Книги про музику

When Ziggy played The Marquee Club in Soho, London, in October 1973, most of those invited to the small venue did not realise that this would be the last performance David Bowie would ever give as Ziggy Stardust. Terry O’Neill, celebrated photographer, was given unprecedented access to document the event.

O’Neill captured Bowie and his crew backstage as they went through costume changes, and Bowie transformed into the character he’d soon put to rest. On stage, dodging television cameras and lights, O’Neill snapped the incredible stage presence for which Bowie and his crew had become renowned. O’Neill remembers of Bowie: “He became a character on stage. As much as a person takes a role in a play for the West End or on Broadway, learning the lines, putting on the costumes – this was, I think, the way Bowie treated his stage. This night at the Marquee, I witnessed a modern-day Hamlet – and it was Ziggy Stardust”.

Award-winning music writer Daniel Rachel interviews key contributors of the day, including O Neill, Ava Cherry, Amanda Lear and Geoff MacCormack along with new insights and memories from fans who were in the audience who played witness to this incredible moment.

- Rare and unseen images from Terry O'Neill's unprecedented access to David Bowie's last performance as Ziggy Stardust, including candid backstage shots
- New and original interviews from a host of people who witnessed the last performance, including Geoff MacCormack - one of Bowie's long-time friends and "Spider"; Suzy Ronson - Mick's wife and stylist; Ken Scott - sound engineer and producer; Ava Cherry - backing vocals, and many more

About the Author:

Terry O'Neill has had a star-studded career. He has been in the business of capturing the most iconic, candid, and unguarded moments of the famous and infamous for six decades. His reportage photography chronicled the evolution of fashion in the post-war era, and later the emergence of bands such as The Beatles, The Rolling Stones, and The Animals, and icons like David Bowie and Elton John. He has been photographer-of-choice for a multitude of celebrities,ftom Sinatra and Audrey Hepburn to Raquel Welch and Paul Newman, and remains the only photographer to have captured shots not only of every James Bond to date, but also more than 25 Bond girls and a staggering 150 Oscar-nominated actors and actresses. O'Neill was awarded withthe Royal Society of Arts' highest honour, the Centenary Medal, in 2012.

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Пролистать книгу When Ziggy Played the Marquee: David Bowie's Last Performance as Ziggy Stardust

A dive into music history, from Joan Baez and Jimi Hendrix to Rihanna and Lady Gaga, exploring the eclectic interpretation of fashion and society.

Frida Giannini’s book travels through time, weaving between music and style from 1969 to today. It is an iconographic journey made up of visual evocations, comparisons and contrasts, testimonies, and anecdotes. The starting point is 1969, the year of Woodstock, David Bowie’s “Space Oddity,” and the first man on the moon. It passes through the stages, concerts, and moments that made the history not only of music, but also of fashion.

The view that tells, approaches, and explores famous figures — paying particular attention to the Thin White Duke — eras, and fashion is that of Frida Giannini, an expert in both worlds, who has made fashion her profession and music her great passion. Music also accompanied her professionally in her creative inspirations and references, and in first-person encounters with the protagonists of the entertainment world in the 2000s.

This book also shines a spotlight on stage clothes, hairstyles, and sets, because the evolution of music accompanies the evolution of fashions, costumes, and changing society and vice versa, in a dialogue of influences, decades, and historical events.

About the Author:

Frida Giannini is an internationally renowned Italian designer who was Creative Director of Gucci for 10 years. From 1994 to 2001 she worked for Fendi, first as a ready-to-wear designer, then as head of accessories. Today she is a creative consultant for luxury brands in various categories, including interior design.

Music from the punk era transformed the world of music. If you could play three chords, you could make records. You didn’t even need a record label. You could start your own.

The same thing happened in graphic design. All you needed were a few sheets of Letraset and access to a photocopier, and you could make your own record covers. And lots of people did just that.

Action Time Vision: Punk & Post-Punk 7" Record Sleeves is a celebration of DIY graphics from the punk and post-punk eras. You might call it outsider graphic design.

With a few exceptions, trained designers rarely did 7” singles covers for this notoriously shouty and aggressive music. Apart from a few covers done by Barney Bubbles and Peter Saville, most punk and post-punk covers were designed by band members, label owners or friends.

Few of the sleeves showcased here are beautiful in the normal sense of the word. But they all have an urgency and an exhilarating disregard for design conventions that makes them exceptional. They are all clarion calls for independence and freedom from pop industry norms.

The work in this book is culled from the record collections of designer (and Unit Editions co-founder) Tony Brook, and leading punk scholar Russ Bestley. As one of the world’s leading authorities on punk and post-punk music, Russ has contributed an insightful essay to the book.

The book also features interviews with designer Malcolm Garrett, Mute founder Daniel Miller and Sniffin’ Glue editor and musician Mark Perry.

Based on recording industry sales figures, Best-Selling Albums is the definitive guide to more than 100 chart-topping records of the past six decades.

From Miles Davies and Nat ‘King’ Cole in the 1950s to Adele today, Best-Selling Albums features the most successful artists in the history of recorded popular music. Every album is illustrated with a sleeve artwork, front and back, providing a fascinating overview of the evolution of record cover design across the decades.

Each entry is packed full of information, including background on the recording of the album and its place in cultural history, as well as a full track listing and detailed musician and production credits.

In addition, there are listings of the biggest-selling movie soundtracks, the top 100 albums by sales, and much more.

Take your listening sessions to the next level with the game edition of the essential cocktail guide Booze & Vinyl, pairing groundbreaking albums with mood-setting mixed drinks in an entertaining new way.

• CARD PAIRING GAME: Includes 100 full-color printed cards to match 50 sets of great music + boozy beverage pairings
• RECIPE BOOK: 88-page book provides information on the music and full instruction for 50 amazing cocktails
• DISCOVER YOUR OWN PAIRINGS: Book includes space to create your own unique music and drink combinations
• ENTERTAIN LIKE A PRO: This game works for solo play as well as groups of 2, 3, or more
• INSPIRED BY BEST-SELLING BOOK: Game based on Booze & Vinyl, the original guide to pairing cocktails with excellent music 

About the Author:

André Darlington and Tenaya Darlington are the co-authors of Booze & Vinyl, The New Cocktail Hour, and Turner Classic Movies: Movie Night Menus. André is a drinks, food, and lifestyle writer based in Philadelphia. He is a former restaurant critic and award-winning wine and spirits columnist. He recently completed a circumnavigation of the globe to survey the world's cocktail landscape, a journey he details in his forthcoming book, Booze Cruise (Running Press, 2021).Tenaya is a food writer and educator in Philadelphia. By day, she teaches writing at Saint Joseph's University; by night she pens the cheese blog Madame Fromage. She is the author of The Di Bruno Bros. House of Cheese and the forthcoming Milky Way (Workman, 2022).
 

An unprecedented look at a very young Bruce Springsteen and the E Street Band, from the group’s creation and early New Jersey days to their meteoric rise and seminal Born in the USA tour, in photographs almost all not previously published.

David Gahr (1922–2008) was tapped by Columbia Records designer John Berg to shoot cover art for Bruce Springsteen’s second album, The Wild, the Innocent and the E Street Shuffle. Gahr’s earliest photographs of the musician showcase a youthful Springsteen, not even aged twenty-three, in Asbury Park, New Jersey, on the eve of a career breakthrough. Gahr befriended the rising star, and over a span of approximately ten years he photographed Springsteen, both on- and offstage. Rare captures include Springsteen recording music, performing at the cramped venue Bottom Line weeks before the release of his seminal 1975 album Born to Run, and playing to legions of fans during his Born in the USA tour. Bruce Springsteen 1973–1986 is an unprecedented look back at Bruce Springsteen and the E Street Band on their path to becoming rock legends.

About the Author:

David Gahr was one of music’s renowned but under-the-radar photographers. Starting in 1958when Moses Asch of Folkways Records brought his work to a larger audience, Gahr captured iconic images of some of the greatest musicians of the twentieth century, including Bob Dylan, Pete Seeger, Janis Joplin, Johnny Cash, and Miles Davis, to name only a few. Chris Murray is a writer and founder of Govinda Gallery, which represents some of the best rock music–related fine art photography and photographers in the world.

#shotbyadams — це новий том портретів Браяна Адамса за останні десять років, що вийшов після виходу книги Exposed у 2012 році. Книга містить майже 200 фотографій провідних діячів зі світу кіно, театру, музики, моди, політики та не тільки. Від королеви Єлизавети II та Далай-лами до Джоні Мітчелл та Рода Стюарта, від Емі Вайнхаус та Шер до Сірші Ронан та Тобі Магвайра, від Наомі Кемпбелл та Памели Андерсон до Крістофа Вальц та Шарлотти Ремплінг — Адамс відобразив усіх відомих особистостей у своїх галузях.

Незалежно від того, чи його герої грають перед камерою, чи розкривають відчуття себе поза межами своїх персон, чи є вони частиною складної фотоісторії, чи стоять окремо на простому фоні, портрети Адамса є рішучими, прямими та життєвими. Передмови Джорджо Армані та Боя Джорджа дають нам уявлення про фотографічний підхід Адамса та про те, який це досвід — бути «знятим Адамсом».

Про автора:

Браян Адамс, народжений у 1959 році в Онтаріо, присвячує свій час музиці та фотографії. Адамс фотографував для таких журналів, як Interview, i-D, Harper’s Bazaar, а також британського та німецького Vogue. У 2003 році він заснував журнал Zoo, за який отримав нагороду Goldene Feder. У 2006 році Адамс був удостоєний німецької нагороди German Lead Award за серію фотографій Міккі Рурка. Серед виставок Адамса – ті, що проходили в галереї Саатчі та Національній портретній галереї в Лондоні, а також у Haus der Kunst у Мюнхені. Штайдль опублікував роботи Адамса Exposed (2012), Wounded: The Legacy of War (2013), Untitled (2016) та Homeless (2019).

Це довгоочікуване перевидання першої вичерпної монографії Браяна Адамса, присвяченої його портретній фотографії. Наприкінці 1990-х років Адамс зацікавився створенням фотографічних автопортретів для обкладинок своїх альбомів, тому вирішив сам взяти до рук камеру. Це випадкове рішення стало початком успішної фотокар'єри, паралельної з вражаючими досягненнями Адамса як співака, автора пісень та продюсера. «Викрито» – це ретроспектива його фотографій, у якій представлені портрети друзів та колег у сфері розваг, моди та мистецтва. Серед інших – Морріссі, Бен Кінгслі, Емі Вайнхаус, Майкл Джексон, Луїз Буржуа, Ліндсі Лохан та Джуді Денч. Книга «розкриває» не лише невідомі грані його об’єктів, але й глибину фотографічних здібностей Адамса.

Про автора:

Браян Адамс, народжений у 1959 році в Онтаріо, присвячує свій час музиці та фотографії. Адамс фотографував для таких журналів, як Interview, i-D, Harper’s Bazaar, а також британського та німецького Vogue. У 2003 році він заснував журнал Zoo, за який отримав нагороду Goldene Feder. У 2006 році Адамс був удостоєний німецької нагороди German Lead Award за серію фотографій Міккі Рурка. Серед виставок Адамса – ті, що проходили в галереї Саатчі та Національній портретній галереї в Лондоні, а також у Haus der Kunst у Мюнхені. Штайдль опублікував роботи Адамса Exposed (2012), Wounded: The Legacy of War (2013), Untitled (2016) та Homeless (2019).

«Цінуйте звуки, які ви чуєте, а іноді навіть насолоджуйтесь невеликою тишею». – Браян Адамс

Пориньте у світ свідомого слуху з книгою «Почуй світ» музиканта та фотографа Браяна Адамса, виданою для фонду «Почуй світ». У ній представлено понад 120 портретів відомих амбасадорів фонду, створених Адамсом. Вім Вендерс, Діонн Ворвік, Лана Дель Рей, Бен Кінгслі, Тіна Тернер, Джуліанна Мур, Джон Кліз, Мік Джекер, Сінді Кроуфорд — це лише деякі з героїв зі світу кіно, театру, музики, моди та інших, яких фотографував Адамс.

Фонд «Почуй світ» підтримує дітей з втратою слуху в країнах з низьким та середнім рівнем доходу та заснований на переконанні, що всі діти заслуговують на шанс добре чути та жити життям на повну. Адамс почав співпрацювати з фондом у 2007 році; тепер, завдяки спільному зобов’язанню шанувати важливість слуху, їхнє спільне бачення розквітло в цій книзі. У публікації, де кожен суб'єкт займає власну, особливу позицію «Почуй світ», представлено зібрання людей, об'єднаних у підтримці збереження та плекання нашої здатності чути.

Видано спільно з фондом «Почуй світ», Штайнхаузен

Про автора:

Браян Адамс, народжений у 1959 році в Онтаріо, присвячує свій час музиці та фотографії. Адамс фотографував для таких журналів, як Interview, i-D, Harper’s Bazaar, а також британського та німецького Vogue. У 2003 році він заснував журнал Zoo, за який отримав нагороду Goldene Feder. У 2006 році Адамс був удостоєний німецької нагороди German Lead Award за серію фотографій Міккі Рурка. Серед виставок Адамса – ті, що проходили в галереї Саатчі та Національній портретній галереї в Лондоні, а також у Haus der Kunst у Мюнхені. Штайдль опублікував роботи Адамса Exposed (2012), Wounded: The Legacy of War (2013), Untitled (2016) та Homeless (2019).

New printing - with new introduction by Duro Olowu - of this definitive study and essential guide to Jamaican Dancehall in the 1980s featuring hundreds of exclusive photographs with accompanying text, interviews and biographies.

This book captures a previously unseen era of musical culture fashion and lifestyle. With unprecedented access to the incredibly vibrant music scene during this period, Beth Lesser’s photographs are a unique way into a previously hidden part of Jamaican culture. Dancehall is at the centre of Jamaican musical and cultural life. From its roots in Kingston in the 1950s to its heyday in the 1980s, Dancehall has conquered the globe also spreading to the USA, UK, Canada, Japan, Europe and beyond.

Dancehall is a culture that encompasses music, fashion, drugs, guns, art, community, technology, and more. Many of today’s music and fashion styles can be traced back to Dancehall culture and continue to be influenced by it today.

Born in the 1950s out of the neighbourhood soundsystems of Kingston, Dancehall grew to its height in the 1980s before a massive influx of drugs and guns made the scene too dangerous for many.

Dancehall is an essential reference book for anyone interested in Reggae, as well as a unique photographic and textual source book of the musical, cultural and political life of Jamaica.

In the early 1980s, as Jamaica was in the throws of political and gang violence, Beth Lesser ventured where few others dared, and this book is a never-before-seen record of the exciting, dangerous and vibrant world of Dancehall. Beth Lesser’s book tells this story from its roots to its heights. Living in Jamaica in the late 70s and early 80s she photographed and documented a cultural explosion as producers, singers, DJs and soundsystems who all made a living out of the slums of Kingston.

About the Authors:

Beth Lesser is a noted music writer. In the early 1980s, as Jamaica was in the throes of political and gang violence, she ventured where few others dared, and produced this book – a unique record of the exciting, dangerous, and vibrant world of Dancehall.

Stuart Baker is the editor of Yo! The Early Days of Hip-Hop 1982-84; Cuba: Original Cover Art of Cuban Music; Dancehall: The Rise of Jamaican Dancehall Culture; Bossa Nova and the Rise of Brazilian Music in the 1960s; Reggae Soundsystem; Cover Art of Studio One Records; Voguing and the House Ballroom Scene of New York 1989-92; Kanaval: Vodou, Politics and Revolution on the Streets of Haiti; and Freedom Rhythm & Sound: Revolutionary Jazz Original Cover Art 1965-83. He is also the founder of Soul Jazz Records.

A beautifully produced book tracing Bowie's career

David Bowie's career as a pioneering artist spanned nearly 50 years and brought him international acclaim. He continues to be cited as a major influence on contemporary artists and designers working across the creative arts. Published to accompany the blockbuster international exhibition launched at London's Victoria and Albert Museum, this is the only book to be granted access to Bowie's personal archive of performance costume, ephemera and original design artwork by the artist, and brings it together to present a completely new perspective on his creative work and collaborations.

The book traces his career from its beginnings in London, through the breakthroughs of Space Oddity and Ziggy Stardust and the Spiders from Mars, and on to his impact on the larger international tradition of twentieth-century avant-garde art. Essays by V&A curators on Bowie's London, image, and influence on the fashion world, are complemented by Howard Goodall on musicology; Camille Paglia on gender and decadence and Jon Savage on Bowie's relationship with William Burroughs and his fans. Also included is a discussion between Christopher Frayling, Philip Hoare and Mark Kermode, held at the V&A, of Bowie's cultural impact.

Over 300 images include personal and performance photographs, costumes, lyric sheets giving a unique insight into Bowie's world.

About the Authors:

Victoria Broackes is a curator of theatre & performance at the V&A. 

Geoffrey Marsh is director of the V&A theatre collections. 

Sir Christopher Frayling is a critic and writer and former rector of the Royal College of Art, London. 

Howard Goodall is an Emmy, BRIT, and BAFTA award-winning composer and broadcaster. 

Camille Paglia is University Professor of humanities and media studies at the University of the Arts in Philadelphia. Her books include Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson. 

Jon Savage is a writer and broadcaster. His books include Teenage: The Creation of Youth Culture and England’s Dreaming: Anarchy, Sex Pistols, Punk Rock, and Beyond.

David Bowie: Rock ‘n’ Roll with Me – це чудова фотомемуарна книга Джеффа Маккормака, в якій описано його довічна дружба з Девідом Боуї. Зображення оживляють історії Маккормака, показуючи місця, де він і Боуї жили, людей, яких вони зустрічали, та спільні пригоди. Починаючи з початкової школи Бернт-Еш у середині 1950-х років, роки пролітають у вирі відкриттів та створення музики. Книга містить майже 150 фотографій, зроблених Маккормаком протягом багатьох років, деякі з яких ніколи раніше не бачили: від гастролей шоу Зіггі Стардаста та Аладдіна Сейна та подорожі до Нью-Йорка у світовому турне, до першого великого фільму Боуї «Людина, яка впала на Землю» та запису альбому «Station to Station» з його персонажем «Тонкий білий герцог».

David Bowie: Rock ‘n’ Roll with Me – це неймовірна історія, розказана з дотепністю та відвертістю. Обов’язкова для всіх шанувальників Боуї, вона дає рідкісний погляд на дружбу, де двоє чоловіків ділили свою любов до музики з моменту зустрічі до останнього прощання.

- Закладаючи дружбу на все життя
- Фотомемуари з нерозказаних історій та майже 150 відвертих фотографій, багато з яких показані вперше
- Післямова Девіда Боуї

Про автора

Джефф Маккормак, друг Девіда Боуї протягом усього життя, приєднався до світового турне Боуї 1973 року як додатковий бек-вокаліст та перкусіоніст, а пізніше як «Diamond Dog» у 1974 році та до того, що згодом стало відомим як «The Young Americans Soul Tour». Він також працював над шістьма альбомами, від Aladdin Sane до Station to Station. Після трьох років гастролей, запису та подорожей з Боуї, Маккормак розпочав музичне продюсерське партнерство, яке отримало нагороди (Gold Clio, Ivor Novello), з яким він випадково познайомився в пабі The Three Tuns, де раніше знаходилася «Arts Lab» Боуї. Понад 20 років вони писали музику для високоякісної реклами, фільмів та телебачення. Джефф зараз займається використанням та продажем своїх фотографій Девіда Боуї по всьому світу та виставлявся у Санкт-Петербурзі, США та Великій Британії, зокрема на надзвичайно успішній виставці «Рок-н-рол зі мною» в Музеї та художній галереї Брайтона з вересня 2020 року по травень 2022 року.

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Погортати книгу David Bowie: Rock ’n’ Roll with Me

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Переглянути відео про книгу David Bowie: Rock ’n’ Roll with Me

Do Remember! The Golden Era of NYC Hip-Hop Mixtapes is the first comprehensive deep-dive oral and visual history of the golden era of hip-hop mixtape culture in New York City.

From street corners to corner offices, mixtapes made a huge impact on the music industry and hip-hop culture in New York City during the late ’80s, ’90s, and early 2000s. Mixtapes helped dictate what rap songs were hot in the clubs, on the radio, and in the streets, and they influenced which artists would get signed to record deals. Mixtapes also showcased which DJs had the most skills and creativity, and who had the juice to pull the illest exclusives.

Do Remember! combines the best elements of oral and pictorial histories to explore the evolution of mixtapes as a crucial component of New York City hip-hop culture. Featuring a comprehensive collection of rare mixtape cover art, never-before-seen images, vintage tracklists, and exclusive interviews with Kid Capri, Brucie B, Mister Cee, Ron G, S&S, Doo Wop, Green Lantern, Lord Finesse, Clark Kent, Bobbito, Cipha Sounds, Havoc of Mobb Deep, the late, great DJ Kay Slay, and many more, including a special foreword by Fab 5 Freddy, Do Remember! captures an era in New York City that went on to inspire future hip-hop generations all over the world.

About the Authors:

Evan Auerbach is a globally recognized hip-hop historian. His career as a blogger and archivist has made him the number one source for providing rare hip-hop memorabilia to the masses. A walking encyclopedia of rap knowledge, Evan has played an essential role in revitalizing music media's nostalgia for 90s ephemera and landmark hip-hop events. His website UpNorthTrips continues to be pivotal in sparking a modern wave of obsession with rare photos, classic hip-hop flyers, promo material, and posters. In 2016, Evan co-authored No Sleep: Nightlife Flyers (1988–1999) with Stretch Armstrong.

Daniel Isenberg is a seasoned hip-hop journalist who has written for Complex, Def Jam, Pitchfork, Pigeons & Planes, and XXL, and who created the NahRight Mixtape Memories blog series highlighting legendary mixtape DJs and moments. Isenberg is also an award-winning sports and entertainment marketing creative director, a GRAMMY Award–nominated songwriter, and author of the children’s hip-hop and sports-themed chapter book My Name Is Spit: The Dunk Dance.

The first book on artist, musician, and DJ Eamon Ore-Giron who mines the complex nature of Latinx identity, the history of the Americas, and the many legacies of abstraction in art.  

Over the course of his career, Eamon Ore-Giron has examined the personal and historical ramifications of cultural hybridity. Raised in Tucson, Ore-Giron is inspired by his roots in the American Southwest, his visits to his father’s hometown of Huancayo, Peru, and his time spent as a practicing artist in California and Mexico. This catalogue brings together for the first time three pivotal chapters in Ore-Giron’s career: his Southwest and Peruvian-inspired figurative works from the 2000s; his paintings from the 2010s that engaged elements of both figuration and abstraction, including an ongoing series focused on Mesoamerican deities; and the sublime gold-based paintings from his recent “Infinite Regress” series.

Curator Miranda Lash, along with celebrated scholars C. Ondine Chavoya and Jace Clayton, explore Ore-Giron’s approach to de-colonizing the medium of painting, his impact within in the Los Angeles art scene, and his seminal work as a DJ who highlights the intersections between North and South American sound.

About the Author:

Miranda Lash is the Ellen Bruss Senior Curator at the Museum of Contemporary Art Denver. C. Ondine Chavoya is a Professor of Art History and Latina/o/x Studies at Williams College in Williamstown, Massachusetts. Jace Clayton is an artist and writer based in New York City, also known for his work as DJ /rupture. 

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Пролистать книгу Eamon Ore-Giron: Competing with Lightning

Ubiquitous in the music world, Fender^® guitars and amplifiers are also icons in popular culture, their shapes and sounds instantly recognizable. Authoritatively written and lavishly illustrated, Fender 75 Years is the officially licensed anniversary celebration of the company and its legendary instruments.

Originating in Leo Fender’s modest radio and amplifier repair shop in Fullerton, California, Fender Musical Instrument Corporation went on to become the world’s preeminent name in musical instruments. Today, Fender’s guitars, amplifiers, and script logo are recognizable even to those with only a casual interest in music.

From Fender’s first instrument — a 1946 lap steel guitar — to Leo Fender’s groundbreaking early six-string guitar designs like the Esquire that set the standard for the electric guitar explosion to follow, author Dave Hunter traces Fender’s entire history to the present. All the innovations and landmark models are here, as well as legendary players who became synonymous with Fender instruments across musical genres.

In addition to the instantly recognizable Telecaster^® and Stratocaster^®, Hunter examines Fender’s legendary offset guitars like the Mustang^®, Jazzmaster^®, and Jaguar^®, and such lesser-known models as the Marauder, Coronado, Bronco™, and more. The Jazz Bass^® and Precision Bass^® also feature, as do Fender’s acoustic guitars and workhorse amplifiers like the Bassman^®, Twin Reverb^®, and Princeton^®, to name a few.

Along the way, readers get in-depth scoops on the relationships dozens of players have enjoyed with Fender: rock ’n’ roll pioneers like Hank Marvin and James Burton; classic-rock icons like Jimi Hendrix and Eric Clapton; blues legends Bonnie Raitt, Stevie Ray Vaughan, and Buddy Guy; alt-rock gods J Mascis and Kurt Cobain; more recent guitar heroes like Courtney Barnett, beabadoobee, and H.E.R. …the list goes on. In addition, Hunter explores the work of the award-winning Fender Custom Shop and the guitars produced there.

Illustrated throughout with rare images from company archives, Fender 75 Years treats readers to rare behind-the-scenes views of the shop floor throughout the years, studio imagery of the guitars, rare period advertising and brochures, and performance images of Fender players.

It’s the definitive look at the Fender’s first three-quarters of a century and a must-have for every guitar enthusiast.

About the Author:

Dave Hunter is an author, musician, and journalist. He is the author of several popular books about guitars, amps, and effects, including Voyageur Press's Star Guitars, The Fender Stratocaster, The Gibson Les Paul, and 365 Guitars, Amps & Effects You Must Play. A regular contributor to Guitar Player and Vintage Guitar magazines, he resides in Portsmouth, New Hampshire.

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Пролистать книгу Fender 75 Years на Google Books