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Showing how to master the techniques for drawing the modern fashion figure, fashion silhouettes and constructional and design details of modern garments. It is also a detailed reference guide that shows how to draw a wide range of fashion details that are the components of modern fashion garments and accessories.

This new edition of 9 Heads has been completely revised to bring all the fashion garments and details up-to- date. Numerous new drawings of street wear, active wear, bridal wear, swimwear and lingerie have been added. Breakdown drawings are shown for an even wider selection of garments and new croquis are included in a variety of poses reflecting contemporary attitudes and stances. New dedicated chapters cover the topics of composition – how best to group together figures when illustrating a line of garments; concept drawings – developing the skills necessary to make quick studies or to jot down ideas when creating a new clothing line and Using Photoshop – a review of how Photoshop can be used to enhance and extend the drawing techniques the book teaches.

This completely updated and expanded fourth edition of 9Heads contains over 1000 new drawings featuring the latest fashion garments and numerous new step-by-step diagrams for drawing the fashion croquis and the main garment categories.

Through a series of candid photographs taken over the last seven years A Front Row Seat offers an insight into the chaos that makes up the extraordinary world of fashion shows. Covering all the elements that make up the catwalk shows – Backstage, Front Row, Catwalk and Street Style – the book allows the reader to be a ‘fly on the wall’ and see the reality of the fashion world. With quotations from industry professionals – make up artists, hair stylists, models, editors, designers and bloggers – this title examines how fashion is expressed and recorded in today’s world of social networking and blogging, the popularity of which has facilitated the layperson’s ability to break into the fashion world. Firmly in tune with the current vibe and with a definite London edginess, A Front Row Seat is a sensational design statement in itself.

About the Author:

Kirstin Sinclair is a well-known photographer on the catwalk circuit and street style scene and between fashion seasons shoots fashion in the Studio and on location. Her work has appeared in British Vogue, British Elle, Elle Collections and Bristish Grazia Magazines, as well as on www.elleuk.com, www.vogue.co.uk, www.graziadaily.co.uk, www.netaporter.com and www.asos.com. She has also worked with clients such as Louis Vuitton, Topshop, Miss Selfridge and The Fashion and Textile Museum.

Contents:
Foreword; The Front Row; The Fashion Editors; The Catwalk; The Designers; The Fashion Buyers; Backstage; Street Style; Model Style; Bibliography.

From the revered Australian skincare company Aesop, a debut volume presenting its rigorous passion for creating superlative products and their considered approach to design.

Since the founding of Aesop in 1987, its stores, products, and culture have been the expression of a complex, holistic set of carefully considered codes and principles. For the very first time within a book, the enigmatic brand documents the singular vision from which it was borne and the company customs that have allowed it to flourish.

The volume includes recollections of the early formative days of Dennis Paphitis's hair salon and the first Melbourne store, tracing how and when Aesop's distinct approach to retail hospitality and its meticulous formulations were conceived. It ranges from the cohesion of the brand through to early packaging, iconography, and campaigns, without neglecting the more imperceptible codes that serve to unite all its stores and entice customers into them in over twenty regions around the world. What emerges is how Aesop's identity is a compound of its history and its singularity. The book also evokes the company's many inspirations: its fascination with the written word, the architects who have added their singular perspectives, and the partners and collaborators who have helped make Aesop so much more than simply a skincare company.

Composed with photographs by the celebrated Japanese photographer Yutaka Yamamoto, this luxurious volume--an aesthetic handbook of sorts--argues the wisdom and intelligence of doing things well, doing them differently, and doing them for the long term.

About The Authors

Jennifer Down is an author, editor, and translator. She lives in Melbourne.
Dennis Paphitis is the complicated Greek-Australian founder of Aesop.
Yutaka Yamamoto is a Paris-based Japanese photographer known for his minimalistic and often dreamlike images.
Dan Gunn is a Scottish novelist, editor, and translator living in Paris.

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Africa in Fashion explores the kaleidoscope of craft cultures that have shaped African fashion for centuries and captures the intriguing stories of contemporary and avant-garde African brands.

Part One looks at Africa's rich cultural heritage and place in the network of global fashion. The first chapter retells the history of African fashion, exploring Africa's textile traditions, artisanship and role as a global resource. The second chapter presents a New Africa and examines the promise and potential of Africa's markets, while challenging stereotypes and the concept of European hegemony particularly in the realm of luxury fashion. It also spotlights Africa's unique position as the global industry shifts towards a more sustainable future.

Part Two ushers the reader into the spectacular world of African fashion today. It showcases a carefully curated set of the continent's most dynamic brands and, through interviews with prominent and inspiring designers, offers rare insight into their ethos and design practice. Covering unisex fashion, menswear, womenswear, accessories and jewellery the brands are each purposefully selected to contribute uniquely to the mosaic of Africa evolving creative landscape.

About the Author:

Ken Kweku Nimo is a Ghanaian researcher, brand strategist and designer. He holds a BA Hons in Fashion Merchandising and an MA in Design from the University of Johannesburg. Ken's work underscores the potential of Africa's luxury industry and cultural renaissance. He has contributed articles to the Journal of Design, Business and Society, and the Journal of Fashion Marketing and Management. He is a regular speaker at the In Pursuit of Luxury Conference (IPOL).

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From catwalks in Lagos to music festivals in Casablanca, and from “image makers” in Marrakech to influencers in Johannesburg, a new generation of African creatives — fashion designers, photographers, bloggers, and hair and makeup artists — are redefining the continent’s aesthetic grammar. Bold, witty, and rebellious, this young, talented vanguard draws on its heritage in order to revalorize it, while adopting an ultra-modern approach. Their revolution forms part of a continent-wide demand for cultural reappropriation and the invention of a language exclusive to Africa.

This book celebrates the ebullient creativity of a generation that is overturning codes and narratives on the African continent to write a new chapter in fashion — one that is already inspiring the world.

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From the runway in Lagos and the Afropunk festival in Johannesburg, to the “image makers” of Marrakech and the influencers of Dakar or Accra, a new generation of African fashion designers, photographers, bloggers, and artists are redefining the aesthetic contours of the continent.

Audacious, humorous, disruptive, and innovative are the bywords of these young creatives who, while drawing upon and revalorizing their heritage, offer an ultra-contemporary new perspective. The revolutionary designers ― from Senegal to Nigeria to South Africa ― are reinventing their textile and historical traditions: bazin fabrics blend with plastics, stretch gives body to woven cloth, mesh beading inspires knitwear designs, and the traditional adire print ― championed by Chimamanda Ngozi Adichie and Michelle Obama ― embellishes silk dresses and pencil skirts. Body artists transform their face or hair into an ambulant social manifesto, and photographers ― using clothing and accessories ― shed new light onto questions of identity, gender, and color.

This volume celebrates a creative, effervescent generation, which ― by breaking the rules and rewriting the narrative of the African continent ― is inventing a new and resolutely African chapter in the history of fashion that is now resonating across the globe.

About the Author:

Emmanuelle Courrèges has contributed to magazines including Elle, Marie-Claire, l'Express Styles, and Vogue Italia. She was born and raised in western Africa (Cameroon, Senegal, and the Ivory Coast), where she lived for twenty years. She founded LAGO54, a platform that supports and promotes contemporary African fashion designers in France.

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A landmark volume on one of the world’s major art forms, and an important influence on contemporary fashion3

The African continent is home to numerous outstanding textile traditions, many dating to antiquity and all playing a multifaceted role in their respective societies: these eye-catching fabrics proclaim wealth and status, convey symbolic meanings, and of course serve a practical function in garments both ordinary and exceptional. This magnificent book conveys the amazing diversity of African textiles, from the geometric-patterned kente cloths of Ghana, to the multicolor raffia skirts of the Democratic Republic of Congo, to the beaded barkcloths once reserved for Ugandan royalty.

The authors, all leading experts in the field, examine each region of sub-Saharan Africa and Madagascar in turn, elucidating the aesthetic qualities, cultural significance, and production methods of the most important textile traditions. Their authoritative text is illustrated with over 300 superlative textiles from public and private collections, many reproduced as full-page plates that allow the reader to appreciate each individual fiber.

This impressive clothbound volume will be a key reference for students and scholars, an essential sourcebook for designers, and a delight for all art lovers.

About the Authors:

MabatNgoup Ly Dumas textile collector and multitalented artist, is one of the queen mothers of Western Cameroon. To highlight African textile creativity and to bring recognition to their intrinsic value, she developed her fashion brand Ly Dumas (1990–2003) and organized events such as Les magiciens du fil for UNESCO (1999) and Ly Dumas and Friends, a fashion show during the Boubou c’est chic exhibition in 2002 at Musée National des Arts Africains et Océaniens in Paris. During the same year, in Bangoulap, Cameroon, she established the Fondation Jean-Félicien Gacha, an NGO dedicated to supporting education, handicrafts, social initiatives, the environment, and solidarity tourism. She has authored Perles couleurs d’Afrique (ed. Gourcuff Granedigo) and Ndop: Etoffes des cours royales et sociétés secretes du Cameroun.

Sarah Fee is a curator of global fashion and textiles at Royal Ontario Museum, and has authored many articles on Malagasy textiles.

Vanessa Drake Moraga is an independent scholar, textile dealer, and author of Weaving Abstraction: Kuba Textiles and the Woven Art of Central Africa.

Duncan Clarke is a textile dealer and has written numerous books and articles on African textiles, most recently African Textiles: The Karun Thakar Collection.

Alabama Studio Sewing + Design is an invaluable reference for any woman who has dreamed of creating her own gorgeous handmade wardrobe. In this follow-up to Alabama Stitch Book and Alabama Studio Style, author Natalie Chanin presents all of the stenciling, hand-stitching, and bead¬ing techniques her company uses to create the award-winning Alabama Chanin line of organic cotton clothing, plus more than 50 variations that lead to infinite design possibilities. Included in this encyclopedic compilation of Alabama Chanin skill and style are patterns and instructions for dresses, skirts, tops, a wrap, a poncho, a bolero, fingerless gloves, and a hat. Each piece is featured in both its basic form and with varying embellishment combinations. By mixing, matching, and layering, a stunning, unique, and versatile wardrobe can be built.

About the Author:

Natalie Chanin is the founder and creative director of Alabama Chanin and author of Alabama Stitch Book, Alabama Studio Style, Alabama Studio Sewing + Design, and Alabama Studio Sewing Patterns.

Unveiling Azzedine Alaïa’s story before his milestone 1982 show, this book offers a never-before-seen look into one of fashion’s most enigmatic icons.

Azzedine Alaïa (1935–2017) was regarded as a contemporary fashion genius. Edited by his closest friend, Carla Sozzani, this new volume presents an unprecedented view into Alaïa’s early life and career, from his native Tunisia and 1956 arrival in Paris to his breakthrough 1982 New York show.

From apprenticeships to encounters with Paris’s creative and society crowds, this book pays homage to Alaïa’s evolution. Chronological chapters depict a designer devoted to his work while enjoying friendships with such individuals as Arletty, Louise de Vilmorin, César, Andrée Putman, and Thierry Mugler. Quotes by Alaïa accompany gorgeous photographs of iconic dresses and lesser-known designs, providing captivating stories behind the inspirations for his creations. Interviews share intimate anecdotes from Serge Lutens, Edgar Morin, Carlyne Cerf de Dudzeele, Marie Rucki, and more. Accompanying an exhibition at the Azzedine Alaïa Foundation, this unique publication delves into rare archival materials, private photographs, and prominent publications to powerfully illustrate the fascinating journey of a fashion legend.

About the Author:

Carla Sozzani cofounded the Azzedine Alaïa Foundation and is its president. Laurence Benaïm is the author of Women in Dior: Portraits of Elegance and Yves Saint Laurent: A Biography. She created the style supplement for Le Monde and has contributed to Vogue and Marie Claire. Emanuele Coccia is an Italian philosopher and associate professor at EHESS in Paris. Olivier Saillard is a French historian specializing in fashion and director of the Azzedine Alaïa Foundation.

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Alice Temperley, one of the most accomplished British designers working today, creates clothing that is coveted by the likes of Kate Hudson, Sarah Jessica Parker, Olga Kurylenko, Rita Ora, Poppy Delevingne, Helen Mirren, Adele, Naomie Harris, and The Duchess of Cambridge. This book is conceived as a celebration of Alice Temperley's aesthetic and conveys the effortless decadence and handcrafted allure of her brand. This book highlights the key moments that have inspired the last decade of work — focusing on the personal moments that have shaped her brand.

Filled with captivating photographs from Temperley London photo shoots and fashion editorials, Alice Temperley: English Myths and Legends gives an in-depth look into the inspirations and processes behind the creation of the collections. While her first Rizzoli book, True British (2011), was a chronological story about the first 10 years of the brand, Alice Temperley: English Myths and Legends gives a more intimate view of what defines Temperley London today and its evolution; revealing both practical and sentimental moments of the designer’s generative history.

About the Author:

Alice Temperley is a British fashion designer based in London. Her eponymous fashion label Temperley London was launched in 2000, with her bridal line launching in 2006. In the 2011 New Year Honours, Temperley was appointed Member of the Order of the British Empire (MBE) by Her Majesty the Queen at Buckingham Palace for services to the fashion industry. Alice lives between West London and Somerset with her son Fox.

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Yves Saint Laurent is one of the world’s most famous designers, whose haute couture collections have deeply marked society and revolutionised the image of women.

All About Yves documents the life of this great designer, from his childhood, to the seminal moments of his career, up until his death in 2008. This one-of-a-kind book includes unseen sketches and photographs of Saint Laurent’s key collections, as well as fascinating removable documents that include handwritten letters, paper dolls, contact sheets, magazines and invitations. All About Yves was compiled in collaboration with the Fondation Pierre Bergé – Yves Saint Laurent and is essential reading for those with a passion for YSL.

About the Author:

Catherine Örmen studied at the Ecole du Louvre, Ecole du Patrimoine and Studio Bercot, and is an expert on the history of fashion. She works as a curator, teacher and author, and has written several reference works on the history of fashion, including L’art de la Mode and Dior for ever.

A visual celebration of Italian luxury and the essence of design sensibility. The Altagamma Foundation was created in 1992 to gather under one umbrella Italian companies whose brands are known internationally for excellence. Altagamma promotes Italian industry and the traditional culture that sustains it.

The companies included are all prized for innovation, quality, service, design, and prestige, and include Bulgari, Driade, Ermenegildo Zegna, Gucci, Illy, Tod’s, and Persol - just to name a few.

To mark the twentieth anniversary of the Altagamma Foundation, this lavishly illustrated volume celebrates Italy’s most significant brands through the work of Magnum Photo and Contrasto Agency’s most important photographers, including Paolo Pellegrin, Alex Majoli, Massimo Siragusa, Lorenzo Cicconi Massi, Daniele Dainelli, and Marta Sarlo, among others.

In these images, each brand is no longer just an icon of luxury, but becomes a summation of something uniquely Italian: a synthesis of culture, conviction, and entrepreneurial spirit.

New York Fashion Week has served many purposes throughout its long history, but it has always remained at the center of the American fashion world.

During World War II, Fashion Week challenged the dominance of French couture; in the 1970s and 1980s, it was a showcase for American sportswear stars who became household names; in the 2000s, it was the stage for celebrity designers using the runway as a vehicle for entertainment; and now, it is the place to see and be seen by contemporary reality TV and social media stars. Now, this illustrious history is told as it’s never been told before, in a book packed with designer interviews, backstage ephemera, and exclusive photographs culled from all 75 years of New York Fashion Week.

Part historical over­view, part scrapbook, and part fashion-industry field guide, American Runway will bring to life the people, places, and over-the-top runway productions of New York Fashion Week — and will sate the appetites of die-hard fashion fans and casual fashionistas alike.

About the Author

Booth Moore is the senior fashion editor of the Hollywood Reporter.

An extravagant monument to a unique collaboration in the worlds of art and fashion: the Autumn-Winter 2022 collection of the luxury brand AMIRI, created in partnership with the painter Wes Lang.

Rooted in the culture of Los Angeles — the place both designer and artist call home — AMIRI’s Autumn-Winter 2022 collection is an exploration of the city’s aesthetic heritage. Mixing high with low, extravagance with subtlety, the collection reflects the intersection of worlds — rock, skate, luxe, craft, art, glam — that defines Los Angeles style. Throughout the collection, Wes Lang’s painterly interventions introduce elements of subversion and energy to AMIRI’s pieces.

The book meticulously documents the creative process, from the design of key silhouettes to the hand-painting of original works onto individual garments. Hundreds of photographs, taken specially for the book by the artist duo Hart Lëshkina, go behind the scenes in AMIRI’s atelier and Lang’s studio, revealing the collection’s evolution from sketches to clothing and finally to the star-studded runway show, cinematically illuminated with Lang’s artwork, at which the line debuted in the spring of 2022.

Elaborately designed with spectacular gatefold pages and booklets, and with texts by fashion editor Dan Thawley and art critic Andrew Berardini alongside the voices of Mike Amiri and Wes Lang, this book is a testament to the power of collaboration and an impressive record of an iconic moment in contemporary art and fashion.

About the Author:

Mike Amiri is the founder and creative director for his eponymous AMIRI label, based in Los Angeles. Wes Lang is a painter and sculptor living and working in Los Angeles. Hart Lëshkina are a Los Angeles–based interdisciplinary artist duo working within the fields of art, fashion, and advertising. Dan Thawley is a journalist whose writing has appeared in journals from Vogue to Wallpaper, and the editor in chief of A Magazine Curated By. Andrew Berardini is a writer, art critic, and curator based in Los Angeles.

In this stunning book, one of the world’s leading Asian art dealers reveals her passion project ― collecting French haute couturefrom the twentieth century and telling the stories of the women who wore them.

An Eye for Couture presents and explores Francesca Galloway’s collection of 20th-century haute couture and fashion, built over a period of thirty-five years. The book includes an outstanding group of over 100 pieces, concentrating of the work of couturiers who shaped fashion and whose pieces embodied the zeitgeist of their time. Among those featured in this book are Paul Poiret, Gabrielle Chanel, Elsa Schiaparelli, Cristóbal Balenciaga, Christian Dior and Paco Rabanne.

These garments and accessories come to life through the women who wore them. Denise Poiret ― Paul’s muse, collaborator and model ― is the subject of a specially commissioned essay. So is Princess Niloufer of Hyderabad, known as one of the most beautiful women in the world. She was photographed by Horst P. Horst for Vogue in 1939 and used her status to campaign for women’s rights. The book also looks at the 1960s as a period where designers such as Paco Rabanne and Yves Saint Laurent were shaping ideas of the future, as well as the influence of Eastern design on haute couture.

One of the world’s leading Asian Art dealers in Indian painting, courtly arts and Asian textiles, Francesca Galloway has curated many exhibitions and produced numerous publications on these subjects since the 1980s. With a curatorial perspective and an eye for design innovators and revolutionaries, an appreciation for the highest artistry and a sensibility for the influence of eastern design on haute couture, she has assembled a collection spanning more than one hundred pieces. The book’s striking imagery is the result of a collaboration between a fashion photographer, set designer and costume conservator/dresser. The images are positioned between haute couture and still life photography to bring these pieces of fashion history to life.

About the Authors:

Caroline Evans is Professor Emerita at Central Saint Martins.

Betül Basaran is Professor at St. Mary’s College of Maryland.

Mei Mei Rado is Assistant Professor at Bard Graduate Center.

Katrina Lawson Johnston is an independent art consultant with a special focus on textiles and 20th-century fashion.

The definitive illustrated volume on the work and life of Ann Lowe, a consummate couturier who designed lavish evening and bridal gowns for members of America’s social registry, a Black woman working hard behind the scenes whose important legacy has remained underappreciated — until now.

At the height of her fashion career, Ann Lowe’s luxurious and opulent evening gowns and bridal wear were sold in upscale department stores across the country. At various times Lowe owned salons on Madison Avenue. She made Jackie Kennedy’s wedding and bridesmaids’ dresses, but, upon arrival at the Auchincloss estate on the big day, the butler directed Lowe to enter via the service entrance (she refused). Throughout her lifetime (c. 1898–1981), her major contributions to American style were unrecognized.

Vivid new photography of Lowe’s couture gowns — including lush details of her exquisite handwork and signature floral embellishments — accompany essays that explore the trials and achievements of Lowe’s life, contextualize her work within fashion history, profile Black designers whose work reflects her influence, and offer a behind-the-scenes look at the extraordinary efforts to preserve Lowe’s gowns.

About the Author:

Elizabeth Way is associate curator of costume at the Museum at FIT. Katherine Sahmel is conservator of textiles and Heather Hodge is postgraduate fellow in textile conservation at Winterthur Museum. Laura Mina is conservator of textiles at the Smithsonian National Museum of African American History & Culture. The late Margaret Powell’s master’s thesis, The Life and Work of Ann Lowe, was published in 2012 by the Corcoran School of the Arts & Design. Katya Roelse is an instructor in the fashion and apparel program at the University of Delaware.

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