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A collection of 1000 symbols and logotypes designed by the Pentagram partners from 1972 to the present.

The biggest part of what Pentagram has done for the last fifty years has always been creating brand identities for clients from many different industries and continents. The humble mark is central to all of these well-honed identities – often acting as shorthand for the brand itself. Marks are everywhere – they enter our collective psyche, they’re part of the cultural landscape and they symbolise the relationships we form with brands.

The 1,000 marks featured in this book represent the diverse range of identity work created by Pentagram partners past and present. Since its inception, Pentagram has designed marks for everyone from multinational corporations to start-ups, government agencies, nonprofits and social enterprises, clubs, societies, individuals, districts and even whole countries. Regardless of your identity, an original mark that you can take ownership of is the starting point for communicating who you are and what you do.

There are many approaches to creating a distinctive logo, and all of them can be seen here, from bold typographic wordmarks to pictorial symbols and more abstract solutions. Printing them in black and white helps us see them in their purest form, highlighting the contrasts and occasional similarities between them.

The practice of design has changed radically since 1972, but its concerns remain the same. The deceptively simple exercise of designing a mark for a client, and the elusive quest for timelessness that it entails, are still central to the challenge that graphic designers face today.

About the Author:

Pentagram is an international design firm with offices in London, New York, Austin and Berlin.

Carla Sozzani opened Galleria Carla Sozzani in September 1990 as a space for art, photography, and design housed in a converted garage at 10 Corso Como in Milan. Along with American artist Kris Ruhs, Sozzani created a space like no other. Rejecting ordinary retail norms, this concept store has always promoted a different philosophy — that of slow shopping, a succession of spaces and events that prioritize lifestyle over object acquisition. In this book, Sozzani describes her world: her style, personal taste, and opinions on fashion, travel, design, and lifestyle. The Galleria now incorporates a bookshop, a fashion and design store, and a garden café, and it is one of Milan’s hippest and most exquisitely curated spaces — a destination in itself. 10 Corso Como has become the nexus of a global network of cultural exchange through fashion, food, art, and photography that continues to inspire fashion and design. In recent years, two additional locations have been added: 10 Corso Como–Comme des Garçons in Tokyo in 2002 and a Seoul branch in 2008.

About the Author:

Carla Sozzani, a former fashion editor and publisher, is the founder and guiding force behind the Galleria Carla Sozzani. The 10 Corso Como brand has become an internationally recognized symbol of style and culture.

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Пролистать книгу 10 Corso Como: A to Z

The first book on the impressive collection of George R. Kravis II, founder of the Kravis Design Center -- one of the leading collectors of modern industrial design in North America. A must-have for lovers of modern design, this is a perfect follow-up to Vintage Industrial and an accessible, but authoritative introduction to this field.

An exquisitely curated selection of 100 pieces from the Kravis Design Center's industrial design collection, this book features works by some of the most important figures in the history of design: Peter Behrens, Russel Wright, Charles and Ray Eames, George Nelson, Alexander Girard, Ettore Sottsass, and Yves Behar.

About the Author:

Collector and philanthropist George R. Kravis II has cultivated one of the preeminent collections of industrial design. He established the Kravis Design Center in Tulsa, Oklahoma, to make his collection available to a wide public. He was a communications entrepreneur, forging a career in radio broadcasting, being one of the youngest people to own a jazz radio show and going on to own a number of radio stations. George Kravis is brother to Henry Kravis, the billionaire co-founder of Kohlberg, Kravis Roberts, one of the largest private equity firms in the world. Penny Sparke is a professor in the School of Design and Art History at Kingston University Lond

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Пролистать книгу 100 Designs for a Modern World: Kravis Design Center на сайте издательства.

This accessible book demonstrates how ideas influenced and defined graphic design. Lavishly illustrated, it is both a great source of inspiration and a provocative record of some of the best examples of graphic design from the last hundred years. The entries, arranged broadly in chronological order, range from technical (overprinting, rub-on designs, split fountain); to stylistic (swashes on caps, loud typography, and white space); to objects (dust jackets, design handbooks); and methods (paper cut-outs, pixelation).

About the authors:

Steven Heller is the co-chair of the MFA Design/Designer as Author + Entrepreneur program at the School of Visual Arts, New York. He is the author of more than 180 books on design and popular culture and the recipient of the 2011 Smithsonian National Design Award.

Véronique Vienne has worked at a number of US magazines as art director and is the author of The Art of Doing Nothing and The Art of Imperfection, as well as Something to be Desired. A frequent contributor to Graphis and Metropolis magazines, she lives in Paris.

Often, the small, delightful details make a piece shine, similar to the way unique buttons on a white shirt can give it an entirely new look. This book explores 1,000 of these embellishments available to graphic designers across all kinds of projects, from books to brochures, invitations to menus, CDs to annual reports. Exacting photography, which is accompanied by credits outlining the vendors and materials used, focuses on these details. This book invites designers to literally shop for ideas. Content is organized by type; if you’re in the market for an unusual binding, turn to the bindings section to see a wide collection of fresh ideas. Other topics covered include fasteners, graphics, unique materials, embossing, debossing, specialty inks, type treatments, interesting color usage, add-ons, die cuts, and much more.

Following Universe’s 1000 Sneakers and 1000 Tattoos, this is a definitive collection of the world’s most iconic skateboard designs, complete with history, engineering, collectability, sports and pop culture trivia, and graphics.

A must-have for diehard fans and the perfect introduction for anyone just getting into skateboard culture, this definitive compilation profiles 1,000 boards from old-school classics to famed iconic boards as well as the latest innovations hitting the streets. Covering over seventy years of brands and designers, this is the skateboard bible to inspire both the experienced as well as a rising generation of new thrashers.

Broken down into categories based on deck shape and neck size as well as individual brands, uses, and skill levels, the book profiles the full range of board types: old-school, short boards, longboards, cruisers, street, freestyle, slalom, park, vert, pool, off-road, and more. Every type of board is included, from well-known brands to the obscure: Alien Workshop, Almost, Antihero, Baker, Birdhouse, Blind, Chocolate, DGK, Element, Enjoi, Flip, Girl, Globe, Habitat, Krooked, Plan B, Powell Peralta, Primitive, Punked, Real, Santa Cruz, Sector 9, Supreme, Toy Machine, Zero, and Zoo York — to name just a few.

About the Author:

Mackenzie Eisenhour, based in Los Angeles, is a contributing editor at Transworld SKATEboarding and was previously associate editor of Skateboarder Magazine. He publishes on Instagram under @deadhippie (home to the #skatenerdstarmaps). His writing has appeared in Skateboarder’s Journal, SBJ Australia, Scion Magazine, Carhartt Rugged Magazine, Urban Outfitters Journal, and Slam City Skates.

Invaluable source of information for art historians, craftspeople, dealers, collectors, and preservationists includes hundreds of finely detailed illustrations of garden seats, candelabras, moldings, gates, balcony grilles, vases, crosses, funerary ornaments and monuments, finials, doorknobs and many other ornamental features. A rich source of inspiration and royalty-free graphics, as well, for commercial artists and designers.

Hundreds of attractive royalty-free designs from all periods and styles — from Renaissance and Baroque to Art Deco and Geometric. The virtually inexhaustible supply of dynamic, black-and-white graphic devices includes elegantly rendered miniature flowers and leaves, everyday objects, holiday and abstract motifs, classical designs, and other decorative elements.

A definitive resource on 17th-century men's dress patterns, presenting a wealth of new, bespoke imagery and building on the authors' unrivalled level of expertise

This book presents full step-by-step instructions for the making of early 17th-century men's clothes and accessories in a technically accurate, visually exciting and easy-to-follow format. Twelve garments - all historical pieces from the Victoria and Albert Museum's collections - are featured: a suit, three doublets and a cloak, as well as a felt hat, an embroidered nightcap and a plain nightcap liner, a pasteboard picadil, a sword girdle and hangers, a pair of mittens and a linen stocking. They have been analysed so that every aspect of the pattern is exact. Scale patterns and precise construction diagrams are accompanied by colour photography of the whole garment as well as an abundance of informative details and X-ray photographs that reveal the hidden structure of each piece, showing the precise number of layers and the types of stitches used inside. The methods and techniques of historical tailoring and plain sewing are shown in detail

The authors have some of the best historical tailoring skills in the world and have worked with world-renowned institutions such as the Globe Theatre in London, creating award-winning costumes for film, stage and television. This book is a unique resource for costume and fashion designers, fashion historians and students.

Table of Contents:

Foreword • Men’s wardrobes, 1600–30 • Clothing terms • Dressing men, c. 1600–30 • Tailoring the doublet • Sewing stitches • Embroidery stitches • How to use this book • The patterns • 1. Green silk velvet doublet • 2a. Doublet of slashed silk satin • 2b. Slashed silk satin trunk hose with canions • 3. Sword girdle and hangers • 4. Crimson silk grosgrain doublet • 5. Slashed doublet of stamped ivory silk satin • 6. Embroidered silk damask cloak • 7. Felt hat • 8. Silk satin picadil • 9. Embroidered linen nightcap • 10. Linen nightcap liner • 11. Crimson silk velvet mittens with embroidered tops • 12. Embroidered linen stocking • Select bibliography • Acknowledgments

The essential handbook for all fashion historians, students and vintage enthusiasts of the 1920s.

From the glitz and glamour of the Roaring Twenties came a fashion revolution.

The 1920s is a decade synonymous with social change, reflected in its groundbreaking fashions: from the daring elegance of the 'New Woman' to never-before-seen silhouettes, the styles of the Roaring Twenties still capture the imagination a century later.

Sumptuously illustrated with over 500 original photographs, sketches and prints, this extensive sourcebook documents the season-by-season fashions of the Jazz Age. Follow the evolving fashion trends and uncover a fascinating analysis of the progression from haute couture to ready-to-wear in this essential handbook for all fashion historians, students and vintage enthusiasts.

Authored and edited by renowned design historian, Charlotte Fiell, this volume also contains an authoritative introduction by fashion historian Emmanuelle Dirix, as well as the biographies of the key designers and fashion houses of the period.

About the Authors:

Charlotte & Peter Fiell are leading authorities on the history, theory and criticism of design. To date, they have published over 60 titles and around 5 million copies of their books have been sold worldwide in over 20 different languages. Their books include The Story of Design, 1,000 Chairs and Industrial Design A-Z. They live in Chipping Campden, UK.
Emmanuelle Dirix is a fashion historian and curator. She teaches at the Antwerp Fashion Academy and Manchester Metropolitan University, and has lectured at the Royal College of Art and University of the Arts London. She is the author of Unravel: Knitwear in Fashion, Fashion Sourcebook 1920s and 1930s Fashion: the Definitive Sourcebook.
 

The essential handbook for all fashion historians, students and vintage enthusiasts of the 1930s.

From the turbulence of the 1930s emerged the Golden Age of Glamour.

Framed by two world-changing events – the economic crash of 1929 and the outbreak of the Second World War – the 1930s saw new looks emerge and thrive, despite economic and social uncertainty.

This was the decade of the bias cut, the statement shoulder, the puff sleeve, the tea dress, the fur shrug and the floor-length evening gown. It was also the era that saw Hollywood challenge Paris's fashion crown and its stars become fashion icons, signalling a new grown-up direction in womenswear design.

Packed with over 500 original photographs, illustrations and sketches from the decade, this is an essential guide for any fashion historian, student or vintage enthusiast. These classic images have been selected from popular fashion publications of the day, mail-order catalogues and Hollywood studio press shots, including material from Chic Parisien, Harper's Bazaar, Sears, La Femme Chic and film studios Metro-Goldwyn-Mayer and Paramount.

Authored and edited by renowned design historian, Charlotte Fiell, this volume also contains an authoritative introduction by fashion historian, Emmanuelle Dirix, as well as the biographies of the key designers and fashion houses of the period.

About the Authors:

Charlotte & Peter Fiell are leading authorities on the history, theory and criticism of design. To date, they have published over 60 titles and around 5 million copies of their books have been sold worldwide in over 20 different languages. Their books include The Story of Design, 1,000 Chairs and Industrial Design A-Z. They live in Chipping Campden, UK.
Emmanuelle Dirix is a fashion historian and curator. She teaches at the Antwerp Fashion Academy and Manchester Metropolitan University, and has lectured at the Royal College of Art and University of the Arts London. She is the author of Unravel: Knitwear in Fashion, Fashion Sourcebook 1920s and 1930s Fashion: the Definitive Sourcebook.

The essential handbook for all fashion historians, students and vintage enthusiasts of the 1940s.

From the ashes of the Second World War came forward-thinking fashions, the likes of which had never been seen before.

The early Forties were defined by thriftiness and practicality, a make-do-and-mend attitude in a time of war. However, the latter half of the decade saw the emergence of the traditional femininity, elegance and luxury often associated with the era. Spanning the austerity of the war years to the introduction of Dior's revolutionary New Look, this extensive survey brings together vintage photography and illustrations to follow the season-by-season fashion evolution of the Forties, providing a comprehensive overview of this period of contrasts.

1940s Fashion: The Definitive Sourcebook covers every aspect of female fashions from the decade, from lace evening gowns, tailored jackets and furs to figure-sculpting undergarments, satin negligées and scandalous bikinis, offering the most comprehensive appraisal of this age of wartime and post-war glamour. This in-depth look at the styles and trends that shaped 1940s fashion features images of the decade's most iconic stars and designers. Stylish leading ladies such as Veronica Lake, Joan Bennett and Barbara Stanwyck are included as well as designs by Dior, Lucien Lelong, Balmain and Worth.

Authored and edited by renowned design historian, Charlotte Fiell, this volume also contains an authoritative introduction by fashion historian, Emmanuelle Dirix, as well as the biographies of the key designers and fashion houses of the period.

About the Authors:

Charlotte & Peter Fiell are leading authorities on the history, theory and criticism of design. To date, they have published over 60 titles and around 5 million copies of their books have been sold worldwide in over 20 different languages. Their books include The Story of Design, 1,000 Chairs and Industrial Design A-Z. They live in Chipping Campden, UK.
Emmanuelle Dirix is a fashion historian and curator. She teaches at the Antwerp Fashion Academy and Manchester Metropolitan University, and has lectured at the Royal College of Art and University of the Arts London. She is the author of Unravel: Knitwear in Fashion, 1920s Fashion: The Definitive Sourcebook and 1930s Fashion: The Definitive Sourcebook.

A rich resource for all designers and artists looking for inspiration and guidance on colour combinations.

A huge range of combinations is provided, with full readings for both CMYK (for designers working in print) and RGB (for Web-based and other multi-media designers). As an accomplished colour theorist, the author looks at colour combinations through various elements of colour theory, from hues, values and chroma to working with concepts such as simultaneous contrast and perceptual transparency.

The author has also generated an inspirational series of colour palettes taken from photographs of the world around us, depicting landscapes, urban subjects and everyday objects.

The book also contains a selection of work from cutting-edge designers and artists who explain the use of colour in their work and offer exciting new palettes. The colour combinations are rendered as two- and three-colour graphics, stripe studies and more unstructured and complex compositions, all of which showcase the huge variety of effects that can be achieved with colour.

This fascinating book reveals the true magic of colour and is an essential reference book for any designer and artist.

Now available again in a new edition, this opulent book reaches back 25,000 years to trace the history of jewelry from the Paleolithic era to the present day

Drawn from the extensive holdings of the Staatliche Museen in Berlin, this collection of jewelry through the ages links cultures and eras to show how the design, wearing, and collecting of personal adornment has evolved over the ages. They range from classic items such as necklaces, rings and earrings to less common items with origins in non-European cultures. The book features jewelry, ranging from the splendid crowns of ancient Greece, gold earrings from Babylon and jewelled collars worn by 13th-century Islamic royalty to more modern pieces such as those contained in the imperial collection of Queen Louise of Prussia, Art Nouveau jewelry designed by Rene Lalique, and work by contemporary designers. This chronologically arranged survey includes numerous brief essays and 400 illustrations with detailed captions, making it an ideal reference for anyone interested in cultural history, the history of jewelry, or the art and craft of jewelry making.

About the Author:

Maren Eichhorn-Johannsen is deputy head of the department of Exhibitions and Special Events at the Staatliche Museen zu Berlin. Adelheid Rasche is head of the collection of Textiles, Clothing and Jewellery at the Germanisches Nationalmuseum, Nuremberg.

365 Days of Creativity is a thoughtful and inspiring book designed to help you carve out moments of self-expression and unlock your creative potential. Lorna Scobie shows you how to experiment, explore and let go of your artistic inhibitions, encouraging you to look for creative inspiration wherever you go.
 
Featuring creative daily exercises and goal-setting as well as plenty of supportive prompts and tips, this fun and inspiring book will stir your imagination to put a little creativity into every day.

About the Author:

Lorna Scobie is a London-based illustrator and designer of cheeky characters and critters.