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Fujoshi, or Yaoi fandom supporters of femme gay media aimed at teenage girls represent an ever-increasing market in Japan. Best of Bishonen presents an up-to-date art collection of beautiful boys popular with Fujoshi or Yaoi girls. 

Seventy-nine artists are featured within, with details in Japanese and English. 

Some of the artworks are actually sought-after illustrations taken from the popular online game Touken Ranbu (in which players control legendary swords anthropomorphized as attractive young men) and Vocaloid PV. 

Best of Bishonen promises to satisfy Fujoshi girls with its unique claim as the complete Yaoi art collection! Best of Bishonen is also an indispensable book for anyone wishing to sample the visual pulse of this exciting trend. Additionally, five artists have created new original works exclusively for this project. 

Featured illustrators include: Shishunnki Suzuki Jiro Naoe Marimo Nao Tsukiji Fuji Mitsuya Toinana Aomiya Kara Shikimi Nagarenaitessyu And more!...

Based on recording industry sales figures, Best-Selling Albums is the definitive guide to more than 100 chart-topping records of the past six decades.

From Miles Davies and Nat ‘King’ Cole in the 1950s to Adele today, Best-Selling Albums features the most successful artists in the history of recorded popular music. Every album is illustrated with a sleeve artwork, front and back, providing a fascinating overview of the evolution of record cover design across the decades.

Each entry is packed full of information, including background on the recording of the album and its place in cultural history, as well as a full track listing and detailed musician and production credits.

In addition, there are listings of the biggest-selling movie soundtracks, the top 100 albums by sales, and much more.

A lavish monograph on the esteemed Spanish jewelry designer, whose work celebrates nature, geometry and the cosmos, on the occasion of her fiftieth anniversary.

Called the “queen of plique-à-jour,” after the historic and rarified enameling technique, Luz Camino has been in a continuous conversation with the world around her through her art; everything from birds, flowers, and shapes to rubber bands and even pencil shavings have been her muse. This first monograph on her work featuring more than two hundred fifty of her creations, many of which have never before been seen outside of private collections. This book beautifully showcases the sophistication, innovation, and creativity of one of the most adept jewelers working today.

About the Author:

Luz Camino is the first female master jeweler in Spain. She has spent the past fifty years mastering contemporary and antique jewelry techniques, developing an expansive collection of unique pieces with a wide range of inspirations and typologies. Her work is in the collections of the Musée des Arts Décoratifs in Paris, the Victoria and Albert Museum in London, and the Museum of Arts and Design in New York. Clare Phillips is the Elisabeth Gage Curator of Jewellery from the Department of Decorative Art and Sculpture at the Victoria and Albert Museum. Carolina Herrera is an American fashion designer who launched her eponymous label in 1981. Her awards include the 2004 CFDA Womenswear Designer of the Year award and their Geoffrey Beene Lifetime Achievement Award in 2008.

A dazzling collection of works by one of the world's most acclaimed illustrators

Noma Bar’s innovative, playful style has made him one of the most sought-after illustrators working today, with a broad range of commissions from magazines and newspapers – including Empire, the New York Times, Wired, the Guardian and Time Out – and numerous private and advertising clients. His use of negative space and minimalist forms creates images with multiple readings that delight and surprise in equal measure. Each of Bar’s illustrations tells a story that is hidden in the details, with the message revealing itself in the double-take as you look more closely.

Noma Bar has handpicked his most iconic illustrations and favourite works, each one displaying the distinctive style that has established his reputation. Each book focuses on topics he has explored in his inimitable style: ‘Less More’ (daily life), ‘Pretty Ugly’ (portraits), ‘In Out’ (sex), ‘Life Death’ (conflict) and ‘Rough Smooth’ (personal sketches).

Contents List:

Foreword • Less More • Pretty Ugly • In Out • Life Death

About the Authors:

Noma Bar is an acclaimed illustrator whose work has appeared in many media outlets, including Time Out London, the BBC, the New York Times, the Observer, The Economist and Wallpaper*.

Michael Bierut’s career spans every genre of graphic design, from books and posters to packaging and signage, for a broad range of clients. He has won hundreds of design awards and his work is represented in the permanent collections of the Museum of Modern Art and the Metropolitan Museum of Art in New York. Bierut is both a senior critic at Yale’s School of Art and a fellow of its School of Management.

An authoritative guide to one of the world's most important collections of African-American art, with works by artists from Romare Bearden to Kehinde Wiley.

The artists featured in Black Refractions, including Kerry James Marshall, Faith Ringgold, Nari Ward, Norman Lewis, Wangechi Mutu, and Lorna Simpson, are drawn from the renowned collection of the Studio Museum in Harlem. Through exhibitions, public programs, artist residencies, and bold acquisitions, this pioneering institution has served as a nexus for artists of African descent locally, nationally, and internationally since its founding in 1968. Rather than aim to construct a single history of "black art," Black Refractions emphasizes a plurality of narratives and approaches, traced through 125 works in all media from the 1930s to the present.

An essay by Connie Choi and entries by Eliza A. Butler, Akili Tommasino, Taylor Aldridge, Larry Ossei Mensah, Daniela Fifi, and other luminaries contextualize the works and provide detailed commentary. A dialogue between Thelma Golden, Connie Choi, and Kellie Jones draws out themes and challenges in collecting and exhibiting modern and contemporary art by artists of African descent. More than a document of a particular institution's trailblazing path, or catalytic role in the development of American appreciation for art of the African diaspora, this volume is a compendium of a vital art tradition.

About the Authors:

Connie H. Choi is the Associate Curator of the Permanent Collection at The Studio Museum in Harlem. Previously, she was Assistant Curator of American Art at the Brooklyn Museum. Thelma Golden has become a driving force in the art world. Since disrupting the status quo with her 1994 exhibition, Black Male: Representations of Masculinity in Contemporary American Art, Golden has continued to create challenging dialogues around art and artists, making her one of the most respected curators in America. Golden took up a new challenge in 2000, joining the Studio Museum in Harlem and becoming executive director and chief curator in 2005. Kellie Jones Dr. Kellie Jones is Associate Professor in Art History and Archaeology and the Institute for Research in African American Studies (IRAAS) at Columbia University. Dr. Jones has received numerous awards for her work and in 2016 she was named a MacArthur Foundation Fellow. She is the author of two books published by Duke University Press, EyeMinded: Living and Writing Contemporary Art and South of Pico: African American Artists in Los Angeles in the 1960s and 1970s (2017).

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Пролистать книгу Black Refractions: Highlights from The Studio Museum in Harlem

The definitive survey of contemporary photography of the human body

The body remains a battleground. Politicized, conceptualized and increasingly shared, our often-paradoxical relationship with the human form is nothing new, but finds itself heightened in the digitised, virtualised era of the ‘post-industrial’ body. No longer a tool but a work-in-progress, our bodily expectations bound from fantasy to reality, beauty to tyranny, art to commerce and curiosity to obsession, leaving us dreaming of other bodies and alternate lives.

Surveying a range of over 360 photographic re-presentations from the worlds of art, fashion, scientific and vernacular photography – including the work of Nobuyoshi Araki, Bettina Rheims, Lauren Greenfield, Viviane Sassen, Cindy Sherman, Wolfgang Tillmans, Daido Moriyama, Sally Mann, Pieter Hugo, Juergen Teller, Sølve Sundsbø and Daniel Sannwald – Body explores what our imaging of the human form, and the ways in which those images have been used and shared, might reflect of our relationship to the body. Supporting the broad range of photography is an essay by the psychologist Professor David Sander, Ph.D., discussing the neurological representation of our own bodies

About the Author:

Nathalie Herschdorfer is an author and curator specialised in photography. She is the director of the Museum of Fine Arts Le Locle, Switzerland, and a curator with FEP (Foundation for the Exhibition of Photography). She has written a number of books amongst which are Afterwards, The Thames & Hudson Dictionary of Photography, Coming into Fashion and reGeneration, all published by Thames & Hudson.

Contents List:

Introduction • 1. Physique • 2. Alter Ego • 3. Essay • 4. Constructions • 5. Mutations • 6. Celebration • 7. Essay • 8. Flesh • 9. Love

Against the Grain

Since its beginnings in Paris in the mid-19th century, the idea of bohemia, an urban community of artists and intellectuals living outside bourgeois norms, has been a potent trope of artistic identity. It was here that the notion of an unconventional, free-spirited life, precarious yet filled with idealism, was codified and romanticized. Bohemia: History of an Idea, 1950 – 2000 shows the continuities and differences between the scenes and subcultures of the second half of the twentieth century, when the mainstream began to appropriate and thereby erode a way of life predicated on its rejection. Nonetheless, as an alternative to conformity the bohemian idea has exerted an enduring fascination. Through works by 39 artists, including Alice Neel, PeterHujar, John Deakin, David Wojnarowicz, Ed van der Elsken, Robert Frank and Alfred Leslie, William Gedney, Libuše Jarcovjáková, Nan Goldin, Zhang Huan and Wolfgang Tillmans, the publication explores the diversity of expressions in various cities in Europe, North America and Asia and shows that the bohemian idea continues to galvanize and inspire.

About the Author:

Russell Ferguson is a research professor at the University of California’s Art Department. During his tenure at the Museum of Contemporary Art and the Hammer Museum in Los Angeles, he curated numerous exhibitions on culture and representation in contemporary art and photography.

Rarely seen and important paintings by this much-loved French postimpressionist, emphasizing his radical use of color and unconventional compositions. 

A new monograph brings together 30 important paintings by Pierre Bonnard (1867–1947) on loan from museums and private collections, including still lifes, nudes, interior scenes, and landscapes, many never seen together before and published here for the first time. The book reveals how Bonnard’s modern compositions transformed paintings in the first half of the twentieth century, while celebrating his unpar-alleled ability to capture fleeting moments, memories, and emotions on canvas. Rather than focus on a particular time period or subject, Bonnard: The Experience of Seeing aims to present Bonnard’s modernity and concentrate on his influence on contemporary painters working today. The book draws attention to how Bonnard translated the experience of perception—with his shifting spaces, camouflaged and dissolving figures going in and out of focus, and forms hidden at the periphery — and how we as viewers experience his paintings, with his works slowly revealing themselves to us over time. 

About the Author:

Barry Schwabsky is art critic for The Nation and coeditor of international reviews for Artforum. Sarah Whitfield is an art historian, writer, and curator. She is coauthor of the René Magritte Catalogue Raisonné. 

Take your listening sessions to the next level with the game edition of the essential cocktail guide Booze & Vinyl, pairing groundbreaking albums with mood-setting mixed drinks in an entertaining new way.

- RECIPE BOOK: 88-page book provides information on the music and full instruction for 50 amazing cocktails
- DISCOVER YOUR OWN PAIRINGS: Book includes space to create your own unique music and drink combinations
- ENTERTAIN LIKE A PRO: This game works for solo play as well as groups of 2, 3, or more
- INSPIRED BY BEST-SELLING BOOK: Game based on Booze & Vinyl, the original guide to pairing cocktails with excellent music 

About the Author:

André Darlington and Tenaya Darlington are the co-authors of Booze & Vinyl, The New Cocktail Hour, and Turner Classic Movies: Movie Night Menus. André is a drinks, food, and lifestyle writer based in Philadelphia. He is a former restaurant critic and award-winning wine and spirits columnist. He recently completed a circumnavigation of the globe to survey the world's cocktail landscape, a journey he details in his forthcoming book, Booze Cruise (Running Press, 2021). Tenaya is a food writer and educator in Philadelphia. By day, she teaches writing at Saint Joseph's University; by night she pens the cheese blog Madame Fromage. She is the author of The Di Bruno Bros. House of Cheese and the forthcoming Milky Way (Workman, 2022).

Fernando Botero is the best known Colombian artist of all times. His work is found in many international collections and is also known to be very well represented in several important donations he himself has made to his nation. There is no part of the world where people are not familiar with his name and recognize his distinctive artistic language, characterized by the devotion to form and volume found in figurative works which have placed themes drawn from Latin America, Colombia and his native Department (State) of Antioquia in the visual repertory of the history of world art.

Despite his worldwide recognition, the truth is that, in many senses, Botero is an unknown artist. There is a great analytical void about his career which has yet to be filled and above all, would vindicate his merits in historical terms as a painter in search of an identity of his own. It seems strange that even after six decades during which one of the most profilic and original artists of Latin America has produced a staggering abundance of works, there are few who have inquired into the origin of his distinctive approach to volume and color.

Celebrates one of the greatest and most beloved painters of the Early Renaissance with luxurious, large-format images

Sandro Botticelli, one of the greatest painters of the Italian High Renaissance, enjoyed the patronage of the greatest Florentine families. He spent most of his career in the humanist circle of the Medici, for whom he painted such masterpieces as Primavera and Venus and Mars, works that combine a decorative use of line with Classical elements in harmonious and supple compositions.

This sumptuously produced volume features an updated, full-colour selection of the artist's works made for the original 1937 edition by Ludwig Goldscheider, co-founder of Phaidon Press. The original essay by Lionello Venturi is accompanied by a new introduction from Renaissance specialist Alessandro Cecchi, putting Botticelli and his school into a contemporary context. Elegant design, fine papers and tipped-on image plates make this a true collector's edition.

About the Author:

Lionello Venturi (1885-1961) was a renowned Italian art historian, critic and Professor of Art History at the University of Turin and, later, at the University of Rome.

An in-depth exploration into the immense popularity of William-Adolphe Bouguereau's work in America throughout the late 19th and early 20th centuries Seeking to bring Gallic sophistication and worldly elegance into their galleries and drawing rooms, wealthy Americans of the late 19th and early 20th centuries collected the work of William-Adolphe Bouguereau (1825-1905) in record numbers.

This fascinating volume offers an in-depth exploration of Bouguereau's overwhelming popularity in turn-of-the-century America and the ways that his work-widely known from reviews, exhibitions, and inexpensive reproductions-resonated with the American public. While also lauded by the French artistic establishment and a dominant presence at the Parisian Salons, Bouguereau achieved his greatest success selling his idealized and polished paintings to a voracious American market.

In this book, the authors discuss how the artist's sensual classical maidens, Raphaelesque Madonnas, and pristine peasant children embodied the tastes of American Gilded Age patrons, and how Bouguereau's canvases persuasively functioned as freshly painted Old Masters for collectors flush with new money.

Shirley Trevena is a well-known and successful watercolourist, with a huge international fan base. Throughout her career she has pushed the boundaries of watercolour and is regarded as one of Britain’s most innovative artists in that medium.

Shirley’s watercolours are visually inspiring, vibrant in colour and strong in composition This, her third book, shows how she achieves her stunning results by pushing the medium to its limits. Shirley takes the reader through 10 paintings in great detail and shares all her professional tips and painting secrets. In addition, each painting has large close-up details so the reader can really see all the brushstrokes.

Shirley breaks the conventional rules of watercolour in many different ways: through her compositions, strange perspectives, fascinating textures and, above all, the strength and vibrancy of her colour combinations.

In Breaking the Rules of Watercolour, Shirley explains all her painting decisions and demonstrates her techniques at every stage. In this way, she encourages all watercolourists, whatever their level, to experiment with the medium and produce exciting and challenging work of their own.

About the Author:

Shirley Trevena is a well-known watercolourist with an international reputation who is regarded as one of Britain’s most innovative artists in the medium. She is a Member of the Royal Institute of Painters in Watercolour and is author of three best-selling books, Taking Risks with Watercolour, Vibrant Watercolours, Breaking the Rules of Watercolour and DVDs. In 2010 she was the British representative at the International Watercolour Festival in Antwerp.

Bridgman’s classic, essential guide — with more than 1,000 drawings and 22 expert lessons on mastering the human figure from every angle — is now completely redesigned!

Bridgman’s Complete Guide to Drawing from Life combines six well-known books by celebrated artist and lecturer George A. Bridgman, who taught figure and anatomy drawing at New York City's Art Students League. This fifth edition preserves Bridgman’s comprehensive, unequalled lessons and original sketches but repackages it with a new eye-catching cover that distinguishes it from the competition. In addition, the interior art has been cleaned and the design freshened in two-color. In its sleek new format, this authoritative volume is sure to continue as one of the premier figure-drawing publications of all time.

About the Author:

George B. Bridgman (1865–1943) was a celebrated Canadian-American artist and lecturer who taught figure and anatomy drawing for many years at New York City’s Art Students League. His previous books, assembled in this volume, separately garnered significant popularity and respect within the artistic community, and they continue to post strong sales.

An engaging overview of the changing styles and uses of brooches and badges from the Middle Ages to today

From medieval pilgrim badges and Renaissance hat decorations to jewelled brooches and twentieth-century political pins, brooches and badges are often more than practical or decorative dress fasteners; they are expressions of identity. Focusing on the V&A’s world-famous collection, Brooches and Badges explores the evolution of these intricate and versatile works of art, and the way in which changes in dress have dictated their use.

Contents List:

Introduction • 1. ‘Send…letters, tokens, brooches, and ranges’ 1000–1500 • 2. ‘Rich Apparell, precious Jewells’ 1500–1800 • 3. ‘Any number of brooches, up and down and everywhere’ 1800–1900 • 4. ‘The new jewel has been born’ 1900–1920 • 5. ‘Clips are going like wildfire’ 1920–1940 • 6. ‘Almost anything goes’ 1940–1960 • 7. ‘Precious stones have won their freedom’ 1960-1990 • 8. ‘The shock of beauty’ 1990–The Present • References; Glossary; Further Reading; Notes; Major Collections Featuring Brooches and Badges Acknowledgments; Author’s Biography; Index

About the Author:

Rachel Church is a Curator in the Sculpture, Metalwork, Ceramics and Glass Department at the Victoria and Albert Museum with a special responsibility for the rings collection. She has published and lectured on jewelry and worked on the re-display of the William and Judith Bollinger Jewellery Gallery. She has contributed to a number of V&A publications, including writing on gold boxes in The Gilbert Collection at the V&A (2009).