Учебники по искусству

This is the first comprehensive worldwide survey of traditional ceramics and will be invaluable to anyone interested in art, craft, decoration and interior design.

The book is organized into eight main sections, with over seventy-five topics:
• Raw Material – excavation, preparation and descriptions of the
materials available.
• Forming Techniques – the tools and the many techniques, from
modelling and pinching to throwing and press moulding
• Pre-fired Decoration – from appliqué and incising to impressing
and sgraffito
• Firing – from firing in the open air to the various types of
ceramics created
• Glazes – from how glazes are applied to the many kinds.
• Alternative Finishes – from paint, oil, polish, varnish and resin
to gilding
• Use and Function – tiles, roofs, bricks, lighting and storing food
• The Quality of Life – from fragrances and tobacco pipes to toys
and ceramics in ceremonies.

Included are over 800 illustrations, a glossary, information on where to see collections, and bibliography and full index.

Bryan Sentance is a keen traveller worldwide, lectures mounts exhibitions and teaches art. He has illustrated a number of books on crafts and textiles, as well as educational publications and children’s books.

After more than thirty years of research and teaching, artist Valerie Winslow has compiled her unique methods of drawing human anatomy into one groundbreaking volume: Classic Human Anatomy. This long-awaited book provides simple, insightful approaches to the complex subject of human anatomy, using drawings, diagrams, and reader-friendly text. Three major sections - the skeletal form, the muscular form and action of the muscles, and movement - break the material down into easy-to-understand pieces. More than 800 distinctive illustrations detail the movement and actions of the bones and muscles, and unique charts reveal the origins and insertions of the muscles. Packed with an extraordinary wealth of information, Classic Human Anatomy is sure to become a new classic of art instruction.

Collage is such a flexible artistic medium that no matter what skills you master and what materials you use, you will be able to create amazing collages. All the things we know in drawing or painting, such as perspective, color, and composition can be thrown away. The only limitation is your imagination. This book traces collage as a technique back the ancient China, as an artist pursuit to the 20th century when Cubists established its utmost position in modern art and Surrealists pushed it forward to depict the subconscious world, and as a way of teasing during the Pop Art movement. For beginners, this book also includes a whole section for collage creation and displays a large number of collage works.

 - Collage history and collage creation are elaborated with abundant historical photos and drawings.
 - Articles on handmade and digital collage written by Hugo Barros and Julien Pacaud.
 - Interviews with well-known collage artists, Bryan Olson, Sarah Eisenlohr, Steve Hockett, and DR.ME, sharing their inspiring thoughts on collage.
 - Display of collage works categorized into art, graphics, and fashion.

Often seen as dark and gloomy, oils can, in fact, be used to create colourful and light paintings that are wonderfully expressive. One significant characteristic of oil paint is its richness and depth of colour, something that is of particular interest to Nicholas Verrall. Immediately striking in all his pictures is the skilful way he handles colour to interpret the special qualities of light and mood found in a certain moment in time. In this book he discusses his working methods and the importance of colour, at the same time placing these issues within the general context of painting in oils, with all that this has to offer.

'Colour and Light in Oils' includes information, demonstrations and many inspirational finished paintings to help painters understand the value of colour in interpreting ideas with feeling and impact. It provides guidance on a wide range of skills, techniques and advice on subject matter and associated topics. Illustrated throughout, the book covers: the medium of oils; understanding oils; materials and equipment; painting techniques; and the studio

A complete guide to achieving a fantastic spectrum of colourful glazes for the studio potter, Colour in Glazes looks at all the methods of acheiving colour in glazes, focusing on colouring oxides in detail, including the newly available rare earth oxides. Types of base glazes and the fluxes used to make them are discussed in relation to colour response. Emphasis is placed on using colouring oxides to achieve depth and variety of colour, rather than just resorting to commercial ceramic stains. The practical aspects of mixing, applying, testing and adjusting glazes are explained. and a large section of test tiles and glaze recipes is included, for use on white earthenware, stoneware and porcelain fired in electric, gas and salt kilns. A very useful book aimed at making glazes to achieve the colour you want, and to help you broaden your palette.

Taking a practical approach to colour, Colour: A workshop for artists and designers is an invaluable resource for art students and professionals alike. With its sequence of specially designed assignments and in-depth discussions, it effectively bridges the gap between colour theory and practice to inspire confidence and understanding in anyone who works with colour.

This second edition has been carefully reviewed and revised throughout. Presented in a new larger format, it includes much-enhanced sections on key colour principles such as colour perception, visual structure, materials and techniques, psychological experience of colour, and colour composition in digital formats.

Generously illustrated – including all-new, contemporary examples – this book provides a unique set of tools that makes the complex theory of colour accessible and practical.

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Посмотреть третье издание книги Colour: A Workshop For Artists and Designers

The Complete Pebble Mosaic Handbook is the most complete sourcebook for enthusiasts and landscape designers -- an accessible and illustrated guide that covers materials, design, tools and techniques.

The book lists the best sources to find or buy pebbles; how to choose and test pebbles for strength and quality; and which materials to avoid. There are practical instructions for ensuring the mosaic can withstand frost, foot and vehicle traffic, pollutants, and water.

The book explains in detail the principles of creating walkways and patios, precast slabs, fountains, pools, and cascades. Illustrated sample projects are followed step-by-step. Designing is also fully explained whether using simple sketches or professional graphic design software.

A showcase of pebble mosaic from around the world by leading artists demonstrates the craft's vast creative potential. In addition, a section of design ideas features many popular subjects and patterns including animals, heavenly bodies, spirals, borders, floral, fish, flowers, and many more.

Building on the success of the previous two volumes, Digital Painting Techniques: Volume 3 continues to explore the latest digital painting techniques.

Digital Painting Techniques: Volume 3 presents another collection of inspiring and motivational tutorials for artists of all levels. A range of top industry professionals share the benefits of their years of experience in the digital art industry and offer tips, tricks and advice intended to help the next generation of artists reach new heights.

The chapters contained within this book are wide-ranging and comprehensive, offering something for everyone. Robh Ruppel and Ignacio Bazan Lazcano tackle the subject of futuristic cities; Thomas Pringle and Craig Sellars look at creating concept art for games, and Peter Swigut rounds things off by covering matte painting. Their in-depth tutorials are rich in advice about improving workflows and producing artwork worthy of any portfolio, making Digital Painting Techniques: Volume 3 an essential resource for any digital artist.

The successful Digital Painting Techniques series celebrates its fourth year by offering another volume chocked full of advice, tips and techniques for digital artists.

Digital Painting Techniques: Volume 4 continues the tradition established by its predecessors by exploring a variety of painting subjects and styles with some of the most talented artists in the industry. These include veterans like Ian McQue, who looks at vehicle design from concept through to completion; Serge Birault, who shares the secrets behind his amazing pin-up style and Simon Dominic Brewer, who covers the art of fairytale illustration. So whether you’re looking to learn more about these subjects, want to know how to create new worlds and design customs brushes or simply wish to experiment with painting tribal warriors and comic art, Digital Painting Techniques: Volume 4 will serve as an invaluable tool in your artistic arsenal.

Utilizing as few words as possible, but presenting a tremendous variety and volume of illustrations, this all-in-one guide details the fundamentals of drawing in its various phases and fields. In the opening pages, the author points out the first step on the road to creative achievement: artists must learn how to see people and things in terms of pictures, then master the techniques needed to express themselves on paper.
Geared to newcomers and yet still beneficial for more experienced artists, Moranz’s illuminating advice covers everything from nude and draped figures to the art of portraits and sketching animals. He covers the effective use of various mediums, including pencil, charcoal, pen, and wash. Plus, he offers helpful tips on developing a sixth sense about perspective, the basics of composition, reflecting light and shadow, and more. There's even a chapter on taking drawing one step further — from a pleasurable hobby to a successful commercial venture.
Reprint of Mastery of Drawing, Richard R. Smith Publisher Inc., New York, 1950.

Rediscover a more child-like approach to creating with Drawing and Painting Imaginary Animals! Through fun and creative exercises, Carla Sonheim teaches you to draw a variety of fun animals and creatures, including:

- Dogs
- Birds
- Elephants
- Fish
- Cats
- Rabbits
- And many others

You'll also find a variety of unique mixed-media techniques to help you bring your creatures to life, resulting in a unique finished art piece. Improve your drawing skills, expand your creativity, and learn new art techniques - and have loads of fun doing it! - with Drawing and Painting Imaginary Animals.

This is a botanically based (as opposed to free-form drawing) practical manual on how to paint a vast range of plants in watercolour and other media.

Drawing on her experience as a botanical art teacher, Christina Brodie takes a holistic approach to botanical art, covering: botanical terminology; drawing and painting techniques in a wide range of media; dissection and examination of plants; fieldwork studies; microscope work and tips on presentation.

Having been taken through the various techniques in clear steps, the reader will be able to draw and paint flowers, fruit, leaves, stems and roots, trees, fungi, ferns and horsetails, seaweeds and other algae, mosses and lichens with remarkable precision and stunning detail.

A book whose sales have not diminished but rather increased dramatically since its publication 45 years ago, this bestselling classic is the ultimate manual of drawing taught by the late Robert Beverly Hale, who’s famed lectures and classes at New York City’s Art Student League captivated artists and art educators from around the world.

Faithfully producing and methodically analyzing 100 master drawings - including works of Michelangelo, Leonardo da Vinci, Rodin, Goya, and Rembrandt among others - Hale shows how these artists tackled basic problems such as line, light and planes, mass, position and thrust, and anatomy. With detailed analytical captions and diagrams, every lesson is clearly delineated and illustrated. Throughout, also, is commentary that sheds light on the creative process of drawing and offers deep insight into the unsurpassed achievements of the masters.

This retrospective showcases the works of a leader of the Decadent movement, Baron Hans Henning Voigt (1887–1969). Better known as Alastair, the artist created works that are frequently likened to those of Aubrey Beardsley, Harry Clarke, and Edward Gorey. Alastair's highly ornate and distinctively ominous style blossomed with a series of erotic illustrations for the publisher and literary renegade Harry Crosby. This original selection of striking black-and-white drawings invites close examination and appreciation of the artist's skillful, sensual tone.

These shadowy, sinuous images include characters from stories by Oscar Wilde and Flaubert, as well as scenes from La Tosca and The Magic Flute. An informative Introduction by editor David A. Beronä, a historian of illustrated books, offers background on Alastair and his unique place in twentieth-century art and illustration. Art historians, bibliophiles, and collectors and students of drawing and book illustration will treasure this affordable compilation of hard-to-find works.