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In the follow-up to the Oscar-nominated film Wreck-It Ralph, our hero leaves his arcade for the expansive universe of the Internet. Disney’s artists have brought the world of the Internet (a world you may think you know) to life in an all-new, imaginative way. Through never-before-seen concept art, character sketches, storyboards, and colorscripts, along with interviews with the production team, The Art of Ralph Breaks the Internet reveals the artistic process behind Disney’s highly anticipated sequel.

About the Author

Jessica Julius is director, creative affairs, at Walt Disney Animation Studios and author of The Art of Zootopia. She lives in Los Angeles.

The Art of Solo: A Star Wars Story reveals, for the first time, the design evolution of each new fantastical set, otherworldly machine, and unforgettable character in the film. Packed with hundreds of spectacular images, including production paintings, concept art and sketches, storyboards, and matte paintings, The Art of Solo: A Star Wars Story is the definitive guide to the art of the film — and a must-have keepsake for fans.

About the Authors

Image archivist Phil Szostak has worked in conjunction with Star Wars art departments at Lucasfilm since 2008. A graduate of the School of Visual Arts in New York, Szostak worked for Wild Brain Animation on the Disney Channel series Higglytown Heroes, and he ran the JAK Films Art Department on Skywalker Ranch for over three years before joining the narrative design team on LucasArts’ Star Wars: 1313. He is also the author of The Art of Star Wars: The Force Awakens (Abrams, 2015) and The Art of Star Wars: The Last Jedi (Abrams, 2017). He resides in San Francisco. 

Neil Lamont served as supervising art director for Harry Potter and the Sorcerer’s Stone, Harry Potter and the Deathly Hallows: Part 2, War Horse, Edge of Tomorrow, and Star Wars: The Force Awakens. He was co-production designer on Rogue One: A Star Wars Story and is the production designer of Solo: A Star Wars Story. 

James Clyne has worked as a film industry artist for well over a decade. Clyne has collaborated on more than thirty film projects, including A.I. Artificial Intelligence, Minority Report, Avatar, Star Trek (2009), and Star Trek Into Darkness.

The Art of Soul presents the story behind this thrilling feature film from Pixar.

This companion book features stunning artwork from the film's creation, along with character explorations, storyboards, color scripts, and much more from the creative team.

- A comprehensive volume to accompany Pixar's feature film, Soul
-  Reveals the behind-the-scenes story of this unique film
-  Filled with exclusive interviews from the creative team behind it all

The Art of Soul showcases concept art details that bring this epic story to life in a brand new way.

- Part of the fan-favorite, collectible Art of series ― books that explore production art and exclusive making-of details
- A perfect gift for Pixar fans, animation and filmmaking students, film buffs, and more
- Add it to the shelf with other books like The Art of Zootopia by Jessica Julius, The Art of Pixar: The Complete Color Scripts from 25 Years of Feature Films (Revised and Expanded), and Find Your Spark: A Journal of Gratitude and Self-Discovery Inspired by Disney and Pixar’s Soul.

Copyright © 2020 Disney Enterprises, Inc. and Pixar. All rights reserved.

The Art of Star Wars: Galaxy’s Edge is the only book to provide an inside look at the magic behind the Star Wars: Galaxy’s Edge themed lands at Disneyland Resort and Walt Disney World Resort, documenting the art and innovations that led to the creation of Galaxy’s Edge. Featuring hundreds of full-color concept artworks, sketches, blueprints, photographs, and more, the book will reveal Walt Disney Imagineering’s creative process.

Star Wars: Galaxy’s Edge invites guests to explore Black Spire Outpost, located on the remote Outer Rim planet Batuu — a spaceport bustling with First Order and Resistance activity where guests can interact with droids, creatures, and fan-favorite characters. Alongside Black Spire Outpost’s vibrant cantina and marketplace, a new and original score composed by John Williams accompanies guests as they seek out the land’s two major attractions: Millennium Falcon: Smugglers Run, which allows guests to commandeer the fastest hunk of junk in the galaxy, and Star Wars: Rise of the Resistance, in which guests find themselves in the crossfire of a ferocious battle between the Resistance and the First Order.

Exclusive interviews with the key creative minds who shaped the lands’ design provide commentary on what it’s like to dream and then build a life-size Star Wars adventure.

Plus, the book offers an inside look at the upcoming Star Wars: Galactic Starcruiser experience, a first-of-its-kind immersive two-night adventure.

About the Authors:

Amy Ratcliffe is the managing editor of Nerdist, author of Star Wars: Women of the Galaxy and The Jedi Mind, and contributor to From a Certain Point of View: The Empire Strikes Back. She is a host at Star Wars Celebration as well as a regular contributor to StarWars.com and Star Wars Insider. 

Scott Trowbridge is the Imagineering creative executive responsible for bringing Star Wars to life at Disney’s theme parks, resorts, cruise lines, and entertainment experiences globally. In addition, he is the creative executive overseeing the Disneyland Resort in California.

This official behind-the-scenes companion to Star Wars: The Last Jedi (the sequel to Star Wars: The Force Awakens) offers fans exclusive access to the Lucasfilm art department’s creative process

Written and directed by Rian Johnson (Looper, The Brothers Bloom, Brick) and production designed by Rick Heinrichs (Fargo, The Big Lebowski, The Nightmare Before Christmas, Captain America: The First Avenger), Star Wars: The Last Jedi, like every chapter before it, owes its visual language and fully imagined cinematic landscape to an incomparable art department: the Lucasfilm “visualists.” 
The Art of Star Wars: The Last Jedi explores their vision and illuminates their creative process in stunning detail. Featuring concept art, costume sketches, and storyboards, this book takes fans on a deep dive into the development of the fantastic worlds, characters, and creatures — both old and new — of The Last Jedi. Exclusive interviews with the filmmakers and with the Lucasfilm visualists provides a running commentary on this unforgettable art, and reveals the inspirations behind moviemaking magic at its finest.

About the Author

Phil Szostak has worked in conjunction with Star Wars art departments for eight years at Lucasfilm and is the author of The Art of Star Wars: The Force Awakens (Abrams, 2015). A graduate of the School of Visual Arts in New York, Szostak worked for Wild Brain Animation on the Disney Channel series Higglytown Heroes, and ran the JAK Films Art Department on Skywalker Ranch for over three years before joining the narrative design team on LucasArts’s Star Wars 1313. He resides in San Francisco. 

his official behind-the-scenes companion to the Disney+ Star Wars series The Mandalorian features exclusive concept art, character and costume sketches, and vehicle and creature designs.

The Art of Star Wars: The Mandalorian takes fans behind the scenes of the first-ever live-action Star Wars television series. Filled with concept art, sketches, and interviews with key cast, crew, and creatives, including executive producer/showrunner/writer Jon Favreau and executive producer/director Dave Filoni, The Art of Star Wars: The Mandalorian will provide readers with an exclusive look at a whole new universe of Star Wars characters, locations, and vehicles.

Premiering in November 2019 as a key launch title for Disney+, The Mandalorian follows the adventures of galactic gunslinger Din Djarin and the Child as they traverse the outer systems of the galaxy and evade remnants of the Empire. Readers will encounter early visual and conceptual ideas for these new characters and unexplored frontiers, filled with crime syndicates, bounty hunters, and smugglers. The gritty, lived-in cantinas and spaceports are populated by a talented cast that includes Pedro Pascal (Game of Thrones), Werner Herzog (Fitzcarraldo, Grizzly Man), Nick Nolte (48 Hours), Gina Carano (Haywire, Deadpool), Giancarlo Esposito (Breaking Bad), and Carl Weathers (Rocky).

About the Authors:

Lucasfilm creative art manager Phil Szostak has worked in conjunction with Star Wars art departments since 2008. A graduate of the School of Visual Arts in New York, Szostak ran the JAK Films Art Department at Skywalker Ranch for more than three years before joining the narrative design team on LucasArts’ Star Wars: 1313. He is also the author of The Art of Star Wars: The Force Awakens (Abrams, 2015), The Art of Star Wars: The Last Jedi (Abrams, 2017), The Art of Star Wars: The Rise of Skywalker (Abrams, 2020), and The Art of Star Wars: The Mandalorian, Season Two (Abrams, 2022). He lives in San Francisco. 

Doug Chiang is an Academy Award®–winning artist, author, and production designer. As creative director for Industrial Light & Magic, he served as visual effects art director of films such as Terminator 2: Judgment Day, The Mask, and Forrest Gump. In 1995, George Lucas personally selected Chiang to serve as head of the Lucasfilm art department for seven years on Star Wars: Episodes I and II. He left Lucasfilm in 2002 to form his own design studio, IceBlink Studios. Chiang returned to Lucasfilm in 2013 to work on Star Wars: The Force Awakens and currently serves as Lucasfilm VP and executive creative director. He served as production designer and design supervisor on The Mandalorian seasons one and two.

The official behind-the-scenes concept, production, and post-production art for Star Wars: The Rise of Skywalker.

Go inside the creative process behind the most anticipated film of the century. The latest trilogy in the Star Wars film series brings the Skywalker Saga to a close and The Art of The Rise of Skywalker will take readers into the creative process behind visualizing the epic worlds, creatures, characters, costumes, weapons and vehicles of the landmark conclusion more than 40 years in the making.

About the Author

Lucasfilm creative art manager Phil Szostak has worked in conjunction with Star Wars art departments since 2008. A graduate of the School of Visual Arts in New York, Szostak ran the JAK Films Art Department on Skywalker Ranch for more than three years before joining the narrative design team on LucasArts’s Star Wars: 1313. He is also the author of The Art of Star Wars: The Force Awakens (Abrams, 2015); The Art of Star Wars: The Last Jedi (Abrams, 2017) and The Art of Solo: A Star Wars Story (Abrams, 2018)

In Wreck-It Ralph, Disney’s team of artists explores the hidden world of video games, from classic 8-bit arcade games to the most modern of the digital age. 

Wreck-It Ralph is a bad guy who breaks all the rules of the arcade when he sets off on a mission to prove he can be a good guy. This behind-the-scenes look at Disney’s 3-D animated comedy adventure features character sketches, storyboards, colour-scripts, and more. Capturing the artistic journey of the film through interviews with the film’s many artists — plus a foreword by director Rich Moore and a preface by John Lasseter — The Art of Wreck-It Ralph is a treat for video game and animation lovers alike.

About the Authors:

Maggie Malone is director of development at Walt Disney Animation Studios, where she has worked on films including Tangled, Tinker Bell, and The Princess and the Frog.

Jennifer Lee Monn worked in book publishing for eight years before becoming a filmmaker. She co-wrote the screenplay for Disney’s Wreck-It Ralph with Phil Johnston.

The drums of war thunder once again . . .

World of Warcraft redefined online gaming for millions and millions of people, and in the fifteen years since its launch, each new chapter in the game’s story has been bolstered through the Blizzard Entertainment’s incredible cinematics. The Cinematic Art of World of Warcraft: Volume I goes behind the scenes with the team who built the game’s stunning movies. With never-before-seen concept art and accounts of the creative and technical process, this is the definitive visual gallery of how countless artists brought the world of Azeroth to life in incredible detail and motion.

The first installment in a new series, The Cinematic Art of World of Warcraft: Volume I is a visual chronicle covering the cinematics from the beginning of World of Warcraft through to the Warlords of Draenor expansion.

Audrey Hepburn, Humphrey Bogart, Gregory Peck, Rita Hayworth, Marilyn Monroe — the brightest stars of the silver screen couldn't resist curling up with a good book. This unique collection of rare photographs celebrates the joy of reading in classic film style.

The Hollywood Book Club captures screen luminaries on set, in films, in playful promotional photos, or in their own homes and libraries with books from literary classics to thrillers, from biographies to children's books, reading with their kids, and more.

Featuring nearly 60 enchanting images, lively captions about the stars and what they're reading by Hollywood photo archivist Steven Rea, and a glamorous stamped case design, here's a real page-turner for booklovers and cinephiles.

Become inspired, find your voice, and create work that matters.

Why are human beings driven to make?

It’s as if we collectively intuited, long before science gave us the language, that the universe bends toward entropy, and every act of creation on our part is an act of defiance in the face of that evolving disorder.

When we pick up a paintbrush, or compose elements through our camera viewfinders, or press fingers into wet clay to wrestle form from a shapeless lump, we are bending things back toward Order and wrestling them from Chaos.

But making things is often not enough.

We also want the things we make to be filled with meaning. We’re each trying to describe what we know about life, to create a collective sense of “safety in numbers.” When we reach the end of our traditional descriptive powers, it’s time to weave collective meaning from poetry, painting, writing, dancing, photographing, filmmaking, storytelling, singing, animating, designing, performing, carving, sculpting, and a million other ways we daily create Order out of the Chaos and share it with each other for comfort.

On this journey we need a creative philosophy which will help us find our voice, discover our message, deal with the responses to our work, maintain inspiration, and stay mentally healthy and motivated creators as we strive to find “the meaning in the making.”

Table of Contents:
Chapter 1: Order
Chapter 2: Logos
Chapter 3: Breath
Chapter 4: Voice
Chapter 5: Ego
Chapter 6: Control
Chapter 7: Attention
Chapter 8: Envy
Chapter 9: Critique
Chapter 10: Feel
Chapter 11: Shadows
Chapter 12: Meaning
Chapter 13: Time
Chapter 14: Benediction

About the Author:

Sean Tucker is a professional photographer and filmmaker based in the United Kingdom.

The third volume in the New York Times bestselling Wes Anderson Collection series showcases the best artwork from “Bad Dads,” an annual exhibition of art inspired by the films of Wes Anderson.

Curated by Spoke Art Gallery in San Francisco, “Bad Dads” has continued to grow and progress as a dynamic group exhibition since its inaugural show in 2011, and has featured work from more than 400 artists from around the world. Those artworks range from paintings to sculptures to limited-edition screen prints and vary greatly in style, making for a diverse and lively show each year.

Though each piece is distinct in its own right, the artworks’ unifying element is the shared imagery and beloved characters from:

· Bottle Rocket
· Rushmore
· The Royal Tenenbaums
· The Life Aquatic with Steve Zissou
· The Darjeeling Limited
· Fantastic Mr. Fox
· Moonrise Kingdom
· The Grand Budapest Hotel

The book features an original cover by graphic artist Max Dalton, a foreword by writer and director Wes Anderson himself, and an introduction by TV and movie critic Matt Zoller Seitz, author of the bestselling Wes Anderson Collection books.

A visual treasure trove, Bad Dads grants fans of Wes Anderson another creative avenue to explore his inspired worlds and movies.

Also available from Matt Zoller Seitz: The Oliver Stone Experience, Mad Men Carousel, The Wes Anderson Collection: The Grand Budapest Hotel, and The Wes Anderson Collection.

About the Authors:

Spoke Art is a San Francisco–based gallery, run by Ken Harman, that specializes in new contemporary painting, sculpture, and illustration. They curate a series of rotating monthly exhibits that feature a wide variety of solo and group shows.

Max Dalton is a graphic artist living in Buenos Aires by way of Barcelona, New York, and Paris. He has published a few books and illustrated some others, including The Wes Anderson Collection (Abrams, 2013). Max started painting in 1977, and since 2008, he has been creating posters about music, movies, and pop culture, quickly becoming one of the top names in the industry.

Matt Zoller Seitz, a finalist for the Pulitzer Prize in criticism, is the TV critic for New York Magazine and Vulture.com, as well as the editor-in-chief of RogerEbert.com. A Brooklyn-based writer and filmmaker, Seitz has written, narrated, edited, or produced more than 100 hours’ worth of video essays about cinema history and style for the Museum of the Moving Image and The L Magazine, among other outlets. His five-part 2009 video essay, “Wes Anderson: The Substance of Style,” was later spun off into a New York Times bestselling hardcover book: The Wes Anderson Collection (Abrams, 2013). He is also the author of Abrams titles such as The Wes Anderson Collection: The Grand Budapest Hotel, The Oliver Stone Experience, and Mad Men Carousel.

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Пролистать книгу The Wes Anderson Collection: Bad Dads: Art Inspired by the Films of Wes Anderson на Google Books

The Wes Anderson Collection: Isle of Dogs is the only book to take readers behind the scenes of the beloved auteur’s newest stop-motion animated film. ​

Through the course of several in-depth interviews with film critic Lauren Wilford, writer and director Wes Anderson shares the story behind Isle of Dogs’s conception and production, and Anderson and his collaborators reveal entertaining anecdotes about the making of the film, their sources of inspiration, the ins and outs of stop-motion animation, and many other insights into their moviemaking process. Previously unpublished behind-the-scenes photographs, concept artwork, and hand-written notes and storyboards accompany the text. The book also features an introduction by critics and collaborators Taylor Ramos and Tony Zhou, and a foreword by critic Matt Zoller Seitz. The fourth volume of the New York Times bestselling Wes Anderson Collection, Isle of Dogs stays true to the series with its rich design and colorful illustrations, capturing Anderson’s signature aesthetic vision and bringing the series's definitive study of Anderson's filmography up to date.

Isle of Dogs tells the story of Atari Kobayashi, a 12-year-old ward to corrupt Mayor Kobayashi. When, by Executive Decree, all the canine pets of Megasaki City are exiled to a vast garbage-dump called Trash Island, Atari sets off alone in a miniature Junior-Turbo Prop and flies across the river in search of his bodyguard-dog, Spots. There, with the assistance of a pack of newly-found mongrel friends, he begins an epic journey that will decide the fate and future of the entire Prefecture. The film features the voices of Bryan Cranston, Koyu Rankin, Edward Norton, Bob Balaban, Bill Murray, Jeff Goldblum, Kunichi Nomura, Akira Takayama, Greta Gerwig, Frances McDormand, F. Murray Abraham, Tilda Swinton, Akira Ito, Yoko Ono, Mari Natsuko, Harvey Keitel, Courtney B. Vance, Ken Watanabe, Scarlett Johnasson, Fisher Stevens, Nijiro Murakami, and Liev Schreiber.

About the Author:

Lauren Wilford and Ryan Stevenson are editors at Bright Wall/Dark Room, a magazine that publishes long-form, carefully considered takes on film. They have been married and collaborating since 2015, and are currently based in Providence, Rhode Island.

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Пролистать книгу The Wes Anderson Collection: Isle of Dogs на Google Books

A colossal expedition into the mind of Tim Burton through over 200 pieces of rare and unpublished behind-the-scenes materials

From Beetlejuice to Batman, Charlie and the Chocolate Factory to Alice in Wonderland and beyond, Tim Burton has made an indelible mark on cinema across horror, drama and fantasy films with his uncanny, whimsical style. Since his youth, he has created a thematic repository of popular culture, comics, fairy tales, Old Hollywood films and more, the elements of which he intersperses into his movies.

The major, immersive exhibition at the Museo del Cinema in Turin, and its corresponding catalog, honors Burton’s unique vision and artistic output. Divided into nine thematic sections, the catalog features over 200 examples of rarely or never-before-seen original artworks spanning Burton’s entire lifetime: including early sketches from his childhood, paintings, drawings, photographs, concept art, storyboards, costumes, moving-image works, maquettes, puppets and life-size sculptural installations. This archival material honors Burton’s signature style but also reveals his appreciation of the work of previous generations, including the drawings of Edward Gorey and Charles Addams, the horror films of Vincent Price and Japanese monster movies. The World of Tim Burton creates an autobiography told through his creative process, tracing the singular visual imagination of a multidimensional postmodern artist.

Tim Burton (born 1958) grew up in Burbank, California and studied animation at the California Institute of the Arts. Fired from Disney after making Frankenweenie, Burton was approached by Paul Reubens to direct Pee-wee’s Big Adventure, which became his first major hit. Since then he has directed dozens of blockbuster movies and has become recognizable for his signature style. Recently he directed and produced the TV series Wednesday, the second-most watched show on Netflix.

• The fantastic and visionary world of Tim Burton, in a rich volume that celebrates his dreamlike and grotesque style, developed over 30 years of great successes
• Published to accompany an exhibition at the Museo Nazionale del Cinema, Turin, 10 October 2023 - 7 April 2024

About the Authors:

Domenico De Gaetano is the director of the Museo Nazionale del Cinema in Italy.
Jenny He is a director based in New York City.
Stefano Bessoni is an Italian filmmaker, animator and illustrator.
Giona A. Nazzaro is the artistic director of the Locarno Film Festival in Switzerland.
Luca Beatrice is an Italian art critic, curator and essayist.

Originally an influential memo Vogler wrote for Walt Disney Animation executives regarding The Lion King, The Writer’s Journey details a twelve-stage, myth-inspired method that has galvanized Hollywood’s treatment of cinematic storytelling. A format that once seldom deviated beyond a traditional three-act blueprint, Vogler’s comprehensive theory of story structure and character development has met with universal acclaim, and is detailed herein using examples from myths, fairy tales, and classic movies. This book has changed the face of screenwriting worldwide over the last 25 years and continues to do so.

About the Author:

Christopher Vogler made documentary films as an Air Force officer before studying film production at the University of Southern California, where he encountered the ideas of mythologist Joseph Campbell and observed how they influenced the story design of 1977 s Star Wars. He worked as a story consultant in the development departments of 20th Century Fox, Walt Disney Pictures and Animation, and Paramount Pictures, and wrote an influential memo on Campbell s Hero s Journey concept that led to his involvement in Disney s Aladdin, The Lion King, and Hercules. After the publication of The Writer s Journey, he developed stories for many productions, including Disney s remake of 101 Dalmatians, Fox s Fight Club, Courage Under Fire, Volcano, and The Thin Red Line.

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Пролистать книгу The Writer’s Journey: Mythic Structure for Writers – 25th Anniversary Edition