Книги о моде и фэшн дизайне

Capturing contemporary trends and forecasting the look of the future, this dazzling anthology collects the work of the most cutting-edge photographers working today, this volume is an essential compilation of the most important photographic trends of the age of social media and digital publication.

The interaction between photography and fashion has always been compelling – how can artists balance commercial viability against their own creative vision? Anti-Glossy collects some of the most innovative photographers working in the field of fashion, exploring the way new media is influencing the direction of photography for print.

As the notion of the "fashion photographer" becomes less distinct, the industry is benefitting from the talents of artists whose influence leads the genre into a multitude of surprising, often shocking, directions. In this collection of new fashion photography, full-page color and black-and-white photographs represent an incredible range of styles and techniques.

From the evolving vision of masters of the form such as Juergen Teller and Glen Luchford, to the ironic work of Sebastian Kim, to the challenges posed by young female voices like Annemarieke Van Drimmelen, Charlotte Wales, Sarah Piantadosi, Joanna Piotrowska, and Karen Knorr, the photographers featured in this exciting collection represent a cutting-edge trend in all its diversity. Paris-based author and editor Patrick Remy has selected over twenty photographers from emerging talents that hold the prospect of creating enduring fashion images and influencing the cultural and style trends of tomorrow to established figures exploring new directions.

About the Author:

Patrick Remy is an author and art director based in Paris. He recently edited Louis Vuitton's Fashion Eye series.

___________________

Пролистать книгу Anti-Glossy: Fashion Photography Now на сайте издательства.

In 75 eye-popping pairings of designer pieces and the artworks that inspired them, this stylish book reveals the art behind coveted fashion designs.

Long before “collabs” became a buzzword, artists influenced every aspect of the fashion world. This approachable collection compares fashion and art side-by-side to highlight a variety of relationships: inspiration, collaboration, and artists working to create their own fashion or fashion photography.

Art X Fashion introduces readers to designers like Coco Chanel and Elsa Schiaparelli, who famously worked with artists like Picasso and Dalí in the early twentieth century, as well as to such iconic fashion moments as Yves Saint Laurent’s 1965 homage to Piet Mondrian. Art and fashion pairings including John Galliano (inspired by Tutankhamun’s death mask, Arcimboldo, Gustav Klimt, and Hokusai), Guo Pei (inspired by Velázquez), Margiela (inspired by Gauguin), and Iris Van Herpen (inspired by Paul Delvaux), reveal surprising connections. Projects by street artists like Keith Haring and Kaws introduce the era of collaborations, which saw artists such as Yayoi Kusama and Takashi Murakami work with Louis Vuitton. More recent collaborations include Raf Simons with Sterling Ruby and Kerby Jean-Raymond with Derrick Adams. Chapters on striking purses and other accessories designed by artists, and artists creating in fashion — including Cindy Sherman, William Wegman, and John Baldessari — round out this fresh and delightful take on fashion design.

About the Author:

Nancy Hall-Duncan has published extensively on twentieth- and twenty-first-century fashion, art, and photography, including the groundbreaking book The History of Fashion Photography. Valerie Steele is director and chief curator of The Museum at the Fashion Institute of Technology.

____________

Пролистать книгу Art X Fashion: Fashion Inspired by Art

Looks at the brilliantly creative collisions between the worlds of fashion and art

The encounter between art and fashion has been a rapidly growing phenomenon over the last decade, with major international artists working with top fashion houses to produce contemporary masterpieces that challenge the traditional boundary between these two dynamic cultures.

Art/Fashion in the 21st Century features a foreword by Daphne Guinness and concise essays with profiles of the key designers, break-out stories about the most avant-garde projects and interviews with the leading lights of the art-fashion crossover phenomenon.

Around 250 colour illustrations reveal the fruits of collaborative efforts by, among others:

Acne

Alexander McQueen

Azzedine Alaïa

Balenciaga

Walter Van Beirendonck

Hussein Chalayan

Chanel / Cindy Sherman

Christian Dior / Anselm Reyle

Longchamp / Tracey Emin

Jean Paul Gaultier

Zaha Hadid

Hermès / Erwin Wurm

Marc Jacobs / Juergen Teller

Calvin Klein

Jeff Koons

Longchamp

Maison Martin Margiela

Marni

Stella McCartney / Jeff Koons

Issey Miyake

Prada / James Jean

Versace / Tim Roeloffs

Henrik Vibskov

Viktor & Rolf

Louis Vuitton / Takashi Murakami

Walter Van Beirendonck

New Orleans-based self-taught pop artist Ashley Longshore, known for her bold fashionista portraits and larger-than-life personality, has a massive art-cult following. I Do Not Cook, I Do Not Clean, I Do Not Fly Commercial highlights Ashley's colorful life story and showcases her bejeweled vibrant pop art.

Ashley Longshore delivers exactly what her fans are clamoring for: a look at Ashley's big life, her audacious aphorisms, and of course her sumptuous, glittering art in sublime detail. Ashley Longshore's pop-art paintings are always daring; her art makes noise. On any given day, you may catch her in her New Orleans gallery painting with Blake Lively, talking art and fashion with Dapper Dan in New York, or on a remote island in Hawaii painting.

A prolific artist, she has been compared to Andy Warhol for her passion with pop-culture figures; but it's her infectious personality and humorous real talk that has captured the hearts of and inspired her devoted fans. Ashley's story also peeks at her major blingy collaborations with brands such as Rolex; luxury cosmetics brand Clé de Peau; Veuve Clicquot; Chloé; Mark Cross; and Judith Leiber, to name only a few. Ashley Longshore tells the stories of the self-proclaimed "urban hippie" in glorious color and detail and features her works, collaborations, and her singular and authentic personality

About the Author:

Ashley Longshore is a Louisiana-based painter, gallery owner, and entrepreneur. Linda Fargo is senior vice president of the fashion office and the director of women's fashion and store presentation at Bergdorf Goodman. Blake Lively is an actress.

______________

Пролистать книгу Ashley Longshore: I Do Not Cook, I Do Not Clean, I Do Not Fly Commercial

An amazing visual journey celebrating Ghea's fortieth anniversary as a fashion designer and as a promoter of Indonesian textile crafts.

Born in Rotterdam and educated in Europe, Ghea is one of Indonesia's most famous fashion designers, renowned for having promoted a renaissance in Indonesia's ethnic textile tradition. After graduating from a fashion college in London, she returned to her country and established her fashion-design studio in 1980, and she has since opened several ateliers and boutiques in Jakarta. Her mission: to develop, celebrate, and promote her country's fashion heritage. Her textiles make strong use of folklore, including the Jumputan tie-dyed fabrics (the Pelangi Palembang) that have become her hallmark.

A role model for women, entrepreneurs, designers, and visionary people, Ghea went international early in her career. Since her very first forays into fashion, Ghea has been instrumental in establishing the association of fashion designers (IPMI) in her country for the professionalization of fashion design. Ghea has given Indonesian fashion worldwide attention, showcasing her collections in Paris, Cannes, Marrakech, Kuala Lumpur, London, and Milan. Her shows have been attended by international celebrities, and she has often been featured in major fashion magazines, like Harper's Bazaar and Prestige Indonesia.

This is an inspirational book for many young designers who need to acquire the know-how to sustain their own creative practice.

About the Author:

Alessandra Bruni Lopez y Royo was research associate of the School of Arts, School of Oriental and African Studies (SOAS), University of London until July 2018. Earlier, she was research fellow at Ecole française d'Extreme Orient (EFEO), Jakarta. She also works in fashion and blogs under the name of Alex Bruni.

A handbook for clothing designers, stylists and fashionistas, this dashing publication uses beautiful illustrations and drawings to highlight the design and key details of various forms of contemporary clothing, such as coats, jackets, shirts, tops, blouses, dresses, trousers, shorts and skirts. Traditional and contemporary materials, colours and textures for different styles are also listed. This atlas will help designers in their work, no matter which creative method of costume design they choose: inversion, analogy, empathy, fantasy, creating new combinations and problem-solving. It is meant to be a source of inspiration and a useful tool for artists and designers working with clothing, and will be of interest to anyone who is passionate about fashion and style.

Fashion designer Loris Azzaro embodied an era. His fashion house, founded in Paris in 1967, was known for visionary silhouettes, slinky silk jerseys, daring cut-outs, and ornate beading and embroidery. Starting with his wife and muse Michelle, Azzaro (b. Tunisia, 1933; d. Paris, 2003) created clothes for beautiful women — among them Sophia Loren, Raquel Welch, Marisa Berenson, Isabelle Adjani, Kate Winslet, Marion Cotillard, and Nicole Kidman. His style was seductive and modern, imbued with audacity and Parisian elegance. He created both mens’ and womens’ collections, and became well known for his perfumes.

Filled with interviews with people who knew and worked with Azzaro, this sumptuous new book focuses on themes important to the designer: style, inspiration, contemporaneity, perfumes, and family. The stunning illustrations include photographs from the Azzaro archives by Helmut Newton, Guy Bourdin, and other well-known fashion photographers, as well as magazine covers from Vogue, Elle, and more.

About the Author

Serge Gleizes is a journalist and the author of many books, including Pierre Frey: Inspiring Interiors, Paris by Ladurée, and The French Bistro Chair.

An impeccably researched and beautifully produced concise history of bags through the ages, with examples drawn from the Victoria & Albert Museum's remarkable collection

From the hand-stitched embroidered purses of the 16th century, to the ‘make-do-and-mend’ bags of the war years and the rise of the ‘It’ bag in the 2000s, bags reflect the needs and desires of their users, as well as the changing attitudes to fashion. Focusing on the V&A’s world-famous collection, Bags tells the story of the bag from the earliest leather pouches through to today’s covetable, luxury pieces.

---------------

Illuminating the evolution of bag designs and uses from the medieval period to today, the author explores early drawstring creations and richly worked ecclesiastical purses, before looking at large work bags of the 18th century, and by contrast the small reticules that were designed to complement high-waisted Empire line dresses. Increased travel in the 19th century brought about the leather handbag as we know it today, while the 20th century saw an explosion of innovations, from 1930s designs reflecting the streamlined American aesthetic and the use of new synthetics such as imitation patent and Vynide, to the rise of the luxury designer handbag by the likes of Hermès, Gucci, Chanel and Prada. After a general introduction, chronological chapters unfold, illustrated throughout; a detailed glossary, bibliography and index conclude the book. An inspiring, impeccably researched and concise history of bags through the ages, Bags: A Brief History is a musthave resource for students, designers and lovers of fashion and costume.

Table of Contents:

• Introduction • Chapter One: Girdle Pouches and Almoners: The 14th and 15th Centuries • Chapter Two: Pokes, Purses and Swete Bagges: The 16th and 17th Centuries • Chapter Three: Pockets, Purses and Work-bags: 1700–90 • Chapter Four: Reticules: 1790–1830 • Chapter Five: Bags, Purses and Châtelaines: 1830–80 • Chapter Six: The Handbag: 1880–1918 • Chapter Seven: Dance Bags, Clutches and ‘Make-do-and-Mend’: 1918–45 • Chapter Eight: The New Look, Shoulder Bags and Designer Handbags: 1945–2000 • Chapter Nine: Man Bags, Totes and Mini Bags: 2000s–The Present • Glossary • Selected Bibliography • Major Dress Collections Featuring Bags • Authors’ Biographies • Acknowledgments • Index

This unprecedented volume accompanies the first exhibition to consider the impact of Spain’s culture, history, and art on one of its greatest designers of the twentieth century, the legendary Balenciaga. Hailed as "Fashion’s Picasso" by Cecil Beaton, Cristóbal Balenciaga (1895–1972) created an innovative oeuvre that transformed the way women dressed. From the opening of his Paris fashion house in 1937 until his retirement in 1968, Balenciaga’s visionary, ever-evolving designs and impeccable standards seduced generations of the most iconic, best-dressed women in the world, including the Duchess of Windsor, Gloria Guinness, Pauline de Rothschild, Mona Bismarck, Princess Grace of Monaco, Doris Duke, Diana Vreeland, and Queen Fabiola of Belgium. For Diana Vreeland, the designer’s "inspiration came from the bullrings, the flamenco dancers, the loose blouses the fishermen wear, the cool of the cloisters." Exploring the profound and enduring influence of Balenciaga’s native country on his work, this book considers the influences of Spain’s greatest artists, from Zurbarán, Velázquez, and Goya to Picasso and Miró. It also investigates the impact of Spain’s religious dress and ceremony, its royal history, its rich regional costume, its dance traditions, and the power and splendor of the bullfight on the protean Balenciaga’s designs. This illuminating and lavishly illustrated volume will be a must-have for art and fashion connoisseurs.

About the Author:

Hamish Bowles is the European editor at large for Vogue and is recognized as one of the most respected authorities on the worlds of fashion and design. He has written many books, including Jacqueline Kennedy: The White House Years (2001); Carolina Herrera: Portrait of a Fashion Icon (2004); Vogue Living: Houses, Gardens, People (2007); Yves Saint Laurent Style (2008), and The World in Vogue: People, Parties, Places (2009).

Cristobal Balenciaga's black couture dresses, capes, and coats delighted the society of his day as they changed the future of fashion. Here, lush new photography paired with archival images and sketches will delight readers in revealing the subtle tones and extraordinary detailing of the couturier's masterpieces in black.

Balenciaga in Black explores the creative genius of Cristóbal Balenciaga, "the couturier's couturier" -- the fashion designer revered by all other fashion designers. Black served as inspiration and guiding principal for the legendary dressmaker and provided a rich canvas for this extraordinary technician, allowing him to develop new textures and innovative shapes. To Balenciaga black was a vibrant material, alternately opaque or transparent, matte or shining, combined in sumptuous fabrics and undergirding the apparent simplicity of his cuts.

Pierre Even's photography of Balenciaga's masterworks, produced specifically for this catalog, capture these subtle gradations in tone and lush details with contemporary precision. Fifty pieces from the Galliera Collection and the Balenciaga archives, including daywear, cocktail dresses or evening ensembles, lined in silk taffeta, fringed with satin ribbons, jet pearls, sequins, are revealed as never before. These contemporary photographs are presented alongside historical portfolios by legendary fashion photographers Richard Avedon, Henry Clarke, and Irving Penn to form three distinct sections: Balenciaga's volumes, interplay of black and light, and combinations of black with subtle colors. Balenciaga's specific materials and shapes are further illuminated by texts, sketches, and detailed captions.

About the Author:

Olivier Saillard is one of fashion's premier historians and curators. He has curated some of the most innovative and exclusive fashion exhibitions at the Musée de la Mode in Paris and Marseille, the Musée Bordelle and the Victoria & Albert museum in London.
Pierre Even, a French photographer trained at the National School of Photography in Arles, quickly became known for his black and white portraits. In 2014, he published Eden (Editions Kehrer), whose photographs were also the subject of an exhibition at the Consortium in Dijon (October 2014-January 2015).

An exquisite photography book featuring the collaborative work of fashion photographer Tom Kublin and renowned haute couture designer Cristóbal Balenciaga.

This is the first book to document the short yet prolific artistic career of fashion photographer and filmmaker Tom Kublin, and a celebration of his creative union with Cristóbal Balenciaga during the fashion house’s postwar heyday in Paris. More than 140 photographs and film stills by Kublin capture the golden age of Balenciaga couture in the 1950s and 1960s, from the impeccable elegance of the collection shoots – including exclusive film footage of Balenciaga himself at work – to striking covers and editorials for high-profile magazines.

The book begins with a foreword by the photographer’s daughter, María Kublin, and continues with a biography by Ana Balda, charting Kublin’s career, his place in the artistic milieu of the European avant-garde, and his working relationship with Cristóbal Balenciaga. Miren Vives, head of the Cristóbal Balenciaga Museum, also contributes.

Additional texts come from the fashion industry professionals who worked with and knew Kublin best: an interview with his partner and muse, the model Katinka Bleeker; memories from the Italian fashion photographer Gian Paolo Barbieri, who began his career as Kublin’s assistant in Paris in the 1960s; and a piece by Lydia Slater, editor-in-chief of Harper’s Bazaar UK, who looks back on Kublin’s work for the magazine at a pivotal time in its history.

Honouring the successes and innovations of Tom Kublin’s stellar career, this book records for posterity his contribution to fashion photography and to the iconography of the House of Balenciaga.

About the Authors:

Dr Ana Balda is a fashion curator and associate lecturer at the University of Navarra, where she teaches Fashion and Fashion Illustration. Together with María Kublin, she co-curated the exhibition ‘Tom Kublin for Balenciaga. An Unusual Collaboration’ at the Cristóbal Balenciaga Museum in 2022. María Kublin is the daughter of fashion photographer Tom Kublin and fashion model Katinka. María works as an independent curator and has curated many art and photography exhibitions.

A gorgeously illustrated look at the profound influence that classical ballet and the ballerina have had on high fashion

Ballerina: Fashion’s Modern Muse is a revelatory, irresistible treat for dance aficionados and fashionistas alike. Couturiers such as Balmain, Balenciaga, Chanel, Schiaparelli, Charles James, Dior, and Yves Saint Laurent designed ballet-inspired dresses and gowns, many featuring the boned bodices and voluminous tulle skirts of classical tutus. American ready-to-wear designers such as Claire McCardell found inspiration in ballet leotards and other practice clothing, creating knitted separates, bathing suits, and wrap dresses.

Written by fashion and ballet experts, the book is illustrated with archival photography by such masters as Richard Avedon, Edward Steichen, Irving Penn, Man Ray, and Cecil Beaton, along with newly commissioned photography of contemporary ballerinas wearing ballet-influenced couture.

About the Author:

Patricia Mears is deputy director of The Museum at FIT. Laura Jacobs is a dance critic, fashion writer, and novelist. Jane Pritchard is curator of dance, theatre and performance at the Victoria and Albert Museum, London. Rosemary Harden is manager of the Fashion Museum in Bath, England. Joel Lobenthal is a dance critic and historian.

Barbie looking her very best!

For the press tour following the record-breaking release of Greta Gerwig’s award-winning, acclaimed Barbie movie, producer and star Margot Robbie and her stylist Andrew Mukamal immersed themselves in some of Barbie’s most iconic outfits and curated vintage pieces, then approached designers, from Giorgio Armani to Donatella Versace, to create looks inspired by the doll-size originals. Many of these looks were not seen as the official Barbie press tour was cut short — so Margot and Andrew worked with renowned fashion photographer Craig McDean to shoot her in the looks exactly as they were curated: Schiaparelli in Los Angeles, Vivienne Westwood in London, vintage Chanel with matching Steamline luggage at the airport, and beyond.

Accompanying McDean’s sumptuous photography are original Barbie dolls from the period, a treasure trove of rare materials from Mattel’s Barbie fashion archives, and the designers’ sketches and Polaroids from fittings, layered into evocative collages by Fabien Baron, who conceived and produced the shoots and art-directed the book. With text by Margot Robbie and Andrew Mukamal, as well as handwritten contributions from the designers behind the looks (from Olivier Rousteing and Michelle Ochs to Manolo Blahnik and Jeremy Scott), this unique book blends the serious chic of high fashion with the serious fun of Barbie world — the dolls, the history, and the style that have captured imaginations for 65 years.

BARBIE™ and associated trademarks and trade dress are owned by, and used under license from, Mattel. ©2024 Mattel.

About the Authors:

Margot Robbie is an award-winning Australian actress and producer, whose many roles have included Barbie in Barbie, for which she is currently nominated for a BAFTA, Harley Quinn in the DC Suicide Squad and Birds of Prey films, Tonya Harding in I, Tonya (for which she was nominated for an Academy Award and a BAFTA), Kayla Pospisil in Bombshell (for which she was nominated for an Academy Award and a BAFTA), and Sharon Tate in Quentin Tarantino’s Once Upon a Time in Hollywood (for which she was nominated for a BAFTA).  Under her LuckyChap banner, Robbie also produced Barbie, Promising Young Woman, Birds of Prey and I, Tonya, among many others, including 2023’s BAFTA-nominated Saltburn.

Andrew Mukamal is an American fashion stylist and brand consultant, whose work has appeared everywhere from Vogue and Elle to Esquire and Rolling Stone; in advertising for brands such as Gucci and Yves Saint Laurent; and whose clients include Margot Robbie, Zoe Kravitz, Carey Mulligan, and Billie Eilish. Craig McDean is a British fashion photographer now based in New York City, whose editorial work has been featured in magazines such as i-D and The Face, advertising campaigns for Jil Sander and Calvin Klein, and editorial commissions with Harper's Bazaar and Vogue. More recently, McDean has photographed fashion campaigns for clients including Gucci, Giorgio Armani, Emporio Armani, Oscar de la Renta, Yves Saint Laurent, Calvin Klein, and Estée Lauder.

Edward Enninful is the former editor-in-chief of British Vogue.

Margaret Zhang is editor-in-chief of Vogue China.

Greta Gerwig is an award-winning, Oscar- and DGA-nominated American director, writer and actress, whose acclaimed films include Lady Bird and Little Women. She co-wrote (with Noah Baumbach), directed, and executive-produced the global hit, award-winning Barbie.

The Bata Shoe Museum has an extraordinary collection of more than 14,000 artifacts, dating from as far back as 4,500 years to the present day.

Founded by Sonja Bata, the museum is one of the largest shoe collections in the world and is a wonderful source of inspiration for designers across the globe, including Manolo Blahnik, Christian Louboutin, Nicholas Kirkwood, and Sophia Webtser, among others. The forty-four shoes featured in this volume are among the most important in the collection and display a fantastic array of styles.

The Bata Shoe Museum is located in Toronto, Canada, in a gem of a building designed by Canadian architect Raymond Moriyama. Since its opening in 1995, the museum has welcomed more than two million visitors to more than forty exhibitions. It is also renowned for its ground-breaking research and is consistently celebrated as one of the top fashion museums in the world.

About the Author:

Elizabeth Semmelhack is the creative director and senior curator of the Bata Shoe Museum, and her work focuses on the intersections of fashion, economics, and gender with a particular interest in the history of footwear. She has curated over twenty exhibitions for the Bata Shoe Museum, including the blockbuster traveling exhibition The Rise of Sneaker Culture and the ground-breaking exhibitions Standing Tall: The Curious History of Men in Heels, On a Pedestal: Renaissance Chopines to Baroque Heels and Heights of Fashion: A History of the Elevated Shoe, each with an accompanying publication.

From graphic identities to visual campaigns, Behind Collections® introduces nearly 130 clever works, all stand out due to the unique method of craftsmanship that was used to execute the fashion brand’s and design concept. The fashion industry has always been a co-existing world for influential figures and fresh young talent, where these two sides relentlessly run into each other with their vision and talent. But then there are visual designers who help consolidate designers’ cryptic ideas in symbolic imagery and artefacts. Great creative synergy essentially leads to startlingly beautiful invitations, lookbooks and display settings that fascinate appreciative eyes.

Whether it is street fashion or high culture, these works captured the essence of the designers’ concept and highlighted it furthermore with graphics, printing, and art directions. In four chapters, this book follows unique styles that designers created for department stores, eye-catching young labels and the likes of Dries van Noten, Ann Demeulemeester, Hermés, Maison Martin Margiela, Issey Miyake, Acne Studio and many others.