Книги о моде и фэшн дизайне

A chronicle of Grace Coddington's formative years at Vogue, now available as a jacketed paperback

Grace: Thirty Years of Fashion at Vogue showcases some of the most memorable photographs published in British and American Vogue from 1972 to 2002, stories created by the iconic fashion editor Grace Coddington. Both monograph and memoir, the book shows how Coddington transformed static studio portraiture into modern vivid tableaux and turned location shoots into cinematic narratives.

Grace's commentary gives behind-the-scenes insight into many famous images and fashion personalities, from the iconic shoot of a bikinied Naomi Campbell in Irving Penn's studio to Steven Meisel's boundary-pushing grunge aesthetic in nineties Vogue. This volume features photography by Irving Penn, Helmut Newton, Cecil Beaton, Guy Bourdin, Mario Testino, Steven Meisel, Annie Leibovitz, Steven Klein, Peter Lindbergh, among others.

First published in 2002 and reissued by Phaidon in 2015 to great success, this paperback, midi-sized edition includes forewords by fashion designer Karl Lagerfeld and American Vogue editor-in-chief Anna Wintour.

About the author:

After a successful modelling career, Grace Coddington became a fashion editor at British Vogue in 1968. In 1988 she joined American Vogue with Anna Wintour and soon after was named the magazine's creative director. In 2016 she became Vogue's creative director-at-large, allowing her to pursue independent projects including developing her own perfume, Grace by Grace Coddington, with Comme des Garçons.

The first major book on China’s leading couture visionary reveals the intricate craftsmanship and imperial glamour that has fashion publications worldwide declaring Guo Pei’s creations “the Empire’s new clothes.” An exponent of artisan craftsmanship and theatrical fantasy often compared to Alexander McQueen and Sarah Burton, Guo Pei dresses Chinese state dignitaries and American celebrities alike in richly bejewelled creations of imperial opulence. The designer’s first monograph, published on the occasion of her first solo exhibition, offers insight into the growing global influence of China and the complexities of its cultural transition.

The premier China-based fashion designer to figure prominently on the world stage, Guo Pei produces ornate embroidery and intricate designs that derive from the ancient traditions and symbols of her Chinese heritage, rendered in glamorous silhouettes. Andrew Bolton describes the approach as an “auto-orientalist” couture unprecedented in the “millennial history of Chinese dress.” The grandeur of her work, from the aureate cape Rihanna wore to the 2015 Met Gala to a gown festooned with 200,000 crystals featured in the Beijing Olympics, distinguishes Guo Pei as a worthy heir to the grand tradition of haute couture.

Lush photography reveals the unprecedented detail achieved through the thousands of hours committed to each garment’s workmanship, a signature of Guo Pei’s atelier. This landmark volume presents a tableau of Guo Pei’s resplendent work: expansive, unconventional, and otherworldly. This landmark volume accompanies an eponymous exhibition of dozens of the designer’s dresses — the first in the United States — at SCAD FASH Museum of Fashion + Film.

About the Author:

Paula Wallace is the president and founder of the Savannah College of Art and Design. She is an author, designer, and historic preservationist.

An exploration of the role of the handbag in the history of culture, fashion, and material production

The history of the handbag - its design, how it has been made, used, and worn - reveals something essential about women's lives lived over the last 500 years. Perhaps the most universal item of fashionable adornment, it can also be elusive, an object of desire, secrecy and even fear. Handbags explores these rich histories and multiple meanings.

This book features specially commissioned photographs of an extraordinary, newly formed collection of fashionable handbags that dates from the 16th century to the present day. It has been acquired to exhibit in the first museum devoted to the handbag, in Seoul, South Korea. The project is a commission undertaken by experimental exhibition-maker Judith Clark, whose innovative practices are revealed in Handbags.

Essays by leading fashion historians and an acclaimed psychoanalyst investigate the history of gesture, the psychoanalysis of bags, and the museum's state-of-the-art mannequins and archive cabinets. In order to preserve the words that describe the unique qualities of each bag, a glossary of handbags has been compiled.

Published in association with the Simone Handbag Museum, Seoul

About the Author:

Judith Clark is professor of fashion and museology at the London College of Fashion.

America’s first fashion magazine, Harper’s Bazaar has showcased the visions of legendary editors, photographers and stylists and featured the works of noted writers since 1867.

From its beginnings as a broadsheet aimed at the rising leisure class, the publication has since transformed into a magazine devoted to examining the lives of women through the lens of fashion. In celebration of the magazine’s 150th anniversary in 2017, Harper’s Bazaar: 150 Years captures the greats who have shaped the magazine over these decades.

Harper’s Bazaar: 150 Years includes the most iconic pieces of work from the magazine's archive: more than 150 photographs and covers and 50 text excerpts, including articles, poems and works of fiction.

Organised chronologically, the selections showcase the breadth of creativity and artistry that has been published in the pages of the magazine for more than a century and prove that Harper’s Bazaar is more than just a fashion magazine.

A fascinating look at one of the most groundbreaking publications in the world, this volume traces its colorful history and the important figures who have shaped it, influencing fashion -- and more broadly, culture -- decade after decade.

Harper's Bazaar has long been revered for its contributions to fashion, photography, and graphic design and has remained a cultural icon since 1867, showcasing the visions of legendary editors, photographers, and stylists - as well as works by notable literary writers and journalists. Based on the exhibition at the Musée des Arts Décoratifs in Paris, this volume traces the magazine's story -- from visionary founding editor, Mary Louise Booth, to Glenda Bailey, who has helmed the magazine for the last two decades and is known for commissioning dazzling visual features that frame fashion in the context of contemporary pop culture and aesthetics.

Featuring groundbreaking work by the greats of fashion photography and designs by fashion luminaries, from Madeleine Vionnet and Cristobal Balenciaga to Yves Saint Laurent and Christian Dior and up to the present with Karl Lagerfeld, Tom Ford, and Alexander McQueen, just to name a few, this book is a must-have for anyone interested in fashion. The book goes on to profile eminent contributors who were instrumental in maintaining Bazaar's ongoing relevance including Diana Vreeland, Jean Cocteau, Dali, Man Ray, Richard Avedon, Truman Capote, and many others.

Organized chronologically, the selections showcase the breadth of creativity and artistry that has been published in the magazine for more than a century and prove that Harper's Bazaar is more than just a fashion magazine.

About the Author:

Marianne le Galliard is an independent art historian focusing on history of photography and modern art. Éric Pujalet-Plàa became curatorial attache for the fashion and textile department at the Musee des Arts Decoratifs in Paris. Olivier Gabet is the director of the Musée des Arts Décoratifs. Glenda Bailey has been the editor-in-chief of Harper's Bazaar since 2001.

Harper’s Bazaar is America’s longest-running fashion magazine, revered for its style-setting contributions to fashion, photography, and graphic design.

Under the direction of Glenda Bailey in this decade, the magazine has maintained its position as a prominent cultural icon. Bailey is known for commissioning dazzling visual features that frame fashion in the context of contemporary pop culture and aesthetics. Shot by well-known photographers and featuring supermodels and supercelebrities, Bazaar’s fashion photography is always beautiful - and entertaining. Harper’s Bazaar: Greatest Hits is a collection of more than 300 photographs that chronicle the best fashion of our time.

A celebration of fashion, a romp through a riotous and eventful decade, and a banquet of contemporary imagery, Harper’s Bazaar: Greatest Hits is also a glamorous object in itself.

Praise for Harper's Bazaar
“So if you love pop culture and you love fashion, you'll want to pick up a copy of Harper’s Bazaar: Greatest Hits, a new book that’s packed with both.” —Cosmopolitan.com
“The images, taken by some of the world’s greatest photographers, are awe-inspiring.” —ARTINFO

“It’s been 10 years since editor-in-chief Glenda Bailey took the reins at Harper’s Bazaar, and the magazine is celebrating the milestone with a splashy coffee table book. Harper’s Bazaar: Greatest Hits (Abrams) illustrates Bailey and creative director Stephen Gan’s tenure through more than 300 colourful images, organized chronologically. The mag’s memorable moments also include essays from luminaries like Patti Smith and our own Arianna Huffington, who wrote about the politics of fashion prior to the 2008 presidential election.” —Stylelist.com

“This book is a fashion lover’s dream.” —WhoWhatWear.com

About the Authors:

Glenda Bailey has been the editor-in-chief of Harper’s Bazaar since 2001. She was born in Derbyshire, England, and was appointed an Officer of the Order of the British Empire in 2008.

Stephen Gan is the creative director of Harper’s Bazaar and a founder and creative director of the cutting-edge fashion magazine Visionaire.

Elizabeth Hummer is the design director of Harper’s Bazaar.

The iron-on lettering that is the subject of Heated Words: Searching for a Mysterious Typeface remains without attribution. Created anonymously and passed down over decades and across subcultures, the typeface is unique within the histories of typography and street fashion.

With roots dating back to the first calligraphic forms, the enigmatic letters evolved from embellished military flight jackets and sports uniforms in the early part of the twentieth century. Seemingly omnipresent from the 1970s onward in youth culture in New York City, this particular blackletter typeface — bold and imposing — would go on to decorate the fabric of the most influential music and fashion subcultures of the last half-century.

Heated Words provides a unique thread through the subcultural landscape of the last fifty years. With insights from voices in the fields of music, fashion and typography, the unique volume features previously unpublished archival images, including hundreds of illustrations and ephemera. Exploring the visual branding of the “outsider” and the resurgence of analog typography, Heated Words is presented through a layout and design that echo the frenetic history of the letters themselves.

About the Authors:

Rory McCartney is a creative director working within art, fashion, and music. He established Modern Construct, a creative practice with a focus on typography, and holds a research position at The Slade School of Fine Art, London. Charlie Morgan has spent the last quarter-century at the intersection between brands and culture, working in-house with brands such as Crooked Tongues, VANS, VICE, and New Balance.

Gorgeous paper constructions expand on Hermès’ scarf designs in this luxury pop-up book.

Every year, the iconic luxury brand Hermès chooses a new theme to celebrate its creative direction for the upcoming year. This practice began in 1987, marking the brand’s 150th anniversary, and has since become a beloved tradition―a way to combine the house’s proud, storied heritage with its creative vision for the future.

This year’s theme is ‘Let’s Play’, and Hermès is celebrating in style with this new, deluxe pop-up book. Featuring a selection of fourteen of the house’s iconic square scarf designs, both old and more recent, this book brings the designs alive with exhilarating ingenuity. Delicate paper constructions bring out the depth and volume within the scarf designs; zebras rear up, delicately arching trees grow from the page and painterly strokes detach themselves from the paper surface. This is the Hermès carré as you’ve never seen it before.

For Hermès, a brand associated with the highest quality luxury materials and design, ‘play is movement, freedom, imagination, fantasy, seduction, lightness.’ Impeccably produced, Hermès Pop Up gives readers the chance to play around in the brand’s archives.

The editors of the acclaimed Hi-Fructose Magazine present a stunning visual exploration of the intersection between the worlds of wearable art and fashion; where technology, sculpture, experimental materials, and otherworldly design converge into a new contemporary fashion genre.

Hi-Fructose: New Contemporary Fashion is a 296-page book filled with avant-garde fashion designs; featuring a special introduction by Lucas Museum of Narrative Art’s costume archivist, Alina Campbell; as well as essays about and interviews with emerging and legendary designers such as: Mirco Hepburn, Arena Flavia Rose, and Kansai Yamamoto.

About the Author

Attaboy and Annie Owens are founders and editors in chief of HI-FRUCTOSE

A tweed suit, pipe, umbrella, and hat; a large dose of British humor and no sports — well, except for cricket. The Chap is the modern English gentleman, and he’s out to conquer the world.

How to be Chap explores the roots of the English gentleman and follows them to the present day. Today’s chaps live according to their own rules — with hats, pipes, and, of course, British humor. Inspired by men such as Beau Brummell and Lord Byron, they maintain proper English ideals and virtues. By stepping back to tradition, they’re advancing a lifestyle revolution.

In this book, chap expert Gustav Temple explains how a chap dresses, where he goes on vacation, which sports he plays (cricket) and which ones he doesn’t (everything else). From the historical foundations of British gentlemen’s culture to today’s dos and don’ts, How to be Chap provides thorough answers to chap-related questions and plenty of cultivated laughs.

Style authority Gustav Temple co-founded the British magazine The Chap in 1999. This publication is dedicated to rescuing the English gentleman from extinction and consequently saving our world from moral and sartorial collapse.

A step-by-step drawing course for budding fashion designers

Leading fashion designers such as Anna Sui, Christian Lacroix, Zandra Rhodes and Valentino explain why drawing is so important to the design process, with examples from their sketchbooks for inspiration. Then there are sections that show how to create a fashion template (croquis), including fashion proportions and how to turn a stick figure into a full figure; how to draw skirts, trousers, jackets and dresses onto the fashion template; and how to develop a collection, including the creation of complete outfits and seasonal looks. Finally there’s a section that looks at the design process, from creating a mood board and following a brief to developing a collection.

How to Draw Like a Fashion Designer is based on hands-on workshops held at the Fashion and Textile Museum, London. It was the winner in the 12+ section of School Library Association's Information Book Awards 2014.

About the Authors:

Celia Joicey is Head of the Fashion and Textile Museum, London. She has also worked as Head of Publications at the National Portrait Gallery, London, and Head of Publications at the Royal Society of Arts, London.
Dennis Nothdruft has been an assistant to Zandra Rhodes and has produced numerous important fashion exhibitions. He is a curator at the Fashion and Textile Museum, London.

An inspirational journey through black fashion in America from the twentieth century to the present, featuring the most celebrated icons of Black style and taste.

One of the few surveys of Black style and fashion ever published, How to Slay offers a lavishly illustrated overview of African American style through the twentieth century, focusing on the last thirty-five years. Through striking images of some of the most celebrated icons of Black style and taste, from Josephine Baker, Michelle Obama, Maya Angelou, and Miles Davis to Rihanna, Naomi Campbell, Kanye West, and Pharrell Williams, this book explores the cultural underpinnings of Black trends that have become so influential in mainstream popular culture and a bedrock of fashion vernacular today. A preponderance of Black musicians, who for decades have inspired trends and transformed global fashion, are featured and discussed, while a diverse array of topics are touched upon and examined — hats, hair, divas, the importance of attitude, the use of color, ’60s style, the influence of Africa and the Caribbean, and the beauty of black skin.

About the Author:

Constance C. R. White is an award-winning journalist, a former editor in chief of Essence magazine, former New York Times style reporter, and the first black executive fashion editor at a major fashion magazine, at Elle. She conceived and edited the book Essence: A Salute to Michelle Obama (2013) and authored Stylenoir (1998). She currently is a contributor to TheImpression.com. Valerie Steele is director and chief curator of The Museum at the Fashion Institute of Technology where she has organized more than twenty exhibitions since 1997.

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Пролистать книгу  How to Slay: Inspiration from the Queens and Kings of Black Style

Published to celebrate 175 years as one of the finest tailors on Savile Row, Huntsman reveals its rich history of making impeccable clothing for the most discerning clientele in the world

Huntsman was founded in 1849 and is still famous today as one of the finest—and most innovative—bespoke tailors in London. Huntsman’s clients range from royalty to film stars, and include Queen Victoria, Clark Gable, Grace Kelly, Coco Chanel, Hubert de Givenchy, Bill Blass, Lucien Freud, Brad Pitt, Elizabeth Taylor, and Edward Enninful, to name just a few. The brand also served as style and location inspiration for the Kingsman films, starring Colin Firth and Taron Egerton. As well as its history, the book reveals each stage of ordering and making the perfect bespoke suit, which involves 80 hours of hand work, and a practical style guide for anyone who wants to know what to wear for the right occasion. Sumptuous photography by Simon Upton illustrates the quintessential town, country and holiday settings in which one might wear Huntsman.

With a foreword by Dame Glenda Bailey DBE, former Editor-in-Chief of Harper’s Bazaar, an introduction by veteran style writer, Nick Foulkes, and a sparkling text by author Tom Chamberlin, editor of The Rake magazine, this is an essential and inspiring guide on how to dress to perfection

About the Authors:

Tom Chamberlin is the Editor-in-Chief of men’s style bible,The Rake, having previously worked as Managing Editor for Finch’s Quarterly Review. A connoisseur of classic and contemporary clothing, Chamberlin also contributes to The Daily Telegraph, The Spectator and Air Mail, redefining gentlemanly fashion for a modern audience, with a large and dedicated following on Instagram and TikTok. This is his first book.

Glenda Bailey DBE is the former editor-in-chief of Harper’s Bazaar magazine. In 2008 she was awarded an MBE in recognition of her services to journalism and fashion, followed by a DBE in 2019. Bailey was also presented with ‘Women’s Magazine Editor of the Year’ and ‘Editor’s Editor of the Year,’ along with recognition from Amnesty International for her dedicated coverage of human rights affairs.

Nick Foulkes is a contributing editor to Vanity Fair, FT How to Spend It, and The Rake. He is also a columnist on Country Life and is international arts correspondent on Newsweek. He is an internationally recognised authority on luxury travel, material culture, timepieces and the arts and has written over 20 books, the latest being Patek Philippe:The Authorised Biography.

A mind-bending archive of Collina Strada, the downtown New York brand that puts self-expression and honest sustainability first.

Launched in 2008 by Hillary Taymour, Collina Strada has spent the last decade successfully injecting the generally colorless style of downtown New York with acid-colored dye jobs, off-kilter dresses, sparkling hair pins, and fearlessly fluid ensembles. Rooted in interconnectedness, self-expression, and thoughtful production, the brand screams nonconformity: cosmically dyed dresses, rhinestone-studded water bottles, and wildly graphic bodysuits serve as representations of the cacophony of sounds, symbols, and spirit that imbue the Collina Strada world.

All of the brand’s pieces are produced in the USA using mostly reinterpreted deadstock materials: recycled t-shirts from Kantamanto Market in Accra, Ghana, and Rose Sylk, an organic cellulose fiber derived from rose bushes and their stems. Taymour has also shown an unwavering commitment to using the brand as a platform for social and environmental change, offering guests at her shows instructions on how to advocate for a rooftop garden in their building and ways to volunteer with vetted organizations.

Gathered within is a collection of iconic brand imagery, runway images, core pieces, and creative collaborations with artists like Dave Mattingly, the artist behind the iconic ’90s book series Animorphs. A visual feast overseen by Collina Strada art director Charlie Engman, this volume is an exciting style compendium that offers endless inspiration on being confident, conscious, and radically individual.

About the Authors:

Hillary Taymour is the LA turned New York–based fashion designer and founder of Collina Strada. 
Charlie Engman is a New York–based photographer and art director of Collina Strada.

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Пролистать книгу I Care a Lotta, I Wear Collina Strada​ на сайте издательства.

This volume documents the collaborations between famed fashion designer Nigo® and many recording artists (including Pharrell, A$AP Rocky, and Tyler, the Creator), presenting a trove of limited-edition apparel, sneakers, accessories, album covers, and collectibles and an archive of trademark graphics and patterns.

Straddling the worlds of fashion and hip-hop, Nigo® is a giant of streetwear culture. One of the pioneers of the highly influential Harajuku style movement, Nigo® is the founder of *A Bathing Ape®. Currently the creative director of Kenzo and a partner with Pharrell in both Human Made and Billionaire Boys Club/IceCream, he is one of the transformational figures in contemporary fashion, instrumental in translating streetwear trends into modern luxury.

He is also well known for being a music producer, and since the 1990s, has collaborated with hit-makers in hip-hop and contemporary music, having worked with Pharrell, Pusha T, Mos Def, M-Flo, the Teriyaki Boyz, and many others. The book is a visual record of the material culture generated by these partnerships. These collaborative goods—in limited quantities, emblazoned with logos and slogans—are a vital part of why Nigo®’s designs are so sought after. The same maximalist philosophy is employed in the design of the book, with original character art and all-over graphics integral to the visual narrative.

About the Authors:

Nigo® is a fashion designer and musician, the founder of *A Bathing Ape and Human Made, and the current design director of Kenzo.

Pharrell is a multiplatinum recording artist.

Steven Victor is the founder & CEO of Victor Victor Worldwide records and Senior VP of A&R at Universal Music Group.

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Пролистать книгу I Know Nigo​  на сайте издательства.