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This generously illustrated and comprehensive book examines German and Austrian artists in the 1930s as they reacted to a time of crisis and dissent.

The 1930s in Germany and Austria were marked by economic crisis, political disintegration, and social chaos. This beautifully illustrated catalog surveys the development of the arts in these two countries between the two world wars. Presenting nearly 150 paintings and works on paper, this book reveals artistic developments that foreshadowed, reflected, and accompanied the beginning of World War II. Works by Max Beckmann, Otto Dix, Max Ernst, Oskar Kokoschka, and Alfred Kubin are presented alongside pieces by lesser-known artists such as Friedl Dicker-Brandeis, Albert Paris Gütersloh, Karl Hubbuch, Richard Oelze, Josef Scharl, Franz Sedlacek, and Rudolf Wacker. This book features essays about the appropriation of artistic idioms, the reactions of artists toward their historical circumstances, and major political events that shaped the era.

About the Author:

Olaf Peters is Professor of Modern Art at Martin Luther University in Halle-Wittenberg and the author of Degenerate Art: The Attack on Modern Art in Nazi Germany 1937 and Berlin Metropolis: 1918-1933 (both by Prestel).

This lavishly illustrated book examines Berlin in-depth during a period of explosive growth between the two world wars.

Between 1871 and 1919, the population of Berlin quadrupled, and the city became the political center of Germany, as well as the turbulent crossroads of the modern age. This was reflected in the work of artists, directors, writers, and critics of the time. As an imperial capital, Berlin was the site of violent political revolution and radical aesthetic innovation. After the German defeat in World War I, artists employed collage to challenge traditional concepts of art. Berlin Dadaists reflected upon the horrors of war, and the terrors of revolution and civil war. Between 1924 and 1929 as the spirit of modernity took hold, jazz, posters, magazines, advertisements, and cinema played a central role in the development of Berlin’s urban experience. The concept of the “Neue Frau” — the modern, emancipated woman–helped move the city in a new direction. Finally, Berlin became a stage for political confrontation between the left and the right and was deeply affected by the economic crisis and mass unemployment at the end of the 1920s. This book explores in numerous essays and illustrations the artistic, cultural, and social upheavals in Berlin between 1918 and 1933, and places them in a broader historical framework.

About the Author:

Olaf Peters is Professor of Modern Art at Martin Luther University in Halle-Wittenberg and the author of Degenerate Art: The Attack on Modern Art in Nazi Germany 1937 and Before the Fall: German and Austrian Art in the 1930s (both by Prestel).

Against the Grain

Since its beginnings in Paris in the mid-19th century, the idea of bohemia, an urban community of artists and intellectuals living outside bourgeois norms, has been a potent trope of artistic identity. It was here that the notion of an unconventional, free-spirited life, precarious yet filled with idealism, was codified and romanticized. Bohemia: History of an Idea, 1950 – 2000 shows the continuities and differences between the scenes and subcultures of the second half of the twentieth century, when the mainstream began to appropriate and thereby erode a way of life predicated on its rejection. Nonetheless, as an alternative to conformity the bohemian idea has exerted an enduring fascination. Through works by 39 artists, including Alice Neel, PeterHujar, John Deakin, David Wojnarowicz, Ed van der Elsken, Robert Frank and Alfred Leslie, William Gedney, Libuše Jarcovjáková, Nan Goldin, Zhang Huan and Wolfgang Tillmans, the publication explores the diversity of expressions in various cities in Europe, North America and Asia and shows that the bohemian idea continues to galvanize and inspire.

About the Author:

Russell Ferguson is a research professor at the University of California’s Art Department. During his tenure at the Museum of Contemporary Art and the Hammer Museum in Los Angeles, he curated numerous exhibitions on culture and representation in contemporary art and photography.

The story of the French cashmere shawls of the 19th century and their rise to the heights of fashion. This treasure-trove will not only delight textile scholars and costume historians but is sure to appeal to anyone who loves gorgeous accessories

The delicate beauty of the cashmere shawl was first brought to Europe by the East India Companies and Napoleon’s campaigns. Woven in Kashmir, its fabric was so light that, according to legend, a whole shawl could be passed through a finger-ring. By the 19th century, these shawls were highly sought-after in France; French manufacturers soon saw that there was a market for more accessibly priced versions and started to create their own.

Monique Lévi-Strauss has spent more than thirty years collecting and studying these shawls and gathering rare documents to preserve their history. This completely revised, expanded and redesigned edition of her classic book on the subject illustrates nearly 300 of these beautiful items, superbly photographed to showcase their splendid original designs, alongside a wealth of archive material and contemporary paintings that show them being worn by their elegant owners.

The Cowboy, Reconsidered: the enduring myth of the cowboy is a richer, more diverse story than most understand. In this survey, some of the most important artists working today take up the cowboy through the lens of queer, Black, Asian, and Latinx perspectives.

Perhaps no other figure in the American popular imagination conjures the respect, mystery, and adoration than that of the cowboy. And it’s long been a favorite subject of artists from the early twentieth century to today. In this unique exhibition and accompanying catalogue, the cowboy is explored in depth from diverse perspectives and lived experience, ushering in a new vision for this long-standing pop icon.

Director and co-curator Nora Burnett Abrams considers the cowboy through historical perspectives, breaking down the myth and mystique. In an extended interview, co-curator Miranda Lash talks with queer Latinx artist rafa esparza who considers the vaquero (the Spanish term for cowboy) and the influence of norteño culture in his work. Jongwoo Jeremy Kim provides an in-depth analysis of artist Kenneth Tam’s practice and deeper discussion of Asian American masculinity, sexuality, and how they are represented. Myeshia Babers shares the history of the Black rodeo cowboy, and how this figure performs and functions today, and artist R. Alan Brooks conjures the history of Dearfield, Colorado, one of the earliest Black homesteading communities in the state, through a dream-like short graphic novel.

Artist List: John Baldessari, R. Alan Brooks, Mel Chin, Gregg Deal, Angela Ellsworth, rafa esparza, Fabian Guerrero, Juan Fuentes, Karl Haendel, Luis Jiménez, Kahlil Joseph, Grace Kennison, Deana Lawson, Matthew J. Mahoney, Laurel Nakadate, Richard Prince, Otis Kwame Quaicoe, Akasha Rabut, Lucy Raven, Ken Taylor Reynaga, Yumi Roth in collaboration with Emmanuel David, Ana Segovia, Amy Sherald, Stephanie Syjuco, Kenneth Tam, Andy Warhol, and Nathan Young

About the Author:

Nora Burnett Abrams is the Marc G. Falcone Director of MCA Denver. Miranda Lash is the Ellen Bruss Senior Curator at MCA Denver. Jongwoo Jeremy Kim is Associate Professor of Art History and Theory at Carnegie Mellon University. Myeshia C. Babers is a Cultural Anthropologist and Director at Let's Dialogue, LLC.. R. Alan Brooks is Professor of Graphic Narrative at Regis University.

Do Remember! The Golden Era of NYC Hip-Hop Mixtapes is the first comprehensive deep-dive oral and visual history of the golden era of hip-hop mixtape culture in New York City.

From street corners to corner offices, mixtapes made a huge impact on the music industry and hip-hop culture in New York City during the late ’80s, ’90s, and early 2000s. Mixtapes helped dictate what rap songs were hot in the clubs, on the radio, and in the streets, and they influenced which artists would get signed to record deals. Mixtapes also showcased which DJs had the most skills and creativity, and who had the juice to pull the illest exclusives.

Do Remember! combines the best elements of oral and pictorial histories to explore the evolution of mixtapes as a crucial component of New York City hip-hop culture. Featuring a comprehensive collection of rare mixtape cover art, never-before-seen images, vintage tracklists, and exclusive interviews with Kid Capri, Brucie B, Mister Cee, Ron G, S&S, Doo Wop, Green Lantern, Lord Finesse, Clark Kent, Bobbito, Cipha Sounds, Havoc of Mobb Deep, the late, great DJ Kay Slay, and many more, including a special foreword by Fab 5 Freddy, Do Remember! captures an era in New York City that went on to inspire future hip-hop generations all over the world.

About the Authors:

Evan Auerbach is a globally recognized hip-hop historian. His career as a blogger and archivist has made him the number one source for providing rare hip-hop memorabilia to the masses. A walking encyclopedia of rap knowledge, Evan has played an essential role in revitalizing music media's nostalgia for 90s ephemera and landmark hip-hop events. His website UpNorthTrips continues to be pivotal in sparking a modern wave of obsession with rare photos, classic hip-hop flyers, promo material, and posters. In 2016, Evan co-authored No Sleep: Nightlife Flyers (1988–1999) with Stretch Armstrong.

Daniel Isenberg is a seasoned hip-hop journalist who has written for Complex, Def Jam, Pitchfork, Pigeons & Planes, and XXL, and who created the NahRight Mixtape Memories blog series highlighting legendary mixtape DJs and moments. Isenberg is also an award-winning sports and entertainment marketing creative director, a GRAMMY Award–nominated songwriter, and author of the children’s hip-hop and sports-themed chapter book My Name Is Spit: The Dunk Dance.

El Greco and Nordic Modernism

At the birth of modernism in the late 19th century, artists across Europe rediscovered the almost three centuries old artwork of the Greek painter known as El Greco (1541–1614). In the Nordic countries as well, his characteristic rapturous and expressive style was perceived as speaking directly to the rule-breaking forms of expression with which a new generation of artists were experimenting. His hailing as a cult figure was based as much on the story of his life, though, including the 300 years of rejection and obscurity that made him an outsider idol for young artists. This catalogue traces the inspiration that leading Nordic artists such as Edvard Munch, Helene Schjerfbeck, Nils Dardel, Harald Giersing, and Jens Ferdinand Willumsen took from the works of El Greco, and for the first time specifically explores his Nordic reception in the decades between 1885–1945, adding a hitherto undiscovered piece to the mosaic of El Greco’s multifaceted and multinational rediscovery.

Why collect Russian stage designs? Why write about them? These questions are not rhetorical or idly academic. They have real historical, intellectual, and commercial relevance. Answers may vary, but surely a primary response must be that, quite simply, Russian stage designs are immensely pleasing to the eye. They vibrate, and scintillate with colour, texture and movement.

Furthermore, through their daring inventions, Russian artists of the first thirty years of the 20th century transformed, profoundly and permanently, our perception of stage design - and hence of the theatre. They belonged to an extraordinarily creative generation of impresarios, dancers, actors, patrons, and critics who inspired or at least made a major contribution to the international renaissance of the art of the stage, and in particular areas, e.g. the teaching and performing of ballet, their influence is still present today.

However, in spite of the many published commentaries on the Russian theatre, in spite of the autobiographies and biographies of its leading representatives, and in spite of the scholarly appreciations of its various components (ballet, drama, opera), the subject of stage design in Russia has yet to be explored in all its manifestations.

Each work presented here is documented as fully as possible, and includes curatorial data, provenance index, and references to relevant published sources, exhibitions; and variants such as copies and preliminary drawings. The catalogue raisonné addresses the issues of attribution, identification of stage production, and date of execution and adduces evidence in the form of bibliographical, archival, and photographic data, expert opinion, and circumstantial evidence in order to support assumptions and conclusions.

Rising from the Ashes. The first color lithographs of the rediscovered Pompeii

When the excavations at Pompeii were first placed on a scholarly archaeological footing in the 19th century, brothers Fausto and Felice Niccolini were close at hand and ready to respond. Making use of the newly introduced technique of color lithography, they documented the buildings, frescos, statues, as well as the most ordinary everyday objects, of the city buried in just 24 hours by the catastrophic eruption of Vesuvius and preserved for over 1,600 years under a mantle of volcanic ash.

The Niccolinis’ goal was to illustrate all aspects of life in the antique city. Their publication, Le case ed i monumenti di Pompei (“The Houses and Monuments of Pompeii”), which was issued in installments between 1854 and 1896 in Naples, presented over 400 color plates providing not only views, maps, and groundplans of the city and its public buildings, but also offered unprecedented access to Pompeii’s private residences. They revealed the astonishing painted wall decorations that adorned these long-buried abodes, their intricate works of art, and the practical utensils of everyday use, conjuring up a vivid picture of each house as a real domestic space. In total, the plates illustrated more than 1,000 items, each extensively specified and located for the first time, making the publication a major reference in Pompeii research. In addition, “animated” representations visualized daily life in Pompeii’s workshops, taverns, and shops, on its public squares, and in its temples, theaters, and baths.

This meticulous facsimile revives the Niccolinis’ extraordinary achievement with all color plates and two introductory essays setting the project in its contemporary context and presenting the historical protagonists of the Vesuvian excavations. In addition, we explore the remarkable influence exerted by Pompeian art — and by the haunting plaster casts made of victims of the eruption — on the visual arts. Across painting, sculpture, and interior design, we trace the Pompeii legacy in the work of Robert Adam, Anton Raphael Mengs, Angelika Kaufmann, Jean-Auguste-Dominique Ingres, Lawrence Alma-Tadema, Pablo Picasso, and Giorgio de Chirico, right through to recent masters Duane Hanson and George Segal.

The authors:

Sebastian Schütze was a longtime research fellow at the Bibliotheca Hertziana (Max Planck Institute for Art History) in Rome. He is a member of the academic board of the Istituto Italiano per gli Studi Filosofici in Naples, and a member of the Österreichische Akademie der Wissenschaften. From 2003 to 2009 he held the Bader Chair in Southern Baroque Art at Queen’s University in Kingston. In 2009 he was appointed professor of early modern art history at Vienna University.

Valentin Kockel studied classical archaeology and obtained his doctorate in 1978 with a thesis on the necropolises of Pompeii. He has worked at the German Archaeological Institute in Rome, the Technical University of Darmstadt, and until 2014 he was Professor at Augsburg University. Kockel has headed excavations in Ostia Antica and at the Forum in Pompeii.

A magnificent, never-before-published collection of every painting and fresco on display in the Uffizi, the Galleria Palatina of the Pitti Palace, the Accademia, and the Duomo, and more — nearly 2,000 works of art — all presented in a practical and elegant paperback format.

The city of Florence is home to dozens of museums and palaces that contain many of the world’s most renowned works of art. Florence: The Paintings & Frescoes is a rich and magnificent collection of thousands of paintings and frescoes that are visited by millions of travelers every year including the art of Giotto, Leonardo da Vinci, Michelangelo, Ghirlandaio, Correggio, Botticelli, Caravaggio, Titian, Rembrandt, van Dyck, El Greco, and hundreds more.

Explore the history of art in Florence through seven essays by Ross King, bestselling author of Brunelleschi's Dome and Michelangelo and the Pope's Ceiling, which connect how the paintings, politics, and every-day lives of Florentines influenced one another. Art historian Anja Grebe, author of The Louvre and The Vatican, also highlights 250 of the most iconic and significant paintings and frescoes in the historic city with details on the attributes of the works, biographical details of the artists, and more.

This spectacular collection of nearly 2,000 paintings and frescoes is a must-have for any art lover, student, or arm-chair traveler.  

About the Author:

Ross King is the author of the bestselling Brunelleschi's Dome and Michelangelo & the Pope's Ceiling, as well as the novels Ex-Libris and Domino. He lives in England, near Oxford.

The first major survey to reveal the ways in which Classical mythology has inspired art throughout the last 2,500 years

From the films of Woody Allen and the Coen Brothers to Margaret Atwood's books and Arcade Fire's songs, Classical Greek and Roman myths continue to be a source of cultural inspiration. The struggles of heroes, both triumphant and tragic, with gods, monsters, and fate, exert a particular grip on our imagination. Visual artists have long expressed and reworked these foundational stories. This is the first book to unite myth-inspired artworks by ancient, modern, and contemporary artists, from Botticelli and Caravaggio to Jeff Koons and Damien Hirst.

About the author:

James Cahill is an expert on the influence of Classical antiquity on contemporary art. He has curated exhibitions combining contemporary art and ancient objects at BREESE LITTLE, London (2015) and the Museum of Classical Archaeology, Cambridge (2016). Other contributors include Richard Shone, former Editor of The Burlington Magazine, and Helen Luckett, former Curator at the Hayward Gallery, London.

A new selection of letters, statements and interviews reveal the preoccupations, thoughts and ideas of Francis Bacon, one of the 20th century’s most influential and important artists.

The documents selected for Francis Bacon: A Self-Portrait in Words illustrate Bacon’s sharp wit and ability to express complex ideas in highly personal, memorable language. Included here are not only letters to friends, patrons and fellow artists, but also intriguing notes and lists of paintings. They often come with a sketch as an aide-mémoire or an injunction to himself as he worked in the studio, and many have only come to light since his death.

Bacon’s letters mirror and reveal his dominant preoccupations at different points throughout his long career. Most of Bacon’s letters have never been published and include several that he wrote to the author. Particularly intriguing is the record of a dream that he jotted down, outlining impossibly beautiful paintings he had conjured up in his sleep. Together with photographs, archive material and works by the artist are numerous reproductions of Bacon’s characteristic handwriting, from the briefest jottings and notes to more extensive letters and statements.

Bacon frequently came up with memorable epithets and definitions. He delighted in doing with words what he set out to do in painting: 'I like phrases that cut me.' Michael Peppiatt explores the personal legacy of one of the 20th century’s most important painters and presents a compelling verbal self-portrait that reveals both man and artist.

Contents List:

Introduction
Statements and Quotations (1949 – 1989)
Letters (1943 – 1992)
Studio Notes (1954 – 1990)
Selected Interviews (1958 – 1986)
Chronology

About the Author:

Michael Peppiatt is a well-known writer and curator, who began his career as an art critic in London and Paris in the 1960s. Described by The Art Newspaper as ‘the best art writer of his generation’, his previous books include Francis Bacon: Anatomy of an Enigma and Francis Bacon: Studies for a Portrait. He was guest curator of the Royal Academy of Arts’ exhibition ‘Francis Bacon: Man and Beast’ (London, 2022).

A rich overview of the fascinating life and career of internationally renowned Mexican artist Frida Kahlo (1907-1954), this volume features the artist’s complex and diverse paintings, a series of thoughtful essays about her and her oeuvre, and a detailed illustrated chronology.

As a woman artist who confronted many taboo subjects — and herself — head-on, Kahlo produced groundbreaking work that shifted the terrain of the art world. In these pages, new high-resolution photographs present the most accurate reproductions ever of her visionary artworks, including many ravishing details. That astounding fidelity and the detailed analysis of the artist’s life and process combine to make this a must-have book for Kahlo’s legions of fans worldwide.

Readable and illuminating, Frida Kahlo is illustrated with rarely seen paintings from private collections alongside iconic favorites, including many of Kahlo’s striking self-portraits and her sensual still lifes. Archival and personal photographs, insightful descriptions of her works, and numerous excerpts from her intimate diaries and letters provide context and imbue Kahlo’s work with additional meaning. Authors Héctor Tajonar and Roxana Velásquez — the world’s foremost authorities on Frida Kahlo — deftly untangle the many threads of Kahlo’s complex persona. Kahlo was a charismatic force. Fiercely political and proud of her Mexican heritage, she maintained a dense network of romantic and platonic relationships, including two marriages to fellow artist Diego Rivera. But her childhood illness and the tragic accident she suffered as a teenager left her physically vulnerable. Understanding that duality is key to fully appreciating Kahlo’s extraordinary work. With this deeply researched, stunningly designed volume in hand, readers can do just that.

About the Author:

Roxana Velásquez is the director of the San Diego Museum of Art and previously served as director of the Palace of Fine Arts (2007–2010), the National Art Museum (2004–2007), and the San Carlos National Museum (1997–2004) in Mexico. She has garnered international recognition as an expert on Frida Kahlo and for organizing major exhibitions, including Frida Kahlo 1907–2007 as well as National Homage (which attracted a record-breaking 420,000 visitors) at the Palace of Fine Arts in 2007.

George Barbier (1882–1932) is one of the great French illustrators of the early twentieth century. He is famous for his elegant art deco works that were heavily influenced by orientalism and Parisian couture. Born in Nantes, France in 1882, he skyrocketed to fame and notoriety after his first exhibition in 1911. Known as one of “the knights of the bracelet” for his luxurious and glamorous lifestyle and work, George Barbier also received renown for costumes and set designs he did for theater, film, and ballet. Even today, his modern and stylish illustrations are popular all over the world.

With critical essays on such topics as coloration and composition, this volume is a complete compendium of Barbier’s work. This valuable reference book is categorized by Barbier’s major projects in fashion, book illustration, theater art, and editorial design and is perfect for illustrators and graphic designers as well as a beautiful gift for someone very special.

About the Author:

Hiroshi Unno was born in 1939 in Tokyo. Unno writes on art, cinema, music, urbanism, novels, flower arranging and more. Unno recent titles released by PIE International - Avant-Garde Graphics in Russia, The Art of Fantasy, Sci-fi and Steampunk, Harry Clarke, William Morris: Master of Modern Design, The World of Mucha, A Thousand and One Nights - have gained recognition worldwide.

This book explores how Georgia O’Keeffe lived her life steeped in modernism, bringing the same style she developed in her art to her dress, her homes, and her lifestyle.

Richly illustrated with images of her art and views of the two homes she designed and furnished in New Mexico, the book also includes never before published photographs of O’Keeffe’s clothes. The author has attributed some of the most exquisite of these garments to O’Keeffe, a skilled seamstress who understood fabric and design, and who has become an icon in today’s fashion world as much for her personal style as for her art. As one of her friends stated, O’Keeffe “never allowed her life to be one thing and her painting another.” This fresh and carefully researched study brings O’Keeffe’s style to life, illuminating how this beloved American artist purposefully proclaimed her modernity in the way she dressed and posed for photographers, from Alfred Stieglitz to Bruce Weber.

This beautiful book accompanies the first museum exhibition to bring together photographs, clothes, and art to explore O’Keeffe’s unified modernist aesthetic.

About the Author:

Wanda M. Corn is Robert and Ruth Halperin Professor Emerita in Art History at Stanford University in Palo Alto, California. Her publications include Grant Wood: The Regionalist Vision, The Great American Thing: Modern Art and National Identity, and Seeing Gertrude Stein: Five Stories.