Мистецтво

An official behind-the-scenes companion to New Line Cinema’s IT and IT CHAPTER TWO, the globally popular blockbusters

Collecting the best artwork produced during the making of both of these sophisticated and visually enthralling films ― including concept art, sketches, storyboards, and behind-the-scenes photography ― World of IT explores the films’ singular aesthetic and meticulous world-building.

This compendium includes commentary from director Andy Muschietti; producers Barbara Muschietti, Dan Lin, and Roy Lee; the acclaimed ensemble cast; and other creative players who helped bring a new, disturbing vision of King’s perennial bestseller to life.

The most comprehensive book devoted to the incomparable and iconic work of Yayoi Kusama.

Yayoi Kusama, now in her eighties, has become a vital force in contemporary art and an influence on generations of artists. Arriving in New York City in 1958 from her native Japan, she embarked on a series of works that forged a new visual vocabulary - the Net paintings, which were composed of scores of small, thickly painted loops spanning large canvases. Her singular approach to art making continued in other extraordinary bodies of work, including the phallic soft sculptures which she later incorporated into full-scale environments. In 1973 she returned to Japan, where she lives and works today.

Since then, she has created dazzling walk-in mirror rooms and her now-famous pumpkin sculptures, as well as writing poetry and novels. In this book - created in close collaboration with Kusama and her Tokyo studio - the breadth and import of this watershed artist’s career are considered in depth. In addition to studies of the development of her artistic vocabularies across different media, the book includes ephemera, sketches, and photographs from the artist’s extensive archive that have never been seen before.

The publication is timed to coincide with the artist’s major touring retrospective, which makes its American debut at the Whitney Museum in New York in summer 2012, as well as with the much-anticipated collaboration with powerhouse fashion brand Louis Vuitton.

This book comes in three different color patterns (all with the same cover design).

Contributors include: Leslie Camhi, RoseLeeGoldberg, Laura Hoptman, Chris Kraus, Arthur Lubow, Kevin McGarry, Louise Neri, Akira Tatehata, and Olivier Zahm.

About the Authors

Louise Neri is an editor, curator, writer, and consultant based in New York. As an international director at Gagosian Gallery, she works on research and development, exhibition and editorial programming, and communications. Yayoi Kusama is among the artists she represents and works with closely. Leslie Camhi, who first encountered Yayoi Kusama’s work nearly two decades ago, has written about art, books, fashion, and women’s lives for the New York Times, Vogue, and many other publications.  

RoseLee Goldberg, Founding Director and Curator of Performa, is an art historian, critic, and curator whose book Performance Art: From Futurism to the Present, first published in 1979, pioneered the study of performance art. Born and raised in Tokyo, Takaya Goto completed his post-graduate design education in the United States. He is a co-founder of Goto Design, a multidisciplinary design studio based in New York. Laura Hoptman is Senior Curator at the Museum of Modern Art in New York, where she has organized the exhibitions “Drawing Now: Eight Propositions” (2002) and “Love Forever: Yayoi Kusama” (1998), among many others. 

Chris Kraus is the author of four novels, including the forthcoming Summer of Hate (Semiotexte, 2012) and two books of art criticism.  Since 1975, Arthur Lubow has worked primarily as a writer of long-reported articles for national magazines. For the last decade, he has been a contributing writer at the New York Times Magazine, specializing in the arts. Kevin McGarry is a writer, editor, and curator. He writes the contemporary art column “Out There” for T: The New York Times Style Magazine, is the art editor for V Magazine, and reviews exhibitions for Art Agenda and Artforum.com. Akira Tatehata is a curator, critic, and poet. Olivier Zahm is a curator, writer, editor, and co-founder of Purple Prose.

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Пролистать книгу Yayoi Kusama

A major career survey of Yayoi Kusama, one of the most widely admired and popular artists of our time, published in collaboration with M+, Hong Kong, to accompany M+’s first Special Exhibition, Yayoi Kusama: 1945 to Now, from 12 November 2022 to 14 May 2023.

Yayoi Kusama is that rare thing: an artist who has achieved truly global acclaim. In a wide-ranging career spanning seven decades and multiple media, she has established profound connections with audiences around the world. Emerging at the forefront of artistic experimentation in Asia in the mid-20th century, Kusama soon became a central figure in the New York art scene of the 1960s. Today, Kusama continues to communicate her highly personal and spiritual world view through her art.

Yayoi Kusama: 1945 to Now is the most comprehensive survey of her work to date. Structured around six thematic sections, ‘Infinity’, ‘Accumulation’, ‘The Biocosmic’, ‘Radical Connectivity’, ‘Death’ and ‘Force of Life’, the volume elucidates the aesthetic and philosophical concerns at the heart of the artist’s oeuvre.

In addition to a selection of Kusama’s writings, some of which have never been published before, the book features correspondence with Georgia O’Keeffe, an interview with critic and curator Yoshie Yoshida, and a roundtable discussion among leading authorities in the field. Also included are curatorial essays exploring different aspects of Kusama’s practice, and a detailed visual chronology of her life. Appealing not only to those already familiar with Kusama and her work, but also to anyone discovering it for the first time, this monograph reveals an artist who, while shaped by international artistic currents, remains deeply connected to the traditions and culture of her native Japan.

This book accompanies Yayoi Kusama’s first major European retrospective exhibition, offering a comprehensive overview of the Japanese artist’s influential oeuvre, which spans more than eighty years.

The companion to the groundbreaking new retrospective at the Gropius Bau, this publication examines Kusama’s life and work through wholly original insights by leading experts. The book traces the development of Kusama’s creative output from her early paintings and accumulative sculptures to her immersive environments, as well exploring her lesser-known artistic activity in Europe and Germany in particular. It illuminates Kusama’s commitment to political and social issues in Europe, the US and Japan. A diverse selection of images and archival documents feature alongside texts by authors from different theoretical backgrounds. Essays discuss Kusama’s accomplishments in the worlds of fashion, film, art marketing and publishing. They focus on her engagement with different artistic spheres and offer genre-specific observations about her performances, installations and painting series. As panoramic and fascinating as its subject, this monumental retrospective guides viewers interested in Kusama towards a deeper understanding of her creative trajectory and of the breadth of her extraordinary career.

About the Author:

Stephanie Rosenthal is director of the Gropius Bau in Berlin. Previously she was chief curator at the Hayward Gallery, London, as well as artistic director of the 20th Biennale of Sydney, which took place in 2016.

A retrospective of Yayoi Kusama, Japan's most prominent artist and 'Queen of the Polka Dots'

Avant-garde artist Yayoi Kusama’s matchless creativity and originality have been captivating the world since she moved from Matsumoto, her hometown in Nagano, Japan, to the USA in 1958. In the last ten years alone, her retrospective exhibitions in four major European and American museums, including Tate Modern, London, and the Whitney Museum of American Art, New York, have seen record attendance.

Kusama has continuously innovated and re-invented her style. Well-known for her repeating dot patterns, her art encompasses an astonishing variety of media, including painting, drawing, sculpture, film, performance and immersive installation. It ranges from works on paper featuring intense semi-abstract imagery, to soft sculpture known as ‘Accumulations’, to her ‘Infinity Net’ paintings, made up of carefully repeated arcs of paint built up into large patterns. This comprehensive publication, originally published to accompany a sell-out exhibition at Matsumoto City Museum of Art, offers a comprehensive overview of Kusama’s entire career, including works from her youth, when she indulged in drawing in order to escape from her hallucinations; paintings made when she was based in New York, including ‘Infinity Nets’ and ‘Polka Dots’; works from the 1980s and 1990s, when she participated in the Venice Biennale; and last but not least, the ongoing large-scale series ‘My Eternal Soul’. The plates are in chronological order and followed by detailed captions.

About the Authors:

Yayoi Kusama (born 22 March 1929) is a Japanese contemporary artist who works primarily in sculpture and installation but is also active in painting, performance, film, fashion, poetry, fiction, and other arts. Her work is based in conceptual art and shows some attributes of feminism, minimalism, surrealism, Art Brut, pop art, and abstract expressionism, and is infused with autobiographical, psychological, and sexual content.
Akira Shibutami is a curator at the Matsumoto City Museum of Art.

This colourful children’s book tells the story of the renowned artist Yayoi Kusama and her quest to cover the world in polka dots – from here to infinity!

Growing up in the mountains of Japan, Yayoi Kusama dreamed of becoming an artist. One day, she had a vision in which the world and everything in it – the plants, the people, the sky – was covered in polka dots. She began to cover her paintings, drawings, sculptures, and even her body with dots. As she grew up, she travelled all around the world and brought her dots with her, spreading them over big cities and small islands alike. Some people thought the dots were tiny, like cells, and others imagined them enormous, like planets. Yayoi said, ‘Our earth is only one polka dot among a million stars in the cosmos. Polka dots are a way to infinity.’ Written by Sarah Suzuki, a MoMA curator, with illustrations by Ellen Weinstein, this colourful book tells the story of an artist whose work will not be complete until her dots cover the world, from here to infinity.

In celebration of one of Kusama’s most iconic infinity rooms

A tribute to Yayoi Kusama, the world’s most popular artist, according to The Art Newspaper and The Guardian.

Yayoi Kusama is one of Japan’s most important and famous artists, beloved across multiple generations and different audiences, capable of wonder and amazement. Infinito presente is a tribute to her original and unique art, focusing on Fireflies on the Water one of her most iconic Infinity Mirror Rooms from the collection of the Whitney Museum of American Art in New York. Fireflies on the Water is a room-sized installation where, as the title suggests, the lights seem almost natural, like fireflies on a quiet summer’s night. The pool of water creates an incredible sense of stillness and the mirrors reflect never-ending images of themselves, creating a sidereal ambience. Space appears infinite, without top or bottom, beginning or end. As in Yayoi Kusama’s early installations, including her Infinity Mirror Room (1965), Fireflies on the Water embodies an almost hallucinatory approach to reality. Although linked to the artist’s personal mythology and the process of therapeutic work, this work also references sources as diverse as the myth of Narcissus and Kusama’s native Japanese landscape.

About the Author:

Stefano Raimondi, contemporary art curator, is director of network The Blank Contemporary Art, Italy’s leading network dedicated to the promotion and enhancement of contemporary art and the territory in which it is embedded.

World-renowned Japanese artist Yayoi Kusama has worked in a variety of media, including painting, sculpture, performance art, and installation. Kusama’s iconic Infinity Mirror Rooms, which originated with Phalli’s Field in 1965, situate viewers in kaleidoscopic spaces filled with multicolored lights or whimsical forms. These mirror-lined installations reflect endlessly, distorting rooms to project the illusion of infinite space. Over the years, the works have come to symbolize different modalities within the various contexts they have inhabited, from Kusama's “self-obliteration” in the Vietnam War era to her more harmonious aspirations in the present.

By examining her early unsettling installations alongside her more recent ethereal atmospheres, this volume aims to historicize the body of work amidst the resurgence of experiential practices within the global landscape of contemporary art. Generously illustrated, this publication invites readers to examine the series’ impact over the course of the artist’s career. Accompanying essays, an interview with the artist, and a scholarly chronology round out the book.

Exhibition at Hirshhorn Museum and Sculpture Garden, Washington, DC, February 16 - May 14, 2017

About the Author:

Mika Yoshitake is Associate Curator at the Hirshhorn Museum and Sculpture Garden. Melissa Chiu is Director of the Hirshhorn Museum and Sculpture Garden. Alexander Dumbadze is Chair and Associate Professor of Art History at The George Washington University, Washington, Dc. GloriaA Sutton is Assistant Professor of Contemporary Art History at Northeastern University, Boston. Miwako Tezuka is Consulting Curator at Arakawa + Gins Reversible Destiny Foundation, New York.

Loosen up with a smile on your face...

Marion Deuchars has practiced yoga for many years, and well knows the benefits it brings. Now she shares that passion with her illustrated character Bob the Bird, whose expressive poses will charm you into a reviving session of yoga breathing, stretching, posing, and mindfulness.

Yoga for Stiff Birds rejects the clichés of studio photography in favour of a more immediate, inviting, look. With a few brush strokes Marion helps Bob into every position from the downward-facing dog to the tree; both useful and inspiring, her art will raise a smile, whether you’re a regular practitioner or a yoga novice, and will encourage even the creakiest reader to breathe, stretch, and bend like they never have before.

About the Author:

Marion Deuchars' distinctive and individual style has established her as one of the UK's leading visual creatives. Her lettering has appeared on the Royal Mail's stamps, in Jamie Oliver's cookbooks, in Cass Art's shop windows, the pages of the Guardian, and on numerous book covers; she has won Gold and Silver awards at the Art Directors Club NY, and three D&AD yellow pencils. Along the way she has also written numerous books for artists young and old, including Let's Make Some Great Art, Bob the Artist, Art Play and Colour.

Навчіться малювати бестіарій надприродних істот з японського фольклору та відкривайте їхнє походження по ходу.

Йокай – це японський термін для містичних істот, який охоплює низку надприродних явищ, зокрема демонів, монстрів, привидів і мінливців. Іноді милі, іноді страшні, але завжди чарівні, створіння часто знаходяться в центрі популярних історій аніме та манги. У Yokai Bestiary навчіться малювати 35 типів Йокаїв, вивчаючи їх фольклор.

Створена для художників будь-якого рівня кваліфікації, ця покрокова книжка з малювання покаже вам, як блокувати великі форми, правильно затіняти, щоб надати розміру та глибини вашим малюнкам, і малювати дрібні, але культурно важливі деталі. Серед типів йокай ви навчитеся малювати:

- Кіцуне, лисичі демони з кількома хвостами
- Каппа, рептилійноподібні духи з панциром черепахи на спині
- Тенгу, монстри з птахоподібними характеристиками
- Кодама, духи дерев
- Некомата, коти з двома хвостами
- І багато іншого!

З інструкціями з малювання та японською міфологією, щоб захопити ваш розум, Yokai Bestiary перенесе вас у фантастичну країну звірів і духів.

Про автора:

Ленс Ред – ілюстратор фентезі та дизайнер персонажів, який живе в Мічигані. Він надає детальні ілюстрації для ігор і книговидавництва, а також для приватних комісій. Він також нещодавно почав ділитися більшою частиною свого процесу, зосереджуючись на освіті на Patreon, який включає створення ілюстрацій для настільних ігор, пригодницьких книг, конгресів тощо, а також навчання починаючих художників за допомогою програм онлайн-бібліотек.

Йокаї — це клас надприродних монстрів у японському фольклорі. У період Едо (1603-1868) багато художників, таких як Хокусай Кацусіка або Кунійосі Утаґава, створювали свої роботи із зображенням Йокаїв, натхненні фольклором або власними ідеями. Йокаї приваблювали художників і донині залишаються поширеною темою у творах мистецтва завдяки своїм унікальним формам та таємничій поведінці.

Ця книга є візуальною колекцією художніх робіт Йокаїв у Японії з періоду Едо. Твори — це не лише картини, а й дерев'яні гравюри, сувої, кераміка, кімоно, дитячі іграшки, такі як настільні ігри тощо. Це буде приваблива книга для початківців/фанатиків Йокаїв, а також цінним джерелом для дизайнерів та ілюстраторів.

Про колекцію: Більшість предметів, які будуть представлені в книзі, походять з особистих колекцій Коічі Юмото, який має найбільшу колекцію Йокаїв у Японії. Він коментує історію Йокаїв та пояснює предмети, представлені в книзі.

Про колекцію Юмото Коічі:

Це найбільша особиста колекція мистецтва йокай у Японії. Близько 4000 творів, що охоплюють період Едо та сьогодення. Серед них живопис, гравюри на дереві, сувої, кераміка, кімоно, дерев'яні скульптури, журнали, дитячі іграшки, настільні ігри тощо. У квітні 2019 року колекцію було розміщено в новому музеї йокай під назвою Музей Мійоші Мононоке, розташованому в префектурі Хіросіма, Японія.

Rising star Charles Fréger brings his inimitable eye to unfamiliar Japanese folk rituals

In rural Japan the passage of the year is marked by festivals and rituals that have changed little for centuries. Elaborate outfits, crafted from textiles as well as branches, straw and elements sourced from the natural environment, are donned in agricultural and fishing communities throughout Japan to celebrate seasonal rites of fertility and abundance.

Yokainoshima (literally ‘island of monsters’) explores the extraordinary range of masks, costumes and characters that reappear with each returning season. Charles Fréger’s photographs combine acute documentary attentiveness with individual portraiture in an entirely fresh and distinctive style.

Toshiharu Ito and Akihiro Hatanaka, both specialists in Japanese folk culture and anthropology, analyse Fréger’s photographs, setting the huge variety of eclectic clothing in ethnographic context and describing the local festivals, dances and rituals. A final illustrated reference section describes individual costumes and masks.

About the Author:

Charles Fréger is a photographer based in Rouen, France. Internationally acclaimed for his subtle and poetic portraiture, he has devoted himself to the representation of social groups. Previous books include Wilder Mann and Portraits in Lace.

Цукіока Йосітосі (1839-1892) був останнім великим майстром ксилографії традиції укійо-е. Завдяки своєму характерному стилю драматичних ліній і використанню чудових кольорів, Йосітоші незабаром був визнаний сучасниками як найвидатніший художник по дереву свого часу. «Сто аспектів Місяця» вважається його найбільшим досягненням. Серіал оживляє історію та міфологію стародавньої Японії. На всіх 100 принтах місяць помітно, або чітко видно на самому малюнку, або згадується в красивому вірші в текстовому картуші. Сюжети принтів варіюються від історичних персонажів, таких як романіст і придворна дама Мурасакі Сікібу з періоду Хейан (794-1185) і самураїв-воєначальників, таких як Такеда Шінген (1521-1573), до міфологічних істот і сцен, пов’язаних з японськими театральними формами кабукі, но і кьоген. У серії не лише багато посилань на японську літературу та культуру, а й багато посилань на літературні традиції Китаю, які мали великий вплив на культурний розвиток класичної Японії.

Про редактора:

Бас Верберк, японський куратор Музею східноазійського мистецтва в Кельні, пропонує чіткі описи з новими ідеями та знаннями про цю популярну серію, яка вперше представлена ​​в неяпонській публікації.

Get started, get inspired, and get creating your own stunning collage artworks.

The ultimate accessible artform, collage is truly for everyone. Stephanie Hartman, creator of Collage Club Ldn, takes you through all the basics you'll need to create your own works of collage. Learn how to find and choose materials, what tools you'll need in your basic kit and how to get started on your artistic journey.

Simple warm-up exercises give you the confidence to overcome the fear of the blank page, and more complex step-by-step exercises will motivate you to push your practice to the next level.

Never be stuck for inspiration again, and discover a unique, tactile and transformative artform that anyone can learn.

About the Author:

Stephanie Hartman is a collage artist and the founder of Collage Club Ldn. She leads popular workshops celebrating the art of cutting and sticking, and has worked with brands and organisations such as ASOS, Adidas, Toast and the Royal Academy.

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Пролистать книгу You Will Be Able to Collage by the End of This Book на Google Books.

In the mid-1950s, Yves Klein (1928–1962) declared that “a new world calls for a new man.” With his idiosyncratic style and huge charisma, this bold artist would go on to pursue a brief but bountiful career, producing more than 1,000 paintings over seven years in an oeuvre now considered a mainstay of postwar modernism.Klein made his name above all with his large monochrome canvases in his own patented hue of blue. International Klein Blue (IKB), composed of pure pigment and binding medium, is at once rich and luminous, evocative and decorative, and was conceived by Klein as a means of evoking the immateriality and infinitude of the world.

The works of this “Blue Revolution” seem to draw us into another dimension, as if hypnotized by a perfect summer sky. Klein was also renowned for his deployment of “living brushes,” in which naked women, daubed in International Klein Blue, would make imprints of their bodies on large sheets of paper.

This Basic Art introduction presents key Klein works to introduce an artist who was at once a showman, inventor, and pioneer of performance art. With page after page of the ever-alluring International Klein Blue, it is both an essential guide to a modern art master and a meditation on the unique effects of a single color.