Книги о граффити, стрит-арте и urban art искусстве

Inside the Mind of Jamie Hewlett. 25 years of works, from Gorillaz to The Suggestionists

From Tank Girl to art-pop phenomenon Gorillaz, Jamie Hewlett is one of the most energetic pop culture figures of the past 20 years. Gathering more than 400 of his artworks, including strips, sketches, and works from his Saatchi Gallery show in 2015, Hewlett’s first-ever monograph celebrates a polymath artist who refuses to rest on his laurels, or to be pigeonholed in any particular practice.

From the legendary Tank Girl to live-action animations with Gorillaz, a Chinese contemporary opera to an exhibition at the Saatchi Gallery, artist Jamie Hewlett is one of the most energetic figures of contemporary pop culture.

With influences ranging from hip hop to zombie slasher movies, Hewlett emerged in the mid-1990s as co-creator of the zeitgeist-defining Tank Girl comic. With then-roommate Damon Albarn, he went on to create the unique cartoon band Gorillaz, a virtual pop group of animated characters, who have recorded five albums and mounted breathtaking live spectacles.

Since then, Hewlett has continued to collaborate with Albarn on projects including an elaborate staging of the Chinese novel Monkey: Journey to the West by Wu Cheng’en, complete with circus acrobats, Shaolin monks, and Chinese singers. In 2006, he was named “Designer of the Year” by the Design Museum in London, and in 2009, Hewlett and Albarn won a BAFTA for their animated Monkey sequence for the Beijing Olympic Games. More recently, The Suggestionists, an exhibition of prints at the Saatchi Gallery in London, demonstrated an exciting new direction in Hewlett’s practice.

This TASCHEN edition, Hewlett’s first major monograph, illustrates his thrilling creative journey with more than 400 artworks from the Tank Girl era through Gorillaz and up to the present day. Through stories, characters, strips, and sketches, we trace Hewlett’s exceptional capacity for invention and celebrate a polymath artist who refuses to rest on his laurels, or to be pigeonholed into a particular practice.

Sold out after just two weeks, this second edition features a brand new cover.

About the author:

British artist Jamie Hewlett is a compulsive producer of ever-fresh material infused with a punk touch. Moving between design, art and music, the creator of Tank Girl and characters in the virtual band Gorillaz was awarded Designer of the Year by the Design Museum in 2006, and staged his first solo exhibition at London’s Saatchi Gallery in 2015. The first Gorillaz album in seven years was released in 2017.

The editor: 

Julius Wiedemann studied graphic design and marketing and was an art editor for newspapers and design magazines in Tokyo before joining TASCHEN in 2001. His titles include the Illustration Now! and Record Covers series, as well as the infographics collection and books about advertising and visual culture.

Inside the Mind of Jamie Hewlett. The artist’s first major monograph, now in an updated edition

This special edition updates Jamie Hewlett’s first-ever monograph with around 30 brand new pieces. Through stories, characters, strips, and sketches from the Tank Girl era through Gorillaz and up to the present day, we trace Hewlett’s exceptional capacity for invention and celebrate a polymath artist who refuses to rest on his laurels.

From the legendary Tank Girl to live-action animations with Gorillaz, a Chinese contemporary opera to an exhibition at the Saatchi Gallery, artist Jamie Hewlett is one of the most energetic figures of contemporary pop culture.

With influences ranging from hip hop to zombie slasher movies, Hewlett emerged in the mid-1990s as co-creator of the zeitgeist-defining Tank Girl comic. With then-roommate Damon Albarn, he went on to create the groundbreaking cartoon band Gorillaz. The award-winning virtual pop group of animated characters is a truly global phenomenon. Gorillaz have topped charts around the world, toured the globe from San Diego to Syria, and picked up hundreds of millions of streams and record sales along the way.

Since then, Hewlett has continued to collaborate with Albarn on projects including an elaborate staging of the Chinese novel Monkey: Journey to the West by Wu Cheng’en, complete with circus acrobats, Shaolin monks, and Chinese singers. In 2006, he was named Designer of the Year by the Design Museum in London, and in 2009, Hewlett and Albarn won a BAFTA for their animated Monkey sequence for the Beijing Olympic Games. In 2015 The Suggestionists, an exhibition of prints at the Saatchi Gallery in London, demonstrated an exciting new direction in Hewlett’s practice.

This special edition celebrating TASCHEN’s 40th anniversary updates Hewlett’s first major monograph with around 30 brand new pieces. The book illustrates his thrilling creative journey with more than 400 artworks from the Tank Girl era through Gorillaz and up to the present day. Through stories, characters, strips, and sketches, we trace Hewlett’s exceptional capacity for invention and celebrate a polymath artist who refuses to rest on his laurels or to be pigeonholed into a particular practice.

The author:

British artist Jamie Hewlett is a prolific producer of ever-fresh material infused with a punk sensibility. Moving seamlessly between design, art and music, the co-creator of Tank Girl and the virtual band Gorillaz was awarded Designer of the Year by the Design Museum in 2006 and staged his first solo exhibition at London’s Saatchi Gallery in 2015.

The editor:

Julius Wiedemann studied graphic design and marketing and was an art editor for newspapers and design magazines in Tokyo before joining TASCHEN in 2001. His titles include the Illustration Now! and Record Covers series, as well as the infographics collection and books about advertising and visual culture.

About the series:

TASCHEN is 40! Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible publishing, helping bookworms around the world curate their own library of art, anthropology, and aphrodisia at an unbeatable price. Today we celebrate 40 years of incredible books by staying true to our company credo. The 40 series presents new editions of some of the stars of our program — now more compact, friendly in price, and still realized with the same commitment to impeccable production.

The legend of Jean-Michel Basquiat is as strong as ever.

Synonymous with New York in the 1980s, the artist first appeared in the late 1970s under the tag name SAMO, spraying caustic comments and fragmented poems on the walls of the city. He appeared as part of a thriving underground scene of visual arts and graffiti, hip hop, post-punk, and DIY filmmaking, which met in a booming art world.

As a painter with a strong personal voice, Basquiat soon broke into the established milieu, exhibiting in galleries around the world. Basquiat's expressive style was based on raw figures and integrated words and phrases.

His work is inspired by a pantheon of luminaries from jazz, boxing, and basketball, with references to arcane history and the politics of street life-so when asked about his subject matter, Basquiat answered "royalty, heroism and the streets." In 1983 he started collaborating with the most famous of art stars, Andy Warhol, and in 1985 was on the cover of The New York Times Magazine. When Basquiat died at the age of 27, he had become one of the most successful artists of his time.

This book allows an unprecedented insight into Basquiat's art, with pristine reproductions of his most seminal paintings, drawings, and notebook sketches.

In large-scale format, the book offers vivid proximity to the artist's intricate marks and scribbled words, further illuminated by texts from writer and curator Carlo McCormick, a contemporary of Basquiat's on the New York scene, and curator and art historian Eleanor Nairne.

Richly illustrated year-by-year chapter breaks follow the artist's life and quote from his own statements and contemporary reviews to provide both personal background and historical context.

The editor:

Hans Werner Holzwarth is a book designer and editor specializing in contemporary art and photography. His TASCHEN publications include Collector’s Editions like Jeff Koons, Christopher Wool, Albert Oehlen, Ai Weiwei, and the David Hockney SUMO A Bigger Book, as well as monographs like the XXL-sized Jean-Michel Basquiat and survey books such as Modern Art and Art Now! Vols 3 and 4.

The author:

Eleanor Nairne is a curator at the Barbican Art Gallery. She has worked on a number of critically acclaimed exhibitions and publications, including Basquiat: Boom for Real (2017) and Imran Qureshi: Where the Shadows are so Deep (2016). Prior to the Barbican, she was curator of the Artangel Collection at Tate. She is a regular catalogue essayist, a writer for frieze, and a previous Jerwood Writer in Residence.

Bursting with colour and featuring Keith Haring’s powerful messages, this collection of posters includes insightful commentary and dazzling reproductions

Whether Keith Haring was raising awareness of the AIDS epidemic and apartheid or celebrating life, music, and dance, his signature illustrations became part of the cultural landscape of the 1980s. Posters were central to Haring’s oeuvre and the perfect medium for his inclusive, accessible, and figurative style. Author Jurgen Doring offers fascinating insights into Haring’s work, providing commentary on each of the exquisitely reproduced posters. Important reference work and a vibrant celebration of a world-renowned artist, this book will delight Haring’s many fans throughout the world.

Craig Costello, aka KR, grew up in Queens, New York, where graffiti was part of the landscape and a symbol of the city.

While living in San Francisco, he quickly garnered attention when his signature "KR" tag popped up throughout the city. As he became one of the more prominent figures on the streets on NYC and San Francisco, he began to hone his craft by creating better tools launching his own line of homemade markers and mops, combining his moniker KR with the word INK. In KRINK: GRAFFITI, ART, AND INVENTION, Costello has compiled a visual memoir: from his early days of the '80s and '90s and launch with the hip New York City retailer Alife, which put his brand on the map, to his evolution as an artist and high-fashion collaborator.

The book showcases Costello's seminal style and his extensive body of work, including site-specific installations around the world. It also chronicles his myriad collaborations with Alife, Nike, Coach, Moncler, Modernica, Marc Jacobs, Levi Strauss & Co., Mini (BMW), Casio, Smith Optics, Carhartt, Kidrobot, Medicom Toy, agnès b., and Colette, among many others. Today, Costello's reach and influence goes far beyond urban street culture. Krink has grown exponentially into a global artist materials brand with expanding collections of apparel, tools, and accessories, while Costello's unique aesthetic can be seen on objects from sneakers to luxury goods to cars.

KRINK is both stylish and informative, capturing the ethos of punk and hip-hop culture, and is sure to appeal to the fans of high/low cultural crossovers, as well as die-hard fans of street art and fashion.

About the Authors:

KR, aka Craig Costello, is an artist who created the popular Krink markers and artist materials. Sarah Andelman is the founder and former creative director of the Parisian fashion concept store Colette. agnès b. is a French clothing designer. Rob Cristofaro is the co-founder of Alife. Kunle Martins (aka Earsnot) is a graffiti artist and a founding member of the IRAK crew. Shantell Martin is a visual artist. Carlo McCormick is a cultural critic and curator. Barry McGee is a contemporary artist. Ryan McGinness is a contemporary artist. Tom Sachs is a contemporary artist.

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Пролистать книгу KRINK New York City: Graffiti, Art, and Invention на сайте издательства.

Au travers de mises en scène entre trompe-l'oeil et comic strip, Levalet s'amuse à surprendre les passants en réinventant l'histoire des lieux. Dans un langage plus inspiré du théâtre que du graffiti, le street-artiste donne vie à des personnages se livrant à des actions décalées, voire incongrues. Ses oeuvres, empreintes d'humour, d'espièglerie et de poésie, incitent le spectateur à mieux observer les espaces urbains délaissés et à prendre du recul sur les travers de son quotidien. À Paris, Barcelone ou Bologne, la rue devient la scène de compositions dessinées dont le réalisme feint alterne entre mise en abîme de la vie de l'homme moderne et fable jubilatoire.

Satanism, skulls and distortion? Indeed, but much much more. Currently, some of the best international artists have broken the boundaries of metal and hardcore and reached new heights with work for bands such as Mastodon, The Dillinger Escape Plan, Baroness, Converge and Slayer. This impressive and monumental book, the first graphic anthology of metal and hardcore ever published, compiles more than 2000 illustrations, photographs and design applied to the covers of CDs, logos, t-shirts and posters.

The first book to focus on the big new global trend in graffiti and street art, written by a leading pioneer of lasting walls on a gigantic scale

In its early days, illegal graffiti and street art were of necessity modest in scale, hastily created in hours or even minutes, and destroyed just as quickly by authorities, vandals or the elements. Now, however, graffiti writers and street artists are able to take their work to an entirely new level, creating carefully planned, permanent works that cover entire buildings and add a new visual dimension to the world's cities.

Claudia Walde, better known as the record-breaking street muralist MadC, has selected more than 200 of the best XXL works and profiled nearly 30 artists who pioneered this trend. Working in dangerous conditions, often hundreds of metres above the ground, yet always keenly aware of the view from street level, these new street muralists are as fearless and technically skilled as they are creatively brilliant. This is a thrilling, super-sized, international celebration of one of the most visible new art movements on the streets of our cities.

Contents List:

Introduction • Illustrated artist profiles A–I • Mixed Murals (6pp foldout section) • Illustrated artist profiles K–S • Collaborations (6pp foldout section) • Illustrated artist profiles S–V • World map of murals, photo credits, author biography, acknowledgments

About the Author:

Claudia Walde, aka MadC, is a world-renowned graffiti artist, muralist, designer and writer. She was born in Bautzen, Germany, and is most known for her large-scale, outdoor artistic paintings. MadC painted her first graffiti piece in 1996, being 16 years old. She studied at Burg Giebichenstein University of Art and Design in Halle and Central Saint Martins College in London. MadC carries a master's degree in graphic design. She is the author of Sticker City: Paper Graffiti Art.

The exhibition aims to show different aspects of this art form. It will begin with the very traditional and anonymous work of the Soninke women of Mauritania. This is followed by the paintings in dots of clay on a red ground by the Thai artist Sakarin Krue-On. In the Olive Tree Patio there will be a vertical ivy garden designed by Jeronimo Hagerman, which will also be visible from inside the temporary exhibition area, where it will share the space with examples of street art: the graffiti by UTRcrew, from Bosnia-Herzegovina, and by Operation Art Core, from Singapore. The show continues with the work of artists who generally intervene in public places, such as the German muralist Lothar Gotz and the Spanish duo Eltono and Nuria. These serve as a transition towards other examples of present-day mural art, such as the works by Brian Rea, Ludovica Gioscia and Paul Morrison. Artists include: Cooperative Feminine de Djajibine Gandega Djida (Mauritan), Lothar Gotz (Germany), Scope One (Singapore), UTR Crew (Bugs36 i Dream83) (Bosnia Erzegobina), Jeronimo Hagerman (Mexico), Sakarin Krue-On (Thiland), Brian Rea (USA), Nuria + eltono (Spain and France), Paul Morrison (UK), Ludovica Gioscia (Italy), and Jacob Dahlgren (Sweden).

Nora is the new girl in school and just wants to make friends. Then one day she spots something unusual out of the corner of her eye - a little blue bunny that only she can see. At last she has someone play with and talk to. When she discovers that a boy in class can also see the rabbit, she makes a real life friend who also has a secret of his own.

Nora's entire story ingeniously takes places on the walls in the photographs. Illustrated in a vibrant graffiti art style, this book comes with two stencils that allow kids and adults to recreate some of their favourite characters from the book.

Not all art craves attention, some of it hides in the secret places. Some of it is buried treasure, out in the urban wilderness, left scattered in empty rooms of derelict buildings like strange markings left by an unknown tribe. These works are gifts given only to the occasional explorer, found in abandoned factories, warehouses, industrial sites and deconsecrated churches. This is art you have to earn by leaving the designated areas and heading out past the No Entry signs of the urban environment. A diverse range of artists find themselves attracted to these twilight zones and in recent years something of a movement has come to light, huddled around the idea of urban decay and abandonment as the ultimate canvas.

THE GRAFFITI ART of the tunnels and quarries beneath Paris is a mirror and memorial of the past 500 years. It is easier to track the history of Paris through these images than to look for it above ground in the streets.

For generations, a broad range of French citizenry has created artwork that responds to historical events like the French Revolution, the storming of the Bastille, Prussian and German soldiers, the Nazi occupation, Resistance workers, civilian and secret societies, the Cataphiles and the student and workers’ strikes of the late 1960s.

This book illustrates graffiti, painting, sculpture, mosaics and cartoons. Today, the underground labyrinths are plagued by illicit explorers who leave elaborate art behind. This book brings to light these striking images and the insightful text tells the tale that to date has remained underground.

Hundreds of full-color photographs

Dave and Holly Combs travelled to New York City from Indianapolis, Indiana, to assist with Sept. 11 recovery efforts. While exploring Manhattan during their off hours, they were inspired by the wealth of stickers they saw all over the city. These stickers made such an impact that the Combses started PEEL, the first street-art magazine with a focus on stickers. Evolving from a black and white zine stuffed into plastic bags to a full-size, glossy, internationally distributed magazine, this book documents the development of PEEL and sticker culture, as the two are intimately linked.

Showcasing stickers, interviews and articles from the first eight issues of PEEL, this book celebrates the innovation and diversity of sticker and street art, including interviews with some of the scene’s legendary figures like Shepard Fairey and SEEN, along with profiles of international sticker communities, and sticker designs from artists across the globe. And of course, the book has stickers, 69 of them.

PEEL: The Art of the Sticker demonstrates how the Combses have created a nexus for the sticker and street art community, providing a forum for artists to transcend culture, language and geography by abiding by the PEEL credo: “Take your art and . . . STICK IT!”

On October 27, 2006, when Mexican police opened fire on a crowd of protesters in the city of Oaxaca, killing three people, including American journalist Brad Roland Will, the world became aware of a social conflict that at its core was about the right to an education. Since 1981, teachers in the Mexican state have held annual strikes, but 2006 was the first time that violence erupted. Within hours of these shootings, graffiti calling the region’s governor a murderer was sprayed throughout the city. The graffiti that has since overwhelmed the historic city center, a UNESCO World Heritage Site, constitutes the protest art of a community rising up to defend teachers, and our collective fundamental right as human beings to have access to education.

Unlike in other cities where graffiti is recognized by many as a form of public art, in Oaxaca, graffiti became a way of achieving social justice through community organization, creating and facilitating an ongoing dialogue of rage. And because teachers in Mexico are primarily women, the graffiti is very much inspired by and made by women.

Oaxaca resident Elaine Sendyk took the photographs in this book during the summer of 2007. Tensions were heightened, and there was a renewed sense that Oaxaca could again fall prey to violence. Depicting oppression, empowerment, and the messages of struggle and revolt, this graffiti echoes universal desires, making for stunning and poignant visuals that remind readers: “We Are All Oaxaca!”

Commentary and analysis from journalists and the acclaimed songstress (and Oaxaca native) Lila Downs establish the context for the photographs shot by Sendyk, which depict the messages of struggle, revolt and empowerment.

The Egyptian Revolution that began on 25 January 2011 immediately gave rise to a wave of popular political and social expression in the form of graffiti and street art that were almost unknown under the old regime.

Mia Gröndahl has followed and documented the rapidly changing graffiti art of the new Egypt from its beginnings, and here in more than 430 colour images celebrates the imagination, skill, humour and political will of the young artists and activists who have claimed the walls of Cairo and other Egyptian cities as their canvas.

From the simplest hand-written messages, through stencils and martyr portraits, to the elaborate murals of Mohamed Mahmoud Street, the messages on the walls are presented in sections punctuated by interviews with some of the individual artists whose work has broken fresh ground
• Revolution & Freedom,
• Egyptian & Proud,
• Cross & Crescent,
• Martyrs & Heroes