Искусство

Accompanied by a traveling exhibition, this book on the Bahamian artist’s textile portraits serves as a love letter to Black women: their style, strength, vulnerabilities, and beauty.

This debut of the 29-year-old Bahamian-born artist aims to redefine the often-politicized Black body, with portraits made in a range of textile-based techniques, such as embroidery and appliqué, celebrating Black women.

Gio Swaby’s intimate portraits are unique, highly personal figurative works made from an array of colorful fabrics and intricate, freehand lines of thread on canvas that explore the intersections of Blackness and womanhood. Illustrated with 80 works in full color that span from 2017 to 2021, this is the first book on this contemporary feminist artist who is a rising star in the world of textiles and portraiture. According to Swaby, “I wanted to create a space where we could see ourselves reflected in a moment of joy, celebrated without expectations, without connected stereotypes.”

Writers and scholars with multiple points of view take on Swaby’s work and delve into her place within contemporary Black art.

About the Author:

Katherine Pill is curator of contemporary art at the Museum of Fine Arts, St. Petersburg, Florida. Melinda Watt is Chair and Christa C. Mayer Thurman Curator of Textiles at the Art Institute of Chicago. Nikole Hannah-Jones is a Pulitzer Prize–winning reporter for the New York Times Magazine.

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The first overview in decades of the eerie allegories of de Chirico, the forefather of surrealism and genius of uncanny connections

An innovative analysis of the artistic poetics of the master of metaphysical painting.

Through a selection of important works made during this master’s career, this volume aims to conduct a critical revision of the artist’s complex practice for the centenary of his so-called volte-face in 1919, the year he was criticised for leaving metaphysical painting (1910-1918) in favour of styles and techniques inspired by Classicism and the grand masters.

Edited by the most important experts of De Chirico, The Face of Metaphysics promotes an innovative interpretation of the artist’s oeuvre (both metaphysical, where the traditional confines of linear time and space are replaced by the doctrine of cyclical coexistence); an arrangement according to themes and not chronology underlines the idea that, despite the many changes in style, technique and subject, composition and colour tone, all of De Chirico’s works may offer tangible visions of the intangible philosophical concept of Metaphysics, advanced by Nietzsche in the late 1800s: constant metaphysics.

Divided into six sections (The Eternal Return; Metaphysical Exteriors; Metaphysical Protagonists; Metaphysical Interiors; Metaphysical nature; Metaphysics Encounters Tradition), this volume gathers around 90 works from some of the most prestigious private museums and collections in Italy and from the Fondazione de Chirico and also offers a rich core of archive documents including letters, period photos and exhibition catalogues.

About the Author:

Victoria Noel-Johnson is an art curator and historian specialised in early 20th-century Italian art. Recognised as one of the greatest experts of Giorgio de Chirico’s painting, from 2008 to 2017 she was the scientific curator at the Fondazione Giorgio e Isa de Chirico, where she managed the art collection and international exhibition programme for the Foundation.

Zorzi da Castelfranco, known as Giorgione: is an artist who has so few confirmed works attributed to him, and about whose life little is known.

Yet, after a career span of just over ten years, Giorgione has achieved a fame that has remained unchanged over the centuries. Starting from Giovanni Bellini’s lessons on spirituality and harmony between man and nature, and from the use of colour by Giovan Battista Cima da Conegliano, the master from Castelfranco offers a very particular synthesis of musical lyricism, connecting bodies and landscape with a soft and dense light.

This tonal painting, set by Cima and Bellini, becomes with Giorgione the language of initiation of the formidable brood protagonist of the great Venetian 16th century, the season of Palma il Vecchio, Sebastiano del Piombo and Tiziano Vecellio.

CHAPTER I
Zorzi’s Hidden Canvases. Visits with an Exceptional Guide

CHAPTER II
Gypsy Women and Philosophers: Giorgione’s Enigmas. Open Work, Context and Readings

CHAPTER III
A Façade and a Frieze. Debut and Early Success amidst Classicism and Astrology

CHAPTER IV
An Altarpiece for Castelfranco. Certain and Uncertain Family Ties: Costanzo and Barbarella

CHAPTER V
“With Time” and in a Hurry. Portraits of the Young and Old

CHAPTER VI
The Competition between the Arts. The Young Man from Castelfranco in the Venetian Melting Pot

CHAPTER VII
Portraits, Self-Portraits, Personalities and Interpreters. Giorgione’s Gallery

CHAPTER VIII
The Legend of the Libidinous Painter. A Myth and its Creators

Bibliographical notes

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A monograph of works dedicated to Giotto with author Francesca Flores d'Arcais drawing on an impressive range of sources, from 14th-century documents to the most recent art-historical investigations

Vasari famously wrote that Giotto "recovered the true method of painting, which had been lost for many years before him," and indeed, he is traditionally considered a founder of the Italian Renaissance.

Producing a series of commissioned works for the church and upper classes in his native Tuscany and surrounding regions, Giotto changed the course of European art by breaking away from the rigid, stereotyped figures of the Byzantine and medieval traditions. His innovation was to give his characters natural movement and expression. His great fresco cycles, such as the lives of the Virgin and Christ in the Scrovegni (or Arena) Chapel, Padua, are populated with realistic depictions of three-dimensional figures; secondary characters, both comic and tragic, display the range of the painter's wit and invention.

And Giotto's treatment of perspective was just as revolutionary as his approach to the human form: the dramatic power of his scenes is heightened by the convincing illusionistic spaces in which he places them. In this authoritative survey of Giotto's life and work, Francesca Flores d'Arcais draws on an impressive range of sources, from 14th-century documents to the most recent art-historical investigations. Her research leads her to important reattributions of Giottesque paintings and to new conclusions regarding the execution and dating of both famous and lesser-known works. In this second edition of her study, d'Arcais also discusses the earthquake of September 26, 1997, that damaged the frescoes of the Upper Basilica of San Francisco in Assisi, some of which are attributed to the young Giotto; she explains not only the extent of the damage, but also the art-historical insights that emerged from the subsequent restoration effort.

More than three hundred illustrations, most in full colour and some on double gatefold pages, reproduce all of Giotto's significant frescoes in exquisite detail, as well as his moving crucifixes and jewel-like polyptychs. These splendid images and d'Arcais's insightful text, now, for the first time, in an affordable paperback edition, make this the definitive monograph on the greatest of trecento masters.

About the Author:

Francesca Flores d'Arcais is a professor of art history at the University of Verona, Italy. An expert in the field of northern Italian painting, she has made numerous contributions to the study of medieval and Renaissance art over the course of her distinguished teaching career.

"I like my paintings to have one foot in the grave, to be not quite of this world. For me they exist in a dream world, a world that is made up of all the accumulated images stored in our subconscious that coagulate and mutate when we sleep." — Glenn Brown Mining art history and popular culture, Brown has created an artistic language that transcends time and pictorial conventions. He creates a space where the abstract and the visceral, the rational and irrational, the beautiful and grotesque churn in a dizzying amalgamation of reference and form.

In paintings completed over the last three years, including some of his largest works to date, Brown confronts traditional subjects of still life and portraiture. With characteristically fleshy textures beneath remarkably flat and glossy surfaces, the scenes evoke traditional memento mori.

About the Author:

Rudi Fuchs is a Dutch art historian and curator. He has been director of the Van Abbemuseum in Eindhoven, the Gemeentemuseum in The Hague and the Stedelijk Museum in Amsterdam from 1993 to 2003. He is currently a lecturer at the University of Amsterdam and has written extensively on art.

A survey of America's preeminent maker of fine silver and its legacy of exceptional design and innovation in the decorative arts.

Established in 1831, the Gorham Manufacturing Company adeptly coupled art and industry, rising to become an industry leader of stylistic and technological achievement in America and around the world. It produced public presentation pieces and one-of-a-kind showstoppers for important occasions, as well as tableware for everyday use. Its works trace a narrative arc not only of great design but also of American ambitions. In this volume, insightful essays are accompanied by gorgeous new photography of splendid silver pieces along with a wealth of archival images, design drawings, casting patterns, and company records that reveal a rich heritage of a giant in decorative arts and silver manufacturing.

Produced in collaboration with the RISD Museum, which has the world's most significant collection of Gorham silver, this major new book casts new light on more than 120 years of grand aesthetic styles in silver, innovative industrial practices, and American social and cultural norms.

About the Author:

Elizabeth A. Williams is David and Peggy Rockefeller Curator of Decorative Arts and Design, RISD Museum.

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The famous, unconditionally guaranteed, durable paperback edition with high-quality paper and binding.

A sumptuous survey of over 300 women painters and their work spanning almost five centuries

Great Women Painters is a groundbreaking book that reveals a richer and more varied telling of the story of painting. Featuring more than 300 artists from around the world, it includes both well-known women painters from history and today's most exciting rising stars.

Covering nearly 500 years of skill and innovation, this survey continues Phaidon's celebrated The Art Book series and reveals and champions a more diverse history of art, showcasing recently discovered and newly appreciated work and artists throughout its more than 300 pages and images.

Artists featured include: Hilma af Klint, Eileen Agar, Sofonisba Anguissola, Cecily Brown, Leonora Carrington, Mary Cassatt, Elaine de Kooning, Marlene Dumas, Nicole Eisenman, Jadé Fadojutimi, Helen Frankenthaler, Artemisia Gentileschi, Maggi Hambling, Carmen Herrera, Gwen John, Frida Kahlo, Tamara de Lempicka, Agnes Martin, Joan Mitchell, Alice Neel, Plautilla Nelli, Georgia O'Keeffe, Paula Rego, Bridget Riley, Jenny Saville, Dana Schutz, Lee Krasner, Yayoi Kusama.

About the Authors:

Phaidon Editors

Alison M. Gingeras is a curator and writer based in New York and Warsaw. She has served as curator at the Solomon R. Guggenheim Museum, New York; Centre Pompidou, Paris; and Palazzo Grassi, Venice. Gingeras currently serves as an adjunct curator at Dallas Contemporary and a guest curator at Museum of Contemporary Art in Miami as well as the Museum of Modern Art in Warsaw, in addition to working independently.

On the Baroque painter's early years in Rome and the origins of his vision of landscape painting

The impetus behind this volume was the Italian state's 2020 acquisition of the painting Landscape with a Country Dance (1601-02) by the Italian Baroque painter Guido Reni (1575-1642). The artwork's return to its native land at the Galleria Borghese marked a prime opportunity to rediscover the artist and his oeuvre, particularly the landscapes and rural scenes he created during his early years in Rome.

Nature and Devotion tracks the new vision of nature-a fusion of science and poetry-that Reni developed alongside his contemporaries (who included Niccolò dell'Abate, Annibale Carracci, Domenichino and Giovanni Battista Viola). Following the artist's course up until his breakthrough fresco for the Casino of Cardinal Scipione Borghese, Aurora (1613-14), the volume conveys how the impressions he gathered during his early years in Rome established a robust foundation upon which he built his later masterpieces.

Celebrate the world’s most seductive instrument. An obsessive, full-color book in the irresistible format of Shoes and Handbags — which together have over 700,000 copies in print — guitars delivers a feast of 500 guitars in vibrant color, plus players, makers, legends, myths, and more.

Here are guitars that made history, that changed the course of music, that inspired new generations of players and listeners. Here are milestones in the guitar’s search for its true self — Torres’s classical, the amazing Gibson L-5 — and experiments that ushered in a new world of sound — Rickenbacker’s "Frying Pan" and Les Paul’s "Log." Plus B. B. King’s Lucille, Willie Nelson’s Trigger, Eric Clapton’s Brownie, the J-160E that John Lennon played during his 1968 "bed-in" with Yoko, Jimi Hendrix’s hand-painted Flying V in full psychedelic regalia. And the far-out Gittler — no body, no neck, no peghead, yet every inch a guitar.

Also here are profiles of famous builders, including C. F. Martin, Orville Gibson, Leo Fender — the Henry Ford of guitars — and the mad genius Lloyd Loar. And individual luthiers, like Linda Manzer (her Pikasso II has 42 tunable strings), the maverick Ken Parker, and old-world artisan John D’Angelico, staring at skyscrapers from his Lower East Side shop and creating the ultimate art deco masterpiece, "The New Yorker."

Marrying visual pleasure with layers of information, Guitars captures the soul, the significance, history, magic, and the raw mojo of this most beloved of instruments.

About the Author:

David Schiller is an author of eclectic interests whose books include The Little Zen Companion, The Little Book of Prayers, and Guitar, among others. His books and calendars have more than 2 million copies in print. He lives in New York.

The first book to talk about the creative process of one of Hollywood's most iconic directors

From Drugstore Cowboy to Elephant, Milk and Good Will Hunting, Gus Van Sant's films have captured the imagination of more than one generation. Acclaimed as both an independent and mainstream filmmaker, he is also an artist, photographer and writer. Based on completely new and exclusive interviews, and featuring previously unseen imagery, this book provides a personal insight into how Van Sant successfully approaches these different and varied artforms, providing an inspirational look into the working life of one of America's most pivotal cultural and creative practitioners.

About the Author:

Katya Tylevich is an arts and fiction writer. She is author of Marina Abramovic: A Visual Biography, Art Oracles, Success Oracles, many book and monograph contributions, essays and interviews, and co-author of My Life as a Work of Art. Notable artist collaborations include The Marina Abramovic Method Cards, the text for Michaël Borremans' The Acrobat, as well as projects with Barry McGee, Todd Hido, and Espen Deitrichson. Katya spent years as contributing editor and writer for publications such as Elephant, Mark, Frame, Domus, and Pin-Up. With her brother Alexei she co-founded Friend & Colleague, a platform for editions, fiction and special projects. She is currently working on a fiction book titled Fear Eats the Soup.

The first critical illustrated biography of this much-loved artist, locating her firmly in the art worlds of late 19th- and early 20th-century London and Paris

One of the most significant British artists of the twentieth century, Gwen John (1867-1939) made her life and work within the heady art worlds of London and Paris.

This critical biography demolishes the myth of Gwen John as a recluse and situates her, brilliant, singular and assured, amid a rich cultural milieu that included James McNeill Whistler, Henri Matisse, Pablo Picasso, Paula Modersohn-Becker and Maude Gonne. Art historian, curator and novelist Alicia Foster draws on previously unpublished archival sources to explore John’s many relationships with artists and writers, including her affair with Auguste Rodin, passionate friendships with Jeanne Robert Foster and Véra Oumançoff, and correspondence with, among others, the poet Rainer Maria Rilke and her Slade compatriot and fellow painter Ursula Tyrwhitt. John’s library, ranging from writing by her friends Rilke and Arthur Symonds to French philosophy and religious thought, is considered, as is her part in the increasing presence and visibility of women artists in the early-twentieth-century art world. From the life rooms of the Slade to the Paris salons, this is the story of an artist both devoted to her craft and deeply involved in the life and creativity of her era.

With over 120 illustrations, Gwen John: Art and Life in London and Paris offers a lively, meticulously researched portrait of Gwen John as a vital and utterly compelling figure in twentieth-century art history.

Contents List:

Introduction
1. London 1895
2. Slade Revolution
3. Whistler and After
4. Paris 1904
5. Rodin/Rilke
6. Lettres à Julie
7. A Library
8. Faith
9. From the Left Bank to the New World
10. The Convalescent and the Generals
11. Salon Life
12. A Parisian in London
13. The Modern Interior
14. The Pilgrim
15. After

About the Author:

Alicia Foster is an art historian, curator and novelist. Her publications include Tate Women Artists (2004), Gwen John (2015), Nina Hamnett (2021) and the novel Warpaint (2013), and in 2019 she curated ‘Radical Women: Jessica Dismorr and Her Contemporaries’, the first-ever museum show to focus on Dismorr, for which she also wrote the highly praised catalogue.

The photographer Josh Lehrer's up-close-and-personal document of the evolution, and revolution, that is Hamilton: An American Musical.

Only the second official book, Hamilton: Portraits of the Revolution invites Hamilfans to experience the award-winning show in a brand-new and intimate way through more than 100 portraits of the cast, including Lin-Manuel Miranda (Alexander Hamilton), Leslie Odom Jr. (Aaron Burr), Daveed Diggs (Lafayette), Phillipa Soo (Eliza Schuyler Hamilton), and Renée Elise Goldsberry (Angelica Schuyler), along with personal commentary by the cast about Hamilton, their experiences, and the show's impact on them and the world. It includes contributions by creator Lin-Manuel Miranda and director Thomas Kail, as well as a curated collection of ephemera and original writings from the historical figures who served as the inspiration for their stage characters.

With book, music, and lyrics by Miranda, direction by Thomas Kail, and choreography by Andy
Blankenbuehler, Hamilton is the story of an immigrant who became George Washington's right-hand man and the new nation's first treasury secretary.

Now, with Hamilton streaming on Disney+ starting on July 3rd, the fan base for this musical smash hit will only continue to grow. From "Broadway Babies" to history buffs to anyone who appreciates photography, this is the perfect book for the millions who have been moved by, and want to reexperience, the extraordinary theatrical and musical experience.

About the Author:

Josh Lehrer is an advertising, lifestyle, and portrait photographer who has photographed for the New York Times, Elle, and many Broadway and theatrical projects. Lin-Manuel Miranda is the Tony- and Pulitzer Prize-winning creator of Hamilton: An American Musical. Thomas Kail is the director of the Tony- and Pulitzer Prize-winning Hamilton: An American Musical.

Showcasing the best works by the acclaimed Nordic master of light and solitude, this is the first major book on the artist since 1998.

The paintings of Vilhelm Hammershøi (1864–1916) have become increasingly popular due their almost contemporary aesthetic. Admired and celebrated during his lifetime, Hammershøi gradually fell into oblivion before being rediscovered in the 1990s. He is now recognized as the iconic painter of Nordic light and solitude.

This newly researched monograph presents the artist’s best works, many drawn from rarely seen private collections. Enigmatic and subtle, his paintings feature empty interiors, shades of gray, and the silhouette of a lone figure. Reminiscent of Edward Hopper, Hammershøi has an impassioned following who will appreciate this new volume.

Multiple scholarly texts and an illustrated chronology shed new light on Hammershøi’s art and explore links with contemporary artists highlighting Hammershøi’s singular genius and more radical aesthetic, which still engages and surprises us today.

About the Authors:

Jean-Loup Champion is a sculptor, publisher, art historian, curator, and editor of several books. Frank Claustrat is Associate Professor of Contemporary Art History at Montpellier University in France as well as a noted expert on Nordic art. He has been published in Artnord, L’Œil, Connaissance des Arts, and La Gazette Drouot. Pierre Curie is curator at the Musée Jacquemart-André in Paris. Marianne Saabye is a Danish art historian and author who was the director of the Hirschsprung Collection from 1986 until 2016.

Handbook of Tyranny portrays the routine cruelties of the twenty-first century through a series of detailed non-fictional graphic illustrations. None of these cruelties represent extraordinary violence — they reflect day-to-day implementation of laws and regulations around the globe.

Every page of the book questions our current world of walls and fences, police tactics and prison cells, crowd control and refugee camps. The dry and factual style of storytelling through technical drawings is the graphic equivalent to bureaucratic rigidity born of laws and regulations. The level of detail depicted in the illustrations of the book mirror the repressive efforts taken by authorities around the globe.

The twenty-first century shows a general striving for an ever more regulated and protective society. Yet the scale of authoritarian intervention and their stealth design adds to the growing difficulty of linking cause and effect. Handbook of Tyranny gives a profound insight into the relationship between political power, territoriality and systematic cruelties.

This new edition includes updated figures and eight additional pages.

About the Author:

Theo Deutinger (*1971) is an architect, writer and curator. He is the founder and head of The Department (TD), a practice that combines architecture with research, visualization and artistic thinking. With TD he works at all scales from global planning, spatial master plans, architecture to graphic and curatorial work. Deutinger is known for his theoretical writings on the transformation of European urban culture, and his socio-cultural studies such as the “Handbook of Tyranny.” His work has been shown at the Design Biennale Kwangju (2011), the 14th Venice Architecture Biennale (2014) and the Storefront for Architecture in New York (2019), among others. Theo Deutinger lives and works in Austria.