Мистецтво

The largest unique collection of printed memorabilia from the punk and post-punk movements.

Andrew Krivine began collecting punk memorabilia in 1977 when punk exploded onto the scene. Since then, Andrew has amassed one of the world's largest collection of punk graphic design and memorabilia.

This book features a carefully curated selection of over 650 posters, club flyers, record covers and adverts from the collection. Together they represent the prime years of punk which changed the world of graphic design forever with its do-it-yourself aesthetics.

The artworks are put into context by graphic design experts, academics and commentators. Among them former art director of New York Times Steven Heller, reader in graphic design at the London College of Communication Dr Russ Bestley, graphic design writer Rick Poynor, designer Malcolm Garrett and Pulitzer Prize-winning editor Michael Wilde. The book spans the growth and evolution of punk on both sides of the Atlantic including The Clash, The Buzzocks, Iggy Pop and The Stooges, Television, The Ramones, Patti Smith, Talking Heads, Devo, Blondie, Flying Lizards, Public Image Ltd, The Only Ones, The Slits, New Order, REM and Joy Division.

A collectable item itself, the book is beautifully produced with front and back cover artwork by Malcolm Garrett and Peter Saville, the designers behind some of punk's most memorable album covers. Arguably the most essential and final work on the graphic design revolution within the punk and post-punk movements of the UK and America, Too Fast To Live Too Young To Die will appeal to punk fans and graphic designers alike.

Part of Andrew's collection is currently touring the world as the Too Fast To Live Too Young To Die exhibition and has been on display at the Museum of Arts and Design in New York among other museums.

About the Author:

Andrew Krivine owns one of the largest private collections of punk and post-punk graphic design and memorabilia in the world. He began collecting when staying with his cousin John Krivine, who founded the seminal punk stores Acme Attractions and BOY in London in the 1970s. Andrew is a resident of New York, and he continues to add to his collection.

This highly anticipated follow-up volume presents the exquisite designs of Tord Boontje, one of the most creative and romantic industrial designers working today.

Tord Boontje: Enchanted World is a comprehensive visual document of the designer’s most recent work. As an artist and a craftsman, Boontje incorporates an artisanal sensibility into contemporary industrial design, drawing upon a rich graphic tradition to create objects of exceptional beauty and delicacy.

Featured here are some of his latest works, many undertaken after Boontje stepped down as Head of Design Products at the Royal College of Art in 2013 (a position he assumed after Ron Arad in 2009). Now, solely focused on his own design studio in London, Boontje showcases many of his designs, including the wispy Icarus Lamp, an armoire constructed entirely of pressed-metal fig “leaves” for Meta, a portable Bluetooth speaker for Yamaha hidden under a curtain of horsehair, and many other romantic explorations that have made Boontje’s output stand out in the world of design. Combining developing technologies and traditional approaches, his pieces are prized for their originality, delicacy, and intricate detail. This book is a must for design lovers, providing readers with a window into how Boontje crafts his unique objects, from studio prototype to retail. Indeed, the book is conceived as a work of total design, using special printing effects and beautiful marginalia on almost every page in the form of Boontje’s sensitive and romantic detailed hand-drawn illustrations that have served as the inspiration for many of the objects featured here.

About the Author:

Tord Boontje is an award-winning industrial designer from the Netherlands. He graduated from the Royal College of Art in London and was Head of Design Products at the college from 2009–2013. He first came into public prominence with his work for Target.

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Пролистать книгу Tord Boontje: Enchanted World: The Romance of Design

A new comprehensive monograph on the work of an enduring icon of contemporary art.

Compiled in close collaboration with the artist and unprecedented in its scope, this definitive book collects ten years of Tracey Emin’s drawings, paintings, sculptures, appliqués and embroideries, neons, video stills, and installations. A multimedia artist whose intensely personal work blurs the boundaries between art and life, Emin remains one of the most highly publicized contemporary British artists and continues to stir as much controversy as she has acclaim.

Moving chronologically through a prolific decade of work — from major public installations to recent reflective paintings and sculptures — this book shows a coherent vision that defies the idiosyncrasies of Emin’s evolution as an artist. The same mixture of anger, hope, curiosity, and vulnerability that informs her delicate drawings and handwritten neon works can be felt in the darker tones of recent monoprints and the weight of later bronze pieces.

Written by Jonathan Jones, whose text places Emin’s work in a broad art-historical context and sees this recent decade of her artwork as an entry point to examining her full career, this is a beautiful monograph on one of the world’s most influential living artists.

About the Author:

Tracey Emin, CBE, was nominated for the Turner Prize in 1999 and chosen to represent Britain at the fifty-second Venice Biennale in 2007. Emin is also a member of the Royal Academy of Arts. Jonathan Jones is an English art critic who writes for The Guardian. He has been a judge for the BP Portrait Award and the Turner Prize, and is the author of two books.

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Пролистать книгу Tracey Emin: Works 2007-2017

Exceptional new photography brings readers behind the scenes of the Trianons and Marie Antoinette’s Hamlet at Versailles ― including areas usually closed to the public.

Life in the Château de Versailles was dense with pomp and circumstance, and the royals often craved a quiet moment with friends and lovers far from the din of the court. Hidden away from the palace on the grounds nearby, the kings built the Grand Trianon, Petit Trianon, and the Queen’s Hamlet, where they could slip away to entertain their inner circle. This book explores every aspect of life at these private outbuildings, from the furnishings and gardens to the history and inhabitants.

In 1687, Sun King Louis XIV conceived of the Grand Trianon and its exceptional parterres and fountains as a seamless link between court and garden ― a private retreat where he could withdraw with his family and escape the heavy hand of protocol. Louis XV commissioned the Petit Trianon, a neoclassical masterpiece with four unique facades, and its famous menagerie and botanical gardens. Louis XVI bestowed the Petit Trianon on Marie Antoinette; in her gardens and picturesque hamlet and farm, the queen’s presence is more tangible here than anywhere else at Versailles.

This handsome volume with newly commissioned photography is both a historical testimony and an intimate visit on the grounds of the palace of Versailles.

About the Author:

Jacques Moulin is the chief architect for numerous French heritage sites, including Versailles. Francis Hammond has contributed to many books, including Versailles: A Private Invitation, Historic Houses of Paris, and A Day at Versailles. Yves Carlier, general curator at Versailles and specialist in sixteenth- to nineteenth-century French decorative arts and design, wrote A Day at Versailles.

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Пролистать книгу Trianon and the Queen's Hamlet at Versailles: A Private Royal Retreat​ на сайте издательства.

So many people find choosing colours that work together to be the most challenging part of doing up their homes. The trick to putting together rooms that are good to look at as well as easy to live in is to start with a colour palette that suits you and your situation. Tricia Guild has spent her life working with colour, pattern and texture to create beautiful rooms and producing collections of paint, fabric and wallpapers – the colour palettes she uses to achieve them.

In this inspiring and practical book she’s lifted the lid on her ‘paint box’, providing visual inspiration, expert advice and 45 bespoke palettes. Each story describes its inspiration and features a room showing how it can be used. Hints and tips – such as how to use plains, patterns and texture, or how to alter the balance of the colours – spell out how to create different effects. Mood boards demonstrate how to ensure your chosen palettes will work. With all these elements at your disposal all you need to do is open up the Paint Box and get creative!

About the Author:

Tricia Guild OBE founded Designers Guild in 1970. The company is a leading name in interior design throughout the world, achieving international recognition and winning countless awards for its collections of contemporary fabrics, wallpapers, paints, accessories and home furnishings. Tricia has sat on the Crafts Council and is an honorary fellow of the Royal College of Art. She has produced 14 books which have been translated into 12 different languages. She lives in West London and Italy with her husband.

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In this book Tricia Guild has lifted the lid on her own 'paint box' - the colours with which she chooses to colour her world. She collates some of her favourite palettes, inspired by nature, her travels, art and architecture, fashion and everyday combinations of colours that surround us. They can all be adapted to suit your style and your home and, although many may feature pattern, every single one will work like a dream in purely plain colours.

“I would like to share with you the way I choose colours, I love to put them together in a palette, then use this in a mix of plains, pattern and texture to evoke the mood I seek in a room.
To imbue one’s home with the same expression and personality is to harness the power of colour in your own way.”
Tricia Guild OBE
Creative Director and Founder of Designers Guild.

Over the years Tricia has met many people who are more than a little nervous of embracing colour in their own homes. At Designers Guild, it has always been her passionate goal to give people the confidence to embrace hues and textures that she knows will enrich their lives. Her aim has been to share that sense of unadulterated joy one feels when contemplating a glorious landscape or work of art in order to create a desirable living space.

In PAINT BOX, you will discover where Tricia’s unique sense of colour and style comes from and, most importantly, how to replicate these palettes in the home. With stunning interior photography, this colour compilation is inspirational but, above all, practical and useful.

The definitive monograph on the work of one of the most prolific, versatile, and exciting artists of the last three decades

Over the past 30 years, Swiss-born, New York-based artist Ugo Rondinone has developed a distinct body of work: vibrant paintings, immersive installations, sculptures, and text-based works, all united by a poetic quality and an enduring preoccupation with such universal themes as time and cosmic cycles.

Profoundly interested in the contemplation of everyday life, Rondinone reconciles the visual language of psychedelia and advertising with meditative, intimate reflections on personal and collective experiences. This book brings fresh perspective to his remarkable life and career and is a must-have for his huge global following.

About the Authors:

Laura Hoptman is Executive Director of the Drawing Center in New York.

Erik Verhagen is an independent curator and an art critic and an Associate Professor of Contemporary Art History at Université de Valenciennes.

Nicholas Baume is Director and Chief Curator of the Public Art Fund in New York.

Jason Schmidt is a photographer based in New York.

Об'єднуючи шедеври з трьох найвеличніших колекцій укійо-е Японії, каталог виставки історичної виставки UKIYO-E 2020 тепер доступний по всьому світу!

Ця книга є каталогом виставки UKIYO-E 2020, яка проходила в Токійському столичному художньому музеї з 23 червня по 22 вересня 2020 року.

Ця виставка має велике значення, оскільки вперше разом були представлені шедеври з Меморіального музею мистецтв Ота (Японія), Музею укійо-е та Фонду Хіракі укійо-е – музеїв, які вважаються трьома найвеличнішими колекціями укійо-е в Японії як за якістю, так і за обсягом. Каталог виставки містить 450 ретельно відібраних гравюр укійо-е з XVII по XIX століття, що пропонує чудове висвітлення світових шедеврів укійо-е.

Ця книга не лише стане позачасовим сувеніром історичної виставки, але й буде надзвичайно цінною як головне джерело, що охоплює повну історію укійо-е.

Ukiyo-e ("pictures of the floating world") is an art form that originated in the metropolitan culture of Edo (Tokyo) in the early seventeenth century and involved collaboration between artist, carver, printer and publisher. Printed on fragile paper using a technique of woodcut or woodblock printing, the early black and white designs soon gave way to delicate two-colour prints and then to multicoloured prints. Favourite subjects were portraits of beautiful geisha and courtesans, popular kabuki actors and sumo wrestlers, erotica, scenes from nature, historical subjects and even foreigners in Japan.

The charming, carefully selected ukiyo-e in this book reflect not only Japan's rich history and way of life but also reveal the author's love affair with an art form that has captured the imagination of people all over the world./p>

Uncovered is an oral history of the stories behind the most ground-breaking and controversial magazine covers ever published, as told by the people who created them. 

Compiled by industry veteran Ian Birch, Uncovered gathers together the insights of the magazine world’s most important figures, including high-profile editors, creative directors, photographers, artists and cover stars. 

Featuring compelling and shocking covers from Vogue, Life, Esquire, The New Yorker, i-D, The Face, Private Eye, Time, Rolling Stone and many more, covering issues as varied as the civil rights movement and Vietnam war to the Trump presidency and Brexit debate, this is a unique social document celebrating and chronicling the art of magazine design.

Ambitious art in large formats

Unlimited, Art Basel's pioneering exhibition platform for projects that transcend the classical art-show booth, has been a vital part of the most important art fair since 2000. Every year, more than 70 artists are invited to contribute to this exceptional platform. The concept of this large exhibition is unique and popular with both collectors and visitors, showing oversized works to their best effect in a gigantic, 17,000 square-meter hall, including massive sculptures and paintings, video projections, large-scaled installations, and live performances. Like its predecessors, the 2022 edition of Unlimited promises to attract considerable attention. All contributing artists and their works shown are presented in the Unlimited catalog.

“Anyone who missed the big special show Unlimited at Art Basel can get an impression of it through this illustrated volume. This large, museum-quality exhibition has been expanding the boundaries of art since the year 2000.”– Bücher Magazin.

Figurative painting of the past five years, represented here by an exciting young generation of artists and vital practitioners, addresses the challenge of contemporary representation through expressionistic compositions and new techniques reflecting digital fluency.

Figuration is one of the oldest art forms, but it continually evolves, along with our changing understanding of human identity. The artists featured here often source imagery from the Internet, and draw on aesthetics developed in Internet-first channels. Digital techniques and affordances are incorporated into rendering processes with traditional media: brushstrokes are more precise, lines are sharper, and color is more highly keyed. In these works, expressionism is located more in the composition than in the paint handling.

This richly illustrated collection of figurative works is accompanied by texts that connect the present moment in painting to the early 1980s, when the emergence of artists such as Jean-Michel Basquiat, Francesco Clemente, David Salle, and Julian Schnabel revitalized the art dialogue after the extended dissolution of Minimalism, and to its roots in the practice of painters like Picabia.

About the Author:

Jeffrey Deitch has helped to build the careers of some of the leading contemporary artists as a gallerist and curator. He is the former Director of the Museum of Contemporary Art, Los Angeles. His book Live the Art: Fifteen Years of Deitch Projects, was published by Rizzoli in 2015.

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Пролистать книгу Unrealism: New Figurative Painting

The French High Jewelry Maison through more than 500 creations and archival documents, from 1906 to nowadays 

This book presents the legendary jewellery and precious objects of Van Cleef & Arpels, and how they relate to time, nature and love. Time is a fundamental element for both creativity and craftsmanship. Time gives objects their shape; defines their style; determines their function, social utility, and the choice of materials and techniques; indicates origin; hones taste; and reveals context. Time is interpreted through eight values inspired by Italo Calvino’s Lezioni Americane, or Six Memos for the Next Millennium, to honor the iconic pieces created by Van Cleef & Arpels over the years, from Art Deco masterpieces to the illustrious Zip necklace, gravity-defying Mystery Set, or celebrated Minaudières ― some of the most important innovations in the history of 20th-century jewellery-making.

Nature plays an equally important role for Van Cleef & Arpels as an ever-present source of inspiration and tribute, embodied in unique gems and timeless masterpieces drawing on flora and fauna. Van Cleef & Arpels is founded on love, the most powerful energy in the world. Each object is handcrafted with love, and Van Cleef & Arpels jewellery has sealed some of the century’s most legendary love stories.

In a brilliant historical and critical essay, illuminated by a stunning iconographic selection of jewellery, precious objects and archive materials, this work describes the Maison’s eternal values of time, nature and love.

About the Authors:

Alba Cappellieri is Full Professor of Jewelry and Fashion Accessories Design at Politecnico di Milano, where she is Director of the International Master’s in Jewellery and Fashion Accessories and the Master’s in Fashion Design, and teaches Brand and Product Management at Milano Fashion Institute (under the consortium with Politecnico di Milano, Bocconi University and Università Cattolica).

From 2013 to 2016 she taught Design for Innovation at Stanford University. Alba Cappellieri is a member of the Scientific Council at the Van Cleef & Arpels School of Jewelry Arts in Paris and an advisor with the Creative Academy of the Cologni Foundation in Milan. She was appointed Ambassador of Italian Design for Italian Design Day in Osaka in 2017, in Sydney in 2018 and in Baku in 2019. Since 2014, she has been Director of the Museo del Gioiello jewelry museum in Basilica Palladiana in Vicenza, Italy’s first museum exclusively dedicated to jewelry.

Her recent publications include: Gioielli, Dall’Art Nouveau al 3d Printing (Skira, 2018), Catene, gioielli tra storia, funzione e ornamento(Silvana Editoriale, 2018), Brilliant (Corraini, 2016), Gioielli alla Moda (Corraini, 2016), Gioielli sentimentali (Marsilio, 2014), Il design italiano incontra il gioiello, with M. Romanelli (Marsilio, 2013).

Офіційна книга, що супроводжує виставку-блокбастер у Генті

Фламандський художник Ян ван Ейк (бл. 1390–1441) перевершував своїх сучасників. Завдяки своїй безпрецедентній техніці, науковим знанням та неперевершеній спостережливості, Ван Ейк підняв олійний живопис на небачені раніше висоти та допоміг визначити курс західного мистецтва. Навесні 2020 року Музей образотворчих мистецтв Гента, Бельгія, провів найбільшу в історії виставку робіт Ван Ейка. «Оптична революція» включала роботи Ван Ейка, кілька творів з його студії та міжнародні шедеври пізнього Середньовіччя, які зробили світ Ван Ейка ​​більш відчутним, ніж будь-коли. Центральним елементом виставки були вісім відреставрованих зовнішніх панелей «Поклоніння містичного Агнця», надзвичайно виняткової колекції, наданої з собору Святого Бавона в Генті. Після виставки панелі були повернуті на своє початкове місце в соборі та більше ніколи не будуть виставлені в іншому місці.

Цей каталог виставки розвінчує деякі міфи, що оточують Ван Ейка ​​та його техніку, одночасно демонструючи його творчість та вплив у новій перспективі. Завдяки есе провідних експертів з усього світу, ця книга є незамінним ресурсом як для шанувальників, так і для дослідників Ван Ейка.

Про авторів:

Maximiliaan Martens is a professor of art history at Ghent University.
Till-Holger Borchert is a German art historian and writer specialising in 14th- and 15th-century art. He has been artistic director of the Municipal Museums in Bruges since 2014.
Jan Dumolyn is a Belgian historian and professor at Ghent University.

Au Courant with the Art Scene

The history of the VanhaerentsArtCollection began in the 1970s, when a young Walter Vanhaerents laid the foundation of his now famous collection with works by Andy Warhol. Much has happened since then, but the focus on new and provocative art, often considered radical at the time, remained. From Bruce Nauman, Yoshitomo Nara, and Bill Viola to Cindy Sherman, Jeff Koons, Katharina Fritsch, or Tom Sachs—across different genres and media, the Brussel-based collection reflects a keen sense of the latest developments in current art practices as well as a prescient intuition for emerging artists. The publication Looking Ahead celebrates the 50th anniversary of this unique collection and provides an overview of the exhibitions of the past 15 years.

Vasily Kandinsky became the pioneer of abstract art; he was a co-founder of the Blauer Reiter, an art theorist and an influential teacher at the Bauhaus. When he abandoned his promising career as a lawyer in favour of art at the age of 30, no one could have guessed that a few years later he would play a decisive role in determining and revolutionising twentieth-century art.

What the art critic Will Grohmann wrote in 1924 about Kandinsky in the historic series Junge Kunst, reflects current opinion at the time about the path Kandinsky had chosen towards abstraction, which was regarded as both irritating and bold. However, it was not just his radical views about art that polarised people; the charismatic painter also provoked them with his personality, prompting admiration and repudiation in equal measure. This volume is designed to appeal to book-lovers and is lavishly illustrated. It illuminates the principal milestones in Kandinsky’s artistic and private life, providing an insight into his legacy and focusing in particular on his years at the Bauhaus, where he taught together with artist colleagues like Paul Klee and Lyonel Feininger.