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The bible of indie culture. index A to Z celebrates the uncompromising personalities, humor, and DIY brilliance of the indie generation and captures the spirit of the era with sections like F for Fashion, featuring designers Kate Spade and Marc Jacobs; I for Indie with Harmony Korine and John Waters; and others such as Royalty, Vanished, and X-Rated. Paying homage to Generation X's "It" glossy, this volume is packed with index's most memorable interviews and greatest photographs of the time, including previously unpublished outtakes and party pictures.

Beginning as a low-budget, oversized fanzine in 1996, index magazine quickly became one of the most influential small publications in the United States. With a smart and irreverent voice that epitomized the late '90s indie ethos, the magazine brought together some of the most relevant cultural figures who were at that time young and often unknown, and who have since become cultural icons or celebrities, including Bjork, Scarlett Johansson, Alexander McQueen, and Ryan McGinley, to name just a few. New interviews with founders Peter Halley and Bob Nickas, a reminiscence by Bruce LaBruce, and a historical overview by Wendy Vogel offer further looks behind the scenes.

About the Author:

New York City-based artist Peter Halley published index magazine from 1996 to 2005. Bob Nickas is a critic and curator based in New York. Bruce LaBruce is a Toronto-based filmmaker, writer, director, photographer, and artist. Wendy Vogel is a New York-based writer and curator.

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Пролистать книгу index A to Z: Art, Design, Fashion, Film, and Music in the Indie Era

Abu Jani and Sandeep Khosla have built a 25-year partnership that has included designing for India’s leading actors and actresses, working with directors on costumes for epic Bollywood films, and building a brand that exudes luxury, artistry and Indian tradition.

Packed with substance as well as style – this publication is a sumptuous fanfare for a whole new world of high fashion. It is sure to become a collectible.

Known both for their fashion creations for men and women and for interior design, Jani and Khosla's reputation extends far beyond India: many international celebrities wear their creations, among them Dames Judi Dench and Maggie Smith, Sophie Marceau and Sarah Brown.

Stylishly packaged in a slipcase, this two volume publication is an unparalleled showcase of Abu Jani and Sandeep Khosla’s exuberant fashion and interiors, illustrated with hundreds of specially commissioned photographs.

Both books feature appearances by luminaries of Bollywood, Hollywood and Indian high society, while texts by writer Gayatri Sinha explain the background to the designer duo’s success, complemented by numerous photographs from their own private albums.

Paramount in both books is Abu Jani and Sandeep Khosla's rediscovery and revivification of once moribund traditional crafts, and the glorious ways in which they make use of local artisans and reinvent their heritage by redeploying Indian antiques, artefacts and vintage textiles.

India in Fashion explores the beautiful and sophisticated history and aesthetics of traditional Indian fashion, dress, and textiles and their profound impact on European and American fashion from the eighteenth century to today.

This intoxicating and visually rich volume — with texts by experts from India, Europe, and North America — is published to accompany a major exhibition that celebrates the long historical contributions that Indian dress, textiles, and embroidery have had on Western fashion. From the introduction of chintz dressmaking fabrics in the eighteenth century to the early nineteenth-century vogue for light Indian fabrics, paisleys, and chikan embroideries to larger realities of empire and cultural appropriation, this volume features paintings, fashion magazine editorials, and portraits of influential people who championed Indian style throughout history.

Traditional hues of brilliant royal blue, marigold, and fuchsia; intricate ikat and calico patterns; and sumptuous textiles enliven every page. Archival and contemporary fashion stories include kaleidoscopic images by photographers such as Henry Clarke in Udaipur in 1967, Arthur Elgort in Jaipur in 1999, and Mikael Jansson in Goa with Indian actress Lakshmi Menon in 2011. Traditional Indian embroidery techniques; design motifs; and dress forms such as saris, jodhpurs, and turbans are reimagined by renowned designers Paul Poiret, Elsa Schiaparelli, Pierre Balmain, Zandra Rhodes, Halston, Yves Saint Laurent, Oscar de la Renta, Gianni Versace, Jean Paul Gaultier, and Alexander McQueen, in addition to a wealth of contemporary Indian designers.

About the Author:

Hamish Bowles is an author, fashion collector, and historian. He is the editor in chief of World of Interiors and the global editor at large at American Vogue.

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Пролистать книгу India in Fashion: The Impact of Indian Dress and Textiles on the Fashionable Imagination

This definitive book tells the visual history of tile decoration in the Indian subcontinent, through vibrant photography and thorough research.

Historic India, which now encompasses the modern nations of India, Pakistan and Bangladesh, is celebrated for the richness of its architectural and decorative arts, but less well-known for glazed tiles. Arthur Millner opens up this hitherto neglected subject with a richly illustrated narrative. Millner traces the craft’s roots in Muslim Persia, Afghanistan and Central Asia, showing how imported glazing techniques combined with an ancient local tradition of clay craftsmanship. He explores the production, designs and influences in Indian tiles from antiquity to the colonial period, tracing the historical evolution through a series of key eras, including the Delhi Sultanate and the Mughal Empire in Northern India. Although glazed tiles are generally associated with Islam, they also briefly flourished in both Hindu strongholds, such as Gwalior and Orchha, and in Christian Portuguese-ruled Goa. More than four hundred photographs, many of little-known sites, are drawn from the author’s years of travel as well as from colleagues, the V&A Museum archives and other celebrated institutions. These images capture the architectural context and beauty of the designs, providing a visual compendium of styles and techniques. Taken together they offer a unique chronicle of an environmentally threatened aspect of the region’s cultural, artistic and religious evolution over centuries.

About the Author:

Arthur Millner is a consultant and independent scholar in the field of Indian and Islamic art. He lectures at the London School of Oriental and African Studies, the V&A Museum, the Royal Asiatic Society and the Oriental Rug and Textile Society. He is the author of Damascus Tiles (Prestel, 2015).

Industrial-style furniture is in fashion – bistro tables and chairs, lockers, mail sorting racks and jointed lamps all feature in today’s interior design.

In this beautifully illustrated showcase Brigitte Durieux, an authority on the style, tells us the story behind fifty European and American objects that have made it out of the factory and into our living rooms to become cult furniture.

Industrial Chic reveals the reach, versatility and long-lasting appeal of industrial design. The remarkable histories of these distinguished objects – including the Gras lamp, the Navy chair, the Holophane reflector, the Brillié clock and more – accompany brilliant photographs by Laziz Hamani.

All collectors who actively buy and sell pieces, as well as design aficionados everywhere, will find this book compelling reading.

Inkworks is a delightful collection of mech sketches from key video game designer Darren Quach. Created to resemble an artist sketchbook, flipping through the pages will elicit the feeling of looking at private, treasured drawings. A visual journal of mech development, this book will provide insight into the techniques of a talented video game concept designer.

About the Author:

Darren Quach is a Concept Designer in the Entertainment Industry. Based in Los Angeles, CA, Darren has contributed his creativity to video games Hawken, Fuse, Resistance: Fall of Man, Resistance 2, Resistance 3, Ratchet & Clank Future: ACIT and TOD. Worldwide, Darren has worked with video game studios Adhesive Games, Insomniac Games, Etcetera, Universal Entertainment and Killer Game. He is currently with BLUR Studio in Culver City, CA.

Josef Albers’s classic Interaction of Color is a masterwork in art education. Conceived as a handbook and teaching aid for artists, instructors, and students, this influential book presents Albers’s singular explanation of complex color theory principles.

Originally published by Yale University Press in 1963 as a limited silkscreen edition with 150 color plates, Interaction of Color first appeared in paperback in 1971, featuring ten color studies chosen by Albers, and has remained in print ever since. With over a quarter of a million copies sold in its various editions since 1963, Interaction of Color remains an essential resource on color, as pioneering today as when Albers first created it.

Fifty years after Interaction’s initial publication, this anniversary edition presents a significantly expanded selection of close to sixty color studies alongside Albers’s original text, demonstrating such principles as color relativity, intensity, and temperature; vibrating and vanishing boundaries; and the illusion of transparency and reversed grounds. A celebration of the longevity and unique authority of Albers’s contribution, this landmark edition will find new audiences in studios and classrooms around the world.

About the Author:

Josef Albers, one of the most influential artist-educators of the twentieth century, was a member of the Bauhaus group in Germany during the 1920s. In 1933 he came to the United States, where he taught at Black Mountain College for sixteen years. In 1950 he joined the faculty at Yale University as chairman of the department of design. Albers was elected to the National Institute of Arts and Letters in 1968 and was professor emeritus of art at Yale until his death in 1976.

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Пролистать книгу Interaction of Color: 50th Anniversary Edition на Google Books.

Mobile web use overtook desktop use in 2016, with the rise in the former doubling the fall in the latter. This increase in mobile traffic has made the mobile user experience one of the most important factors in the success of a product or website. Providing great user experience is essential from the first second. More than 60% of users will not return to a mobile site that they had trouble accessing, and this means that content, navigation and visual design elements must be twice as intuitive as they are on a desktop. In the face of these trends, designers must constantly keep in mind the point that little screens have very little room for error.

Interactive Design for Screen is the result of extensive research centred on the latest designs optimized for the screens of mobile devices. Over a hundred projects appear in this volume, and they showcase the functionality and accessibility of great mobile user interfaces. The designers featured analyse their projects from a variety of perspectives such as product specifications, site purpose and target users, making Interactive Design for Screen a highly practical and inspiring guide for students and designers who know that great mobile user experience is nothing less than essential.

A beautifully photographed insider s look at the highly influential personal style and wardrobe of Isabella Blow, one of fashion s most courageous, outrageous, and imaginative muses. Isabella Blow was said to have been a one-off of her own creation in a world of copycats.

She had a gift for spotting fashion genius - her discoveries included Alexander McQueen, Hussein Chalayan, and Sophie Dahl, all of whom became instantaneously iconic. Her eye put her at the center of the high fashion scene, yet Isabella s pedigree, intoxicating energy, wicked sense of humor, boundaries-pushing aesthetics, and her willingness to wear the outrageous made her into a fashion icon.

This elaborate volume published with Somerset House and in association with the Isabella Blow Foundation and Central Saint Martins to accompany the fall 2013 exhibition is an exhaustive survey of Isabella s personal collection.

With over 100 gorgeous full-colour and black-and-white photographs shot exclusively for this publication by Nick Knight, this volume is the first to catalogue her own famous wardrobe that includes thousands of pieces by the most important contemporary designers, including McQueen, Philip Treacy, and Manolo Blahnik.

The impact of Isabella s influence can be seen within this captivating and inspiring volume, an essential addition to libraries of the fashionable, cultured, and eclectic.

About the Author:

Alistair O’Neill is a faculty member and a Senior Research Fellow at Central Saint Martins. Nick Knight is one of the world’s most prestigious fashion photographers and has been exhibited in museums and galleries internationally. Caroline Evans is a professor at Central Saint Martins. Alexander Fury is an editor at Love magazine. Shonagh Marshall is an assistant curator at Somerset House, London.

An intricate tracing book, source book and colouring book to help you create a wide range of Islamic patterns

The exquisite geometric patterns that adorn buildings inside and out across the Islamic world all have an underlying geometry, ranging from the serenely simple to the extraordinarily complex. Presented here are 48 Islamic patterns, from locations such as Samarkand, Delhi, Fez, Isfahan and Cairo, and 48 loose-leaf sheets, each lightly printed with the geometry of the corresponding featured design.

Creative, inventive and fun, this book will give you the skills needed to produce a wide range of Islamic patterns of varying complexity, and then to complete them in colours of your own choice.

About the Author:

Eric Broug runs Broug Ateliers for Islamic Architecture, Arts and Crafts. He is also the author of Islamic Geometric Patterns and Islamic Geometric Design, both published by Thames & Hudson.

The beauty of Islamic geometric designs, and the breathtaking skill of the craftsmen who created them, are admired the world over. The intricacy and artistry of the patterns can seem almost beyond the powers of human ingenuity.

In this handsomely illustrated volume, artist and teacher Eric Broug analyses and explains 
these complex designs for the first time in their historical and physical context. His own original drawings accompany magnificent photographs of mosques, madrasas, palaces and tombs from the Islamic world, ranging from North Africa to Iran and Uzbekistan, and from the 8th to the 19th centuries.

The creators of these patterns were usually anonymous and there is little evidence for their working practices, but a close and detailed study of the designs can tell us much. Combining wide-ranging empirical research with his own artistic skills and sensibility, Eric Broug shows how, over the centuries, craftsmen were able to adorn beautiful buildings with wonderful geometric patterns using the simplest of tools and without recourse to mathematical calculations. Design elements created from straight lines and circles were placed in grids and then repeated and varied to generate seemingly limitless arrays of dazzling patterns.

Chapters are devoted to each of the main ‘families’ of geometric design – fourfold, fivefold and sixfold – and to the complex ‘combined’ patterns. Every design is carefully explained, and illustrated with a wealth of stunning photographs and clear, meticulously detailed drawings.

Readers can follow the design processes by which these patterns were created and even 
learn to reproduce and invent geometric patterns for themselves, using exactly the same tools as the Islamic craftsmen of old: a ruler and a pair 
of compasses.

About the Author:

Eric Broug received his Masters Degree in History of Islamic Art and Architecture from London’s School of Oriental and African Studies. He now runs Broug Ateliers Ltd, a design and educational company specializing in Islamic geometric design. He is the author of Islamic Geometric Patterns.

Lyrical Life-Wear. A tribute to the designer Issey Miyake

Initiated and conceived by Midori Kitamura, this definitive history of the life and work of Issey Miyake offers a unique insight into the designer’s vision and daring. With stunning photographs by Irving Penn, Yuriko Takagi and many others, the book is an encyclopedic reference to Miyake’s material and technical innovations from 1960 to 2022.

In 1983, Japanese designer Issey Miyake told The New Yorker that he aspired “to forge ahead, to break the mold.” With the boundary-defying fashion lines that followed, he not only broke molds, but recast clothing altogether. With a unique fusion of poetry and practicality, his creations blur the boundaries between tradition, modern technology, and everyday function.

This definitive history of Miyake’s clothes from 1960 to 2022 offers expert insight into the designer’s vision and daring. Initiated and conceived by Midori Kitamura, the book looks at the texture-driven originality of Miyake’s materials and techniques from the very earliest days of his career, before he had even established the Miyake Design Studio. Drawing on nearly 50 years of collaborative work with Miyake, Kitamura creates an encyclopedic reference of his material and technical innovations through the clothes based on A Piece of Cloth concept, Body Series of the 1980s, Miyake Pleats series, and such practical, everyday designs as Pleats Please pieces.

Stunning photographs capture his clothes in their particular quotidian originality. In her far-reaching essay, meanwhile, leading cultural figure Kazuko Koike offers both a complete chronology of Miyake’s work, and an unprecedented personal profile, looking at the ambition and inspirations that have driven his repertoire from tender teenage years. A must-have for designers, students, and fashion devotees, this is a timeless tribute to one of the most innovative makers of our age.

The designer:

Renowned clothing designer Issey Miyake (1938–2022) studied graphic design at Tama Art University, Tokyo, before founding the Miyake Design Studio in 1970, Miyake’s creative base for all his work. In 2007, Miyake opened the design facility 21_21 DESIGN SIGHT, also in Tokyo.

The editor:

Midori Kitamura is chairman of the Miyake Design Studio and the Miyake Issey Foundation, and also president of 21_21 DESIGN SIGHT, working under Issey Miyake to develop collections, exhibitions, products, and publications, including Pleats Please Issey Miyake , also with TASCHEN. Kitamura directed the 2011 exhibition, Irving Penn and Issey Miyake: Visual Dialogue.

Texts by:

Kazuko Koike is the founder and director of Sagacho Exhibit Space in Tokyo. She has written and edited many books, including Issey Miyake East Meets West, Japanese Coloring, Japan Design, and Aura of Space. She is an Advisory Board member of MUJI.

A showcase of ground-breaking photography of fashion magazines over the last century

Acclaimed photography critic Vince Aletti has selected 100 significant magazine issues from his expansive personal archive, revealing images by photographers rarely seen outside their original context. With his characteristic élan and featuring stunning images, Aletti has created a fresh, idiosyncratic, and previously unexplored angle on the history of photography.

Issues, a luxury, oversized object, richly illustrated with brilliant reproductions, and enclosed in an elegant archival-style magazine-file box, is an essential addition to every book collection on photography, fashion, and graphic design.

It's the first survey to explore the history of photography through the lens of fashion magazines, spanning the years 1925 to 2018. Magazines featured include American, British, and French Vogue, Harper's Bazaar, W, Details, Purple Fashion, The Face, Dutch, and many more.

From Pucci's psychedelic patterns to Iuter's skate-inspired prints: how Italian designers have led innovations in textiles throughout the 20th century

The dynamic geometrical patterns of Emilio Pucci; the dazzling trompe-l'oeil effects of Roberta di Camerino; the pop sensibilities of Gianni Versace and Franco Moschino; the bold street-style prints of Iuter and Sunnei--these and countless other innovations have made Italian design a leading force in the history of 20th-century textiles.

This volume documents the history of Italian textiles from the beginning of the 20th century through to the present day, exploring their evolution in relation to the dominant styles of various periods. This is a history deeply interwoven with the birth of the totemic "Made in Italy'' concept, as textiles have significantly contributed to Italy's international reputation as a bastion of high-quality fashion and design. Numerous Italian artists, fashion designers, product designers and companies have pioneered and popularized a vast range of manufacturing processes that incorporate local fabrics and innovative techniques.

Featuring sumptuous illustrations of finished fabrics, preparatory drawings and photographs, Italian Textiles compiles the country's most notable design coups. Among the thematic sections in the book are those dedicated to scarfs, skirts, shirts, ties, wallpapers, tablecloths and various other fabricated objects.

Designers include: Fede Cheti, Enrico Coveri, Roberta di Camerino, Dolce & Gabbana, Salvatore Ferragamo, Lucio Fontana, Piero Fornasetti, Mariano Fortuny, Gucci, Iuter, Franco Moschino, Bruno Munari, Gio Ponti, Prada, Emilio Pucci, Ken Scott, Ettore Sottsass, Sunnei, Valentino and Versace.

The eagerly awaited second monograph of the visionary Spanish artist and designer.

Welcome to Jaime Hayon’s beautiful world: mysterious ceramic creatures, finely crafted objects, and the warm pastel colors of his Mediterranean home. This title is a compilation of Jaime Hayon’s famed work exploring his relationship with materials, his theory of color, his technique, inspiration, and creative process.

Jaime’s style and vision have come to be associated with the most prestigious interior design for hotels, restaurants, and galleries. Blurring the lines between art, decoration, and design, Hayon’s creations are full of playfulness and optimism. Jaime Hayon is the follow up to gestalten’s highly successful book, Works.

About the Author:

Spanish artist and designer, Jaime Hayon founded Hayon Studio in 2001. He has brought his unique vision in contemporary design to the likes of Swarovski, Fritz Hansen, &Tradition, or Baccarat, as well as executing complete interiors for leading hospitality and cultural venues. Based in Valencia, Spain, he has been lauded as one of the most influential creators of the last decade and as a “visionary” creative icon by TIME magazine.