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Old Cuba presents an insider’s view of the splendid colonial-era sites of the storied island nation, from the grand apartments and magnificent cathedral of Old Havana to the plantation homes of Pinar del Río.

Cuba dominates the entrance to the Gulf of Mexico, fixed between the great continents to the north and to the south, and has long served as a bridge between the Old World and the New. First visited by Christopher Columbus in 1492, its history of interaction with the Old World of Europe is among the longest in the Americas, and its architecture bears testament to this: Cuba is home to some of the most ancient cities and towns in the western hemisphere. As a result, the country once known as the “pearl of the Antilles,” stands now as a treasure chest of alluring historic architecture — seasoned by European precedents mixed with colonial and Caribbean spice — and boasts an extraordinary number of UNESCO Cultural Heritage sites, from the historic center of Old Havana with its original city walls and the Castillo de la Real Fuerza — the oldest extant colonial fortress in the Americas — to the sixteenth-century city of Trinidad, within the central Cuban province of Sancti Spíritus, recognized by historians and scholars as a triumph of historic preservation and whose maze of pastel mansions and churches forms one of the best collections of colonial architecture to be found anywhere.

From Old Havana to Santiago de Cuba, Old Cuba offers an intimate look at the historic architecture — the houses, apartments, monuments, charming public spaces, and centuries-old churches — of this storied country.

Gain a new perspective on photography in this personally guided introduction to photographic images and what they mean by one of the leading writers and curators of our time

What shapes our response to a photograph? Where does the meaning we ascribe to it come from? And how important to our reading of it are the photographer’s intentions? In a dazzling example of photography writing – an exploration of the photographic medium through 120 images, some familiar, some surprising – David Campany shows us that how we think about photographs is just as important as what we think about them.

Rejecting the conventions of chronology and the heightened status afforded to ‘classics’ in traditional accounts of the history of the medium, Campany’s selection of photographs is an expertly curated and personal one – mixing fine art prints, film stills, documentary photographs, fashion editorials and advertisements. In this playful new take on the history of photography, anonymous photographers stand alongside photography pioneers, 20th-century talents and contemporary practitioners. Each photograph is accompanied by Campany’s highly readable commentary, which strives to guide the reader in their own interpretation and understanding of the image itself.

In a visual culture in which we have become accustomed to not looking, Campany helps us to see.

Contents List:

Introduction • The Photographs • List of Works • Further Reading

About the Author:

David Campany is a curator, writer and educator, based in London. His previous books include Walker Evans: The Magazine Work, The Open Road: Photography and the American Road Trip and A Handful of Dust, each of which was accompanied by an exhibition. Awards received by Campany include the ICP Infinity Award and The Kraszna-Kraus Book Award.

On your marks, get set, go! Embrace the enduring appeal of running for sport, fitness, and fun.

Running is one of the most popular and accessible sports in the world. From training apps to park runs, marathons, and ultra-marathons, the world of running is diverse and widespread. Offering insight on its rich history whilst demystifying the science of the body, On the Run has been composed to educate and inspire runners of all experience levels. Inspiring you to put your best foot forward, this title looks at races and clubs throughout the world and displays how runners from different backgrounds, of different ages, and with different abilities are championing the sport.

More than a health trend, running fosters community. On the Run is a step by step introduction into this adrenaline-fueled world, providing mentorship and encouragement through profiles of runners setting the pace in their own ways.

About the Author:

Nick Butter is a British long-distance runner, adventurer, and motivational speaker. In 2019, he became the first person ever to run a marathon in every country in the world, doing so in just 23 months. His colossal achievement is recognized as one of the most daring feats of physical and mental endurance, making his personal insight invaluable.

The title says it all: one man, one bike, one long ride, the adventure, the pleasure, and the pain. It is simultaneously a travelogue and visual journey.

Martijn Doolaard traded the convenience of a car and the distractions of daily life for a cross-continental cycling journey: a biped adventure that would take him from Amsterdam to Singapore. Leaving behind repetitive routines, One Year on a Bike indulges in slow travel, the subtlety of a gradually changing landscape, and the lessons learned through travelling. 

Venturing through Eastern European fields of yellow rapeseed to the intimate hosting culture and community in Iran, One Year on a Bike is a vivid chronicle of what can happen when the norm is pointedly replaced by exceptional self-discoveries and beautiful sceneries. Doolaard shares the gear and knowledge that made his trip possible alongside the passionate curiosities that served as his impetus. 

About the Author:

Martijn Doolaard is a dutch photographer, designer and travel writer. He grew up in a small town in the Netherlands where fishing and camping holidays with his three brothers formed the inspiration of his current outdoor life.

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Посмотреть новую книгу Martijn Doolaard - Two Years on a Bike: From Vancouver to Patagonia

Celebrating style, individuality, and joie de vivre, this book showcases more than 80 original men who will inspire readers to lead a less ordinary life.

Original Man is a compendium of the stories of extraordinary men. From household names including Andy Warhol, Freddy Mercury, and Yves Saint-Laurent to lesser-known personalities, the men presented here are incredibly diverse, yet all share entirely original lives. Featuring famous hell-raisers such as Iggy Pop, indomitable explorers including Ernest Shackleton, visionaries like Federico Fellini, and some less mainstream personalities such as Quentin Crisp or Takeshi Kitano, these biographies are as gripping as any fiction.

This book is the brainchild of UK men’s fashion maven Patrick Grant. As Gant set about re-awakening the traditional Savile Row tailoring house of E. Tautz after a thirty-year slumber, he wanted to define the kind of man he aspired to be and to clothe. Original Man is the compelling result of his musings — a collection of portraits of men who go beyond a veneer of stylish attire to wring every last drop out of life with their actions, thoughts, or words in a manner scarcely seen nowadays.

These are not the biographies of those the world considers to be the best writers, thinkers, or adventurers (though undoubtedly some arguably are). Rather, this book celebrates those that have lived lives that are genuinely different. Whether in the life of a stylist, a libertine, an artist, or a hero, originality and historical precedence trumps prowess; the manner of their endeavors is what counts, not the end result.

Reflecting Grant’s personal background and experiences, approximately half of the book’s notable men come from the UK, a quarter from the US, and most of the remainder from Western Europe. Explaining his strong British bias, Grant states “we seem to breed original characters (or celebrate them more vocally) at a rate which belies our relatively small population.”

Because a claim to inclusion requires sustained effort, not just a brief burst of activity, few of the men featured in Original Man are young. Some, such as Malcom X and Ayrton Senna, died young, but had a lasting impact. The book also contains a few men well known for their hedonistic lifestyles such as Ozzie Osbourne and Oliver Reed, but it does not celebrate those who simply fritter their lives away at play unless it is done with the greatest sense of style. Often their tales are rather sad ones, like that of snooker player Alex Higgins, and are included in the hope that they are as precautionary as they are laudatory. Aware that there do not seem to be many equivalents to these stories today, Grant wishes to share these portraits to inspire readers — men and women alike — to try to live more interesting and original lives themselves.

Born in Edinburgh, Patrick Grant lived in five countries and worked in a number of different industries before his passion for clothing, craftsmanship, and British brands lead him to take over Savile Row tailors Norton & Sons in 2005. In 2009, he re-launched E. Tautz, the historic British sporting and military tailoring house. Since winning the British Fashion Council’s Menswear Designer of the Year award in December 2010 for his work on E. Tautz, Grant has continued to receive international accolades.

Regularly appearing in best-dressed lists in the UK and named in Esquire’s “Most Stylish Men in the World,” Grant makes frequent appearances on both BBC television and radio as a commentator on clothing history, manufacturing, and matters of men’s style and fashion. Following the success of BBC Two’s reality television competition “The Great British Sewing Bee” on which Grant is a judge, a third series is scheduled for January 2015.

Patrick Grant currently lives in London, bikes to work everyday, and participates in numerous long-distance bicycle races.

For those who desire to expand their amorous repertoire and a lush visual complement to the groundbreaking Boudoir Bible.

A celebrated pioneer in the field of sexology and erotic design, Vernon unlocks the secrets of the sensual realm, taking us on a visual journey to a sexual paradise. This enlightening, luxurious tome features Vernon’s renowned “jewel-tools” — artisanal erotic jewelry and instruments of ecstasy of her own design coveted by collectors around the world — alongside extensive advice on their use to reach new levels of pleasure.

The mysteries of the tantalizing ascent to paradise unfold as we are invited to explore empowerment through the sleek chains and cuffs of “Sado-Chic.” “Orchestrating the Senses,” “Tickle Your Fantasies,” “Erecting the Temple,” and “Role Play” heighten anticipation within the boudoir. “Intimate Bonds” and “Scepters of Desire” illuminate pushing limits with refined implements of desire, while “The Ceremony” teases a dreamworld of pleasure, with Vernon’s infamous Boudoir Box showing the infinite possibilities of sensual realms.

Vernon’s work has been documented by some of the top names in fashion photography and illustration, from Douglas Kirkland and Ellen von Unwerth to Nick Knight and David Downton, Jeff Burton, François Berthoud, and many others. Their riveting images beckon us to explore the world of intimacy and sensual satisfaction with creative new eyes.

About the Author:

Betony Vernon is an American-born designer, sexologist, and author. Her design work has been included in international exhibitions, and she has collaborated with brands such as Maison Valentino, Jean Paul Gaultier, Missoni, Gianfranco Ferré, Alexander Wang, and Fornasetti.

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Пролистать книгу Paradise Found: An Erotic Treasury for Sybarites

Light and Shadows. Paul Outerbridge’s provocative nudes and pioneering colour

American photographer Paul Outerbridge created shimmering “artifical paradises." From Cubist still life images to nudes, his sensitivity to light and shadow and pioneering use of colour transformed everyday scenarios into near-abstract compositions. This unique aesthetic helped him seductively champion the expressionistic, as much as commercial, potential of colour photography.

Whether in his sumptuous images for advertising or his soft-hued nudes, Paul Outerbridge (1896–1958) was an alchemist of desire. Colour was integral to his aesthetic allure, embracing the complex tri-colour-carbro process to create a seductive surface of texture and tone. His quest was for “artificial paradises” — a perfection of form, with a surreal edge.

This concise monograph introduces Outerbridge’s unique aesthetic and its commercial and artistic trajectory, from his professional peak as New York’s highest-paid commercial photographer through to his retreat to Hollywood in the 1940s after a scandal over his erotic photography. With key examples from his oeuvre, the book explores Outerbridge’s innovative style through Cubist still-life images, magazine photographs, and his controversial nudes, as well as his interaction with other avant-garde photographers, such as Alfred Stieglitz, Paul Strand, and Man Ray. Along the way, we recognize Outerbridge’s particular ability to transform everyday objects into a quasi-abstract composition and his pioneering role in championing the expressionistic, as much as commercial, potential of colour photographs.

The editor:

Manfred Heiting is an internationally acknowledged designer, curator, and expert on and collector of photographs and photobooks; he lives in Malibu and Brussels. He is a founding member of the J. Paul Getty Museum Council and since 2016 UCLA Distinguished Lecturer in the Humanities. He is editor and designer of Deutschland im Fotobuch, The Soviet Photobook, and The Japanese Photobook and co-editor and designer of Autopsie: Deutschsprachige Fotobücher 1918–1945.

The authors:

Elaine Dines-Cox is an independent art museum curator living in San Francisco. Her 1981 monograph on Paul Outerbridge was the first published catalogue raisonné on an art photographer.

Carol McCusker is Curator of Photography at the University of Florida’s Samuel P. Harn Museum of Art, Gainesville, Florida. She is former Curator of Photography the Museum of Photographic Arts, San Diego.

Game Control. An essential, early portrait of Africa’s wildlife crisis

Peter Beard’s landmark publication on Africa’s wildlife crisis remains a seminal account of a continent transformed by the human quest for adventure and “progress.” With hundreds of historical photographs and writings, as well as Beard’s own indelible images of elephant, rhino, and hippo populations, this new edition includes an interview with conservationist Dr. Esmond Bradley Martin.

“The deeper the white man went into Africa, the faster the life flowed out of it, off the plains and out of the bush...vanishing in acres of trophies and hides and carcasses.” — Peter Beard

A landmark publication on Africa, The End of the Game combines Peter Beard’s salient text and remarkable photographs to document the overpopulation and starvation of tens of thousands of elephants, rhinos, and hippos in Kenya’s Tsavo lowlands and Uganda parklands in the 1960s and ’70s.

Researched and compiled over two decades, and updated several times since with new material, this is Beard’s essential book — a powerful and poignant testimony to the damage done by human intervention in Africa. His own images and writings are supplemented by historical photographs of, and quotations from, the enterprisers, explorers, missionaries, and big-game hunters whose quest for adventure and “progress” were to change the face of a continent: Theodore Roosevelt, Frederick Courteney Selous, Karen Blixen (Isak Dinesen), Philip Percival, J. A. Hunter, Ernest Hemingway, and J. H. Patterson.

This new edition includes an interview with conservationist Dr. Esmond Bradley Martin, as well as essays from previous editions by renowned writer Paul Theroux and ecologist Dr. Richard M. Laws, and contributions to the afterword by agronomist Dr. Norman Borlaug. Touching on such themes as distance from nature, density and stress, and loss of common sense, this seminal portrait is as resonant today, amid growing environmental crises, as it was a half-century ago.

The editor and author:

Peter Beard (1938–2020) began taking photographs and keeping diaries from early childhood. By the time he graduated from Yale University, he had developed a keen interest in Africa. Throughout the 1960s and ’70s, he worked in Tsavo Park, the Aberdares, and Lake Turkana in Kenya’s northern frontier. A constant creator, Beard the chronicler photographed, wrote, drew, collaged, and assembled a history of his life experiences and our own.

The Lindbergh lens. Unique fashion storytelling that first launched the supermodels

When German photographer Peter Lindbergh shot five young models in downtown New York City in 1989, he produced not only the iconic British Vogue January 1990 cover but also the birth certificate of the supermodels. The image didn’t just bring revered faces together for the first time; it marked the beginning of a new fashion era and a new understanding of female beauty.

Coinciding with his major retrospective at the Kunsthal in Rotterdam, the Netherlands, this book gathers more than 400 images from four decades of Lindbergh’s photography to celebrate his unique and game-changing storytelling and the new romantic and narrative vision it brought to art and fashion.

Whether in striking single portraits or dramatic situations of figure and setting, we trace the photographer’s cinematic inflections and his provocative play with female archetypes as subjects adopt the guise of dancers, actresses, heroines, and femmes fatales. Raw and seductive at once, we see how Lindbergh’s trademark monochrome pictures also redefined standards of beauty by emphasizing spirit and personality as much as looks, celebrating the elegance and sensuality of older women, and privileging natural and authentic beauty in an era of pervasive retouching.

In a testimony to Lindbergh’s illustrious status in the fashion world, his images are contextualized by commentaries from collaborators such as Jean Paul Gaultier, Nicole Kidman, Grace Coddington, Cindy Crawford, and Anna Wintour, who chose Lindbergh to shoot her first US Vogue cover. Their tributes explain just what makes Lindbergh’s images so unique and powerful.

The photographer:

Peter Lindbergh (1944–2019) was a master of his craft who has made his mark in the halls of photography history, with such credits as shooting the first American Vogue cover under Editor-in-Chief Anna Wintour, bringing together for the first time a group of young women who would become the ’90s supermodels, and numerous exhibitions at renowned institutions including Victoria & Albert Museum in London and Centre Pompidou in Paris, as well as in solo exhibitions at Hamburger Bahnhof, Museum for Contemporary Art, Berlin, Bunkamura Museum of Art, Tokyo, and the Pushkin Museum of Fine Arts in Moscow.

The author:

Thierry-Maxime Loriot was born in Québec City, Canada, in 1976. After working more than ten years in the fashion industry between New York, Milan, and Paris, he curated the exhibition The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk, a blockbuster show seen by more than two million visitors. He collaborates with different magazines and fine art museums around the world on fashion and photography projects.

Dior by Peter Lindbergh. An homage to fashion’s most beloved photographer

70 years of DIOR history set against the bustle of Times Square: this was Peter Lindbergh’s concept, extraordinary both in scope and dimension, for which the House allowed an unprecedented number of its most iconic garments to travel across the Atlantic. In this two-volume compendium, the legendary photographer’s final book project, discover the shoot in never-before-published images, as well as a tribute to an electrifying partnership between two pillars of fashion.

Peter Lindbergh photographed DIOR’s most exceptional muses, Marion Cotillard and Charlize Theron among them, and signed campaigns for Lady Dior and J'Adore with his inimitable style. Throughout his career, the photographer was one of the house’s closest collaborators. This final book was an original co-creation that was close to the artist’s heart — and to ours.

Seventy years of DIOR history projected against the effervescence of Times Square, New York: this was the concept behind Lindbergh’s project, extraordinary both in scope and dimension, for which DIOR, in an unusual move, allowed an unprecedented number of priceless garments to be taken from its vaults in Paris and shipped across the Atlantic.

The result is electric. Amid the frenzy of Times Square, Alek Wek glows in the immaculate 1947 Bar suit, the storied ensemble that launched the House of DIOR. In snatches of street scenes, models Saskia de Brauw, Karen Elson, and Amber Valletta flit through crowds and scaffolding, are reflected in building façades, and draped in haute couture, from pieces hand-sewn by Christian Dior to more recent designs by Maria Grazia Chiuri. Lindbergh’s trademark monochrome and color photographs masterfully highlight the intricacies, silhouettes, and textures of each garment.

Lindbergh himself is present in every aspect of this two-volume publication designed by his long-time collaborator and friend Juan Gatti. Volume one features 165 never-before-published images from the shoot, including an introduction by Martin Harrison. Volume two pays homage to Lindbergh’s profound relationship with the Parisian House by curating more than 100 of his photographs of DIOR creations, from haute couture to ready-to-wear, men’s and women’s, originally published in some of the world’s most prestigious magazines such as Vogue and Harper’s Bazaar. A breathtaking tribute to two pillars of fashion and photography and their timeless collaborations.

The photographer:

Peter Lindbergh (1944–2019) was a master of his craft who has made his mark in the halls of photography history, with such credits as shooting the first American Vogue cover under Editor-in-Chief Anna Wintour, bringing together for the first time a group of young women who would become the ’90s supermodels, and numerous exhibitions at renowned institutions including Victoria & Albert Museum in London and Centre Pompidou in Paris, as well as in solo exhibitions at Hamburger Bahnhof, Museum for Contemporary Art, Berlin, Bunkamura Museum of Art, Tokyo, and the Pushkin Museum of Fine Arts in Moscow.

The contributing author:

Martin Harrison is a historian of art and photography and an exhibition curator who has collaborated with the likes of Linda McCartney and Peter Lindbergh on numerous projects and exhibitions. He has been working on Francis Bacon for twenty years and most recently edited the artist’s catalogue raisonné (2016).

Peter Lindbergh, one of the world’s foremost fashion photographers, celebrates the female form in this classic book.

Peter Lindbergh’s Images of Women is now available in this new unabridged compact edition. Lindbergh, who passed away in 2019, took a comprehensive look at his body of work from the 1980s and ’90s and hand-selected these black & white photographs of the most beautiful and famous women in the world. It was the era of the supermodels, a phenomenon he himself had helped create, and he left his own unique stamp upon it, influencing an entire generation of fashion photographers with his distinct style. Lindbergh was always interested in the aura, individuality, and personality of his models which resulted in images that captured an ideal of beauty more than just perfection and glamour.

This splendid monograph represents the definitive collection of Lindbergh's considerable oeuvre: classic fashion photographs, arresting candids, portraits of female celebrities — including Madonna, Isabella Rossellini, Sharon Stone, Catherine Deneuve, Charlotte Rampling, Darryl Hannah — and of course his signature shots of the world's supermodels.

An irresistible anthology of photography’s greatest and most famous images

250 photographs by more than 200 of the world's most prominent photographers, ranging from legendary masters to contemporary stars, in a portfolio binding.

PhotoBox presents a collection of 250 photographs by 200 of the world’s most prominent photographers, ranging from legendary masters to contemporary stars, in a compact paperback format. Photographers include Ansel Adams, Richard Avedon, Yann Arthus-Bertrand, Henri Cartier-Bresson, Elliot Erwitt, Robert Frank, Nan Goldin, David LaChapelle, Annie Leibovitz, Helmut Newton, and many more. Each image is accompanied by an engaging commentary and a brief biography of the photographer.

An essential anthology of must-see photographs from the earliest days of the medium to the present.

About the Author:

Roberto Koch is the author/photographer of Exit, Album and Istanti di Russia, for which he received the 1991 Kodak award. As editor of Contrasto, one of the world’s leading publishers of photography books, he has profound knowledge of the subject.

Masters and monographs. An encyclopedia of 20th-century photographers and their finest publications

Arranged alphabetically, this biographical encyclopedia features every major photographer of the 20th century alongside her or his most significant monographs.

From the earliest representatives of classical Modernism right up to the present day, Photographers A–Z celebrates those photographers who have distinguished themselves with important publications or exhibitions, and who have made a significant contribution to the culture of the photographic image. The entries include photographers from North America and Europe as well as from Japan, Latin America, Africa, and China.

Richly illustrated with facsimiles from books and magazines, the collection also features photographers working in “applied” areas, whose work is regarded as photographic art. Star turns include Julius Shulman, Terry Richardson, Cindy Sherman, and David LaChapelle.

About the series:

Bibliotheca Universalis — Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!

Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together more than 100 of our all-time favourite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.

Bookworm’s delight — never bore, always excite!

Think you know photography? Think again. Through a carefully curated selection of quotes and images, this book reveals what matters most to the masters of photography. With accompanying text by Henry Carroll, author of the internationally bestselling Read This If You Want To Take Great Photographs series, you’ll learn what photography actually means to the giants of the genres and how they developed their distinctive visual styles.

About the Author:

Henry Carroll studied photography at the Royal College of Art and his work has been exhibited worldwide. Henry’s clear, jargon-free style of teaching has demystified digital photography and inspired thousands to get creative with their cameras.

Think you know photography? Think again. Through a carefully curated selection of quotes and images, this book reveals what matters most to the masters of photography. With accompanying text by Henry Carroll, author of the internationally bestselling Read This If You Want To Take Great Photographs series, you’ll learn what photography actually means to the giants of the genres and how they developed their distinctive visual styles.

About the Author:

Henry Carroll studied photography at the Royal College of Art and his work has been exhibited worldwide. Henry’s clear, jargon-free style of teaching has demystified digital photography and inspired thousands to get creative with their cameras.