Мистецтво

Featuring the star pieces from fashion designer Yves Saint Laurent's art collection – including works by Cézanne, Picasso, Mondrian and Matisse

Yves Saint Laurent was more than a designer of clothing – he was, for many, one of the great style arbiters of the twentieth century. His talent made him the youngest and brightest star in the firmament of fashion, first with Christian Dior, who chose him as his successor, and later in his own right as the shy but daring creator of the modern woman’s wardrobe.

His private life was the subject of constant public fascination, and the homes that he shared with his lifelong friend and business partner Pierre Bergé were extraordinary private cocoons of taste and style. Ivan Terestchenko’s photographs – taken after Yves Saint Laurent’s death in 2008 – capture these exquisite surroundings and cultured luxury for the last time.

Yves Saint Laurent and Pierre Bergé amassed an exceptional collection of furniture and paintings over some forty years. It included important works by Picasso, Matisse and Mondrian, Old Master paintings by Goya, Ingres and Géricault, and masterpieces of furniture, sculpture and silver from the Renaissance to Art Deco.

Not a single piece from the collection was sold until the year following Saint Laurent’s death. A historic sale by auction at the Grand Palais in Paris became the stuff of legend months before it even took place.

This book, revealing a rare union of passion, taste and supreme connoisseurship, stands as a monument to two of the greatest taste-makers of our time.

About the Author:

Robert Murphy is Paris correspondent for American fashion and lifestyle magazines W and Women’s Wear Daily
Born in England and educated in France, Ivan Terestchenko read History of Art at the Ecole du Louvre and was a painter until the age of 30 when he switched to photography and landed his first assignment with French Vogue. He contributes to many international publications.

This book provides the first authorised account of the history of the finest diamond jewellery in the world. Published on the occasion of the Diamond Jubilee of H. M. Queen Elizabeth II, it tells the story of the magnificent royal inheritance of diamonds from the time of Queen Adelaide in the 1830s to the present day.

Illustrated with a wealth of archive materials as well as extensive new photography of the jewels, this important publication includes stones of international importance as well as items of great historic significance, and will be a standard work of reference on diamond jewellery for many years to come.

Table of Contents:

Acknowledgements
Introduction
Queen Adelaide
Queen Victoria
Queen Alexandra
Queen Mary
Queen Elizabeth I
Queen Elizabeth II
Royal Family Tree
Glossary
Bibliography and Abbreviations
Picture Credits
Index

A completely redesigned and updated edition of The Queen’s Dolls’ House, to include new photography and discoveries made during the recent conservation of the Dolls’ House.

The Queen’s Dolls’ House is the largest, most beautiful and most famous dolls’ house in the world. Created for Queen Mary in the early 1920s by the renowned architect Sir Edwin Lutyens, it is a perfect replica of an aristocratic Edwardian residence, complete in every way – from the wine cellar, with its store of tiny bottles, each containing a thimbleful of vintage wine, to the library, with its exquisite volumes of original works by authors such as Sir Arthur Conan Doyle, Thomas Hardy and Edith Wharton. This astonishing little house also has a garden designed by Gertrude Jekyll, a garage full of miniature limousines, and electricity, running water and working lifts. Each room, from the servants’ bedrooms to the grand saloon, is fully furnished in every way, and waiting to be explored.

Lucinda Lambton guides the reader on an imaginative tour of this most magical of residences, from life below stairs to the high society setting of saloon and dining room, from the children's toys in the nursery to the miniature accoutrements of dressing-table and bathroom. Her narrative is complemented by documents from the Royal Archives, including previously unpublished letters between Queen Mary and Lutyens and the many contributing artists and manufacturers.

About the Author:

Lucinda Lambton is a writer, photographer and broadcaster, particularly renowned for her interest in art and architectural oddities. Her publications include Vanishing Victoriana, Temples of Convenience, Beastly Buildings, An Album of Curious Houses and Lucinda Lambton’s A–Z of Britain

A fresh look at a period of English art that has surged in interest and popularity in recent years, authored by one of Britain's leading art historians and critics.

The 21st century has seen a surge of interest in English art of the interwar years. Women artists, such as Winifred Knights, Frances Hodgkins and Evelyn Dunbar, have come to the fore, while familiar names – Paul Nash, Eric Ravilious and Stanley Spencer – have reached new audiences. High-profile exhibitions have attracted recordbreaking visitor numbers and challenged received opinion. In The Real and the Romantic, Frances Spalding, one of Britain’s leading art historians and critics, takes a fresh and timely look at this rich period in English art.

The devastation of the First World War left the art world decentred and directionless. This book is about its recovery. Spalding explores how exciting new ideas co-existed with a desire for continuity and a renewed interest in the past. We see the challenge to English artists represented by Cézanne and Picasso, and the role played by museums and galleries in this period. Women artists, writers and curators contributed to the emergence of a new avant-garde. The English landscape was revisited in modern terms. The 1930s marked a high point in the history of modernism in Britain, but the mood darkened with the prospect of a return to war. The former advance towards abstraction and internationalism was replaced by a renewed concern with history, place, memory and a sense of belonging. Native traditions were revived in modern terms but in ways that also let in the past. Surrealism further disturbed the ascetic purity of high modernism and fed into the British love of the strange.

Throughout these years, the pursuit of ‘the real’ was set against, and sometimes merged with, an inclination towards the ‘romantic’, as English artists sought to respond to their subjects and their times.

About the Author:

Frances Spalding is an art historian, critic and leading authority on 20th-century British art. Her books include acclaimed biographies of Roger Fry, Vanessa Bell, John Minton, Duncan Grant, Gwen Raverat and John and Myfanwy Piper, as well as a biography of the poet Stevie Smith. She is Emeritus Fellow of Clare Hall, Cambridge, a Fellow of the Royal Society of Literature and an Honorary Fellow of the Royal College of Art. In 2005 she was made a CBE for Services to Literature.

A luxurious and definitive exploration of how and why the Renaissance flourished in Italy for two centuries

The idea of “renaissance,” or rebirth, arose in Italy as a way of reviving the art, science, and scholarship of the Classical era. It was also powered by a quest to document artistic “reality” according to newly discovered scientific and mathematical principles. By the late 15th century, Italy had become the recognized European leader in the fields of painting, architecture, and sculpture. But why was Florence the center of this burgeoning creativity, and how did it spread to other Italian cities? Brimming with vivid reproductions of works by Leonardo, Michelangelo, Botticelli, Raphael, Titian, and others, this book showcases the creative achievements that traveled from Florence to Rome to Venice.

Art historian Norbert Wolf explores the influence of secular and religious patronage on artistic development; how the urban structure and way of life allowed for such a rich exchange of ideas; and how ideas of humanism informed artists reaching toward the future while clinging to the ideals of the past. Insightful, ccessible, and fascinating, this thoroughly researched book highlights the connections and mutual influences of Florence, Rome, and Venice as well as their intriguing rivalries and interdependencies.

About the Author:

Norbert Wolf is an art historian and author based in Munich. He has published several books with Prestel, including "Art Nouveau", "Art Deco", "Impressionism", "Spanish Painting", and "The Golden Age of Dutch and Flemish Painting", as well as monographs on Albrecht Dürer and Titian.

A captivating and comprehensive guide to Japan's elite class of warriors -- revised and updated with over 70 color photographs!

The Samurai played a leading role in Japanese society for centuries, and this is the first encyclopedia to showcase the fascinating history and culture of these enigmatic warriors. With a new foreword by Samurai scholar and martial arts expert Alexander Bennet and over 70 new color photographs, this newly designed edition offers the most comprehensive and enticing collection of Samurai information available today.

This book contains 171 highly detailed alphabetical entries and essays on a broad variety of intriguing topics, including the following:

- Samurai weapons and armor, including the fearsome katana sword
- Famous Samurai including Miyamoto Musashi, Japan's greatest swordsman; Tokugawa Ieyasu, the founder of the Tokugawa shogunate; and Toyotomi Hideyoshi, a unifier of Japan and notorious persecutor of Christians in the 16th century
- The Battle of Sekigahara, the largest battle ever to take place in Japan, and the Boshin War, which led to the fall of the shogunate and restoration of imperial power
- The Bushido code -- the legendary Samurai code of chivalry and honor

The new foreword by renowned Samurai historian Alexander Bennett provides expert insights into the lives and philosophy of the Samurai. Also included are many informative sidebars, suggestions for further reading, a selection of primary sources, and over 125 illustrations.

About the Authors:

Constantine Nomikos Vaporis is a professor of history at the University of Maryland, Baltimore where he teaches Japanese and East Asian History. He has received prestigious research fellowships, including a Fulbright Scholar's Award and an NEH grant. His books include Breaking Barriers: Travel and the State in Early Modern Japan and Tour of Duty: Samurai, Military Service in Edo and the Culture of Early Modern Japan. He recently collaborated with TedEd to produce an educational animated short film entitled "A Day in the Life of a Teenage Samurai."

Alexander Bennett is a professor of Japanese history and Budo theory at Kansai University. He co-founded and continues to publish Kendo World, the first English-language journal dedicated to Kendo. He holds black belts in several martial disciplines including Kendo Kyoshi 7-dan, Iaido 5-dan, and Naginata 5-dan. His published works include The Complete Musashi: The Book of Five Rings and Other Works and Hagakure: The Secret Wisdom of the Samurai.

Illustrations: over 125 archival images, including 70 in full-color

An important book on Shaker art and life, offering a fresh look at a style that has endured through centuries and continues to inspire designers and homeowners. This book presents the elegantly austere and simply styled objects of the Shakers in the context of their faith and community at Mount Lebanon, N.Y., the spiritual and administrative center of the Shaker world. Outstanding examples of furniture, textiles, tools, and other objects-drawn primarily from the collection of  Shaker Museum | Mount Lebanon-bring the fascinating world of the Shakers to life. The book also explores the equally compelling material culture of Sabbathday Lake in New Gloucester, Maine, the last active Shaker community, and how this group of Shakers continued to thrive while other Shaker communities elsewhere gradually disappeared.

Accompanying a major exhibition organized by the Farnsworth Art Museum, this book presents a new and authentic perspective on the Shaker community. Specially commissioned photography, archival imagery, essays by prominent scholars, and a firsthand interview with a member of the Sabbathday Lake Shaker community deepen our understanding of this influential movement and style.

About the Authors:

Michael K. Komanecky is chief curator at the Farnsworth Art Museum, in Rockland, Maine. Stephen J. Stein is a historian of American religion at the University of Indiana. Jerry V. Grant is the director of research and library services at the Shaker Museum. Michael S. Graham is the director of the Sabbathday Lake Shaker Village. Brother Arnold Hadd is a member of the Sabbathday Lake Shaker community. Leonard L. Brooks is the former director and David Stocks is the president of Shaker Museum | Mount Lebanon.

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Пролистать книгу The Shakers: From Mount Lebanon to the World

Ця легендарна книга була визнана найкращою, найчитабельнішою та найпровокаційнішою розповіддю про сучасне мистецтво, коли-небудь написаною.

У кожному з тематичних розділів Г’юз зберігає свою історію, засновану на історії 20-го століття, демонструючи, як модернізм прагнув описати досвід тієї епохи, і показуючи, що для багатьох ключових напрямів мистецтва це було життєво важливим завданням.

Спосіб, у який Г’юз повертає цю життєву силу та безпосередність через вдало підібраний приклад і влучну фразу, є серцевиною успіху цієї книги.

Про автора:

Роберт Хьюз (1938 – 2012) був австралійським мистецтвознавцем, письменником і продюсером телевізійних документальних фільмів.

Відтворена з найкращого збереженого видання рідкісного рукопису, книга The Sixty-Nine Stations of the Kisokaido вперше представляє західній аудиторії портрет повсякденного життя в Японії дев'ятнадцятого століття, створений Хіросіге та Айзеном. Кожне з сімдесяти одного зображення кишить унікальними персонажами: від жебраків та бійців до човнярів та вишукано одягнених жінок. За цими мандрівниками маячать замки, міста, могутні водоспади та багато інших місць, знайомих любителям японської історії. Коментарі Себастьяна Іззарда, доктора філософії, супроводжують кожне зображення, не лише надаючи уявлення про його тематику, але й обговорюючи їхнє виживання під час драматичних соціальних зрушень та економічних труднощів часів Хіросіге та Айзена. Ця книга розповідає історію визначної пам'ятки, двох безсмертних художників та незмінного шедевра.

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Відтворена з найкращого збереженого видання оригінального рукопису, ця книга пропонує незабутній портрет повсякденного життя в Японії 19-го століття. Кожна ілюстрація кишить унікальними персонажами: від жебраків та бійців до човнярів та вишукано одягнених жінок; а ніжний гумор художників наповнює їх усіх надзвичайною людською життєвою силою. Позаду мандрівників маячать замки, міста, могутні водоспади та інші місця, знайомі любителям японської історії. Читачі подорожуватимуть від станції до станції крізь зміну пір року, сільські дороги та міські вулиці, у подорожі, яка досліджує кожен шар різноманітного суспільства.

Кожне зображення супроводжує коментар мистецтвознавця та куратора Себастьяна Іззарда, доктора філософії, який пропонує нове розуміння процесів художників та збереження їхніх робіт. Багато дерев'яних блоків, використаних для друку оригінальних «Шістдесяти дев'яти станцій», радикально змінилися після ранніх видань, і Іззард розглядає мінливу природу кожного зображення. Його коментар детально описує збереження рукопису під час драматичних соціальних зрушень та економічних труднощів часів Хіросіге та Айзена, закликаючи оцінити його еволюцію протягом багатьох років. The Sixty-Nine Stations of the Kisokaido розповідає історію знакової події, безсмертних художників та незмінного шедевра. 71 кольорове зображення.

Про автора:

Себастьян Іззард отримав ступінь доктора філософії. зі Школи східних та африканських досліджень Лондонського університету. Маючи понад двадцять років досвіду роботи спеціалістом з аукціонних домов, оцінювачем та дилером японського та корейського мистецтва, він обіймав посаду керівника відділу японського та корейського мистецтва в Christie's New York, курував виставки для Американського товариства укійо-е та Японського товариства, а також отримав премію Утіяма за досягнення в галузі дослідження японської друкарської літератури. Наразі він живе в Нью-Йорку.

A cornerstone of art history – in a compact yet readable format and with a new preface by the author's granddaughter 

The Story of Art has been a global bestseller for over half a century – the finest and most popular introduction ever written, published globally in more than 30 languages. Attracted by the simplicity and clarity of his writing, readers of all ages and backgrounds have found in Professor Gombrich a true master, who combines knowledge and wisdom with a unique gift for communicating his deep love of the subject.

Updated with a stunning new cover and a preface written specially by Professor Gombrich's granddaughter Leonie, this pocket format allows Gombrich's classic work to continue its triumphant progress for another generation, and to remain the title of first choice for all newcomers to art and its history.

'Anyone looking for the most readable survey of the history of art from the [sic] cave paintings to the 20th century should buy the new, beautifully produced pocket edition of The Story of Art, still one of the great classics of art criticism.' – Independent

About the Author:

Sir Ernst Gombrich’s standing in the world of art and his popularity with experts and a vast general readership remain unrivalled. Born in Vienna, he came to London in 1936 to work at the Warburg Institute, where he became director from 1959 until his retirement in 1976. He won numerous honors, including a knighthood, the Order of Merit, and the Goethe, Hegel, and Erasmus prizes.

A global bestseller for over five decades and translated into over 30 languages, with over 8 million copies sold

Exquisite cloth-bound edition of the classic art-history text – the ideal gift for every art connoisseur and student

For more than 70 years Sir Ernst Gombrich’s The Story of Art has been a global bestseller – with more than 8 million copies sold – the perfect introduction to art history, from the earliest cave paintings to art of the twentieth century, a masterpiece of clarity and personal insight. This classic book is currently in its 16th edition, and has been translated into more than 30 languages and published in numerous formats and editions.

This luxury edition, with its bespoke cloth cover and preface by Professor Gombrich's granddaughter Leonie, is the ultimate gift purchase for all art lovers – a keepsake to treasure, and to inspire future generations.

A global bestseller for over five decades, this luxury edition is perfect for collectors, connoisseurs, and the millions of people who have grown up reading and loving this classic companion.

About the Author:

Ernst Gombrich was one of the greatest and least conventional art historians of his age, achieving fame and distinction in three separate spheres: as a scholar, as a popularizer of art, and as a pioneer of the application of the psychology of perception to the study of art. His best-known book, The Story of Art – first published 50 years ago and now in its sixteenth edition - is one of the most influential books ever written about art. His books further include The Sense of Order (1979) and The Preference for the Primitive (2002), as well as a total of 11 volumes of collected essays and reviews. Gombrich was born in Vienna in 1909 and died in London in November 2001.

He came to London in 1936 to work at the Warburg Institute, where he eventually became Director from 1959 until his retirement in 1976. He won numerous international honours, including a knighthood, the Order of Merit and the Goethe, Hegel and Erasmus prizes. Gifted with a powerful mind and prodigious memory, he was also an outstanding communicator, with a clear and forceful prose style. His works are models of good art-historical writing and reflect his humanism and his deep and abiding concern with the standards and values of our cultural heritage.

NFTs, or non-fungible tokens, exploded into the art space last year, no doubt because Beeple (a digital artist) sold his NFT at Christie’s auction house for a staggering $69 million. Yet the story of NFTs is much more interesting, significant, and subtle than that sale. This book explains NFTs in the art world — and the ways they might not only democratize the arts but enliven our larger democracy.

Since the NFT phenomenon took over the art world, useful information that isn’t too reductive is in short supply. Artists, collectors, arts professionals, art lovers, and museumgoers are still trying to understand what NFTs are, how to benefit from or engage with them, and what they mean for the art world in the future. This book is precisely for this audience.

The authors take the reader through the basic concepts of NFTs and the underlying technology of blockchain, including their origins, their surprising connections to the history of artmaking and art collecting, and their potential to radically reshape the art world. The book invites the reader to engage with this new technology, to understand its connections to the longer arc of art history, and to help shape its future.

The volume is structured around four key chapters: Origin Stories (where NFTs come from), Artists + Making (how artists are currently engaging with the technology and minting NFTs logistically and conceptually), Collectors + Buying (what does it mean to collect an NFT and other advice for current and soon-to-be collectors), and Future States (how NFTs will upend and democratize the arts). In addition to the authors’ extensive knowledge, the book draws on a wide range of interviews with leading contributors to the NFT story.

The Story of NFTs is an inventive, elegant, and not insufferable book on a topic that matters more than most people think, in ways that are surprising and at odds with the one-dimensional cryptocurrency story. The many intersecting stories of NFTs in this book—knowledge stories, artist stories, democracy stories — center how we know what is true in an age of digital records and how we build collaborative and equitable structures for the future.

About the Authors:

Amy Whitaker is a long-standing blockchain and NFT researcher in the arts and Associate Professor at New York University. She is the award-winning author of Museum Legs, Art Thinking, and Economics of Visual Art. 

Nora Burnett Abrams, PhD, is the Mark G. Falcone Director of MCA Denver.

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Пролистать книгу The Story of NFTs: Artists, Technology, and Democracy на сайте издательства.

A sublime volume about one of the most important collections of ancient marble sculptures in the world, an astonishing private trove largely hidden to scholars and the public until now.

Last published in a nineteenth-century catalog, the distinguished Torlonia Collection of more than 600 priceless Greek and Roman works -- marbles and bronzes, reliefs and sarcophagi, depictions of gods, and portraits of emperors -- is one of the most important assemblages of classical sculptures still in private hands anywhere in the world. This eagerly awaited volume presents a selection of nearly 100 sculptures, which have been chosen for their quality and historic significance and which will be featured in an unprecedented exhibition designed by David Chipperfield and held in the Villa Caffarelli, near the Musei Capitolini in Rome, before touring globally. The legendary aura surrounding this, Rome's last princely collection, is due not only to its extraordinary scope and the high quality of the works, but also to the fact that the collection has not been available to the public for decades.

This revelatory book features multiple essays by leading experts on the history of the collection and scholarly entries for the works detailing important discoveries made through archaeological research as well as the cleaning and conservation of the sculptures.

About the Authors:

Salvatore Settis is the former director of the Getty Research Institute, Los Angeles (1994-99) and of the Scuola Normale Superiore di Pisa (1999-2010), where he also taught classical archaeology and art history. He currently chairs the Scientific Council of the Musée du Louvre and has curated or co-curated a number of exhibitions.

Carlo Gasparri taught archeology and history of Greek and Roman art in the universities of Urbino (1975-90), Viterbo (1990-93) and Naples (1993-2014). He is emeritus professor of the University of Naples Federico II and has authored several books about archeology and Greek and Roman art.

This book features more than sixty exceptional objects that large embassies, diplomatic missions and trade delegations from Ottoman Turkey and Safavid Iran offered to the tsars of Russia.

Ranging in date from the early sixteenth to the late seventeenth century, these lavish gifts and tributes include rarely seen arms and armour and jeweled ceremonial vessels and regalia intended for the Russian court or the Orthodox church. Some of the finest pieces are equestrian in nature: stirrups with pearls, golden bridles with turquoises and rubies, and saddles covered with velvet and silk.

This book explores the reasons why these extraordinary gifts were presented, their artistic and cultural impact, and how they inspired artists to develop a highly original visual identity that became a potent symbol for the Russian state and the Orthodox church.

Published to accompany the Smithsonian Institution’s major exhibition

Dr Alexey Konstantinovich Levykin is Scientific Director of the Kremlin Museum.

Доповнення до знакової книги The Art Book, The 21st-Century Art Book – це доступний путівник найкращим сучасним мистецтвом, створеним з 2000 року.

Доповнення до знакової книги The Art Book, The 21st-Century Art Book – це доступний путівник найкращим сучасним мистецтвом, створеним з 2000 року. Представляючи понад 280 художників в алфавітному порядку, він розміщує таких відомих діячів, як Джефф Волл, Марлен Дюма та Мауріціо Каттелан, поруч із висхідними зірками наступного покоління, такими як Каміль Генро та Гарун Мірза. Міжнародний за своїм світоглядом, він об’єднує художників з усіх континентів та документує безпрецедентну різноманітність підходів та засобів, що використовуються сучасними художниками – від олійного живопису та бронзових скульптур до відеоінсталяцій та перформансів.

Кожен художник представлений повносторінковою кольоровою таблицею та ілюстративним текстом, який пояснює роботу та представляє її творця. Простий у використанні, з міжнародним каталогом бієнале та художніх ярмарків, де читач може зустрітися з мистецтвом віч-на-віч.