Книги про графіті, стріт-арт та urban art мистецтва

The first appearances of graffiti “tags” (signatures) on New York City subway trains in the early 1970s were discarded as incidents of vandalism or the rough, violent cries of the ignorant and impoverished.
However, as the graffiti movement progressed and tags became more elaborate and ubiquitous, genuine artists emerged whose unique creativity and unconventional media captured the attention of the world.
Featuring gallery and street works by several contributors to the graffiti scene, this book offers insight into the lives of urban artists, describes their relationship with the bourgeois art world, and discusses their artistic motivation with unprecedented sensitivity.

The Author
Margo Thompson received her Ph.D. in art history from Northwestern University. She teaches modern and contemporary art at Muhlenberg College.

Her courses in African-American art history and multiculturalism led her to write this book. Her previous research on gender and sexuality in art has been published in journals including n.paradoxa, Genders and GLQ.

Step outside the white cube and rediscover the creative outdoors with these in situ artworks that turn places into must-see cultural destinations.

Art exists all around us, sometimes hidden in plain sight and sometimes in remote corners of the world.

Art Escapes explores exciting art outside conventional spaces, freely available for those willing to discover creativity on another plane.

From the Italian countryside via the Utah desert to the forests of Finland and beyond, culture editor Grace Banks offers a list for art lovers seeking unique experiences.

About the Author:

Grace Banks is a London-born editor and journalist who specializes in culture and current affairs. She writes for The Guardian, The New York Times, Interview, Elle, VICE, i-D, Mr Porter, Wallpaper*, Forbes.com, Al Jazeera, and others. She is the former editor of Sleek Magazine.

These small books are quite something! They are packed with information, the most important facts and background stories, all at a glance. In-depth texts on the most exciting themes in the History of Art by experts and specialists provide the necessary overview for both the expert and the layman. The most important stages in the lives of famous personalities such as Giotto, Monet or Klimt, as well as the important currents in art, are summarized in colorful text boxes to enable every reader to find the required information easily and effectively. The most important works of architecture, sculpture, and painting are brought to life through high-quality photographs and top-quality color reproductions. Explanatory picture captions offer additional information and invite the reader to browse at leisure.

Photographer Ray Mock takes you along on his exciting hunt for new Banksy work during the famous “Better Out Than In” project in his new book Banksy in New York.

This personal narrative offers a day-by-day account of Banksy’s first New York residency, chronicling works that include “Sirens of the Lambs” and the Central Park stand at which original works by Banksy were sold for only $60. Mock’s work captures not only Banksy’s artwork but the reactions of the public and media frenzies that often accompanied it, giving fans a direct window into the frenetic scavenger hunt that took over New York City in October 2013.

Banksy in New York offers a closer look at Banksy’s witty and irreverent art and the varied responses it received while lending insight into the artist’s sharp social commentary. This book is a must-have for those new to the scene and Banksy fanatics alike.

Ця книга представляє багатство, різноманітність та силу творчості найвідомішого художника вуличного мистецтва у світі... і все ж ніхто не знає його особистості. Нам пропонується простежити еволюцію художника з Англії до Сполучених Штатів, Франції, Ізраїлю та України, і через понад сто знакових робіт пояснити всі. Це оригінальний каталог-резонне Музею Бенксі, в якому всі ці роботи відтворені в їхньому міському контексті, що дозволяє широкій публіці реалістично відкрити їх та зрозуміти їхню силу, включаючи ті, що були вкрадені або пошкоджені та більше не існують.

Включено: Останні роботи Бенксі в Україні

Про автора:

Хазис Вардар, власник і продюсер театрів (зокрема, нічного клубу The Palace у Парижі), є засновником музеїв Бенксі (у Парижі, Брюсселі, Барселоні, Празі, Мілані та Дубаї). Бенксі народився в Брістолі, Велика Британія, приблизно в 1974 році. Він став ключовою фігурою у світі вуличного мистецтва в середині 1990-х років завдяки своєму провокаційному та унікальному стилю. Сьогодні він наймодніший вуличний художник світу.

New, expanded, 2020 Edition.

The single best collection of photography of Banksy’s street work that has ever been assembled for print. If that isn’t enough there are some words too.

You Are An Acceptable Level of Threat covers his entire street art career, spanning the late '90s right up to the ‘Seasons Greetings’ Christmas 2018 piece in Port Talbot, Wales.

This new edition includes his self-destructing ‘Love is in the Bin’ intervention, which according to Sotheby's is "the first artwork in history to have been created live during an auction." The groundbreaking ‘Dismaland’ show, his Paris ’68 revisited works, The Walled Off Hotel, Brexit, Cans Festival, Brooklyn and Basquiat, as well as new works from Gaza and New York.

Also featuring the controversial ‘Cheltenham Spies’ as well as ‘Girl with a Pearl Earring’, ‘Art Buff’ and the spectacular ‘Mobile Lovers’ which appeared outside Bristol Boys Boxing Club. 248 pages featuring his greatest works of art in context.

The single best collection of photographs of Banksy's street work. Period. You Are An Acceptable Level of Threat concentrates on this singular artist's iconic imagery, spanning the late '90s up until the end of 2011. The locations are from around the world (predominantly the UK, US and Europe), and many images have never been seen before. When Banksy started out painting, the political landscape was bleak. Fortunately now, it's ten times worse. As Banksy's cheerfully aggressive political work becomes ever more relevant, this comprehensive tome sets about presenting his art in the context of the era he was responding to

If you’ve ever used a public restroom, chances are you’ve read some bathroom graffiti, or at least noticed it. Often bawdy, funny and smart, sometimes illegible, it is a ubiquitous means of expression found across the United States and all over the world. Do the private, intimate moments in the bathroom provide people the opportunity to freely express themselves, leaving little nuggets of truth and insight for the next user? If you ask Mark Ferem, the answer is yes.

Ferem has spent the past several years collecting and compiling photographs of exceptional bathroom graffiti, making for the perfect bathroom book. Divided up into thematic sections like “Men’s Rooms,” “Women’s Rooms,” “Art” and “Politics,” unlike other graffiti books, the examples in Bathroom Graffiti are not so much about graffiti as an art form as much as they are about graffiti as the result of personal expression, which will never find its way into galleries or ad campaigns.

Color throughout

Boris Hoppek is known as the creator of the Bimbo Dolls series, expressive cloth figures which were featured in Übersee 1 and Pictoplasma 2. Now we are presenting a much larger spectrum of Hoppek's multi-disciplinary urban art in this smaller but comprehensive monograph. In addition to humorous new photo installations starring his Bimbos, the book includes a broad selection of Hoppek's fanciful portraits in chalk and spray paint that can be seen in the streets of cities from Barcelona to Berlin. These are supplemented by images of his work on cardboard boxes as well as numerous illustrations and sketches. Rather than approach his art theoretically, Hoppek simply does what he likes to do. This method gives all of his work an aura of childlike authenticity. The combination of amusing motifs and an attractive, handy format make this book an ideal gift.

Розумні та провокаційні міські втручання майстра жанру.

Маючи елемент несподіванки на своєму боці, американський художник Бред Дауні створює потужні втручання, які візуально порушують рутину нашого міського сприйняття. Мистецтво Дауні не відштовхує швидких поглядів і прославляє подвійний погляд. Використовуючи елементи з кіно, скульптури, живопису та малюнка, він створює чудові роботи, починаючи від видовищних і таких, що привертають увагу, і закінчуючи маленькими, делікатними та майже прихованими. Ця книга є найповнішою колекцією того, що Бред Дауні називає своїми «Спонтанними скульптурами». Вона об’єднує привабливі, провокаційні та розумні міські втручання майстра жанру, багато з яких задокументовані вперше.

Де в містах закінчується громадський простір і починається приватність? Які враження є суто особистими, а які зумовлені комерційно мотивованими імпульсами? Чи можемо ми побачити місто та себе такими, якими вони є насправді, серед величезного масиву знаків та зображень, що вимагають нашої уваги? Американський художник Бред Дауні розглядає ці та інші структурні, соціальні та політичні питання у своїй творчості. З елементом несподіванки на своєму боці, він створює потужні втручання, які порушують рутину нашого візуального сприйняття. Кошик для покупок стає скульптурою, телефонна будка наповнюється повітряними кульками, а знак зупинки перевертається догори дном. Використовуючи елементи з кіно, скульптури, живопису та малюнка, Дауні створює чудові роботи, починаючи від видовищних та таких, що привертають увагу газет, і закінчуючи невеликими, делікатними та майже прихованими. Втручання Дауні в міський пейзаж можуть бути спонтанними, ледь помітними та швидкоплинними — саме те, як вони взаємодіють з навколишнім середовищем, робить їх такими ефективними. Деякі існують ледве півгодини, перш ніж їх знову «виправляють»; інші інтегруються в міський ландшафт і в процесі стають постійним витвором мистецтва. Мистецтво Дауні не дозволяє глядача кидати швидкі погляди та прославляє подвійний погляд. Воно заохочує глядача пильно подивитися та освіжає здатність розрізняти, яка так часто пригнічується у візуальному Вавилоні нашого часу.

Про автора:

Бред Дауні здобув ступінь магістра образотворчих мистецтв з живопису під керівництвом Брюса Макліна. Він проводить майстер-класи по всьому світу та отримував запрошення створювати свої «спонтанні скульптури» в таких місцях, як Нью-Йорк, Берлін, Москва, Лондон, Абу-Дабі та Дубай.

Illustrator, musician and self-described “comic stripper” Brian Blomerth has spent years combining classic underground art styles with his bitingly irreverent visual wit in zines, comics, and album covers. With Brian Blomerth’s Bicycle Day, the artist has produced his most ambitious work to date: a historical account of the events of April 19, 1943, when Swiss chemist Albert Hofmann ingested an experimental dose of a new compound known as lysergic acid diethylamide and embarked on the world’s first acid trip. Featuring an introduction from renowned ethnopharmacologist, Dennis McKenna, Brian Blomerth’s Bicycle Day combines an extraordinary true story told in journalistic detail with the artist’s gritty, timelessly Technicolor comix style that is a testament to mind expansion, and a stunningly original visual history.

About the Author:

Brian Blomerth is an illustrator, cartoonist and musician based in Brooklyn. His previous publications — released via Anthology Editions, Tan & Loose, and through his own Pupsintrouble Press — include the zines Xak’s Wax, iPhone 64: A User’s Guide, and Hypermaze. A veteran of the underground music and arts scene whose work has graced numerous album covers, Blomerth also produces comics which appear in Vice and Merry Jane.

Brian Blomerth first fused his singularly irreverent underground comix style with heavily-researched history in 2019’s Brian Blomerth’s Bicycle Day, a Technicolor retelling of the discovery of LSD. Now, the illustrator and graphic novelist continues his wild and woolly excursions into the history of mind expansion with Mycelium Wassonii, an account of the lives and trips of R. Gordon and Valentina Wasson, the pioneering scientist couple responsible for popularizing the use of psychedelic mushrooms in the United States. The Wassons’ journeys took them from Russian folk wisdom to midcentury Manhattan, from the indigenous traditions of the Mazatec people of Mexico to the mysteries of ancient Rome. A globetrotting vision of science and mysticism with appearances by J.P. Morgan, Robert Graves, Life Magazine, and the CIA, Mycelium Wassonii is a visual biography and a tragic love story as only Blomerth’s Isograph pen can render it.

About the Authors:

Brian Blomerth is an illustrator, cartoonist and musician based in Brooklyn. His previous publications — released via Anthology Editions, Tan & Loose, and through his own Pupsintrouble Press — include the zines Xak’s Wax, iPhone 64: A User’s Guide, and Hypermaze. A veteran of the underground music and arts scene whose work has graced numerous album covers, Blomerth released his first full-length book, the acclaimed visual history Brian Blomerth's Bicycle Day, in 2019.

Paul Stamets is a mycologist, author, speaker, entrepreneur, and leading voice in mushroom advocacy. His lectures and presentations have helped deepen the worldwide conversation around medicinal fungi, and his original research has led to discoveries in sustainability and immune enhancement. The author of six books (most recently Fantastic Fungi: How Mushrooms Can Heal, Shift Consciousness & Save the Planet), Stamets has discovered and named numerous new species of psilocybin mushrooms and is the founder and owner of

Colossus is the definitive showcase of epic European street art.

From Berlin to Barcelona, Budapest to Lisbon it's a visual guide to both the astonishing and the epic. From figurative to abstract, geometric to photo-realistic, all of the major creative executions are covered in the expansive collection.

This book is the culmination of years of obsessively keeping up with the explosion of the art form. Featuring QR codes for many of the major European cities, you too will be able to visit the artwork in person.

A visual guide to both the astonishing and the epic. From figurative to abstract, geometric to photo-realistic, all of the major creative executions are covered in this expansive collection. Colossus is the culmination of Julio Ashitaka’s years of obsessively documenting the explosion of the art form.

Colossus features QR codes for each city – so that you too can locate and visit each artwork in person.

AALBORG, AMSTERDAM, ANTWERP, ATHENS, BADALONA, BARCELONA, BERLIN, BRATISLAVA, BRISTOL, BRUSSELS, BUDAPEST, COPENHAGEN, GDANSK, GDYNIA, GRANOLLERS, ISTANBUL, KIEV, KOSICE, LISBON, LODZ, LONDON, MINSK, MOSCOW, NAPLES, PARIS, POZNAN, ROME, TIRANA, VIENNA, VIGO, WARSAW, WROCLAW, ZARAGOZA.

As the graffiti movement reached Europe from the USA in the mid 1980’s, Sigi DARE von Koeding, who was born in Basel (Switzerland), was one of the protagonists playing a major role.

As one of the first writers,the network of friends he created stretched over half a continent.He further developed the painting of simple pseudonyms (or tags) and in this way established his own distinctive 3D-style that he later more and more often realised and perfected on canvas using a brush.

In this way he built a bridge from the back-alley atmosphere typical of the scene to the art world of avant-garde galleries. Graffiti was now not just a special form of claiming territory by adolescents but, under the aegis of von Koeding, it became an urban spectacle with large-scale mural creations, often in combination with well-organised competitions or cultural festivals.

On a much smaller scale DARE managed by the repeated transfer of his four letters onto canvas, just using layout, form and coloration,to give the observer an insight into his personality. In this way, until his death in 2010, he reached completely new audiences.

At the same time, he achieved a change of perspective for people interested in culture, who would have automatically associated graffiti only with vandalism. Even today DARE enjoys the highest respect of his colleagues, as a pioneer of the sprayer generation, and in his hometown of Basel graffitis can be found that after 25(!) years have not been painted over.

The book Dare To Be Different will be published in spring 2016 and documents in Europe for the first time graffiti and numerous sketches as well as a large part of Koedings multifaceted lifes work that he has left to us on canvas.

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DARE to be Different chronicles the life and work of pioneering graffiti artist Sigi "DARE" von Koeding, presenting photographs of street pieces, sketches, and more that fully explore Koeding's legacy.

As the graffiti movement spread into Europe from the US in the mid-1980s, DARE rapidly became one of its major protagonists. Born and originally based in Basel, Switzerland, DARE created a network of friends that first stretched half a continent and later came to encompass the globe, his art continuing to find new audiences until the time of his death in 2010. DARE's original simple four-letter tag evolved into a 3D style that he perfected on canvas as well as on the street; this versatility eventually created a bridge from the back-alley atmosphere of traditional graffiti to the world of avant-garde art galleries, and eventually his contribution to the scene helped it to become an urban spectacle, an art form focused on large-scale mural creations, well-organized competitions, and cultural festivals.

His careful eye for form, layout, and coloration gave audiences insight into his personality and often inspired viewers to change their perspective on street art, pushing their perception of the style from simply a form of vandalism to a legitimate art movement. The respect his colleagues had for DARE is still obvious today, especially in Basel, where pieces of his created 25 years ago can still be found untouched by other graffiti artists.