Мистецтво

Pairing the video sculptures, paintings, and drawings produced during the last decade of Nam June Paik’s life with key works from the artist’s oeuvre, this book testifies to Paik’s lifelong exploration of the role of technology in culture. Paik is considered the founder of video art and was one of the first artists to bring television into the realm of art, treating it as a tactile and multisensory medium.

About the Author:

The current consulting senior curator for media arts at the Smithsonian Museum of American Art in Washington D.C., John G. Hanhardt is one of the leading scholars on Nam June Paik.

Перше в історії візуальне розширення Werner’s Nomenclature of Colours, що містить понад 800 посилань на ілюстрації зі світу природи

Цей хроматичний каталог природного світу поєднує окремі зразки кольорів із прикладами з тваринного, рослинного та мінерального царств, щоб створити красиву та всеосяжну систему відліку кольорів, яка прикрасить кожну книжкову полицю.

Відзначаючи 200-ту річницю публікації розширеного видання Werner’s Nomenclature of Colours (1821), цей розкішний том містить польовий довідник Сайма зі 110 стандартних кольорів і – вперше – повністю ілюструє його зображеннями дев’ятнадцятого століття видів, на які він посилається. Експертний текст пояснює використання та розробку стандартів кольорів у зв’язку з зоологією, ботанікою, мінералологією та анатомією, тоді як зразки з сучасних колекційних шаф (птахи, метелики, яйця, квіти та мінерали) підбираються до кожного зразка кольору. Новаторський посібник Сайма намагався створити універсальну систему відліку кольорів, щоб допомогти ідентифікувати, класифікувати та представляти види зі світу природи: ця знакова публікація завершує його прагнення.

Список вмісту:

Вступ Виникнення, призначення та розвиток Номенклатури кольорів Вернера Патріка Баті • i. Білі, сірі та чорні • 1. Мінералогічна система Вернера та як його Номенклатура кольорів стала стандартом кольорів Сайма, автор Пітер Девідсон • ii. Сині та фіолетові • 2. Кольори в зоології: суб’єктивні чи систематичні? Елейн Чарват • iii. Зелень • 3. Колірна таблиця Сайма в ботаніці: походження та вплив Джулії Сімоніні • iv. Жовті та помаранчеві • 4. Один за всіх? Werner’s Nomenclature of Colours як загальний стандарт кольору та його конкретне використання в медицині, Андре Карлічек • проти червоних і коричневих

Про авторів:

Патрік Баті є автором The Anatomy of Colour та власником компанії Papers and Paints, спеціалізованого підприємства з виробництва фарб у Лондоні. Його прадід, художник Роберт Беван, був описаний колишнім директором Національної галереї як «можливо, перший англієць, який використовував чистий колір у 20 столітті». Він керує консультаційною компанією, яка консультує щодо використання фарби та кольорів в історичних будівлях, і працював з Dulux і Little Greene над розробкою діапазонів традиційних кольорів фарби для англійської спадщини. Він також часто читає лекції на тему фарби та кольору 18-го та 19-го століть.

New Bracelets showcases more than 400 bracelets by 200 jewellers, selected from a pool of 900 artists from across the world.

This new title by Nicolas Estrada confirms that contemporary jewellery is flourishing: readers will be surprised and delighted with the freshness, diversity, and colourfulness of the many different styles in this collection. It incorporates jewellery designs in a wide variety of materials and approaches, including classic gold, silver, and precios stones, as well as paper, wood, plastic, and resins. This comprehensive selection puts its finge on the pulse of what is happening in the world of jewellery artists right now. It is part of our ongoing series on contemporary jewellery. 

New Bracelets includes prefaces by Barbara Schmidt and Helen Britton. Barbara is a German artist and teacher and is head of the Academy of Design in Munich. Helen is a multi-award winning Australian contemporary jeweller, and currently an adjunct professor at RMIT University in Melbourne.

About the Author:

Autor Nicolas Estrada (Medellin, 1972) studied artistic jewelry at the Escola Massana in Barcelona. He has trained in many technical areas of jewelry, as well as local traditional techniques. His works can be found in galleries around the world, from Glasgow to Riga, San Francisco or Barcelona. His pieces are handmade, personal and transgressive. As editor, Nicolas has curated "New Rings" (Promopress Editions, 2012) and "New Earrings" (Promopress Editions, 2013).

Edited by Nicolás Estrada, New Brooches, now in paperback, focuses on brooches within a book series exploring current innovative trends in contemporary jewellery.

With a selection of over 400 jewellery artists’ creations from all over the world, this inspirational volume is the most comprehensive compilation on this subject and an important step in Nicolás Estrada’s exploration of current trends in contemporary jewellery. A must-have for any professional or student of jewellery or fashion design, this work shows the versatile and dynamic nature of brooches and the many and varied materials and forms that they involve. Following the success of Estrada’s New Rings, New Earrings and New Necklaces, New Brooches represents a valuable contribution to this series.

The book features 400+ jewellery designs from 175 jewelers from 25 countries. 

About the Author:

Autor Nicolas Estrada (Medellin, 1972) studied artistic jewelry at the Escola Massana in Barcelona. He has trained in many technical areas of jewelry, as well as local traditional techniques. His works can be found in galleries around the world, from Glasgow to Riga, San Francisco or Barcelona. His pieces are handmade, personal and transgressive. As editor, Nicolas has curated "New Rings" (Promopress Editions, 2012) and "New Earrings" (Promopress Editions, 2013).

Part of a well-known book series on contemporary art jewelry by jeweler Nicolas Estrada, this completely new edition of New Earrings (not a single piece from the 2013 edition has been included) highlights the work of some of the most exciting and innovative international jewelry artists working today. The more than 550 pieces featured by 198 jewelers from all over the world break away from the traditional notion of jewelry making to stake out new terrain. They represent a variety of creative approaches and methods, from more traditional to strikingly avant-garde creations, that speak and inspire, embodying all the ingenuity, flair, eloquence, sensitivity and individual freedom of the diverse creators. Some of the earrings are made using unconventional materials like porcelain or plastic while others use classical materials such as gold in ways that provocatively go against the grain of convention, reflecting the artist's personal identity and tastes or containing a subtle commentary on contemporary concerns.

Aimed at students, professionals and jewelry lovers, this second edition of the book published in 2013, has a new layout and concludes with a brief description of the careers and web pages of the featured artists.

About the Author:

Autor Nicolas Estrada (Medellin, 1972) studied artistic jewelry at the Escola Massana in Barcelona. He has trained in many technical areas of jewelry, as well as local traditional techniques. His works can be found in galleries around the world, from Glasgow to Riga, San Francisco or Barcelona. His pieces are handmade, personal and transgressive. As editor, Nicolas has curated "New Rings" (Promopress Editions, 2012) and "New Earrings" (Promopress Editions, 2013).

A detailed and abundantly-illustrated reference that focuses on the innovative curved score folding for sheet metal techniques to create beautiful, dynamic three-dimensional forms, much like metal origami, in jewellery and metalsmithing.

Anastasia Young and Paul Wells, both renowned London-based jewellers, authors and lecturers, have created a practical visual handbook on curved scoring and folding techniques applied to jewellery and metalsmithing for small objects. The book’s clear, hands-on approach, with explanatory photographs for each step, makes it an invaluable resource. Readers will discover a variety of ways to score and fold metal and give it different finishes, shaping flat sheets into to visually organic forms, including guides on the tools needed for each method. A final section contains useful resources, from a detailed analysis of score depth based on the gauge of the wire used to information about where to source materials and facts about metalworking and jewellery in general.

About the Authors:

Anastasia Young is a London-based jewelry artist, author and lecturer whose work has been exhibited internationally. Young's eclectic jewelry is often project-based and driven by a combination of ideas and technical investigation; she uses narrative to explore both the design of a piece and its display when not being worn. Examples of her work are held in the permanent collections of the Science Museum, London and Central Saint Martins Museum. Young is a graduate of the Royal College of Art and Central Saint Martins, where she lectures and teaches short courses in jewelry making. Having written three technical jewellery books (Thames & Hudson, A&C Black) which have been translated into seven languages, Young is well known as an educator and through her teaching and writing. In 2017, Anastasia was appointed to the board of the Association for Contemporary Jewellery, and is also the Technical Features Editor of its biannual magazine, Findings.

Paul Wells is an award-winning London-based silversmith and jeweller, renowned for his use of direct metalworking techniques. Wells' silverware makes innovative use of fold-forming and he has developed a method of creating curved scores which can be used to fold sheet metal in a visually stunning and unique style. His technique has been recognized by Goldsmiths' Crafts and Design Council with two Gold Awards for Technological Innovation. Wells' exploration of this technique has led to the production of intrinsically organic silver forms which almost appear to have grown themselves into existence, creating confounding biomorphic designs that are both functional and decorative. Having taught at several London colleges for two decades, Paul Wells is a respected educator and keen advocate of fold-forming, and has contributed to many books published by Quarto, Thames & Hudson and A&C Black.

New Necklaces is the third book curated by jeweller and author Nicolas Estrada. A very special selection of impressive pieces by more than 180 artists from all over the world, this book showcases the current trends in contemporary jewelry and how boundaries in concept, materials and techniques are being pushed by jewellery designers today. From those that look back to classic forms and materials to the most daring, experimental and surprising ideas, each of the 500 necklaces included in this book has something that makes it unique and relates strongly to today's social, cultural and artistic reality. With prefaces by German jeweller Julia Wild and Leo Caballero, owner of the Barcelona gallery Klimt 02, specialized in contemporary jewelers.

A definitive collection of photographs of the legendary and influential band New Order. New Order remains one of the most popular bands of the last half-century. Founded in the dying years of punk and disco, and combining elements of post-punk, new wave, and electronic dance music, New Order was responsible for some of the biggest hits of the era and is one of few bands to have achieved mainstream success while retaining cult status. Having been the most trusted photographer of Joy Division in the 1970s, Kevin Cummins was uniquely placed to document the rise and fall of New Order, from their formation in 1980 to their split in 1993. From underground beginnings as the flagship group of Factory Records in Manchester to grandstand tours around Europe and America, Cummins captured the band in every light, from the intimacy of the studio to the frenetic energy of live performance. Collected here for the first time are more than a hundred photographs reflecting over a decade of New Order. Prefaced by a selection of rarely-seen ephemera, conversations with the band members, and an introduction from Douglas Coupland, this is a stunning celebration of a band whose influence on music and fashion is still palpable today.

About the Author:

Kevin Cummins’s photographs are included in the permanent collection of the National Portrait Gallery and the Victoria & Albert Museum in London and have been published in several monographs, including Joy Division. Douglas Coupland is a best-selling Canadian novelist, essayist, playwright, and screenwriter. Bernard Sumner, Peter Hook, Gillian Gilbert, and Stephen Morris are founding members of New Order

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Пролистать книгу New Order на сайте издательства.

Художники графічного дизайну, фотографії, ілюстрації, живопису та скульптури знайшли в татуюваннях новий інструмент, щоб виразити себе та дати вихід своїй характерній мові. І вони роблять це зі свіжим виглядом і надзвичайними результатами, часто далекими від традиційного татуювання. New Tattoo Artists представляє роботи 25 майстрів татуювань з усього світу, ведучи нас у захоплюючу подорож цим «новим мистецтвом татуювання». Їхня робота була підкріплена багатьма джерелами, результатом чого стала багата, різноманітна та особливо унікальна книга, яка пропонує відроджене бачення стародавнього мистецтва разом із власними роздумами та особистим досвідом художників.

Про автора:

Маріона Кабасса — дизайнер та ілюстратор. Народившись у Барселоні в 1977 році, вона опублікувала свої малюнки та ілюстрації у понад 80 дитячих книгах для різних видавництв, зокрема Barefoot Books, Book House і Quarry Books. Невтомний дослідник у пошуках нової виразної місцевості, вона займається мистецтвом татуювання майже чотири роки. Вона викладала прикладну ілюстрацію до татуювань у школі дизайну Elisava в Барселоні та викладає в різних школах мистецтва та дизайну в Барселоні.

New Wave Clay unpicks the zeitgeist and aesthetic of an exciting discipline with intelligence, insight and indulgence.

Against the backdrop of the digital age and shiny screens, a whole new generation of craftspeople, designers and artists are realizing the pleasure of working with clay and bringing a fresh perspective to the material. Today, there is a lively crossover between craft, design, sculpture and technology that is rethinking ceramics: what you can make with it, what it looks like and who makes it.

New Wave Clay is a global survey of 55 imaginative ceramicists that are leading this craft revival. They include classically trained potters who create design-led pieces, product designers who use clay as a means of creative expression, as well as fine artists, architects, decorators, illustrators, sculptors and graphic designers. Their collective output goes far beyond pots into ceramic furniture, sculpture, murals, wall reliefs, small-scale architecture and 3D printing.

The book is divided into four thematic sections and features special contributions from Edmund de Waal, Hella Jongerius, Grayson Perry, Martin Brudnizki and Sarah Griffin discussing craft, industry, ornament, decorating and collecting.

New Wave Clay is an image-led, dynamic study of the exciting new generation jumpstarting this age-old art.

Features:

• A 296-page survey of 55 international ceramicists who bridge the worlds of product design, interiors, fine art and luxury craftsmanship.
• Four thematic chapters are accompanied by interviews and written contributions on the subject from designers, decorators and collectors.
• Richly illustrated, New Wave Clay is an image-led, dynamic book that aims to demonstrate the contemporary condition of this age-old art.
• Instead of focusing on traditional craft ware and functional pieces, this title focuses on the community of ceramicists who create design-led works.

Celebrating the art forms of ballet and fashion, this beautiful book explores the creative collaborations between New York City Ballet and the top fashion designers of our age, including Virgil Abloh, Christopher John Rogers, Anna Sui, and Valentino, among others.

Featuring more than thirty contemporary fashion designers, New York City Ballet Choreography & Couture highlights their distinctive work for ballet. From the shorts suits of Thom Browne accommodating the movement of dancers, and the leather harness detailing of Prabal Gurung to the baroque flounces of Sarah Burton for Alexander McQueen or the jewel-encrusted slip dresses of Carolina Herrera, this enchanting volume highlights how fashion design is adapted for dance to amplify movement and music.

The stunning photography by Pari Dukovic features breathtaking images of the dancers in motion, along with detail shots highlighting the couture elements of the costumes. Author Marc Happel, NYCB’s Director of Costumes, has collected the designers’ original sketches along with quotes discussing their process and inspiration for each ballet. A foreword by Sarah Jessica Parker, and essays by Tonne Goodman of Vogue and Patricia Mears of FIT further illuminate the creative collaborations between design and dance.

New York City Ballet, which celebrates its 75th anniversary this year, has been collaborating with prominent fashion designers since its inception. From the first Fall Fashion Gala in 2012 when renowned choreographers Peter Martins and Christopher Wheeldon collaborated with Valentino, through the present, these ballets are celebrated as collaborations between choreographers and some of the biggest names in fashion. Now New York City Ballet Choreography & Couture brings ten years of artistic vision to life.

About the Author:

Marc Happel has served as Director of Costumes at New York City Ballet since 2006. Pari Dukovic is an award-winning portrait and fashion photographer whose work has been exhibited worldwide and published in The New Yorker, Time, GQ, and Harper’s Bazaar. Sarah Jessica Parker is an actor, style icon, and vice chair of the NYCB Board of Directors, who conceived the Fall Fashion Gala in 2012.

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Пролистать книгу New York City Ballet: Choreography & Couture на сайте издательства.

An expansive and timely survey on contemporary British photographer and artist Nick Waplington, with work spanning his entire 40-year career – his first comprehensive retrospective volume

London- and New York-based artist Nick Waplington uses photography to capture the complex and far-reaching aspects of our lived experience. He rose to prominence in the early 1990s with Living Room and has since become known for his unfiltered depictions of people and places, and the sociopolitical backgrounds that define them.

From the chaos, violence, and euphoria of riots, protests, and free parties to the surreal, hypnotic quiet of his large-format landscapes, Waplington’s work (in all its messy humanness) transcends stereotypes and confounds expectations, and this book is no exception. Including never-before-published images, offering new insight into both well- and lesser-known projects, as well as Waplington’s painting and artistic practice, the book opens with a newly commissioned introduction from Simon Baker, one of the leading curators of contemporary photography in Europe and director of the Maison Européenne de la photographie (MEP), Paris.

This is the most extensive survey of Waplington's work to date, and includes previously unpublished photographs, as well as paintings, sketchbooks, and other artworks that complement his practice.

About the Authors:

Nick Waplington is a British artist living between London and New York. He has published extensively throughout his career, including Safety in Numbers (1995), Truth or Consequences (Phaidon, 2001), Working Process (2013), a collaboration with Alexander McQueen, Hackney Riviera (2019), and Anaglypta (2020). Waplington has exhibited in galleries and museums worldwide, and in 2015, was the first living British artist to have a solo photographic exhibition in the main galleries of Tate Britain, London.

Simon Baker is a curator, writer, and educator, and is currently director of the Maison Européenne de la Photographie, Paris. Formerly, he was senior curator of international art at the Tate Modern, London

Nightclubs and discothèques are hotbeds of contemporary culture.

Throughout the 20th century, they have been centres of the avant-garde that question the established codes of social life and experiment with different realities, merging interior and furniture design, graphics and art with sound, light, fashion and special effects to create a modern Gesamtkunstwerk.

Night Fever. Designing Club Culture 1960 – Today is the first book to offer a comprehensive overview of the design history of the nightclub, examining its cultural context and international scope. Examples range from the Italian clubs of the 1960s created by the protagonists of Radical Design to the legendary Studio 54 where Andy Warhol was a regular and the Palladium in New York, designed by Arata Isozaki, Philippe Starck’s Les Bains Douches in Paris and the more recent Double Club in London, conceived by German artist Carsten Höller for the Prada Foundation, as well as more recent concepts by architecture studio OMA for the Ministry of Sound II in London.

Featuring films and vintage photographs, posters, flyers, and fashion, Night Fever takes the reader on a fascinating journey through a world of glamour, subculture, and the search for the night that never ends.

The Many Facets of Niki de Saint Phalle

Niki de Saint Phalle loved pseudo-orders, which she used to arbitrarily assemble terms and pictograms on a sheet of paper. Under the heading “I Love,” for example, the sign of a snake could be found next to the emblem for justice, an orange spot for the corresponding color next to two stars as a symbol for astrology. Niki de Saint Phalle A–Z takes the same liberty and puts the many facets of Niki de Saint Phalle’s work into the order of the alphabet. This logical order is deceptive, though. From A as in AIDS to Z as in Zurich Angel, from B as in Bride to V as in Vanitas, a mosaic of concepts emerges that filters out the various levels of meaning in her manifold oeuvre and playfully engages them in mutual commentary.

Niki de Saint Phalle (1930–2002) was one of the most important artists and sculptors of her generation. Growing up in Paris and New York, she returned to Paris in the 1950s, where she began her artistic career with her legendary “shooting” series. Her sensual female figures, the Nanas, gained her widespread popularity. 

About the Author: 

Art scholar Katharina Sykora (*1955) was a professor at the University of Bochum and Braunschweig University of Art from 1994 to 2018. Her fields of research include the construction of authorship, gender and transmediality.

Nineteenth-Century European Painting: From Barbizon to Belle Époque represents a comprehensive guide to the range of stylistically diverse genres of nineteenth-century European painting. Accessible and insightful, this exquisitely illustrated volume presents the historical context behind the century's essential artistic movements including Romantic Painting, The Pre-Raphaelite Brotherhood, Realist Painting, Academic Painting, and Impressionist Painting.

Influenced by an overwhelming wave of political, military and social change, nineteenth-century Europe represented an era more diverse in painterly subjects and styles than any before it. Indeed, it was a period that saw many European painters moving away from the strictures of the academy system, choosing instead to use their training to develop new techniques and traditions. A collection of independent stories, this book also outlines the unique progression between the different movements, exciting and enlightening the reader about the most magnificent period of art the world has ever known.

Contents: Foreword; Dr. Vern G. Swanson; Introduction; Author's Note; STYLES: The Barbizon School; Romantic Painting; Orientalist Painting; The Pre-Raphaelite Brotherhood; Realist Painting; Academic Painting; Impressionist Painting; The Newlyn School; Post-Impressionist Painting; SUBJECTS: Landscape Painting; Venetian View Painting; Maritime Painting; Sporting Painting; Animal Painting; Genre Painting; Cardinal Painting; Costume Painting; British Neoclassical Revival Painting; Belle Époque Painting; Conclusion; Endnotes; Bibliography.

Featured works from museums and collections including: Louvre, Paris, Yale University Art Gallery, New Haven, Wallace Collection, London, Fine Art Museum of San Francisco, The Tate Gallery, London, The Schaeffer Collection, New South Wales, The Royal Collection, The Royal Academy of Arts, England, The Musée D Orsay Paris, Henri de Toulouse-Lautrec, The Metropolitan Museum of Art, New York (Catherine Lorillard Wolfe Collection), The J. Paul Getty Museum, Los Angeles, The Hermitage, Saint Petersburg, Russia, Russell-Cotes Art Gallery and Museum, Bournemouth, England, Rijksmuseum, Amsterdam, Plymouth City Museum and Art Gallery, Stanhope Forbes, Philadelphia Museum of Art, Pennsylvania, PA, USA, Paisnel Gallery, London, National Gallery, London, National Gallery of Victoria, Melbourne, Museum of Fine Arts, Boston, Museo e Gallerie Nazionale di Capodimonte, Naples, Italy, Museo de Arte, Ponte, Puerto Rico, Musée Marmottan, Paris, Musée D Orsay, Paris, Auguste Renoir, Metropolitan Museum of Art, New York, among many others.

About the Author:

Considered one of the world's foremost experts on 18th- and 19th-century European and American antiques, fine art and jewellery, William Rau has worked in his family-owned gallery, M.S Rau Antiques, for over 30 years. An avid collector and authority in his field, William has helped place several items in museums around the world. In addition to being a prominent member of many local business organisations, he was the youngest senior member ever accepted to the American Society of Appraisers. In addition to writing numerous articles published in a wide variety of national magazines and antique journals.