of some of the most important and impressive buildings of the last century--Villa Savoye at Poissy, the Chapel of Notre Dame du Haut at Ronchamp, the Parliament Building in Chandigarh, India--he was also an accomplished painter, sculptor, furniture designer, urbanist, and author. His work and social theories continue to be a dominant force in the world of architecture and design, while his elegant bearing, typified by his round black eyeglasses, which are still today a signature look for architects around the world, helped cast him as an heroic figure out of Ayn Rand's novel The Fountainhead.

Drawing on an array of archival material, including sketches, photographs, and correspondences, Le Corbusier Le Grand depicts in roughly chronological order not only the vast and varied output of Le Corbusier, but also the major events, people, and forces that shaped the life of an artist who continues to fascinate those in and outside the architectural world.

About the authors:

Jean-Louis Cohen is undoubtedly France's most authoritative and knowledgeable historian of twentieth-century architecture and urbanism. He divides his time between Paris and New York, where he is the Sheldon H. Solow Professor in the History of Architecture at the Institute of Fine Arts of NYU University.

Tim Benton, a highly regarded Le Corbusier scholar, is a Lecturer in the History of Art, Open University, Milton Keynes, England.

A spectacular visual biography of one of the greatest architects of the 20th century.

Le Corbusier (1887-1965) is one of the giants of twentieth-century architecture and design. Born Charles Edouard Jeanneret in La Chaux-de-Fonds, Switzerland, the self-named Le Corbusier was not only the creator of some of the most important and impressive buildings of the last century--Villa Savoye at Poissy, the Chapel of Notre Dame du Haut at Ronchamp, the Parliament Building in Chandigarh, India--he was also an accomplished painter, sculptor, furniture designer, urbanist, and author. His work and social theories continue to be a dominant force in the world of architecture and design, while his elegant bearing, typified by his round black eyeglasses, which are still today a signature look for architects around the world, helped cast him as an heroic figure out of Ayn Rand's novel The Fountainhead.

Drawing on an array of archival material, including sketches, photographs, and correspondences, Le Corbusier Le Grand depicts in roughly chronological order not only the vast and varied output of Le Corbusier, but also the major events, people, and forces that shaped the life of an artist who continues to fascinate those in and outside the architectural world.

About the authors:

Jean-Louis Cohen is undoubtedly France's most authoritative and knowledgeable historian of twentieth-century architecture and urbanism. He divides his time between Paris and New York, where he is the Sheldon H. Solow Professor in the History of Architecture at the Institute of Fine Arts of NYU University.

Tim Benton, a highly regarded Le Corbusier scholar, is a Lecturer in the History of Art, Open University, Milton Keynes, England.

Born Charles-Edouard Jeanneret, Le Corbusier (1887-1965) adopted his famous pseudonym after publishing his ideas in the review L’Esprit Nouveau in 1920. The few buildings he was able to design during the 1920s, when he also spent much of his time painting and writing, brought him to the forefront of modern architecture, though it wasn’t until after World War II that his epoch-making buildings were constructed, such as the Unité d’Habitation in Marseilles and the Church of Notre Dame du Haut in Ronchamp. 

Посмотреть русскоязычное издание книги Le Corbusier -  Ле Корбюзье

About the Series:

Every book in TASCHEN's Basic Architecture Series features:

• approximately 120 images, including photographs, sketches, drawings, and floor plans
• introductory essays exploring the architect's life and work, touching on family and background as well as collaborations with other architects
• the most important works presented in chronological order, with descriptions of client and/or architect wishes as well as construction problems and resolutions
• an appendix including a list of complete or selected works, biography, bibliography, and a map indicating the locations of the architect's most famous buildings

Brenda Levin/Levin & Associates Architects, founded in 1980 by Harvard-educated architect Brenda A. Levin, the urban design and architecture firm Levin & Associates has received worldwide attention for its revitalising historic preservation work on some of Los Angeles' most-beloved landmarks. In a city defined by boom and suburban expansion, the firm found itself among the pioneers of urban revitalisation who were able to restore life to parts of the city that nearly everyone had written off. Brenda Levin has challenged the male-dominated architectural community with beautiful architecture. Her work covers the whole gamut of building design and this book will act as a source of inspiration to architects everywhere, particularly innovative architecture with a feminine touch. Some of the featured projects include: Los Angeles City Hall, projects for Occidental College and Oakwood School, Downtown Women's Center, Buena Vista Pump Station, Griffith Observatory, The Fine Arts Building, Pellessier Building & Wiltern Theater, Chapman Market, Grand Central Square and the Bradbury Building

Liaigre invites readers on a world tour of its newest generation of interiors exemplifying the renowned French brand's masterful savoir-faire, pared-back elegance, and renewed vigor.

In an exquisite volume, the illustrious French interiors house Liaigre takes us inside its latest cosmopolitan residences. For over thirty years Liaigre has solidified its signature excellent craftsmanship, precise aesthetic, and luxurious simplicity with a subtle eye for details; the house embodies elegant understatement, reminiscent of the most refined art de vivre. Following the departure of its visionary founder in 2016, Liaigre has been infused with new energy. Throughout the book's pages, readers will delve into character-filled interiors that speak to its vision for the future.

A Japanese house overlooking hot thermal springs; a modernist palace in New Delhi (Liaigre's first project in India); a delicate renovation of a traditional local villa in St. Moritz; an update to a glamorous Parisian villa from the early twentieth century; and a modern reinterpretation of a Bavarian-style mansion in Munich--all of these projects and more represent manifestos of the "Liaigre style." Furthermore, a visual immersion into Liaigre's Paris studio offers a behindthe-scenes glimpse into the house's creative know-how. Featuring exceptional images from specially commissioned photoshoots and an engaging essay by French art historian Françoise-Claire Prodhon, this tome will delight new and old fans of Liaigre's designs as well as interiors aficionados everywhere.

About the Author:

Françoise-Claire Prodhon is an art historian. She studied at the École du Louvre in Paris, and is a renowned art critic, author, and journalist, writing for such magazines as Flash Art International, Intramuros, and AD France.

Lionel Jadot, (b. 1960) is a scion of the highly reputed family of furniture-makers, Vanhamme, who have excelled in craftsmanship skills since 1895. The Vanhamme workshops were the young Lionel Jadot’s favourite play area, and very early, after his classical art education, he achieved his first two complete projects: two lofts and a chalet in Verbier. In the course of the years Jadot created a whole universe of his own; often described as exuberant baroque, sometimes surprisingly minimalist, but always extremely inspired and sophisticated.

As well as being an interior designer, Louis Jadot also produces films, and this cinematographic background adds an extra, almost theatrical dimension to his interior work.

The book presents a selection of some dozen recent representative achievements by this talented designer.