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Published for the first time in book form, this startling and intimate collection of late images by the great twentieth-century Japanese photographer comprises the series Private Scenes and Letters from Journeys.

One of the most important Japanese photographers of the last century, Masahisa Fukase was known for exploring themes of isolation, lonliness, and melancholy and for his transgressive and intimate approach to the medium. This volume includes two of his last and arguably most personal series. Private Scenes features photographs taken over the course of the year 1989 in different locations around the world and in which he is both subject and photographer. He then painted over the prints with colored washes to create an entirely new piece. For this same series, he later photographed scenes from daily life, this time in Tokyo, changing camera and adding the date on his photographs, but still representing himself in the images. This volume reproduces for the first time in book form all of the photographs that make up both original series. It charts a turning point in Fukase’s work — an artist grappling with his medium and with a compulsion to share his personal experiences with his audience. The photographs are accompanied by a text by Masako Toda, who offers a contextual and historical consideration of Fukase’s œuvre.

Published for the first time in book form, this startling and intimate collection of late images by the great twentieth-century Japanese photographer comprises the series Private Scenes and Letters from Journeys.

One of the most important Japanese photographers of the last century, Masahisa Fukase was known for exploring themes of isolation, lonliness, and melancholy and for his transgressive and intimate approach to the medium. This volume includes two of his last and arguably most personal series. Private Scenes features photographs taken over the course of the year 1989 in different locations around the world and in which he is both subject and photographer. He then painted over the prints with colored washes to create an entirely new piece. For this same series, he later photographed scenes from daily life, this time in Tokyo, changing camera and adding the date on his photographs, but still representing himself in the images. This volume reproduces for the first time in book form all of the photographs that make up both original series. It charts a turning point in Fukase’s work — an artist grappling with his medium and with a compulsion to share his personal experiences with his audience. The photographs are accompanied by a text by Masako Toda, who offers a contextual and historical consideration of Fukase’s œuvre.

About the Author:

Masako Toda is a photo historian, author, and curator of Japanese photography. She holds a masters from The University of Tokyo. Toda is a lecturer at Musashino Art University, Tokyo College of Photography, among others. In 2006, she was awarded the incentive award by the Japan Society for Arts and History of Photography. Toda's field of expertise is the history of modernism as well as postwar Japanese photography.

A beautifully designed monograph surveying the works of the highly acclaimed contemporary photographer.

Kenna’s photographs captivate viewers through their silent drama and magnetism: rather than being accurate descriptions of a place, the photographer seems interested in capturing the invisible lines which enclose space, and in so doing arousing a viewer’s imagination and reverie. Michael Kenna is an artist for whom the subject is above all the opportunity for a tremendous but constant variation in his view of the world.

Kenna’s photographs captivate viewers through their silent drama and magnetism: rather than being accurate descriptions of a place, the photographer seems interested in capturing the invisible lines which enclose space, and in so doing arousing a viewer’s imagination and reverie. Michael Kenna is an artist for whom the subject is above all the opportunity for a tremendous but constant variation in his view of the world.

• This catalogue showcases 290 black-and-white photographs: 200 traces the artist’s career, from early 1970s images shot in England, to the photographs of the following three decades, which result from travels and commissions in every continent throughout the world; 35 records Venice’s everlasting appeal; 20 reflect one of Kenna’s most important jobs, that of recording the Nazi concentration and extermination camps.
• Michael Kenna’s photographs have been the subject of over thirty books and catalogues, and are included in such permanent museum collections as The National Gallery, Washington, D.C.; The Shanghai Art Museum, Shanghai; and The Victoria and Albert Museum, London.

About the Author:

Michael Kenna was born in England in 1953 but has been living in the United States for thirty years. Of the many showings of his works that have been held in public venues and private galleries, mention should be made particularly of those in museums in France, Japan and the United States, the latest being in the French National Library, Paris, in 2009.

An Archeology of Time

There is more to numbers than sums; they can also conceal histories, too. In this case, world-famous architectural history. For five years the renowned Neue Nationalgalerie (New National Gallery), designed by Ludwig Mies van der Rohe, was closed to the public for renovation. Nevertheless, the photographer Michael Wesely was able to accommodate “four guests” inside the iconic building: four cameras, each one pointing in a different direction, were installed on the ceiling. Every day they took between 360 and 730 pictures with an exposure time of 90 seconds each. Edited into bewitching montages, this fascinating synopsis allows readers to envision the building’s metamorphosis as it was undergoing renovations. The long exposure time is an aesthetic coup, for ephemeral, restless, rapid movements contrast with the still, timeless quality of the architecture, presenting a sophisticated interplay of identity and change.

This book is published on the occasion of the re-opening of the Neue Nationalgalerie, Berlin, August 2021. It is a slightly altered special edition of the original numbered edition of April 2021.

About the Author:

The photographer Michael Wesely (*1963) is a celebrated master of the long exposure. His precise approach to this photographic technique, tailored to each object, brought him world renown. His unique aesthetic can be found in numerous exhibitions and collections around the globe. He lives in Berlin.

This fascinating photography collection contains carefully selected pieces from four of Ninagawa's photography collections, such as Everlasting flowers, Portraits of the time, The days were beautiful, and trans-kyoto.

Her stunning works are categorized into 8 themes; which are Sakura, Everlasting Flowers, The days were beautiful, PLANT A TREE, Self-image, trans-kyoto, Portraits of the time, INTO FICTION/REALITY. This book also includes 3 special interviews with curators of art museums and organizations; Matthias Harder who is a curator of Helmut Newton Foundation, Takeshi Sakurai who is a director of Contemporary Art Museum, Simon Baker who is a director of Maison Européenne de la Photographie. 

All the artworks included in this book will also be exhibited across the country started in Kumamoto in June 2018.

Renowned portrait photographer Mark Mann documents an impressive host of dancers — their eloquent bodies in posed tranquility and vibrant motion — representing years of excellence and varied disciplines of the art form.

A celebration of the strength and emotive ability of dancers, this book is a collection of images that captures the dynamism and energy of the mediums of both dance and photography. In homage to Mann’s hero Irving Penn, he installed a backdrop of old monochromatic muslin. Dancers from many genres — ballet, jazz, African, tap, Broadway theater, hip-hop, ballroom — perform and discuss their passions about the art form in this stark environment.

Mann captures the humanity and spontaneity of principal and lead dancers from the Alvin Ailey American Dance Theater, American Ballet Theatre, Martha Graham Dance Company, New York City Ballet, and many other troupes. Subjects include dance personalities Misty Copeland, Carmen de Lavallade, Tiler Peck, Chita Rivera, James Whiteside, Omari Wiles, Xin Ying, and many others.

As a photographer, Mann is used to working hard at making something happen in his images; here, he has taken a slightly more passive role, witnessing and capturing the expressive and talented subjects that take control of each frame. This book is a testament to the emotional and physical power of each dancer, in stillness and in motion.

About the Author:

Mark Mann is a renowned celebrity portrait photographer who originally hails from Scotland. Chita Rivera is an American dancer, singer, and actress.

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Пролистать книгу Movement at the Still Point: An Ode to Dance

This is an expanded and updated version of Nan Goldin’s seminal book The Other Side, originally published in 1993. There will be a revised introduction by Goldin, and for the first time the voices of those whose stories are represented. Now being released at a time when the discourse around gender and sexual orientation is evolving, The Other Side traces some of the history that informs this new visibility.

The first photographs in the book are from the 1970s, when Goldin lived in Boston with a group of drag queens and documented their glamour and vulnerability. In the early eighties, Goldin chronicled the lives of transgender friends in New York when AIDS began to decimate her community. In the nineties, she recorded the explosion of drag as a social phenomenon in New York, Berlin, Bangkok and the Philippines, photographing their public personas while showing their real lives backstage. Goldin’s newest photographs are intimate portraits, imbued with tenderness, of some of her most beloved friends. The Other Side is her homage to the queens she’s loved, many of whom she’s lost, over the last four decades.

The Day May Break, photographed in Zimbabwe and Kenya in late 2020, is the first part of a global series portraying people and animals that have been impacted by environmental degradation and destruction. The people in the photos were all affected by climate change, displaced by cyclones and years-long droughts. Photographed at five sanctuaries, the animals were rescues that can never be re-wilded. As a result, it was safe for human strangers to be close to them, photographed so close to them, within the same frame. The fog on location is the unifying visual, as we increasingly find ourselves in a kind of limbo, a once-recognizable world now fading from view. However, in spite of their loss, these people and animals are the survivors. And therein lies possibility and hope.

About the Author:

Nick Brandt (b.1964) is an English-born, US-based photographer whose themes always relate to the disappearing natural world. He is the co-founder of the Big Life Foundation, in Kenya, where all of these photographs were shot.

Portraits of Survival and Hope

Some of Nick Brandt’s subjects are humans, some are animals, but they all are creatures of equal and obvious personhood. The overwhelming sense in the photographer’s ongoing global series The Day May Break is that they are all figuring out how to live in a new world. Each has arrived at the shoot at Senda Verde wildlife sanctuary in Bolivia through their own cascade of tragedy. Both extreme droughts and floods have destroyed people’s homes and livelihoods. Victims of habitat destruction and wildlife trafficking, the animals are rescues that can never be released to the wild. People and animals were photographed in the same frame and indeed convey a sense of connectedness through a shared fate. Fog is the unifying visual, symbolic of the natural world rapidly fading from view; and an echo of the smoke from wildfires, intensified by climate change, devastating so much of the planet. But in spite of their loss, these people and animals are survivors, pioneers entering the new phase our world has reached. In The Day May Break they share their powerful stories.

About the Author:

Nick Brandt (*1964, London) studied painting and film at St. Martin’s School of Art, London. In 1992 he moved to California, where he still lives today. Since 2001, he has documented the destructive impact that humankind is having on the natural world and, as a result, on humans themselves. Chapter One of his seminal series The Day May Break featured photographs taken in Zimbabwe and Kenya in late 2020. Chapter Two, shot in Bolivia in 2022, is the first time in his 20-year career that Brandt has made work outside of Africa.

Some of Nick Brandt’s subjects are humans, some are animals, but they all are creatures of equal and obvious personhood. The overwhelming sense in the photographer’s ongoing global series The Day May Break is that they are all figuring out how to live in a new world. Each has arrived at the shoot at Senda Verde wildlife sanctuary in Bolivia through their own cascade of tragedy. Both extreme droughts and floods have destroyed people’s homes and livelihoods. Victims of habitat destruction and wildlife trafficking, the animals are rescues that can never be released to the wild. People and animals were photographed in the same frame and indeed convey a sense of connectedness through a shared fate. Fog is the unifying visual, symbolic of the natural world rapidly fading from view; and an echo of the smoke from wildfires, intensified by climate change, devastating so much of the planet. But in spite of their loss, these people and animals are survivors, pioneers entering the new phase our world has reached. In The Day May Break they share their powerful stories.

This set includes the volumes The Day May Break and The Day May Break – Chapter Two.

About the Author:

Nick Brandt (b.1964) is an English-born, US-based photographer whose themes always relate to the disappearing natural world. He is the co-founder of the Big Life Foundation, in Kenya, where all of these photographs were shot.

An expansive and timely survey on contemporary British photographer and artist Nick Waplington, with work spanning his entire 40-year career – his first comprehensive retrospective volume

London- and New York-based artist Nick Waplington uses photography to capture the complex and far-reaching aspects of our lived experience. He rose to prominence in the early 1990s with Living Room and has since become known for his unfiltered depictions of people and places, and the sociopolitical backgrounds that define them.

From the chaos, violence, and euphoria of riots, protests, and free parties to the surreal, hypnotic quiet of his large-format landscapes, Waplington’s work (in all its messy humanness) transcends stereotypes and confounds expectations, and this book is no exception. Including never-before-published images, offering new insight into both well- and lesser-known projects, as well as Waplington’s painting and artistic practice, the book opens with a newly commissioned introduction from Simon Baker, one of the leading curators of contemporary photography in Europe and director of the Maison Européenne de la photographie (MEP), Paris.

This is the most extensive survey of Waplington's work to date, and includes previously unpublished photographs, as well as paintings, sketchbooks, and other artworks that complement his practice.

About the Authors:

Nick Waplington is a British artist living between London and New York. He has published extensively throughout his career, including Safety in Numbers (1995), Truth or Consequences (Phaidon, 2001), Working Process (2013), a collaboration with Alexander McQueen, Hackney Riviera (2019), and Anaglypta (2020). Waplington has exhibited in galleries and museums worldwide, and in 2015, was the first living British artist to have a solo photographic exhibition in the main galleries of Tate Britain, London.

Simon Baker is a curator, writer, and educator, and is currently director of the Maison Européenne de la Photographie, Paris. Formerly, he was senior curator of international art at the Tate Modern, London

For the majority of his decades-long career, Norman Rockwell relied on a camera to help him render the iconic scenarios born in his imagination. Photograph by photograph, he painstakingly assembled the specific features he sought for his envisioned illustration, projecting whole or partial pictures of amateur models, objects and settings onto drafting paper, and from there, onto canvas.

Many of Rockwell's most famous works - including those reproduced for LIFE and the Saturday Evening Post - began behind the lens. Uncanny in their approximation to his final paintings and unknown outside a small circle of Rockwell specialists, his study photographs are among the most evocative ever taken by a painter and undoubtedly cast his brushwork in a new light.

A collection of the best portraits and smoking shots from the wildly popular French firefighter calendars, personally selected by creator Fred Goudon.

A sensual, sexy homage to firefighters, this new volume spotlights the proud members of fire squads from all over France, who have discarded their helmets and gear to flash their best smiles and flex their muscles. Personally selected and beautifully shot by photographer Fred Goudon, the candid images from the popular 2016, 2017, 2018, 2019, 2020, and 2021 calendars offer readers the chance to fulfill their fantasies by discovering what these Gallic hunks look like underneath it all. Smoldering black-and-white and equally stunning color pictures uncover these everyday heroes in various states of undress, whether training and preparing for the call of duty or captured in gripping, intimate portraits. With their sculpted bodies on full display, this visual celebration of the masculine form, bravery, and spirited camaraderie is bound to raise the temperatures of photography aficionados everywhere.

About the Author:

Fred Goudon is a French photographer. His work has focused on the male form for over twenty years, and he is notably the photographer of the Firefighters and Dieux du Stade calendars, the latter featuring tantalizing portraits of international rugby stars.

Historians, art-lovers, and the fashion-conscious will be united in their love of this sumptuous and well-researched history of Mariano Vivanco’s motherland.

Peru by Mariano Vivanco is a once-in-a-lifetime project in which the photographer uses his love of imagery, history, and fashion alike to create a truly remarkable body of work. Vivanco takes readers through a personal journey depicting the history and folklore of his beloved country, Peru, through various photo essays. Vivanco has chosen to tell the story chronologically starting from the first pre-Columbian Inca civilization, Caral. This then passes through Moche, Nazca, where he photographed geo-glyphs from an airplane, to the Chimu civilization leading up to the Inca Empire. The Peruvian jungle served as the inspiration through its mythologies: El Bufeo Colorado, El Chullachaqui, and the Devil of the Red Flora to name a few. Vivanco also explored religious saints, Santa Rosa and San Martin De Porres, as well as rebellion leader Tupac Amaru II and his wife Micaela Bastidas.

About the Author:

Mariano Vivanco travelled the world with his family from a very early age, before eventually settling down in New Zealand at the age of ten. This is where his passion for art and photography began. Inspired by the scenes depicted in the works of Edward Steichen and Horst P. Horst, Vivanco moved to London in the year 2000 to pursue a career in fashion photography, with his first shoot ending up on the cover of Harper’s Bazaar. Jorge Villacorta is a Peruvian art critic and independent curator with a strong interest in contemporary visual arts. He was awarded the medal for Merit as cultural agent, by the Ministry of Culture of Peru, in 2013. His Excellency Ambassador Juan Carlos Gamarra is the Ambassador of Peru in London UK.

The first monograph to present the diverse photographic work of one of the true icons of American style, Kelly Klein. Kelly Klein’s photography represents a clear and seductive distillation of the talents and interests that have fueled her career in fashion and design. Equal parts artist and stylist, photographer and fashionista, Klein is at once a revered documentarian of the people and tastes that intrigue her and an icon of classic American style herself.   

After twenty-five years in the fashion industry, Klein turned her attention to photography and began a career that has blurred the lines between the worlds of art and fashion, passion and commerce. Collected here are photographs spanning her career to date, ranging from personal shots to intimate portraiture and editorial work commissioned for magazines such as Vogue and Vanity Fair.  

Edited by the artist, this is a stunning catalog of a rich and varied canon of work that juxtaposes the photographer’s contrasting styles to reveal a consistent sensibility — an effortlessness that reflects a natural translation of beauty in the images. From haunting still lifes and profound landscapes to glamorous candid snapshots and sophisticated fashion features, Klein’s unique eye is present throughout — an icon of style lending a touch of her own vision to everything she photographs.

About the Author:

Kelly Klein is among America’s foremost fashion and style photographers. Her iconic images have appeared in numerous magazines, and she is also the author of Pools, Horse, and Pools: Reflections. Aerin Lauder is style and image director for Estée Lauder and owner of the fashion brand AERIN. Bob Colacello is a renowned author and journalist whose writing has appeared regularly in Interview and Vanity Fair magazines.

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Пролистать книгу Photographs by Kelly Klein