Искусство

A celebration of artworks featuring books and readers from throughout history, for the delight of art lovers and bibliophiles

As every book tells a story, every book in art is part of an intriguing, engaging, and relatable image. Books are depicted as indicators of intellect in portraits, as symbols of piety in religious paintings, as subjects in still lifes, and as the raw material for contemporary installations. Reading Art spotlights artworks from museums and collections around the globe, creating a gorgeous, inspiring homage to both the written word and to its pivotal role in the visual world.

About the Author:

David Trigg is a critic and art writer based in Bristol. He is a regular contributor to Phaidon books and has written articles and reviews for publications including Art Monthly, ArtReview, Frieze, and Art Papers. He has a PhD in Art History from the University of Bristol and is a member of the International Association of Art Critics.

In this book, gouache, a classic technique often compared to watercolour, acquires a new dimension and offers a bolder approach to contemporary artists, illustrators and graphic designers.

Gouache erases the boundaries between ‘proper painting’ and the spontaneous charm of watercolour, combining the advantages of both techniques. Diluted, gouache is almost like watercolour, but when used on its own, it can be applied in opaque layers with a matte surface reminiscent of pastels. Soluble in water, it is rather forgiving and allows for corrections and revisions, and finally, the fine grain of the pigment it contains makes detailed drawings possible.

About the Author:

Aljoscha Blau is one of the most renowned illustrators in German- speaking countries. He was born in 1972 in Leningrad (now Saint Petersburg), USSR. Since earning his degree in illustration and graphic arts from HAW (Hamburg University of Applied Sciences, Hamburg, Germany), Blau has worked as an illustrator and author for German and international publishers. He has been honoured with numerous international awards, such as the German Design Award, the Bologna Ragazzi Award, Prix Figure Future, Troisdorfer Bilderbuchpreis (Troisdof City Illustrated Book Award), and the Deutscher Jugendliteraturpreis (German Youth Literature Award), and nominated for the Astrid Lindgren Memorial Award. Blau teaches and conducts illustration and drawing workshops at various art academies in Germany, Denmark, Switzerland, Italy and France. He currently lives in Berlin.

Talented emerging fiction writers find inspiration in one of the most famous paintings in New York’s Frick Collection: Jean-August-Dominique Ingres’s Comtesse d’Haussonville from 1845.

Following the successful literary musings on art at the Frick, The Sleeve Should Be Illegal and Cocktails with a Curator, this anthology of newly commissioned texts from graduate students in New York University’s Creative Writing Program pays homage to one of the institution’s most celebrated paintings.

Gathered here are fourteen fictional stories inspired by one of Ingres’s most captivating portrait paintings. A detail of the work — the fine silk dress, a red ribbon, a shawl casually draped over the arm of a chair, the contents of a tabletop, the contemplative pose—is the starting point for each story. The pieces range from gothic tales that take place at the time of the painting in the mid-nineteenth century and stories that use the countess as a key character to a present-day ghost story and inventive sagas that take representations of the countess to faraway lands: Poland, Trinidad and Tobago, Brazil, India, and a heaven that is populated solely by Black people.

The faculty adviser for the project is best-selling novelist Darin Strauss, who writes the book’s introduction. Illustrated with Ingres’s famous portrait as well as with many lush details, this one-of-a-kind volume is an ode, both traditional and postmodern, to a glorious work of art.

About the Author:

Darin Strauss is the author of the novels Chang and Eng, The Real McCoy, More Than It Hurts You, the memoir Half a Life, and, most recently, The Queen of Tuesday, a finalist for the Joyce Carol Oates Prize in Fiction.

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Пролистать книгу Regarding Ingres: Fourteen Short Stories

Published on the occasion of a major exhibition bringing together the best Rembrandt paintings from American collections. The great seventeenth-century Dutch artist Rembrandt van Rijn is one of the most important painters in the history of European art. This richly illustrated volume gathers some fifty of the finest paintings by the Dutch master and his followers from private and public collections across America, including the National Gallery of Art in Washington, D.C., and The Metropolitan Museum of Art, New York.

Rembrandt had an uncanny ability to depict light and shadow, and to capture the emotions of his sitters. In addition to his portraits, he is also known for historical scenes. Highlighting the authentic Rembrandts in America during the late nineteenth century’s Gilded Age, a time when American tycoons cultivated a passion for collecting European masterpieces, the book also features fifteen to twenty works that were originally attributed to the master’s hand but are now recognized as paintings by his successors, contemporary followers, and later imitators.

An introduction focusing on Rembrandt as a cultural phenomenon is followed by essays devoted to his life, the controversy associated with his workshop, and the pursuit of Rembrandt in America. Published in association with the Cleveland Museum of Art, the North Carolina Museum of Art, and the Minneapolis Institute of Arts

On the 500th anniversary of Martin Luther's 95 Theses, this opulent book presents a colorful introduction to Renaissance art and history.

Featuring more than a hundred outstanding paintings, drawings, prints, sculptures, and treasures of the Age of the Reformation, this publication comprises masterpieces by Albrecht Durer, Lucas Cranach the Elder and Lucas Cranach the Younger, Hans Holbein the Elder and Hans Holbein the Younger, Matthias Grunewald, and Tilman Riemenschneider, among others. By placing these works in their historical context, this beautifully illustrated book uses art as a prism through which to consider the religious, social and political upheavals of the time.

The volume includes insightful texts that discuss pivotal subjects such as traditional imagery and devotion, Reformation and polemics, court life and culture, humanism and reality, as well as portraiture and representation. Biographies of the artists, an extensive bibliography and a glossary of central terms concerning the German Reformation make this a comprehensive study of a fascinating period in European art history.

The definitive monograph on one of the world's best-loved artists, sumptuously illustrated in full color.

Pierre-Auguste Renoir (1841-1919) stands out among the great artists for his willingness to paint pictures that are straightforwardly pretty and charming: he chooses familiar and sympathetic human types as his subjects, and depicts them with an appealing immediacy, using an attractively bright and rosy palette. Not all of his four thousand or so paintings are equally good; some fall short on formal grounds, and others, not surprisingly, sink into sentimentality. But Renoir's best works are masterpieces, perhaps the most joyous and effervescent ones in the history of art - his great monuments to leisure, Dancing at the Moulin de la Galette and Luncheon of the Boating Party; his delicate portraits of women and children, like the winsome Girl with a Watering Can; and his many frankly sensual nudes.

In this highly readable monograph, noted art historian Anne Distel offers an illuminating new account of the life of the man who created such singularly sparkling works. The author deftly narrates Renoir’s rise from apprentice porcelain painter to celebrated artist, quoting judiciously from the painter’s own vivid letters and offering keen analyses of his style at each stage of his sixty-year career. And Distel does not consider that career in isolation, but uses the latest discoveries in the documentary evidence - some of them her own - to re-create the artistic and social milieus in which Renoir worked. She traces his relationships with other artists, both his fellow Impressionists and older contemporaries like Corot and Daubigny as well as the younger Bonnard, Matisse, and Picasso; with writers like Zola, Mallarmé, and Mirbeau; and, in particular, with the dealers and patrons who were so important to his career, like Paul Durand-Ruel, Ambroise Vollard, the Bernheim brothers, the Charpentiers, the Berards, Charles Ephrussi, and Dr. Barnes.

Distel's authoritative text is illustrated throughout with some three hundred beautiful color reproductions of the artist’s finest and most representative works, ensuring that this will be the Renoir monograph of reference for years to come.

About the Author:

Anne Distel, is the conservateur général honoraire du patrimoine at the Musée d'Orsay and author of numerous books on 19th century painting . She is also a professor of art history at the University of Paris Sorbonne-Paris and an impressionist painting specialist.

The human body is a challenging subject to depict because of its intricate complexity and movement. “To do it well requires an in-depth knowledge of anatomy and an awareness of what lies beneath all parts of the body, for the greatest figurative art gives the impression that there is a living skeleton inside the body,” notes artist and veteran art educator Rey Bustos. With Rey’s Anatomy: Figurative Art Lessons from the Classroom, Bustos provides essential anatomical information, detailed studies, and valuable drawing tutorials to equip artists with a basic understanding of the skeletal structure and muscle system of the human body.

Having taught figure drawing for 30 years, he presents complex concepts in a remarkably accessible manner, referencing works from the Old Masters to demonstrate how an artist can take the same anatomical knowledge and express it in diverse and personal ways and, with study and practice, portray the human form without being hindered by the process or the intellect. Rey’s Anatomy explores anatomy first, followed by daily drawing exercises to help refine one’s figurative work, while featuring the extraordinary work of his students throughout the book ― alongside his own ― a testament to how his lessons have benefited generations of artists.

About the Author:

Rey Bustos is one of the country's preeminent artistic-anatomy teachers. He graduated with honors from the prestigious ArtCenter College of Design in 1989, and has been teaching figure drawing, composition, and 2D and 3D anatomy ever since. Bustos currently teaches at ArtCenter College of Design in Pasadena, CA, Los Angeles Academy of Figurative Art, and Kline Academy of Art in Culver City, CA and conducts online classes for Computer Graphics Masters Academy (CGMA), New Masters Academy and Gnomon School of Visual Effects.

The human body is a challenging subject to depict because of its intricate complexity and movement. “To do it well requires an in-depth knowledge of anatomy and an awareness of what lies beneath all parts of the body, for the greatest figurative art gives the impression that there is a living skeleton inside the body,” notes artist and veteran art educator Rey Bustos. With Rey’s Anatomy: Figurative Art Lessons from the Classroom, Bustos provides essential anatomical information, detailed studies, and valuable drawing tutorials to equip artists with a basic understanding of the skeletal structure and muscle system of the human body.

Having taught figure drawing for 30 years, he presents complex concepts in a remarkably accessible manner, referencing works from the Old Masters to demonstrate how an artist can take the same anatomical knowledge and express it in diverse and personal ways and, with study and practice, portray the human form without being hindered by the process or the intellect. Rey’s Anatomy explores anatomy first, followed by daily drawing exercises to help refine one’s figurative work, while featuring the extraordinary work of his students throughout the book ― alongside his own ― a testament to how his lessons have benefited generations of artists.

About the Author:

Rey Bustos is one of the country's preeminent artistic-anatomy teachers. He graduated with honors from the prestigious ArtCenter College of Design in 1989, and has been teaching figure drawing, composition, and 2D and 3D anatomy ever since. Bustos currently teaches at ArtCenter College of Design in Pasadena, CA, Los Angeles Academy of Figurative Art, and Kline Academy of Art in Culver City, CA and conducts online classes for Computer Graphics Masters Academy (CGMA), New Masters Academy and Gnomon School of Visual Effects.

"We all perform. It's what we do for each other all the time, deliberately or unintentionally. It's a way of telling about ourselves in the hope of being recognized as what we'd like to be."
 - Richard Avedon, 1974

The preeminent stars and artists of the performing arts from the second half of the 20th century offered their greatest gifts - and, sometimes, their inner lives - to Richard Avedon. More than 200 are portrayed in Performance, many in photographs that have been rarely or never seen before. Of course, the great stars light the way: Hepburn and Chaplin, Monroe and Garland, Brando and Sinatra. But here too are the actors and comedians, pop stars and divas, musicians and dancers, artists in all mediums with public lives that were essentially performances, who stand at the pinnacle of our cultural achievement.

The celebrated author and critic John Lahr offers an elegant assessment of Avedon’s achievement. Four supremely talented artists from the performing arts - Mike Nichols, André Gregory, Mitsuko Uchida, and Twyla Tharp - contribute lively and moving memoirs about their collaborations with Avedon.

About the Authors: 

John Lahr is Senior Drama Critic of The New Yorker. In 2002, he was the first drama critic ever to win a Tony Award. 

Mike Nichols is an American Emmy Award, Academy Award, Grammy Award, and Tony Award-winning stage and film director, writer, and producer. André Gregory is an American director and actor. His best-known film appearance was as the title character in My Dinner with Andre. 

Mitsuko Uchida is a classical pianist, renowned for her recordings of Mozart, Beethoven, and Schubert. 

Twyla Tharp is a leading American dancer and choreographer.

An exploration of the work by American artist Richard Bernstein that celebrates his larger-than-life portraits for the covers of Andy Warhol’s Interview magazine, as well as his visually arresting fine art, movie posters, and album covers created from the mid-1960s to the 1990s.

Richard Bernstein, a fixture at Studio 54 and with fashion and art insiders, captured the allure of the disco era through his iconic hyper-colored graphic portraits of superstars for the covers of Andy Warhol’s Interview magazine. Warhol’s influence on Bernstein’s bold, playful, and graphic artwork is evident, and it was often thought that Warhol created the covers himself. Yet it was Bernstein, an American artist and art director, whose distinctive craft of retouching photographs with pastels, stencils, and airbrushing monumentalized his subjects into dazzling pop-art incarnations — sexy, captivating, and forever young.

The book features his legendary Interview covers of Madonna, Grace Jones, Mick Jagger, Cher, Calvin Klein, Michael Jackson, and Aretha Franklin, and Bernstein’s rarely seen fine artwork, album covers, and editorial work for Time, Vogue Italia, New York Magazine, and Playboy, complete with intimate anecdotes and interviews with his closest friends and collaborators. This volume is an essential addition to any fashion, pop culture, style, or art lover’s library.

About the Authors:

Roger Padilha and Mauricio Padilha are the founders of MAO Public Relations and the authors of several Rizzoli books. Grace Jones is a legendary Jamaican performer, singer, supermodel, and author. Jean-Paul Goude is a renowned French graphic designer, photographer, and advertising film director.

The quintessential book on the beloved California artist reveals new scholarly research and firsthand reflections by fellow artists and friends and relatives.

A fresh and new overview of this treasured West Coast artist, with hundreds of his paintings, drawings, and prints covering five decades of his illustrious career. The book surveys the extraordinary achievements of Diebenkorn, who successfully explored both abstract and figurative painting. Produced in a slipcase box, this is the ultimate source for art enthusiasts, from his early work of the mid-1940s to his Berkeley and Ocean Park series. The book includes not only his iconic paintings of the California landscape and interior figures but also many of his less well-known and rarely published works.

Art historian Sasha Nicholas discusses Diebenkorn's place in postwar American painting and his independence from the art-world trends. Steven Nash conducts an interview with close friend Wayne Thiebaud, giving an artist's point of view. The two artists shared the inspiration of California and experimented with perspective to capture their surroundings.

About the Authors:

Sasha Nicholas is an independent curator and art historian specializing in American art. Steven A. Nash is president of the board of directors of the Richard Diebenkorn Foundation. Wayne Thiebaud is a painter best known for his still lifes and landscapes who made his career on the West Coast. Tony Berlant is an artist living in Southern California. Kathan Brown is founder of the Crown Point Press in San Francisco. Gretchen Diebenkorn Grant is the daughter of Richard Diebenkorn and lives in the Bay Area. William Luers is a retired American career diplomat and museum executive.

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Пролистать книгу Richard Diebenkorn: A Retrospective

The first definitive career retrospective of the visionary underground godfather of street art at the center of New York’s 1980s urban art scene.

Richard Hambleton (1954–2017) was a Canadian artist known for his pioneering street art. He was a surviving member of a group that emerged from the New York City art scene during the booming art market of the 1980s, which also included his close friends Keith Haring and Jean-Michel Basquiat.

As a conceptual artist, Hambleton’s early work installations titled “Image Mass Murder” from 1976–1979 were secretly placed onto streets in over 15 cities, depicting chalk-body outlines and blood-splattered crime scenes of what appeared to be “victims.” This theme of a prevailing violence, fear, and morbid curiosity elicited surprise and anxiety from its unsuspecting viewers. In the early 1980s, Hambleton created his most iconic “Shadow Man” works — artfully splattered ominous shadowy figures on unexpected street corners, walls, and alleys that startled viewers into a visceral awareness that the city was still a dangerous place.

This book features over 200 images including his early “Shadow Man” canvas paintings, as well as photographs of his in situ street work, a selection of his “Marlboro” rodeo horse silhouettes, and his “Beautiful Paintings” series of landscapes and seascapes, alongside other works on paper; behind-the-scenes studio shots; personal, unseen photographs of the artist; and inspirational imagery. Hambleton was renowned for influencing artists such as Banksy, Blek le Rat, and Shepard Fairey. This arresting, one-of-a-kind book will appeal to those interested in visual arts, street art, graffiti, and art history.

About the Author:

Vladimir Restoin Roitfeld is a French-American businessman and president of CR Fashion Book Ltd. media company. Andy Valmorbida is an Australian-born art entrepreneur, collector, and president of Untitled-1 Holdings.

A timely consideration of African-American artists' rich engagement with the history of art from the twentieth century, this book is the winner of the James A. Porter and David C. Driskell Book Award for African American Art History.

Riffs and Relations: African American Artists and the European Modernist Tradition presents works by African American artists of the twentieth and twenty-first centuries together with works by the early-twentieth-century European artists with whom they engaged. Black artists have investigated, interrogated, invaded, entangled, annihilated, or immersed themselves in the aesthetics, symbolism, and ethos of European art for more than a century. The powerful push and pull of this relationship constitutes a distinct tradition for many African American artists who source the master narratives of art history to critique, embrace, or claim their own space. This groundbreaking catalog -- accompanying a major exhibition at the Phillips Collection in Washington, D.C.-- explores the connections and frictions around modernism in the works of artists such as Romare Bearden, Pablo Picasso, Faith Ringgold, Renee Cox, Robert Colescott, Norman Lewis, Hank Willis Thomas, Carrie Mae Weems and Henri Matisse. The volume explores how blackness has often been conceived from the standpoint of these international and intergenerational connections and presents the divergent and complex works born of these important dialogues.

About the Author:

Adrienne L. Childs is an associate of the Hutchins Center for African and African-American Research at Harvard University. Renée Maurer is an associate curator at the Phillips Collection, in Washington, D.C. Valerie Cassel Oliver is the curator of modern and contemporary art at Virginia Museum of Fine Arts, in Richmond. Dorothy Kosinski is the Vradenburg Director & CEO of the Phillips Collection.

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Пролистать книгу Riffs and Relations: African American Artists and the European Modernist Tradition

This is the first book devoted exclusively to rings considered by theme rather than by date – though the author, a world expert, brings her rich historical and literary knowledge to the subject.

She considers …

Signets
Rings associated with love, marriage and friendship
Devotional, protective and ecclesiastical rings
Memento mori and memorial rings
Rings associated with famous people and great events
Decorative rings
Diamond rings
Rings as accessories

while making us delight in them as works of art, and bringing their context alive through paintings, drawings, and vivid quotations.

Rings of all periods are included – from ancient Egypt, Greece and Rome through the Middle Ages and Renaissance up to the 20th century. The rings are drawn not only from great museums but from private collections, preeminently that of the noted gem dealer and art patron Benjamin Zucker.

About the Author:

Diana Scarisbrick has written extensively on jewellery, in books, exhibition catalogues and journals internationally. Rings have always been a particular interest.

A sophisticated publication dedicated to one of the most astonishing collections of African art.

This book presents a variety of ritual figures from the Democratic Republic of Congo.

Figurative sculpture is considered the best expression of African ritual arts and was one of the most important sources of inspiration for early twentieth-century artists, leaving a deep impact in the world history of art.

Produced in different materials, from wood to stone and ivory, figurative sculpture has been produced in the Congo region for hundreds, if not thousands of years. The first official collection of these artworks is dated 1873.

This publication is enriched by new, beautiful pictures of the collection with a contemporary and sophisticated touch.

The texts are written by Marc Leo Felix, an international expert in African art as well as an organizer and curator of international exhibitions on African arts.

About the Authors:

Marc Leo Felix is currently the director of the Congo Basin Art History Research Center in Brussels. He studied Art and Art History at the Royal Academy of Fine Arts in Brussels and conducted extensive field research in Africa and Southeast Asia between 1966 and 1999. He has organized over thirty exhibitions worldwide and written more than twenty books and a number of articles on ritual art from Congo. He was the editor of the book White Gold, Black Hands for which he received the prestigious Prix International du Livre d'Art Tribal award in 2015. Marc has lectured worldwide at universities, museums, and symposia, and co-organized, in 2001, the first-ever exhibition of ritual art from the "Kongo Kingdom" in China, held at the National Museum of China in Beijing. Together with Mr. Henry Lu, he has organized more than twenty-five exhibitions about African art in the Greater China region.

Henry C.C. Lu is based in Hong Kong. He is a merchant, collector, curator, and organizer of cultural events.

Lewis Ho is a photographer based in Hong Kong, member of the HKIPP (Hong Kong Institute of Professional Photographers).

Paul Louis is a Brussels-based photographer, renowned for his captivating captures of "Ritual Figures in Congo" and "Masks in Congo."