Мистецтво

All in the Family creator Norman Lear takes fans behind the scenes of the groundbreaking sitcom on the occasion of its 50th anniversary.

The face of television was changed forever in 1971 with the premiere of All in the Family. The working-class Bunker family of Queens, New York — lovable bigot Archie (Carroll O'Connor), his long-suffering “dingbat” wife Edith (Jean Stapleton), their liberal daughter Gloria (Sally Struthers), and son-in-law Mike "Meathead" Stivic (Rob Reiner) — instantly became, and half a century later still are, four of the most iconic characters in television.

In All in the Family: The Show that Changed Television, Norman Lear shares his take on fifty essential episodes that exemplify why the show remains as funny and relevant as ever. Its boundary-pushing approach to hot-button topics is examined with commentary from co-stars O’ Connor, Stapleton, Reiner, and Struthers, as well as writers, directors, and guest stars from the show. With previously unseen notes from Lear, script pages, production designs, and a foreword by super-fan Jimmy Kimmel, this book is the ultimate companion to the seminal series and a must for fans of Lear’s shows and television comedy. “Norman Lear,” said New Yorker critic Michael Arlen, “has a feel for what people want to see before they know they want to see it.” All in the Family, like all of the Lear shows that followed, was a turning point in television’s handling of taboo subjects such as race relations, feminism, homosexuality, war, religion, gun control, social inequity, and other controversial subjects, all of which remain in the news today.

About the Author:

Producer, philanthropist, and activist Norman Lear has the distinction of being among the first seven television pioneers inducted into the Television Academy Hall of Fame. He won his first two Emmy® Awards in 1971 (for All in the Family’s premiere season) and his most recent one in 2020, for Live in Front of a Studio Audience: ”All In The Family” and ”Good Times.” His memoir, Even This I Get to Experience, was published in 2014. Jimmy Kimmel is the host and executive producer of the Emmy® Award–nominated Jimmy Kimmel Live!, ABC’s longest-running late-night talk show. Also a comedian and writer, he has hosted some of the biggest events in pop culture, including the Academy Awards, the Emmys, the American Music Awards, and the ESPY Awards, as well as executive-produced and hosted the Emmy Award–winning Live In Front Of A Studio Audience: “All In The Family” and “The Jeffersons” and Live in Front of a Studio Audience: “All In The Family” and “Good Times.”

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Recognized as a major Pop artist in his day, Allan D’Arcangelo (1930–1998) has yet to receive the critical reevaluation of painters like Roy Lichtenstein and James Rosenquist. His first monograph in nearly a decade introduces new audiences to his iconic paintings, particularly his celebrated visions of life on the road.

Like Pop peers Andy Warhol and Ed Ruscha, Allan D’Arcangelo incorporated mass-manufactured images in works that elevate scenes of everyday American life. While his work often features imagery from more familiar 1960s art — Jacqueline Kennedy and Marilyn Monroe, smoking pin-up girls, Superman, Lucky Strike — it differs in the surreal elements he introduced to Pop tropes and romantic views of the American industrial landscape.

D’Arcangelo once observed his “most profound experiences of landscape were looking through the windshield.” The artist brought a Pop sensibility to the tradition of landscape painting in a graphic style that touched on Minimalism, Precisionism, and Hard-edge painting. Often framed from the perspective of the driver’s seat, D’Arcangelo’s work captures the deeply American experience of flying down an endless road. D’Arcangelo’s signature scrolling landscape cut through with flashing signs is as familiar to road trippers as it is to video game racers.

This comprehensive publication includes over 200 reproductions and three essays detailing what critic Dore Ashton describes as the “poetic awareness of the vastnesses both visible and invisible in American life [that] marked and distinguished [D’Arcangelo’s] work.”

About the Authors:

Alex J. Taylor is an Associate Professor in the History of Art and Architecture at the University of Pittsburgh, and the author of Forms of Persuasion: Art and Corporate Image in the 1960s. Evan Moffitt is a writer, editor, and freelance critic based in New York. Cécile Whiting is Professor of Art History at the University of California, Irvine, and author of A Taste for Pop: Pop Art, Gender, and Consumer Culture.

The first volume in more than 20 years tells a new and modern story of the U.S. State Department’s Diplomatic Reception Rooms, one of the top collections of American fine and decorative arts in existence.

Winner, NYC Big Book Award 2023, Fine Arts; Best Art Book, American Book Fest Award, 2023

The art of United States diplomacy has been conducted over more than two centuries with figures from all over the world, in peacetime and in conflict. For the last six decades, these negotiations have taken place in the rarified environment of the Diplomatic Reception Rooms at the U.S. Department of State. Tucked inside the modern Truman Building in the center of Washington, D.C., lies this special suite of rooms transformed by four renowned architects — gems of classical architecture brimming with exceptional American art and artifacts that tell the story of the nation’s founding and represent the singular ideals of the American character.

Housing one of the finest collections in the world, along with the Metropolitan Museum of Art and Winterthur, these rooms display more than 5,000 objects, including paintings by John Singleton Copley and Gilbert Stuart; silver and porcelain owned by George Washington and other presidents; fine furniture; maps and documents; prints and drawings, not to mention the very desk the Treaty of Paris that ended the Revolutionary War was signed on.

With all-new photography and essays, this book captures the history of the rooms and explores more than 150 examples of the extraordinary American art that animates the exquisite spaces.

About the Author:

Virginia B. Hart is director and curator of the Diplomatic Reception Rooms and Bri Brophy is deputy chief curator. The Honorable John F. Kerry is U.S. Special Presidential Envoy for Climate, and former U.S. Secretary of State. Allan Greenberg is an architect and author. Mark Alan Hewitt is an architect and architectural historian. Stacy Schiff is a Pulitzer-Prize-winning author. Elizabeth Mankin Kornhauser is the Senior Curator for the 2026 Bicentennial at Frederic Chruch's home Olana and Curator Emerita of American Paintings and Sculpture at the Metropolitan Museum of Art. Alice Cooney Frelinghuysen is the Anthony W. and Lulu C. Wang Curator of American Decorative Arts at the Metropolitan Museum of Art. Alexandra Alevizatos Kirtley is the Montgomery-Garvan Curator of American Decorative Arts at the Philadelphia Museum of Art. Elliot Bostwick Davis is Senior Editor, Harvard Social Impact Review, Arts and Culture and a former museum curator and director. Deborah Dependahl Waters is an independent decorative arts historian and part-time assistant professor at Parsons, New School University. David M. Rubenstein is a financier and philanthropist. Carolyn Vaughan is a writer and editor of art books and exhibition catalogues. Laaren Brown is a writer and editor for art and natural history topics. Durston Saylor is a photographer of contemporary interior design and architecture. Bruce M. White is a photographer of works of art and historic architecture. Sarah Gifford is an award-winning graphic designer.

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Пролистать книгу America's Collection: Art and Architecture of the Diplomatic Reception Rooms at the U.S. Department of State​  на сайте издательства.

Many initiatives to support women were begun in the late 1800s, but the Royal School of Needlework (RSN) is one of the few that remain. This initiative was born from the desire of three women – Princess Helena, Lady Victoria Welby and Lady Marian Alford – to popularise the lost art of ornamental needlework and place it on a par with other decorative arts, such as painting and sculpture. Their other, yet no less important goal was to provide employment for women compelled to earn their own livelihood. Though women are no longer so limited in occupational options, the RSN has been keeping traditional embroidery techniques alive for a century and a half.

An Unbroken Thread tells the story from the RSN’s founding in 1872 to the current day. It highlights key people, royal and other special commissions, the changing fortunes of the school as fashions changed and the approach to teaching hand embroidery, as well as bringing attention to the role and position of the RSN historically and today, associating with everyone from society ladies and theatre impresarios in the late 19th century to working with fashion designers Patrick Grant, Nicholas Oakwell and Alexander McQueen, and architects in the 21st century.

First published to coincide with the RSN’s 150th anniversary, this revised edition details the most recent projects worked by the RSN, showcasing their skilful work on regalia for the coronation of Their Majesties King Charles III and Queen Camilla – The King’s Robe of State, The Queen’s Robe of Estate, The Anointing Screen, The Stole Royal and Girdle, The Chairs of Estate and The Chairs of State.

Showcasing regalia for the coronation of Their Majesties King Charles III and Queen Camilla.
Covering the remarkable history of the Royal School of Needlework (RSN) from inception to the present day Illustrated with historical pictures and documents.
Original edition published to coincide with the RSN’s 150th anniversary

About the Author:

Dr Susan Kay-Williams has been chief executive of the Royal School of Needlework since 2007. She is also a curator and archivist. She has spent a lot of her spare time researching the RSN’s history because she believes more of its remarkable history needs to be known. In her own right, her research interest is in the history of dyes and textile dyeing. She published The Story of Colour in Textiles in 2013 (Bloomsbury).

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Пролистать книгу  An Unbroken Thread: Celebrating 150 Years of the Royal School of Needlework - updated edition  на сайте издательства.

Anatomy for Artists presents an extensive visual reference guide to the human form for artists of all abilities and mediums.

Over 240 specially commissioned photographs capture every detail, from muscle definition and bony landmarks to a valuable catalogue of postures and poses. Every photograph is overlaid with musculature, planar, and contour diagrams drawn by figurative fine artist and illustrator Charlie Pickard to deepen your comprehension. The illuminating introduction by expert and teacher Jahirul Amin results in a thorough understanding of the subject and how it relates to your work.

Detailed diagrams reveal the inner workings of the joints and muscles, and how their shape and movement affect what you see on the surface, and ultimately in your art.

• Written and illustrated by experts in the field of anatomy for artists
• Over 240 specially commissioned, color photographs of the body, head, and face
• Detailed overlays show the musculature and contours of the human form
• Thorough introduction to anatomy fundamentals and terminology for artists
• Exploration of body types and other variables that affect the human form
• Library of poses informs artistic applications, with classical and creative variations

Contents List:

FOREWORD
INTRODUCTION
History of anatomy
The anatomical position
Joint mechanics
The skeleton and the bony landmarks
Muscles and tendons
Body types
Proportion and symmetry
The skin: fat and wrinkles
Sex and age
VISUAL REFERENCE LIBRARY
Torso
Arms
Hands
Upper legs
Lower legs
Feet
Neck
Head
Facial features
Body types and posture
CREATIVE POSES
Classical standing poses
Dynamic action poses
Narrative poses
Seated poses
GLOSSARY
CONTRIBUTORS
INDEX

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Посмотреть видео о книге Anatomy for Artists: A Visual Guide to the Human Form

Ця повністю ілюстрована історія найкращих у світі коміксів, зокрема

«Діти Каценджаммер» Хай Айсмана, який дебютував у 1897 році, «Арахіс» Чарльза Шульца (1950), «Смурфики» Пейо (1958), «Людина-павук» Стіва Дітко (1962), «Чорна пантера» Джека Кірбі (1966) або «Келвін» Білла Воттерсона та Гоббс (1985), або Кріс Вер та його Бібліотека новинок ACME (1993). У коміксах, представлених тут, створені фантастичні світи, які приваблюють покоління за поколінням відданих шанувальників. Ця книга також є критичним посиланням на ностальгійне вшанування персонажів, які супроводжували читачів від їх перших спроб читання, через підлітковий вік і в доросле життя — від Міккі Мауса та Дональда Дака до Тінтіна та Маленького Немо, від франшиз про супергероїв до постмодерністських творів, таких як «Маус» Арта Шпайгельмана чи підпільних коміксів Роберта Крамба. Це чудова ретроспектива однієї з найбагатших творчих форм задоволення від читання, в якій представлено 125 американських і європейських художників.

Про автора:

Деміен Макдональд — ілюстратор і куратор коміксів, який опублікував графічну адаптацію роману Віктора Гюго «Горбань із Нотр-Даму». Його роботи демонструвалися в музеях і галереях Франції, Норвегії, Бельгії, Китаю та Монако. Він був куратором виставки Marginalia для Національного музею Монако.

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Погортати книгу Anatomy of Comics: Famous Originals of Narrative Art на сайтi видавництва.

З часів перших розтинів трупів анатомія і мистецтво завжди були пов'язані.

Від малюнків Леонардо да Вінчі до оголених фігур Френсіса Бекона, художників завжди цікавило зображення людини як біологічної істоти. Сьогодні анатомія знову в моді в сучасному мистецтві після відродження готики та хоррору в індустрії розваг.

У цій книзі прославляють анатомію, плоть і кістку понад 60 сучасних міжнародних художників і знаменитостей, у тому числі Демієна Герста, Марка Райдена, Джейсона Фріні та Нічоса.

Про автора:

Поєднуючи теми поп-культури з технікою мистецтва, що нагадує старих майстрів, Марк Райден створив унікальний стиль, який стирає традиційні межі між високим і низьким мистецтвом. Його картини виставлялися в музеях і галереях по всьому світу, а його роботи є частиною постійної колекції Музею мистецтв округу Лос-Анджелес. Аманда Ерлансон — письменниця, колекціонер творів мистецтва та редактор арт-блогу «Erratic Phenomena».

Following on the widely read The Future of the Museum: 28 Dialogues, which explored how museums are changing through conversations with today’s generation of museum directors, New York-based author and cultural strategy advisor András Szántó’s new compilation turns its attention to architects. The conclusion of The Future of the Museum was that the “software” of art museums has evolved. Museum leaders are “working to make institutions more open, inclusive, experiential, culturally polyphonic, technologically savvy, attuned to the needs of their communities, and engaged in the defining issues of our time.” It follows that the “hardware” of the art museum must also change. Conversations with a carefully selected group of architects survey current thinking in the field, engaging not only architects who have built some of the world’s most iconic institutions, but also members of an emerging global generation that is destined to leave its mark on the museum of the future.

About the Author: 

András Szántó (*1964, Budapest) advises museums, cultural institutions, and leading brands on cultural strategy. An author and editor, his writings have appeared in the New York Times, Artforum, the Art Newspaper, and many other publications. He has overseen the National Arts Journalism Program at Columbia University and the Global Museum Leaders Colloquium at the Metropolitan Museum of Art. Szántó, who lives in Brooklyn, has been conducting conversations with art-world leaders since the early 1990s, including as a frequent moderator of the Art Basel Conversations series.

The first and much-anticipated book by visual artist, club creator, and nightlife impresario André Saraiva presents his wide range of works, from street art and contemporary art to graphic design, photography, and his influences on fashion and nightlife.

Street-cool visual artist-cum-nightlife guru, André Saraiva, whose life dovetails into graffiti subculture, chic jet-setting, and the fashion world, presents an autobiographical visual diary of sorts, a revealing window into the worlds he inhabits. This visual journey is an interactive and striking object itself, with either a vibrant pink cloth- or blue cloth-cover (randomly selected), Saraiva’s distinctive handwriting in foil, and seven pop-ups he designed. 

Chances are that while you’ve been strolling through the streets of Paris, London, New York, or Los Angeles, you may have caught a glimpse of Saraiva’s signature graffiti of Mr. A on a random street wall. Or you may have seen him in the Banksy film, Exit Through the Gift Shop; spied him in the front rows of the Paris Fashion Week shows; or seen him at one of his many chic nightclubs. Graffiti Life is a never-before-seen look at the artist’s many spheres through which he effortlessly moves: street culture, contemporary art, graphic design, photography, fashion, and nightlife. It follows Saraiva’s art/life trajectory, and includes his Instagram-worthy tags on the streets of Paris; countless silk-screened posters; paintings and sculpture; creative collaborations with Chanel, Louis Vuitton, and Colette, and more.

About the Author:

André Saraiva is an artist, hotelier, and entrepreneur. Virgil Abloh is an artist, architect, engineer, creative director, and designer. Magda Danysz is a French art curator and art dealer. Glenn O’Brien (1947–2017) was a writer who focused largely on the subjects of art, music, and fashion. Jeffrey Deitch is an American art dealer and curator. 

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Пролистать книгу Andre Saraiva: Curated Chaos: Graffiti Life

Andrew Wyeth is an essential introduction to the enduring masterworks of this profoundly popular American artist. 

Published on the occasion of the centennial of the artist s birth, this handsome book highlights works spanning the entirety of the artist s seven-decade career painting the landscapes and people he knew in Chadds Ford, Pennsylvania, where he lived, and in Maine, where he summered. 

Many of his most important landscapes and portraits were created in and around his Chadds Ford studio, now part of the Brandywine River Museum of Art, with which Andrew Wyeth was intimately connected since its founding in 1971. 

A short introduction provides an overview of his life, and descriptive captions contextualize some fifty of the artist s finest and most beloved paintings, including Pennsylvania Landscape (1942), Wind from the Sea (1947), Christina s World (1948), Trodden Weed (1951), Roasted Chestnuts (1956), Braids (1977), and Pentecost (1989). Readers will also be treated to works previously unseen, such as Betsy s Beach (2006) and Crow Tree (2007).

Andy Warhol’s continuous pursuit of ideal beauty — visible in a body of his work that is brought here together for the first time.

Andy Warhol is arguably one of the most widely known and discussed artists of the twentieth century. While his depictions of consumer products and celebrities led him to become household famous, there is a red thread throughout his career, starting even in the late forties until his untimely death in 1987. In the eighties Warhol was continuously searching to visualize an ideal of beauty, male beauty, finding form and creating lasting images of what he desired. He visualized and therefore eternalized this continuous pursuit of ideal beauty.

From the early line and blotted line drawings to his screen tests and moving image experiments in the sixties, the torso paintings in the seventies through his collaborations with Jean-Michel Basquiat, there is a continuous search to express an ideal of male beauty. During his lifetime these works were either considered inappropriate, immoral, deviant or even pornographic and therefore illegal. Many of these works never received the public exposure and recognition that they deserve. Neue Nationalgalerie is for the first time putting together a large survey focusing on this thematic and central aspect throughout Warhol’s different production phases and stages of career. This publication offers an insight into a Warhol, that during his lifetime never had a real “coming-out”.

Warhol died in 1987 at the age of only 58. He left behind an incredibly complex and influential body of work, which during his lifetime never experienced the open acceptance that we now have to look at these specific bodies of work.

The most unique masks and sculptures are highlighted and discussed in detail

Anima Mundi is the catalog of the large collection of African art by Jan and Kristina Engels. For several years now they have been presenting their own private collection in their museum JAS (Jan aan de Stroom). It is a place where creativity, art and traditions meet. In the book you will discover beautiful photography of their collected art, accompanied by texts by specialist in African Art, François Neyt. 

_The full catalog of a magnificent collection of African Art.
_Antwerp collectors reveal their private collection.
_Features 464 pages full of beautiful images and accompanying texts by Franćois Neyt, specialized in African art

Text in English, French and Dutch.

About the Author:

François Neyt is an ethnologist, philosopher, archaeologist and art historian. He has previously published three books on African art.

The first history of animation to chart the evolution of this dynamic industry around the world

Maureen Furniss surveys the cultural, political and economic context of how this dynamic industry evolved, emphasizing both artistic and technical achievements from around the world – from Hollywood to Tokyo, from Moscow to Sydney. Featuring a timeline for each of its six parts, Animation: The Global History provides readers with a clear and accessible chronology of events. A ‘Global Storyline’, highlighting the major themes of the era, opens each chapter, and an end-of-book glossary defines key terms used throughout the book.

Topics include:
- Development of animation
- Growth of the studio system
- Stylistic differences between the major studios
- Modernist animation
- Animation in World War II
- International animation
- Experimental animation
- Television animation
- Animation in art and video games

Повний візуальний путівник по міським пейзажам і будівлям найвідоміших і найвпливовіших аніме-фільмів

Вплив аніме, одного з найуспішніших культурних експортних товарів Японії, відчувається в кіно, літературі, коміксах і відеоіграх протягом десятиліть, але мистецькі твори цього жанру залишаються дещо загадковими, особливо в доцифровий період до початку 2000-х років. Справжня закулісна подорож оригінальними фоновими картинами, розкадровками та ранніми проектами найшановніших режисерів та ілюстраторів індустрії,  Anime Architecture представляє потойбічні будівлі та мегаполіси цих провидців як святкування та уроки для найближчого майбутнього.

Включає ексклюзивний матеріал від:

АКІРА, 1988
Патлабор: фільм, 1989
Patlabor 2: Фільм, 1993
Привид в обладунках, 1995
Мегаполіс, 2001
Невинність, 2004
Tekkonkinkreet, 2006
Rebuild of Evangelion, 2007, 2009

Список вмісту:

Вступ • 1. Багатошаровий ландшафт • 2. Масштаб Токіо: нескінченний мегаполіс • 3. Місто зі спеціальними ефектами • Біографічна інформація

Про автора:

Стефан Рікелес – куратор із Берліна. Він був художнім керівником Японського фестивалю медіа-мистецтва в Дортмунді та курував виставку «Proto Anime Cut» у 2011 році. Він працював програмним директором Міжнародного симпозіуму з електронного мистецтва 2010 та курував виставки трансмедійного фестивалю мистецтва та цифрової культури в Берліні. Він має ступінь магістра культурології та аудіокомунікаційних наук в Університеті Гумбольдта та Технічному університеті в Берліні.

What was particularly memorable for those who saw Anish Kapoor’s first shows, in the early eighties, was the silence conveyed to the exhibition space by those small sculptures covered with yellow, red, black or blue pigments.

When the young Kapoor became established on the international scene at the beginning of the eighties,immediately attracting the attention of critics, the art scene was characterized by very noisy art made of large-format paintings, mainly with harsh and violent colors, and redundant in memories and citations ranging from art history to mythology. In this context, Kapoor’s intimist sculptures were offbeat and also distinguished themselves from the so-called “New British Sculpture” so widely discussed in those years.

On closer inspection, that “new” sculpture was not so very new at all, since it constructed narratives and figurative images made through a system of signs placed in relation to each other to give life to a compositional whole.

The young British sculptors had inherited this conception of sculpture from Anthony Caro, and although it was already the postmodern era Caro, as the expression of a tendency to be overcome, was considered the father to kill. The only one of those artists who created a new way to understand sculpture was Kapoor himself, who felt it was possible to return to the origins of art without suffering inferiority complexes towards the artistic avant-gardes of the twentieth century.

Not that Kapoor distanced himself from the history of modern art - as evidenced by his interest in Constantin Brancusi, Marcel Duchamp, Yves Klein, Barnett Newman, Robert Smithson or Donald Judd. To put it simply, he believed there were archaic forms tied to the spiritual dimension that never lost their ability to create relationships between individuals.