Монографии и сборники работ известных архитекторов

In his numerous writings, Le Corbusier remained uncharacteristically silent about his early career. This text examines his nascent years as a designer and architect, focusing on the period from 1907 to 1922 - the year he changed his name from Charles Edouard Jeanneret and established his identity as Le Corbusier.

The contributors to the book offer an account of Le Corbusier's formative years and the cultural, intellectual and artistic concerns that absorbed him as a young artist in Switzerland and Paris. From 1907 to 1922 Jeanneret learned the art and craft of architecture and design, and defined his own image as an artist.

The volume discusses the cultural climate of his Swiss hometown, La Chaux-de-Fonds; his early mentors, friends and clients; his educational pursuits, including his self-designed Grand Tour; and his first successes as an architect and designer.

More than 350 illustrations - including architectural drawings and models, watercolours, sketches, photographs and furniture - show the wide range of young Le Corbusier's work and illuminate the principal themes and issues of his formative years.

A spectacular visual biography of one of the greatest architects of the 20th century.

Le Corbusier (1887-1965) is one of the giants of twentieth-century architecture and design. Born Charles Edouard Jeanneret in La Chaux-de-Fonds, Switzerland, the self-named Le Corbusier was not only the creator of some of the most important and impressive buildings of the last century--Villa Savoye at Poissy, the Chapel of Notre Dame du Haut at Ronchamp, the Parliament Building in Chandigarh, India--he was also an accomplished painter, sculptor, furniture designer, urbanist, and author. His work and social theories continue to be a dominant force in the world of architecture and design, while his elegant bearing, typified by his round black eyeglasses, which are still today a signature look for architects around the world, helped cast him as an heroic figure out of Ayn Rand's novel The Fountainhead.

Drawing on an array of archival material, including sketches, photographs, and correspondences, Le Corbusier Le Grand depicts in roughly chronological order not only the vast and varied output of Le Corbusier, but also the major events, people, and forces that shaped the life of an artist who continues to fascinate those in and outside the architectural world.

About the authors:

Jean-Louis Cohen is undoubtedly France's most authoritative and knowledgeable historian of twentieth-century architecture and urbanism. He divides his time between Paris and New York, where he is the Sheldon H. Solow Professor in the History of Architecture at the Institute of Fine Arts of NYU University.

Tim Benton, a highly regarded Le Corbusier scholar, is a Lecturer in the History of Art, Open University, Milton Keynes, England.

A spectacular visual biography of one of the greatest architects of the 20th century.

Le Corbusier (1887-1965) is one of the giants of twentieth-century architecture and design. Born Charles Edouard Jeanneret in La Chaux-de-Fonds, Switzerland, the self-named Le Corbusier was not only the creator of some of the most important and impressive buildings of the last century--Villa Savoye at Poissy, the Chapel of Notre Dame du Haut at Ronchamp, the Parliament Building in Chandigarh, India--he was also an accomplished painter, sculptor, furniture designer, urbanist, and author. His work and social theories continue to be a dominant force in the world of architecture and design, while his elegant bearing, typified by his round black eyeglasses, which are still today a signature look for architects around the world, helped cast him as an heroic figure out of Ayn Rand's novel The Fountainhead.

Drawing on an array of archival material, including sketches, photographs, and correspondences, Le Corbusier Le Grand depicts in roughly chronological order not only the vast and varied output of Le Corbusier, but also the major events, people, and forces that shaped the life of an artist who continues to fascinate those in and outside the architectural world.

About the authors:

Jean-Louis Cohen is undoubtedly France's most authoritative and knowledgeable historian of twentieth-century architecture and urbanism. He divides his time between Paris and New York, where he is the Sheldon H. Solow Professor in the History of Architecture at the Institute of Fine Arts of NYU University.

Tim Benton, a highly regarded Le Corbusier scholar, is a Lecturer in the History of Art, Open University, Milton Keynes, England.

Born Charles-Edouard Jeanneret, Le Corbusier (1887-1965) adopted his famous pseudonym after publishing his ideas in the review L’Esprit Nouveau in 1920. The few buildings he was able to design during the 1920s, when he also spent much of his time painting and writing, brought him to the forefront of modern architecture, though it wasn’t until after World War II that his epoch-making buildings were constructed, such as the Unité d’Habitation in Marseilles and the Church of Notre Dame du Haut in Ronchamp. 

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About the Series:

Every book in TASCHEN's Basic Architecture Series features:

• approximately 120 images, including photographs, sketches, drawings, and floor plans
• introductory essays exploring the architect's life and work, touching on family and background as well as collaborations with other architects
• the most important works presented in chronological order, with descriptions of client and/or architect wishes as well as construction problems and resolutions
• an appendix including a list of complete or selected works, biography, bibliography, and a map indicating the locations of the architect's most famous buildings

Brenda Levin/Levin & Associates Architects, founded in 1980 by Harvard-educated architect Brenda A. Levin, the urban design and architecture firm Levin & Associates has received worldwide attention for its revitalising historic preservation work on some of Los Angeles' most-beloved landmarks. In a city defined by boom and suburban expansion, the firm found itself among the pioneers of urban revitalisation who were able to restore life to parts of the city that nearly everyone had written off. Brenda Levin has challenged the male-dominated architectural community with beautiful architecture. Her work covers the whole gamut of building design and this book will act as a source of inspiration to architects everywhere, particularly innovative architecture with a feminine touch. Some of the featured projects include: Los Angeles City Hall, projects for Occidental College and Oakwood School, Downtown Women's Center, Buena Vista Pump Station, Griffith Observatory, The Fine Arts Building, Pellessier Building & Wiltern Theater, Chapman Market, Grand Central Square and the Bradbury Building

Liaigre invites readers on a world tour of its newest generation of interiors exemplifying the renowned French brand's masterful savoir-faire, pared-back elegance, and renewed vigor.

In an exquisite volume, the illustrious French interiors house Liaigre takes us inside its latest cosmopolitan residences. For over thirty years Liaigre has solidified its signature excellent craftsmanship, precise aesthetic, and luxurious simplicity with a subtle eye for details; the house embodies elegant understatement, reminiscent of the most refined art de vivre. Following the departure of its visionary founder in 2016, Liaigre has been infused with new energy. Throughout the book's pages, readers will delve into character-filled interiors that speak to its vision for the future.

A Japanese house overlooking hot thermal springs; a modernist palace in New Delhi (Liaigre's first project in India); a delicate renovation of a traditional local villa in St. Moritz; an update to a glamorous Parisian villa from the early twentieth century; and a modern reinterpretation of a Bavarian-style mansion in Munich--all of these projects and more represent manifestos of the "Liaigre style." Furthermore, a visual immersion into Liaigre's Paris studio offers a behindthe-scenes glimpse into the house's creative know-how. Featuring exceptional images from specially commissioned photoshoots and an engaging essay by French art historian Françoise-Claire Prodhon, this tome will delight new and old fans of Liaigre's designs as well as interiors aficionados everywhere.

About the Author:

Françoise-Claire Prodhon is an art historian. She studied at the École du Louvre in Paris, and is a renowned art critic, author, and journalist, writing for such magazines as Flash Art International, Intramuros, and AD France.

Lionel Jadot, (b. 1960) is a scion of the highly reputed family of furniture-makers, Vanhamme, who have excelled in craftsmanship skills since 1895. The Vanhamme workshops were the young Lionel Jadot’s favourite play area, and very early, after his classical art education, he achieved his first two complete projects: two lofts and a chalet in Verbier. In the course of the years Jadot created a whole universe of his own; often described as exuberant baroque, sometimes surprisingly minimalist, but always extremely inspired and sophisticated.

As well as being an interior designer, Louis Jadot also produces films, and this cinematographic background adds an extra, almost theatrical dimension to his interior work.

The book presents a selection of some dozen recent representative achievements by this talented designer.

Antoni Gaudi is celebrated as one of the most important architects of the early 20th century.

His unbelievable Art Nouveau buildings were marked by their whimsical design and fantastic details. While much has been written on this extraordinary figure, Living Gaudi is one of the few books to consider his gardens, parks and residential projects as a body of work, and one of the few to particularly focus on his designs for interior furnishings, which were part and parcel of his overall vision for a building. This little-known aspect of his work is surveyed in this book with stunning photography and exquisite detail.

The volume also includes a selection of the architect's own writings, which give the reader a revealing look at his incomparable genius. Complete with archival photographs and more than 150 full-colour contemporary photographs, Gaudi's amazing talent is revealed in this landmark work.

Classic style and impeccable attention to detail are hallmarks of the work of interior designer Matthew Patrick Smyth. His comfortable, timeless rooms are tailored to fit his clients’ personalities and lifestyles, whether they are dynamic young couples with children or cultured art collectors. Smyth masterfully blends contemporary pieces with antiques to endow each space with a sense of solidity and history while maintaining a completely fresh, modern sensibility.

Smyth credits his mentor David Easton for teaching him how to see the intrinsic value of any given piece and to successfully mix furnishings with similar lines, materials, and forms even when they are products of different centuries. Easton also embedded in Smyth a love for travel - leading to the designer’s devotion to all things French that permeates his work. Smyth opened his own firm in New York in 1987 and now works with clients around the globe. His designs - characterized by refined, flawless interior architecture - are seen in grand Shelter Island mansions, classically proportioned San Francisco townhouses, and demure Parisian pied-à-terres alike.

In this lavishly illustrated volume, Smyth reveals his own design tips, rules, and approaches to meeting challenges offered by uniquely shaped spaces. He focuses on editing collections to better showcase individual works, the personal nature of color selection, adding - or restoring - historical references, and finishing a space off with glorious, often unexpected fabrics and trims. Over two hundred color photographs showcase a wide variety of styles, from a nature-infused Aspen vacation home to the quintessential Upper East Side apartment to a London flat that smoothly blends its owner’s inherited collection of Renaissance art with fine Indian pieces.

Born in Estonia in 1901, Louis Isidore Kahn was to become one of the United States’ most important architects of the post-war period, alongside the Modern masters Mies van der Rohe, Walter Gropius and Le Corbusier.

Although renowned for a number of seminal modern works, he came to question many of the precepts of the Modern Movement. In particular, he questioned the ability of the International Style of Modernism to house the social spaces required by the latter half of the century.

In 1947 Kahn was appointed Professor at Yale University. He was to continue teaching throughout his architectural career, influencing a younger generation of architects along the way. His teaching enabled him to further develop his own concepts and to inform his ever-evolving definition of design. He was drawn to investigate monumentality in architecture, creating buildings out of heavy, solid materials and forms and incorporating vivid plays of light, in complete contrast to the lightweight glass and steel structures being created elsewhere by his peers. This monumentality was also imbued with his concern for the ritual of human experience. His career, although extending to just over twenty years, was a rich and varied one, where he continually readdressed the issues of light, mass, structure, monumentality, geometry and materials.

This monograph follows a predominantly chronological order, identifying major themes and examining key works according to these themes. A comprehensive list of projects by Kahn spanning his lifetime and drawn from the Louis I Kahn Collection at the University of Pennsylvania Archives is also included, listing over 231 projects, of which at least c30 were previously unattributed.

Brilliant Buildings. Louis Isadore Kahn and a luminous modernist language

Louis Isadore Kahn (1901–1974) treated each building like a temple. Across the United States, in India, Bangladesh, Pakistan, and Israel, his designs combined the sleek, utilitarian surfaces of modernism with a devotion to geometric forms and a reverence for natural light that suffused his structures with a monumental and breathtaking spirituality.

This essential introduction brings together 17 of Kahn’s most important buildings across his cultural, governmental, religious, and residential repertoire. Plans, views, descriptions, and quality photographs trace the context and development of each project, while an introductory essay explores Kahn’s unique architectural ideology and his legacy as one of the most important 20th-century American architects since Frank Lloyd Wright.

Through Kahn masterworks, such as the National Assembly Building in Dhaka, Bangladesh, or Kimbell Art Museum in Fort Worth, Texas, we’ll explore Kahn’s his “back to basics” grammar inspired by ancient sites in Italy, Greece, and Egypt; and his unique vocabulary of mass, void, and light that suffused the International Style with a near-celestial luminescence.

The author:

Joseph Rosa is the Director of the University of Michigan Museum of Art. He is author of numerous publications and has taught at Southern California Institute of Architecture (SCI-Arc), the California College of the Arts, The College of Environmental Design at the University of California in Berkeley, and the Graduate School of Architecture, Planning, and Preservation at Columbia University.

The editor:

Peter Gössel runs an agency for museum and exhibition design. He has published TASCHEN monographs on Julius Shulman, R. M. Schindler, John Lautner, and Richard Neutra, as well as several titles in the Basic Architecture series.

About the series:

Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. 

Each book in TASCHEN’s Basic Architecture series features:

- an introduction to the life and work of the architect
- the major works in chronological order
- information about the clients, architectural preconditions as well as construction problems and resolutions
- a list of all the selected works and a map indicating the locations of the best and most famous buildings
- approximately 120 illustrations (photographs, sketches, drafts, and plans)

Though Louis Isidore Kahn (1901–1974) started his career late in his life, the few projects he was able to undertake were realized to perfection. With the Jonas Salk Institute in La Jolla, California (1959–1965) Kahn created a workspace with superb functional and aesthetic qualities; the institute`s Minimalist elements radiate a sense of eternal beauty. The Kimbell Art Museum in Fort Worth (1966–1972) occupies the somewhat faceless city like an island of spiritual space, an effect that is achieved by simplicity in design and materials. Also, the Indian Institute of Management in Ahmedabad (1962–1974) and the Sher-e-Bangla Nagar, National Assembly of Bangladesh in Dhaka that was finished after his death are buildings of monumental importance, demonstrating the vision of a talented and very unusual man. 

This book brings together 17 Kahn projects, ranging from private housing to commercial architecture, religious buildings, exhibition spaces, and government buildings.

About the Series:

Every book in TASCHEN's Basic Architecture Series features:

- approximately 120 images, including photographs, sketches, drawings, and floor plans
- introductory essays exploring the architect's life and work, touching on family and background as well as collaborations with other architects
- the most important works presented in chronological order, with descriptions of client and/or architect wishes as well as construction problems and resolutions
-an appendix including a list of complete or selected works, biography, bibliography, and a map indicating the locations of the architect's most famous buildings

An exploration of the dynamic and innovative architecture and interiors commissioned by Louis Vuitton.  A prescient advocate of contemporary interiors and architecture, Louis Vuitton continues to encourage innovation and playfulness in the designs of their retail spaces without losing sight of the essence of luxury central to its identity. This process of designing places to display high-style objects has created a new venue for cutting-edge architecture and transformed city streetscapes.

This exploration of Louis Vuitton’s international stores, as well as industrial sites and unrealized projects, includes interviews with some of today’s most talented architects and designers who discuss the beautiful and complex structures they have produced in collaboration with Louis Vuitton. This book examines the physical aspects of these buildings as well as the ideas that went into their composition.

Acting as both a backdrop for luxurious retail goods and the physical manifestation of the brand, these spaces are a genre unto themselves that invite exploration. With luxurious finishes and unexpected textures, these fantastic buildings represent the intersection of fashion and interior design.  The book includes interviews with Jun Aoki, Peter Marino, Christian de Portzamparc, David McNulty, and Christian Reyne.

About the Authors:

Mohsen Mostafavi is an architect and dean of the Harvard Graduate School of Design. Frederic Edelmann has been the architecture critic for Le Monde since 1977. Ian Luna is an author and editor. Rafael Magrou is an architect, journalist, and curator based in Paris

Luxury and art have never been more closely linked than they are in these early years of the twenty-first century.

Virtually all the world’s major luxury houses have associated themselves with contemporary art through sponsorships, commissions, or foundations, and these points of exchange nourish the increasingly symbiotic relationship between fashion, art, and other design disciplines. Of all modern luxury brands, Louis Vuitton can claim to maintain the richest and most varied associations with the world of art. Included in this volume are Louis Vuitton’s important collaborations with an elite group of artists, architects, designers, and photographers, such as Jun Aoki, Shigeru Ban, Vanessa Beecroft, Olafur Eliasson, Zaha Hadid, David LaChapelle, Jean Larivière, Annie Leibovitz, Takashi Murakami, Richard Prince, Stephen Sprouse, James Turrell, Inez Van Lamsweerde, and Vinoodh Matadin.

The book is structured as a seductive anthology of the house’s most visible collaborations. Critical essays examine and position Louis Vuitton’s patronage — under the guidance of Artistic Director Marc Jacobs — during one of the most fertile periods of contemporary art and design.

About the Author:

Marc Jacobs is the Creative Director of Louis Vuitton Malletier and the chief designer of Vuitton’s ready-to-wear collections.

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Пролистать книгу Louis Vuitton: Art, Fashion and Architecture