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From Lewis Miller, the celebrated floral designer and Flower Bandit himself, an intimate and joyous behind-the-scenes look at his signature Flower Flashes as they introduced bright moments of natural beauty into the city when they were needed most.

Before dawn one morning in October 2016, renowned New York-based floral designer Lewis Miller stealthily arranged hundreds of brightly colored dahlias, carnations, and mums into a psychedelic halo around the John Lennon memorial in Central Park. The spontaneous floral installation was Miller's gift to the city -- an effort to spark joy during a difficult time. Nearly five years and more than ninety Flower Flashes later, these elaborate flower bombs -- bursts of jubilant blooms in trash cans, over bus canopies, on construction sites and traffic medians -- have brought moments of delight and wonder to countless New Yorkers and flower lovers everywhere, and earned Miller a following of dedicated fans and the nickname the Flower Bandit.

After New York City entered lockdown, Miller doubled down, creating Flower Flashes outside hospitals to express gratitude to frontline health workers and throughout the city to raise spirits. This gorgeous and poignant visual diary traces the phenomenon from the first, spontaneous Flower Flash to the even more profound installations of the pandemic through a kaleidoscopic collage of photos documenting the Flower Flashes, behind-the-scenes snapshots, Miller's inspiration material, fan contributions, and more.

About the Author:

Lewis Miller was born and raised in California farm country amid olive, almond, and peach orchards, and developed a respect for nature early on. At eighteen, he moved to Seattle where he studied horticulture and landscape design, and after seven years of successfully pursuing his interests in design, flowers, and event planning, Miller moved to New York, where he worked for one of the city's top floral boutiques. In March of 2002, Miller's vision of a country life in a metropolitan setting inspired him to create Lewis Miller Design. Since striking out on his own, Miller has created stunning floral designs for the Met, the Whitney, Tiffany, Ferragamo, Versace, Viktor Rolf, and Bergdorf Goodman. In 2016, Miller invented the Flower Flash -- a guerilla flower installation -- and has created more than 90 since.

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The first major survey to reveal the ways in which Classical mythology has inspired art throughout the last 2,500 years

From the films of Woody Allen and the Coen Brothers to Margaret Atwood's books and Arcade Fire's songs, Classical Greek and Roman myths continue to be a source of cultural inspiration. The struggles of heroes, both triumphant and tragic, with gods, monsters, and fate, exert a particular grip on our imagination. Visual artists have long expressed and reworked these foundational stories. This is the first book to unite myth-inspired artworks by ancient, modern, and contemporary artists, from Botticelli and Caravaggio to Jeff Koons and Damien Hirst.

About the author:

James Cahill is an expert on the influence of Classical antiquity on contemporary art. He has curated exhibitions combining contemporary art and ancient objects at BREESE LITTLE, London (2015) and the Museum of Classical Archaeology, Cambridge (2016). Other contributors include Richard Shone, former Editor of The Burlington Magazine, and Helen Luckett, former Curator at the Hayward Gallery, London.

The highly anticipated follow-up to Framed Ink from Marcos Mateu-Mestre, Framed Ink 2 provides insight into another compositional tool that Marcos uses every day to create his amazing artwork – the energy within the working frame. In each piece of art, regardless of its format, one must consider essential factors such as the push-pull, tension-relaxation, pressure-release, balance and imbalance that happen inside the working area to support our storytelling.

All of these factors apply in any aspect ratio, whether it be horizontal, vertical or square, each a format to consider when working in the movie, gaming, animation and graphic novel industries, which in our day and age can be presented through a variety of outlets such as a movie theater, home theater, social media and a number of personal devices. Marcos encourages and educates us on how not to be limited by the format but to embrace and rise to the challenge of designing for each format.

A perfect accompaniment to his prior releases Framed Ink, Framed Perspective Vol. 1 and Vol. 2 and Framed Drawing Techniques, this book will take a reader's knowledge base to the next level and allow them to build on their expertise as an effective visual storyteller.

About the Author:

Born in Palma de Mallorca, Spain, Marcos Mateu-Mestre is a lead animation designer and graphic novel artist with three decades of experience in feature animation. Some of his film credits include Balto, The Prince of Egypt, Asterix and The Vikings, Surf's Up, and How to Train Your Dragon 2. His work in film, primarily for DreamWorks Animation, Netflix Animation and Sony Pictures Animation, has focused on the design and cinematic aspects of frame composition, lighting, and visual continuity, experience he shared in his international best-sellers, Framed Ink: Drawing and Composition for Visual Storytellers, Framed Ink Vol 2: Frame Format, Energy, and Composition for Visual Storytellers, Framed Perspective Vol.1, Framed Perspective Vol. 2, and Framed Drawing Techniques. In addition to his work in film, he has taught drawing, illustration, and visual storytelling techniques for more than a decade. Mateu-Mestre currently lives in Los Angeles and is a production designer at Netflix.

A new selection of letters, statements and interviews reveal the preoccupations, thoughts and ideas of Francis Bacon, one of the 20th century’s most influential and important artists.

The documents selected for Francis Bacon: A Self-Portrait in Words illustrate Bacon’s sharp wit and ability to express complex ideas in highly personal, memorable language. Included here are not only letters to friends, patrons and fellow artists, but also intriguing notes and lists of paintings. They often come with a sketch as an aide-mémoire or an injunction to himself as he worked in the studio, and many have only come to light since his death.

Bacon’s letters mirror and reveal his dominant preoccupations at different points throughout his long career. Most of Bacon’s letters have never been published and include several that he wrote to the author. Particularly intriguing is the record of a dream that he jotted down, outlining impossibly beautiful paintings he had conjured up in his sleep. Together with photographs, archive material and works by the artist are numerous reproductions of Bacon’s characteristic handwriting, from the briefest jottings and notes to more extensive letters and statements.

Bacon frequently came up with memorable epithets and definitions. He delighted in doing with words what he set out to do in painting: 'I like phrases that cut me.' Michael Peppiatt explores the personal legacy of one of the 20th century’s most important painters and presents a compelling verbal self-portrait that reveals both man and artist.

Contents List:

Introduction
Statements and Quotations (1949 – 1989)
Letters (1943 – 1992)
Studio Notes (1954 – 1990)
Selected Interviews (1958 – 1986)
Chronology

About the Author:

Michael Peppiatt is a well-known writer and curator, who began his career as an art critic in London and Paris in the 1960s. Described by The Art Newspaper as ‘the best art writer of his generation’, his previous books include Francis Bacon: Anatomy of an Enigma and Francis Bacon: Studies for a Portrait. He was guest curator of the Royal Academy of Arts’ exhibition ‘Francis Bacon: Man and Beast’ (London, 2022).

A focused look at double-figure paintings by the celebrated British artist, whose disturbing portrayals radically altered the genre of figurative painting in the twentieth century.

This book highlights a theme that preoccupied Francis Bacon throughout his career: the relationship between two people, both physical and psychological. At its heart are two of the most uninhibited images that Bacon ever painted: Two Figures (1953) and Two Figures in the Grass (1954). After completing these interrelated works, Bacon did not return to the subject until 1967, the year that homosexual acts in private were decriminalized in England and Wales, when he painted Two Figures on a Couch, also featured in this volume. In Bacon's paintings, the human presence is evoked sometimes viscerally, at other times more fleetingly, in the form of a shadow or a blurred, watchful figure. In certain instances, the portrayal takes the form of a composite in which male and female bodily traits are transposed or fused. A number of the works in Couplings were inspired by Bacon's own fraught relationships.

Francis Bacon: Couplings features an introductory text by Richard Calvocoressi; a new essay and plate texts by Martin Harrison; and a never-before-published interview with Bacon by Richard Francis and Ian Morrison; as well as studio ephemera and working documents that illuminate Bacon's process.

About the Authors:

Richard Calvocoressi is an art historian and a director and senior curator at Gagosian, London. Martin Harrison, a curator and writer on art and photography, is an authority on the work of Francis Bacon.

In 1949 Francis Bacon found his subject - the human body - and from then on it remained his principal theme. But he did not paint from life. Instead he appropriated images from the mass media that he manipulated into his "studies." This book presents over 200 of these documents, about which Bacon was secretive but which, it emerges, were integral to his creative process.

Culled from thousands of pieces of original material found in his studio, including newspapers, magazines, books, and photographs, these items have each been exhaustively and minutely researched, providing for the first time comprehensive details of the artist's sources. Previously unseen, these visually thrilling documents demonstrate Bacon's tactile, visceral relationship with his sources and his unerring eye for seeking out visual stimulation in the most unexpected places.

This unique selection of material from Bacon's sudio - meticulously documented and compellingly presented - will provide an invaluable insight into both the artist's work and his working methods.

Francis Bacon (19091992) was renowned for his dramatic depictions of the human form; he portrayed the ordeal of the vulnerable, defencelessly exposed body like no other artist of his generation.

At the centre of this volume are about sixty of Bacons disturbing yet captivating studies of the human figure, encompassing works from the late 1940s until his death.

Texts by a range of experts on the artist offer new insights into these radical and often discomfiting images, so brilliantly reproduced on the pages of this book.

A magnificent, beautifully produced slip-cased volume, showcasing the entire career of direct Franco Zeffirelli

This is the ultimate book on the extraordinary life and work of Franco Zeffirelli. Produced with the full co-operation of the director and his family and complete with a superb DVD, the book has insights by the writers Matthew Gurewitsch, Masolino d’Amico and Giovanni Gavazzeni, the noted film critic Tullio Kezich and the renowned screenwriter Suso Cecchi d’Amico.

The photographs trace the arc of Zeffirelli’s career in full detail, from the spectacular opera productions of ‘Don Giovanni’ and ‘La Bohème’, to such award-winning films as 'Jesus of Nazareth' and 'Tea with Mussolini'.

Contents List:

Preface • Zeffirelliana by Matthew Gurewitsch • Passion for Art, Passion for Life: A Conversation with Franco Zeffirelli by Caterina Napoleone • I. Theatre II. Opera • III. Film • Biography, bibliography and credits

About the Authors:

Franco Zeffirelli is one of Italy's greatest director and producer of operas, films and television.
Caterina Napoleone has published several books, including Zeffirelli at The Met: One Thousand Five Hundred and Forty-Nine Performances (So Far). In 2009 she was Zeffirelli’s historical adviser on his Omaggio a Roma, a short film about the Eternal City.

A handsome collection showcasing the work of one of the fashion world’s foremost illustrators and art directors.

François Berthoud is recognized as one of the most original illustrators of his time, known for erotica and romantic fashion illustration. His painstakingly produced, meticulously arranged linocuts and his expressive drip paintings have graced Vogue, Numéro, Visionaire, and Interview, among others. He has also created images for such leading brands as Yves Saint Laurent, Bulgari, Chanel, Givenchy, Sonia Rykiel, and Prada. Emerging in the 1980s, Berthoud has a distinct style that fuses fashion and erotica and was championed by the legendary Italian fashion editor Anna Piaggi.

Showcasing more than thirty years of work, this collection includes an illuminating conversation with the artist, making it unique in the study of Berthoud as a cultural and artistic icon.

About the Author:

François Berthoud studied at Lausanne’s School for Graphic Design and began his career in Milan with Condé Nast. Beda Achermann, longtime creative director of German Men’s Vogue, founded Studio Achermann in Zurich and is now among the world’s most sought-after creative directors specializing in fashion and art. Chris Dercon is a Belgian art historian, curator, and former director of the Tate Modern. Jean-Paul Goude has worked at the forefront of commercial art, advertising, and illustration for over four decades. From his time as art director at Esquire, to his iconic photographs of Grace Jones, to his advertising work for Chanel, Cacharel, and the Galeries Lafayette, Goude is known for triumphantly capturing the spirit of his age. Christian Kämmerling is one of Europe’s leading magazine editors. Carla Sozzani is a celebrated fashion editor and curator who founded her eponymous gallery in 1989 and is the creator of 10 Corso Como.

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With 1,200 works, including 250 paintings created by the artist since the previous edition, this newly expanded book on this much admired and very influential British painter is now available in an accessibly priced edition.

This is the most comprehensive monograph to date on Frank Auerbach (1931–), one of the preeminent artists of our age, widely admired for his vivid, impulsive depictions of the world around him. Often compared to Francis Bacon and Lucian Freud in terms of the revolutionary and powerful nature of his work, Auerbach crafts depictions of people and the urban landscapes near his London studio that make him one of the greatest painters alive today. Spanning the length of his career from the 1950s to the present, this expanded edition includes 250 additional works to bring it up to date. In the back of the book there is a small-scale chronological sequencing of full-color reproductions, which depicts nearly every painting made by the artist, from his student years up until this publication. At age 90, he looks back over his life and his work, rich with breakthroughs in painting and masterful individuality.

Praise for earlier edition:
“The constant painter: a rare interview with Frank Auerbach... A weighty monograph filled with photographs of his life’s work, written by William Feaver, is published [and] underscore[s] his position as a Grand Old Man of British Painting.”
—London Evening Standard

“This definitive account of Auerbach’s work and life includes excellent large-scale reproductions of 200 paintings and an illustrated catalogue of some 1,000 more, lively, pertinent interpretations from Feaver, the artist’s long-term friend, critical supporter and model, and engaging interviews and photographs.”
—The Financial Times

About the Author:

William Feaver is a painter, writer, critic, and one of Auerbach’s regular sitters. He is the author of Lucian Freud (Rizzoli, 2007) and was the curator of Lucian Freud (Tate, 2002) and Freud & Auerbach (V&A Museum, 2006).

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The story of Maison FRED is the tale of a truly distinguished gentleman who — as a young man richly endowed with natural talents — believed that, for him, nothing was impossible.

In 1936, Fred Samuel opened his first boutique at 6 Rue Royale in Paris, where he brought a fresh and dynamic spirit to his jewellery designs, reflecting the brilliant sunlight of Argentina, his birthplace and childhood home. From the iconic Force 10 bracelet to the Pretty Woman collection, his heritage has imbued the Maison with a unique personality, setting it apart from all competitors.

Forming part of an ambitious project to shape the legacy of Maison FRED, a distinctively French creator of precious jewellery, this book is a family history, a celebration of extraordinary jewels and, above all, a tribute to Maison FRED’s founder, whose values and spirit continue to inspire contemporary jewellers. Drawing on numerous archival documents, gouache design studies, and splendid examples of precious jewels, this volume depicts the full scope of a rich and living heritage, the embodiment and source of inventiveness for the young generations and the creators of today and tomorrow.

About the Author:

Historian and journalist Vincent Meylan is a renowned specialist in high jewellery. He is the author of several biographies and works devoted to the history of gems.

Vever’s La Bijouterie Française au XIXem Siècle was first published in France between 1906–08: it has been the bible of all jewellery experts, buyers, sellers, scholars and historians ever since. Only 1,000 copies were originally produced, and it has been out of print for many years, appearing only rarely in the auction houses where it fetches very large sums.

This volume – the first-ever complete translation into English – includes over 1400 illustrations: photographs, sketches for jewels and prints from fashion magazines. 136 colour photographs of jewels now in the Musée des Arts Decoratifs are new to this edition.

All the great and now more obscure jewellers are included in the text and illustrations: Alphonse Fouquet, Boucheron, Falize, Froment-Maurice, Cartier, Chaumet, Georges Fouquet, Gaillard, Vever, Lalique, and many many more.

The discussion in the text is not only of the individual jewels and types of jewellery but also includes many entertaining anecdotes about the jewellers' relations with their customers and with society in general. Being himself a jeweller, Henri Vever was able to talk personally with all the people he writes about (or their followers), so the book has an unusual degree of authority.

On a hot summer night in August of 1973, DJ Kool Herc and his sister, Cindy, put on a “back to school jam” in the rec room of their apartment block at 1520 Sedgwick Avenue in the West Bronx. The rest is history. The birth of hip hop rippled out across the globe, influencing music and fashion for generations.

Fresh Fly Fabulous: 50 Years of Hip Hop Style draws on the experiences and memories of those who were there, from a foreword by Slick Rick, to interviews with Disco Fever club owner Sal Abbatiello and designers Dapper Dan and April Walker, to chapters from Vibe stylist Emil Wilbekin and former editor of The Source Kim Osorio. Topics cover the range of hip hop’s influential style over the past half century, tracing the evolution from early hip hop style, born of aspiration, individuality, and practicality to contemporary fashion steeped in luxury brands.

Hip hop style is a local story, told through spotlights on Times Square as an early fashion space, as well as an international phenomenon, shown in the prominence of hip hop fashion leaders on red carpets. Inventiveness, the art of the remix, and a diverse set of influences are consistent themes in sections that examine hip hop style from hair and nails to shoes and sneakers.

Fresh Fly Fabulous is the definitive source for hip hop style, brought to life by the groundbreaking photographers who captured it firsthand, including Janette Beckman, Jamel Shabazz, and Ernie Paniccioli.

About the Author:

Elizabeth Way serves as associate curator at The Museum at FIT and author of Black Designers in American Fashion. Elena Romero serves as assistant professor at the Fashion Institute of Technology and is a correspondent for CUNY-TV's magazine show LATINAS. Slick Rick is an iconic rapper, producer, and trendsetter whose hip hop classic with Doug E. Fresh "La Di Da Di" (1986) helped establish hip hop’s love affair with fashion.

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A rich overview of the fascinating life and career of internationally renowned Mexican artist Frida Kahlo (1907-1954), this volume features the artist’s complex and diverse paintings, a series of thoughtful essays about her and her oeuvre, and a detailed illustrated chronology.

As a woman artist who confronted many taboo subjects — and herself — head-on, Kahlo produced groundbreaking work that shifted the terrain of the art world. In these pages, new high-resolution photographs present the most accurate reproductions ever of her visionary artworks, including many ravishing details. That astounding fidelity and the detailed analysis of the artist’s life and process combine to make this a must-have book for Kahlo’s legions of fans worldwide.

Readable and illuminating, Frida Kahlo is illustrated with rarely seen paintings from private collections alongside iconic favorites, including many of Kahlo’s striking self-portraits and her sensual still lifes. Archival and personal photographs, insightful descriptions of her works, and numerous excerpts from her intimate diaries and letters provide context and imbue Kahlo’s work with additional meaning. Authors Héctor Tajonar and Roxana Velásquez — the world’s foremost authorities on Frida Kahlo — deftly untangle the many threads of Kahlo’s complex persona. Kahlo was a charismatic force. Fiercely political and proud of her Mexican heritage, she maintained a dense network of romantic and platonic relationships, including two marriages to fellow artist Diego Rivera. But her childhood illness and the tragic accident she suffered as a teenager left her physically vulnerable. Understanding that duality is key to fully appreciating Kahlo’s extraordinary work. With this deeply researched, stunningly designed volume in hand, readers can do just that.

About the Author:

Roxana Velásquez is the director of the San Diego Museum of Art and previously served as director of the Palace of Fine Arts (2007–2010), the National Art Museum (2004–2007), and the San Carlos National Museum (1997–2004) in Mexico. She has garnered international recognition as an expert on Frida Kahlo and for organizing major exhibitions, including Frida Kahlo 1907–2007 as well as National Homage (which attracted a record-breaking 420,000 visitors) at the Palace of Fine Arts in 2007.

Frida Kahlo is the most famous Latin-American painter of the 20th century and a fundamental figure in Mexican art

She met Pablo Picasso and André Bretón; she was a friend of Russian revolutionary Leon Trotsky and of poet Pablo Neruda. She received at her home writers, artists, film directors, doctors, politicians, photographers... Diego Rivera, the most recognised artist of Mexican mural art and Frida´s husband, described her in this manner: “Your genius is in the painting and in your image. Decidedly, there is no other living painter that can do what you do. You have laid (Te has echado al pico) with the whole painter race”.

Frida Kahlo (1907-1954) is, without doubt, the most famous Latin-American painter of the 20th century and a fundamental figure in Mexican art. Her work has been celebrated internationally as emblematic of Mexican national and indigenous traditions, and by feminists for its uncompromising depiction of the female experience and form. This fabulously illustrated volume brings together a series of stunning portraits, each one giving readers a glimpse into the many and varied ways in which Frida Kahlo has inspired countless artists across the globe.