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John Portman and Associates is most famous for introducing the modern atrium to corporate design. But there is much more in this magnificent portfolio of outstanding architecture than atriums. From its inception in 1953, the firm has established a global reputation for combining vision with practical development in three key areas: urban architecture, community revitalisation and suburban mixed-use projects. In fact, John Portman and Associates is largely responsible for establishing the benchmark for urban revitalisation. Major areas of practice featured in this book include mixed-use architecture, hospitality, education and corporate - not just in the USA but around the world. The buildings designed by John Portman and Associates have received numerous accolades, and many of those designs feature in this attractive casebound volume.
Catalan architect and colleague of Gaudi.
Josep Maria Jujol (1879-1949) developed his unusual architectural style through many years of close, creative collaboration with Antoni Gaudi. Jujol’s work is characterized by a high degree of sensibility to the forms of nature, an emphatically anti-geometric aesthetic, attention to workmanship and detail, as well as the imaginative use of old and previously utilized material. It is an eloquent expression of his affection for the Catalonian landscape, his modesty, and deep religious faith.
As an architect, Karl Friedrich Schinkel (1781–1841) is considered one of finest in German history, having established a "new," patriotic German style based on the Gothic style; as a painter, draftsman, and designer of furniture, interior fittings, and stage sets, he created some of the best examples of 19th century art. His work was so admired by King Frederick William III that Schinkel acted as state architect of Prussia for nearly his entire career, designing many public buildings, palaces, and royal country estates, including the Royal Theater and Altes Museum in Berlin. So highly was Schinkel regarded that his contemporaries deemed him a genius and biographies were written about him during his lifetime.
About the Series:
Every book in TASCHEN's Basic Architecture Series features:
430 илл.
Cуществование в России современной настоящей архитектуры уже не вызывает сомнений во многом благодаря таким коллективам, как архитектурная студия KD. В своих проектах авторы дополнили европейский минимализм любовью русских зодчих к дереву. Воспринимая от мировой архитектуры все лучшее, архитекторы KD чтят и сохраняют традиции, что наряду с новаторством их проектов заставляет рассматривать эту студию как один из самых перспективных коллективов. Книга представляет собой небольшое портфолио проектов последних лет, в котором также можно ознакомиться с полным списком построек, не вошедших в издание.
Kengo Kuma's Teahouse is a masterly reinterpretation of a classical Japanese building type. Delivered in August 2007 for the Park of the Frankfurt Museum of Applied Arts (a Richard Meier Building), Kuma s innovative structure in flexible, semi-transparent, breathing Tenara-Membrane - inflated by means of a pneumatic system to a blossom-like form - houses in the interior the classical elements for Japanese tea ceremony. Integrated LED technology allows the use of the teahouse at night; the interior can be heated by way of the membrane.
The monograph, including an original text by Kengo Kuma himself, gives in-depth documentation of this lyrical temporary structure – an outstanding example of ephemeral architecture, combining poetry and technology - with many unpublished sketches, technical plans and with splendid colour photographs.
Durch ein Kompressorsystem aktiviert, erwächst das Teehaus wie eine Blüte aus dem semitransparenten High Tech-Material GORE-Tenara, im Inneren finden Tatami-Matten, ein elektrisch beheizbarer Herd für den Wasserkessel, eine Tokonoma Nische und ein Vorbereitungsraum Platz. Die doppelwandige Hülle mit inneren Koppelseilen erzeugt eine golfballähnliche Membrantextur und macht zudem eine Luftschleuse überflüssig. Eine integrierte LED-Technik lässt das Teehaus im Dunklen sanft, fast mythisch, erstrahlen.
Dieses jüngste Projekt Kumas ist ein Symbol für die traditionsbewusste Modernität des heutigen Japans und seiner Architektur, aber auch ein richtungsweisendes Beispiel temporären und mobilen Bauens, das nur Dank einer ungewöhnlich dichten internationalen Kooperation zwischen Architekten, Ingenieuren und Unternehmen realisiert werden konnte. Das vorliegende Buch entfaltet die technologischen, kulturhistorischen und ästhetischen Aspekte dieser Neuinterpration des japanischen Teehauses.
The quintessential Japanese architect of today, Kengo Kuma has forged a modern design language that artfully combines his country’s traditional building crafts with sophisticated technologies and materials.
From his iconic Glass House to Yusuhara Wooden Bridge Museum, this complete record of Kuma’s built work comprises 25 projects to date. Kenneth Frampton frames Kuma’s work in the context of post-war Japan’s flourishing architecture scene and influential figures, and recounts the international acclaim that Kuma has received.
The heart of the book consists of projects presented in detail, accompanied by Kuma’s personal descriptive texts and detailed drawings, and organized by the material themes that have come to define the architect’s output.
Offering a rich insight into contemporary interpretations of Japan’s ancient building traditions, this beautifully produced book will be an inspiration to any designer who aims to create spaces for history and the future.
Long regarded in Japan as a master architect, Kengo Kuma first entered the European limelight two years ago when he won the "Spirit of Nature Wood Architecture Award", being the second architect to win this prize after Renzo Piano.
Timber construction, however, is merely one field in which this declared environmentally sensitive architect has specialised.
This monograph presents 14 selected projects from 1992-2003, including the Museum of Hiroshige Ando and Stone Museum (Toshigi Prefecture, Japan), the Water/Glass-Villa (Atami, Japan), the Plastic House in Tokyo and the Bamboo House near the Great Wall of China.
All projects are portrayed in exact technical drawings full of details and material specifications.
Featuring more than 100 of the most significant and influential buildings of the twentieth century, this second edition includes both classic works by such seminal architects as Le Courbusier, Frank Lloyd Wright, Mies van der Rohe and Alvar Aalto, as well as those by more recent masters, such as Norman Foster, Frank Gehry and Rem Koolhaas. Addtional buildings and images make this new edition even more comprehensive and up-to-date.
For each of the buildings included there are numerous, accurate scale plans showing typical floors, together with elevations, sections and site plans where appropriate. All of these have been specially commissioned for the book and are based on the most reliable information and sources. There is also a concise text explaining the significant architectural features of the building and the influences it shows or generated, together with full-colour images. Cross-references to other buildings in the book highlight the various connections between these key structures.
This is the third monograph to feature the highly esteemed architecture of Kohn Pedersen Fox.
Headquartered in New York and London, KPF initially distinguished itself through its dedicated attention to the development of the most characteristic and significant American building type, the skyscraper. KPF has since achieved international stature with their brand of refined modernism. Among the recent projects included in this monograph are the World Bank Headquarters in Washington, D.C., Baruch College in New York City, the Gannett/USA Today Building in McLean, Virginia and the Rodin Museum in Seoul, Korea. These projects–as well as others in Tokyo, Warsaw, Honolulu, Taiwan, Buenos Aires, Singapore, and The Netherlands–are brought together in over 500 stunning full colour photographs and 250 architectural drawings.
The structures themselves — the overwhelming majority of which are shown finished — are renowned for their exploration and continuation of the legacy of modern architecture. The sleek, cutting-edge buildings represent the firm's diverse designs for institutional, academic, and corporate clients around the world. As befits their skyscraper-architect reputation, KPF has designed what will be, upon completion in Shanghai, the world's tallest building.