Книги про моду та фешн дизайн

Capturing contemporary trends and forecasting the look of the future, this dazzling anthology collects the work of the most cutting-edge photographers working today, this volume is an essential compilation of the most important photographic trends of the age of social media and digital publication.

The interaction between photography and fashion has always been compelling – how can artists balance commercial viability against their own creative vision? Anti-Glossy collects some of the most innovative photographers working in the field of fashion, exploring the way new media is influencing the direction of photography for print.

As the notion of the "fashion photographer" becomes less distinct, the industry is benefitting from the talents of artists whose influence leads the genre into a multitude of surprising, often shocking, directions. In this collection of new fashion photography, full-page color and black-and-white photographs represent an incredible range of styles and techniques.

From the evolving vision of masters of the form such as Juergen Teller and Glen Luchford, to the ironic work of Sebastian Kim, to the challenges posed by young female voices like Annemarieke Van Drimmelen, Charlotte Wales, Sarah Piantadosi, Joanna Piotrowska, and Karen Knorr, the photographers featured in this exciting collection represent a cutting-edge trend in all its diversity. Paris-based author and editor Patrick Remy has selected over twenty photographers from emerging talents that hold the prospect of creating enduring fashion images and influencing the cultural and style trends of tomorrow to established figures exploring new directions.

About the Author:

Patrick Remy is an author and art director based in Paris. He recently edited Louis Vuitton's Fashion Eye series.

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Пролистать книгу Anti-Glossy: Fashion Photography Now на сайте издательства.

In 75 eye-popping pairings of designer pieces and the artworks that inspired them, this stylish book reveals the art behind coveted fashion designs.

Long before “collabs” became a buzzword, artists influenced every aspect of the fashion world. This approachable collection compares fashion and art side-by-side to highlight a variety of relationships: inspiration, collaboration, and artists working to create their own fashion or fashion photography.

Art X Fashion introduces readers to designers like Coco Chanel and Elsa Schiaparelli, who famously worked with artists like Picasso and Dalí in the early twentieth century, as well as to such iconic fashion moments as Yves Saint Laurent’s 1965 homage to Piet Mondrian. Art and fashion pairings including John Galliano (inspired by Tutankhamun’s death mask, Arcimboldo, Gustav Klimt, and Hokusai), Guo Pei (inspired by Velázquez), Margiela (inspired by Gauguin), and Iris Van Herpen (inspired by Paul Delvaux), reveal surprising connections. Projects by street artists like Keith Haring and Kaws introduce the era of collaborations, which saw artists such as Yayoi Kusama and Takashi Murakami work with Louis Vuitton. More recent collaborations include Raf Simons with Sterling Ruby and Kerby Jean-Raymond with Derrick Adams. Chapters on striking purses and other accessories designed by artists, and artists creating in fashion — including Cindy Sherman, William Wegman, and John Baldessari — round out this fresh and delightful take on fashion design.

About the Author:

Nancy Hall-Duncan has published extensively on twentieth- and twenty-first-century fashion, art, and photography, including the groundbreaking book The History of Fashion Photography. Valerie Steele is director and chief curator of The Museum at the Fashion Institute of Technology.

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Пролистать книгу Art X Fashion: Fashion Inspired by Art

Looks at the brilliantly creative collisions between the worlds of fashion and art

The encounter between art and fashion has been a rapidly growing phenomenon over the last decade, with major international artists working with top fashion houses to produce contemporary masterpieces that challenge the traditional boundary between these two dynamic cultures.

Art/Fashion in the 21st Century features a foreword by Daphne Guinness and concise essays with profiles of the key designers, break-out stories about the most avant-garde projects and interviews with the leading lights of the art-fashion crossover phenomenon.

Around 250 colour illustrations reveal the fruits of collaborative efforts by, among others:

Acne

Alexander McQueen

Azzedine Alaïa

Balenciaga

Walter Van Beirendonck

Hussein Chalayan

Chanel / Cindy Sherman

Christian Dior / Anselm Reyle

Longchamp / Tracey Emin

Jean Paul Gaultier

Zaha Hadid

Hermès / Erwin Wurm

Marc Jacobs / Juergen Teller

Calvin Klein

Jeff Koons

Longchamp

Maison Martin Margiela

Marni

Stella McCartney / Jeff Koons

Issey Miyake

Prada / James Jean

Versace / Tim Roeloffs

Henrik Vibskov

Viktor & Rolf

Louis Vuitton / Takashi Murakami

Walter Van Beirendonck

New Orleans-based self-taught pop artist Ashley Longshore, known for her bold fashionista portraits and larger-than-life personality, has a massive art-cult following. I Do Not Cook, I Do Not Clean, I Do Not Fly Commercial highlights Ashley's colorful life story and showcases her bejeweled vibrant pop art.

Ashley Longshore delivers exactly what her fans are clamoring for: a look at Ashley's big life, her audacious aphorisms, and of course her sumptuous, glittering art in sublime detail. Ashley Longshore's pop-art paintings are always daring; her art makes noise. On any given day, you may catch her in her New Orleans gallery painting with Blake Lively, talking art and fashion with Dapper Dan in New York, or on a remote island in Hawaii painting.

A prolific artist, she has been compared to Andy Warhol for her passion with pop-culture figures; but it's her infectious personality and humorous real talk that has captured the hearts of and inspired her devoted fans. Ashley's story also peeks at her major blingy collaborations with brands such as Rolex; luxury cosmetics brand Clé de Peau; Veuve Clicquot; Chloé; Mark Cross; and Judith Leiber, to name only a few. Ashley Longshore tells the stories of the self-proclaimed "urban hippie" in glorious color and detail and features her works, collaborations, and her singular and authentic personality

About the Author:

Ashley Longshore is a Louisiana-based painter, gallery owner, and entrepreneur. Linda Fargo is senior vice president of the fashion office and the director of women's fashion and store presentation at Bergdorf Goodman. Blake Lively is an actress.

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Пролистать книгу Ashley Longshore: I Do Not Cook, I Do Not Clean, I Do Not Fly Commercial

An amazing visual journey celebrating Ghea's fortieth anniversary as a fashion designer and as a promoter of Indonesian textile crafts.

Born in Rotterdam and educated in Europe, Ghea is one of Indonesia's most famous fashion designers, renowned for having promoted a renaissance in Indonesia's ethnic textile tradition. After graduating from a fashion college in London, she returned to her country and established her fashion-design studio in 1980, and she has since opened several ateliers and boutiques in Jakarta. Her mission: to develop, celebrate, and promote her country's fashion heritage. Her textiles make strong use of folklore, including the Jumputan tie-dyed fabrics (the Pelangi Palembang) that have become her hallmark.

A role model for women, entrepreneurs, designers, and visionary people, Ghea went international early in her career. Since her very first forays into fashion, Ghea has been instrumental in establishing the association of fashion designers (IPMI) in her country for the professionalization of fashion design. Ghea has given Indonesian fashion worldwide attention, showcasing her collections in Paris, Cannes, Marrakech, Kuala Lumpur, London, and Milan. Her shows have been attended by international celebrities, and she has often been featured in major fashion magazines, like Harper's Bazaar and Prestige Indonesia.

This is an inspirational book for many young designers who need to acquire the know-how to sustain their own creative practice.

About the Author:

Alessandra Bruni Lopez y Royo was research associate of the School of Arts, School of Oriental and African Studies (SOAS), University of London until July 2018. Earlier, she was research fellow at Ecole française d'Extreme Orient (EFEO), Jakarta. She also works in fashion and blogs under the name of Alex Bruni.

Це видання, довідник для дизайнерів одягу, стилістів та модників, використовує чудові ілюстрації та малюнки, щоб висвітлити дизайн та ключові деталі різних форм сучасного одягу, таких як пальта, куртки, сорочки, топи, блузки, сукні, штани, шорти та спідниці. Також перераховано традиційні та сучасні матеріали, кольори та текстури для різних стилів. Цей атлас допоможе дизайнерам у їхній роботі, незалежно від того, який творчий метод дизайну костюма вони оберуть: інверсію, аналогію, емпатію, фантазію, створення нових комбінацій та вирішення проблем. Він покликаний стати джерелом натхнення та корисним інструментом для художників та дизайнерів, які працюють з одягом, і буде цікавим для всіх, хто захоплюється модою та стилем.

This unprecedented volume accompanies the first exhibition to consider the impact of Spain’s culture, history, and art on one of its greatest designers of the twentieth century, the legendary Balenciaga. Hailed as "Fashion’s Picasso" by Cecil Beaton, Cristóbal Balenciaga (1895–1972) created an innovative oeuvre that transformed the way women dressed. From the opening of his Paris fashion house in 1937 until his retirement in 1968, Balenciaga’s visionary, ever-evolving designs and impeccable standards seduced generations of the most iconic, best-dressed women in the world, including the Duchess of Windsor, Gloria Guinness, Pauline de Rothschild, Mona Bismarck, Princess Grace of Monaco, Doris Duke, Diana Vreeland, and Queen Fabiola of Belgium. For Diana Vreeland, the designer’s "inspiration came from the bullrings, the flamenco dancers, the loose blouses the fishermen wear, the cool of the cloisters." Exploring the profound and enduring influence of Balenciaga’s native country on his work, this book considers the influences of Spain’s greatest artists, from Zurbarán, Velázquez, and Goya to Picasso and Miró. It also investigates the impact of Spain’s religious dress and ceremony, its royal history, its rich regional costume, its dance traditions, and the power and splendor of the bullfight on the protean Balenciaga’s designs. This illuminating and lavishly illustrated volume will be a must-have for art and fashion connoisseurs.

About the Author:

Hamish Bowles is the European editor at large for Vogue and is recognized as one of the most respected authorities on the worlds of fashion and design. He has written many books, including Jacqueline Kennedy: The White House Years (2001); Carolina Herrera: Portrait of a Fashion Icon (2004); Vogue Living: Houses, Gardens, People (2007); Yves Saint Laurent Style (2008), and The World in Vogue: People, Parties, Places (2009).

Cristobal Balenciaga's black couture dresses, capes, and coats delighted the society of his day as they changed the future of fashion. Here, lush new photography paired with archival images and sketches will delight readers in revealing the subtle tones and extraordinary detailing of the couturier's masterpieces in black.

Balenciaga in Black explores the creative genius of Cristóbal Balenciaga, "the couturier's couturier" -- the fashion designer revered by all other fashion designers. Black served as inspiration and guiding principal for the legendary dressmaker and provided a rich canvas for this extraordinary technician, allowing him to develop new textures and innovative shapes. To Balenciaga black was a vibrant material, alternately opaque or transparent, matte or shining, combined in sumptuous fabrics and undergirding the apparent simplicity of his cuts.

Pierre Even's photography of Balenciaga's masterworks, produced specifically for this catalog, capture these subtle gradations in tone and lush details with contemporary precision. Fifty pieces from the Galliera Collection and the Balenciaga archives, including daywear, cocktail dresses or evening ensembles, lined in silk taffeta, fringed with satin ribbons, jet pearls, sequins, are revealed as never before. These contemporary photographs are presented alongside historical portfolios by legendary fashion photographers Richard Avedon, Henry Clarke, and Irving Penn to form three distinct sections: Balenciaga's volumes, interplay of black and light, and combinations of black with subtle colors. Balenciaga's specific materials and shapes are further illuminated by texts, sketches, and detailed captions.

About the Author:

Olivier Saillard is one of fashion's premier historians and curators. He has curated some of the most innovative and exclusive fashion exhibitions at the Musée de la Mode in Paris and Marseille, the Musée Bordelle and the Victoria & Albert museum in London.
Pierre Even, a French photographer trained at the National School of Photography in Arles, quickly became known for his black and white portraits. In 2014, he published Eden (Editions Kehrer), whose photographs were also the subject of an exhibition at the Consortium in Dijon (October 2014-January 2015).

An exquisite photography book featuring the collaborative work of fashion photographer Tom Kublin and renowned haute couture designer Cristóbal Balenciaga.

This is the first book to document the short yet prolific artistic career of fashion photographer and filmmaker Tom Kublin, and a celebration of his creative union with Cristóbal Balenciaga during the fashion house’s postwar heyday in Paris. More than 140 photographs and film stills by Kublin capture the golden age of Balenciaga couture in the 1950s and 1960s, from the impeccable elegance of the collection shoots – including exclusive film footage of Balenciaga himself at work – to striking covers and editorials for high-profile magazines.

The book begins with a foreword by the photographer’s daughter, María Kublin, and continues with a biography by Ana Balda, charting Kublin’s career, his place in the artistic milieu of the European avant-garde, and his working relationship with Cristóbal Balenciaga. Miren Vives, head of the Cristóbal Balenciaga Museum, also contributes.

Additional texts come from the fashion industry professionals who worked with and knew Kublin best: an interview with his partner and muse, the model Katinka Bleeker; memories from the Italian fashion photographer Gian Paolo Barbieri, who began his career as Kublin’s assistant in Paris in the 1960s; and a piece by Lydia Slater, editor-in-chief of Harper’s Bazaar UK, who looks back on Kublin’s work for the magazine at a pivotal time in its history.

Honouring the successes and innovations of Tom Kublin’s stellar career, this book records for posterity his contribution to fashion photography and to the iconography of the House of Balenciaga.

About the Authors:

Dr Ana Balda is a fashion curator and associate lecturer at the University of Navarra, where she teaches Fashion and Fashion Illustration. Together with María Kublin, she co-curated the exhibition ‘Tom Kublin for Balenciaga. An Unusual Collaboration’ at the Cristóbal Balenciaga Museum in 2022. María Kublin is the daughter of fashion photographer Tom Kublin and fashion model Katinka. María works as an independent curator and has curated many art and photography exhibitions.

A gorgeously illustrated look at the profound influence that classical ballet and the ballerina have had on high fashion

Ballerina: Fashion’s Modern Muse is a revelatory, irresistible treat for dance aficionados and fashionistas alike. Couturiers such as Balmain, Balenciaga, Chanel, Schiaparelli, Charles James, Dior, and Yves Saint Laurent designed ballet-inspired dresses and gowns, many featuring the boned bodices and voluminous tulle skirts of classical tutus. American ready-to-wear designers such as Claire McCardell found inspiration in ballet leotards and other practice clothing, creating knitted separates, bathing suits, and wrap dresses.

Written by fashion and ballet experts, the book is illustrated with archival photography by such masters as Richard Avedon, Edward Steichen, Irving Penn, Man Ray, and Cecil Beaton, along with newly commissioned photography of contemporary ballerinas wearing ballet-influenced couture.

About the Author:

Patricia Mears is deputy director of The Museum at FIT. Laura Jacobs is a dance critic, fashion writer, and novelist. Jane Pritchard is curator of dance, theatre and performance at the Victoria and Albert Museum, London. Rosemary Harden is manager of the Fashion Museum in Bath, England. Joel Lobenthal is a dance critic and historian.

Барбі виглядає якнайкраще!

Для прес-туру після рекордного виходу відомого фільму про Барбі з Гретою Гервіг, що отримав нагороди, продюсерка та зірка фільму Марго Роббі та її стиліст Ендрю Мукамал занурилися в одні з найвідоміших нарядів Барбі та відібрали вінтажні речі, а потім звернулися до дизайнерів, від Джорджіо Армані до Донателли Версаче, щоб створити образи, натхненні оригіналами розміром з ляльку. Багато з цих образів не були показані, оскільки офіційний прес-тур Барбі був скорочений, тому Марго та Ендрю працювали з відомим фешн-фотографом Крейгом Макдіном, щоб зняти її в образах саме так, як вони були створені: Скіапареллі в Лос-Анджелесі, Вів'єн Вествуд у Лондоні, вінтажна Chanel з відповідним багажем Steamline в аеропорту та за його межами.

Розкішні фотографії Макдін супроводжують оригінальні ляльки Барбі того періоду, скарбниця рідкісних матеріалів з модних архівів Барбі Mattel, а також ескізи дизайнерів та полароїдні фотографії з примірок, поєднані в виразні колажі Фаб'єном Бароном, який задумав і продюсував зйомки та був художнім керівником книги. З текстами Марго Роббі та Ендрю Мукамала, а також рукописними внесками дизайнерів, що створили ці образи (від Олів'є Рустена та Мішель Окс до Маноло Бланіка та Джеремі Скотта), ця унікальна книга поєднує серйозний шик високої моди з серйозною веселістю світу Барбі — ляльок, історії та стилю, які захоплюють уяву вже 65 років.

BARBIE™ та пов'язані з нею торгові марки та фірмовий стиль належать Mattel та використовуються за ліцензією Mattel. ©2024 Mattel.

Про авторів:

Марго Роббі — австралійська акторка та продюсерка, що отримала численні нагороди, серед чиїх численних ролей — Барбі у фільмі «Барбі», за який вона номінована на премію BAFTA, Харлі Квінн у фільмах «Загін самогубців» та «Хижі птахи» DC, Тоня Гардінг у фільмі «Я, Тоня» (за який вона була номінована на премію «Оскар» та премію BAFTA), Кайла Поспісіл у фільмі «Сексуальна сенсація» (за який вона була номінована на премію «Оскар» та премію BAFTA) та Шерон Тейт у фільмі Квентіна Тарантіно «Одного разу в Голлівуді» (за який вона була номінована на премію BAFTA). Під своїм брендом LuckyChap Роббі також продюсувала «Барбі», «Перспективну молоду жінку», «Хижі птахи» та «Я, Тоня», серед багатьох інших, включаючи номінований на премію BAFTA фільм «Солтберн» 2023 року.

Ендрю Мукамал — американський стиліст моди та консультант брендів, чиї роботи з'являлися скрізь, від Vogue та Elle до Esquire та Rolling Stone; у рекламі таких брендів, як Gucci та Yves Saint Laurent; серед клієнтів якої Марго Роббі, Зої Кравіц, Кері Малліган та Біллі Айліш. Крейг Макдін — британський фешн-фотограф, який зараз мешкає в Нью-Йорку. Його редакційні роботи публікувалися в таких журналах, як i-D та The Face, рекламних кампаніях Jil Sander та Calvin Klein, а також працювали над редакційними замовленнями для Harper's Bazaar та Vogue. Зовсім недавно Макдін фотографував модні кампанії для таких клієнтів, як Gucci, Giorgio Armani, Emporio Armani, Oscar de la Renta, Yves Saint Laurent, Calvin Klein та Estée Lauder.

Едвард Еннінфул — колишній головний редактор британського Vogue.

Маргарет Чжан — головний редактор китайського Vogue.

Ґрета Ґервіґ — лауреатка премій, номінована на премії «Оскар» та DGA, американська режисерка, сценаристка та акторка, серед відомих фільмів якої «Леді Берд» та «Маленькі жінки». Вона написала сценарій (разом з Ноєм Баумбахом), зрежисувала та була виконавчим продюсером світового хіта, що отримав нагороди, фільму «Барбі».

The Bata Shoe Museum has an extraordinary collection of more than 14,000 artifacts, dating from as far back as 4,500 years to the present day.

Founded by Sonja Bata, the museum is one of the largest shoe collections in the world and is a wonderful source of inspiration for designers across the globe, including Manolo Blahnik, Christian Louboutin, Nicholas Kirkwood, and Sophia Webtser, among others. The forty-four shoes featured in this volume are among the most important in the collection and display a fantastic array of styles.

The Bata Shoe Museum is located in Toronto, Canada, in a gem of a building designed by Canadian architect Raymond Moriyama. Since its opening in 1995, the museum has welcomed more than two million visitors to more than forty exhibitions. It is also renowned for its ground-breaking research and is consistently celebrated as one of the top fashion museums in the world.

About the Author:

Elizabeth Semmelhack is the creative director and senior curator of the Bata Shoe Museum, and her work focuses on the intersections of fashion, economics, and gender with a particular interest in the history of footwear. She has curated over twenty exhibitions for the Bata Shoe Museum, including the blockbuster traveling exhibition The Rise of Sneaker Culture and the ground-breaking exhibitions Standing Tall: The Curious History of Men in Heels, On a Pedestal: Renaissance Chopines to Baroque Heels and Heights of Fashion: A History of the Elevated Shoe, each with an accompanying publication.

Від графічної ідентичності до візуальних кампаній, Behind Collections® представляє майже 130 розумних робіт, усі виділяються завдяки унікальному методу майстерності, який використовувався для реалізації концепції модного бренду та дизайну. Індустрія моди завжди була співіснуючим світом для впливових діячів і свіжих молодих талантів, де ці дві сторони невпинно стикаються одна з одною своїм баченням і талантом. Але є візуальні дизайнери, які допомагають консолідувати таємничі ідеї дизайнерів у символічних образах і артефактах. Чудова творча синергія, по суті, призводить до вражаюче красивих запрошень, лукбуків і налаштувань дисплея, які зачаровують вдячні очі.

Незалежно від того, чи йдеться про вуличну моду чи про високу культуру, ці роботи відобразили суть концепції дизайнерів і підкреслили її за допомогою графіки, поліграфії та напрямків мистецтва. У чотирьох розділах цієї книги розповідається про унікальні стилі, створені дизайнерами для універмагів, привабливих молодих лейблів і таких, як Dries van Noten, Ann Demeulemeester, Hermés, Maison Martin Margiela, Issey Miyake, Acne Studio та багато інших.

Celebrating 250 years of family tradition in shoemaking, Old Mills Never Die explores the past, present and future of one of the world’s most remarkable and democratic footwear brands.

From dedicated customers who buy and re-buy their beloved shoes throughout their lives to collaborations with luxury houses such as Dior and Valentino, Birkenstock both sets and transcends trends, offering something for everyone — and for everyone the same: quality, comfort and sustainability.

Old Mills Never Die comprises five books of varied size and design, each reflecting a different aspect of the Birkenstock universe. In “Walk This Way” Henry Leutwyler photographs the little-known treasures of Birkenstock’s archive. In “Factories” Werner Bartsch documents some of the Birkenstock works and their over 6,000 employees who combine the most advanced production technology with traditions of hand craftsmanship. Juergen Teller captures Birkenstocks as the ultimate fashion object on the feet of everyday people in “Golborne Road.” “Graphic Designer” reveals the pioneering graphic art and typography of Carl Birkenstock (1900–82). Finally, the “Book of Birkenstock” is an ambitious timeline of the company from 1774 till today.

Wrapped in a Furoshiki cloth and packed in a wooden box, Old Mills Never Die is the first publication to comprehensively present Birkenstock’s ongoing story and place in cultural history — in its own words, “often copied, never equaled.”

Drawing inspiration from Indonesia’s rich heritage, fashion designer Biyan Wanaatmadja’s first book is a master class in ethereal elegance. Indonesia’s most celebrated fashion designer, Biyan Wanaatmadja, learned his craft in Germany at M. Müller & Sohn and in England at the London College of Fashion before returning to Indonesia to launch his acclaimed label BIYAN. Combining classic and sophisticated tailoring with a profound appreciation for the handcrafting traditions of his home country such as batik, weaving, and embroidery, Biyan creates a feminine, fairy-tale–like look that is at once romantic, captivating, and modern. Refined and enchanting, this book serves as a gorgeous introduction to the singular oeuvre of the lauded designer and will be a must-have for fashion lovers.

About the Author:

After studying in Germany and London, Biyan Wanaatmadja began to produce his own designs in a small atelier in Surabaya, Indonesia, and has been based in Jakarta since 1986. His first clothing line, BIYAN for women, began in 1984, followed by the diffusion line STUDIO 133 BIYAN in 1985 and BIYAN Bride in 2005. Natasha Fraser-Cavassoni is the author of Sam Spiegel, Tino Zervudachi: A Portfolio, and Dior Glamour. Marc Ascoli is the art director responsible for the image branding of Jil Sander, Yohji Yamamoto, and Chloé, among others.

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Пролистать книгу Biyan