Книги про скульптуру та кераміку

Ces trois ouvrages d’initiation sont à nouveau disponibles. Chacun détaille les techniques de base de leur domaine, les procédés et les matériaux. Cette collection reprend également les connaissances historiques, esthétiques et pratiques qui permettent aux amateurs ou aux professionnels de nourrir un socle de savoirs indispensables à la pratique de leur art.

Sommaire :
Aperçu historique, les caractéristiques du verre, les matériaux et les outils, les techniques d’élaboration, réalisations pas à pas, glossaire.

Перша книга, яка розповідає історії найшанованіших живих японських керамістів століття їхніми словами, простежуючи еволюцію сучасного ремесла та мистецтва в Японії, а також значний вплив цих художників, який далеко виходить за межі національних кордонів.

Listening to Clay: Conversations with Contemporary Japanese Ceramic Artists – це перша книга, яка представляє розмови з деякими з найважливіших живих японських художників-керамістів. Простежуючи еволюцію сучасного ремесла та мистецтва в Японії, цей новаторський том висвітлює шістнадцятьох людей, чиї неперевершені майстерність та творчий блиск надали їм вплив, який далеко виходить за межі національних кордонів.

Незважаючи на блискучу кар'єру та міжнародне визнання за свою роботу, ці шістнадцять художників були маловідомими з точки зору їхніх особистих історій. Віком від шістдесяти трьох до дев'яноста трьох років вони втілюють різноманітний досвід кількох поколінь, які були активними та успішними з кінця 1940-х років до наших днів, періоду масштабних змін. Тепер, вперше ділячись своїми історіями у виставці Listening to Clay, вони не лише описують свої особливі процеси, натхнення та стосунки з глиною, але й разом простежують сейсмічний культурний зсув у галузі, в якій багатовікові, але виняткові традиції гончарства відкрилися для нових практиків та видів практик.

Listening to Clay включає розмови з художниками, народженими в гончарних сім'ях, а також з деякими з перших жінок, прийнятих на керамічний факультет Токійського університету мистецтв, розповідаючи ширшу історію про винахідливість та новаторство, що сформували сучасне мистецтво в Японії та в усьому світі. Кожен художник представлений у статті, що включає короткий вступ, портрет, вибрані приклади його робіт та інтимне інтерв'ю, проведене авторами протягом кількох особистих візитів з 2004 по 2019 рік. В основі кожної історії лежить особистий зв'язок художника з глиною, який часто описують як співпрацю з матеріалом, а не як нав'язування наміру.

Найстарший художник, з яким брали інтерв'ю, Хаяші Ясуо, вступив до армії під час Другої світової війни у ​​віці п'ятнадцяти років і пройшов навчання на пілота-камікадзе. Він народився в родині, яка поколіннями випалювала кераміку в кооперативних печах, але відмовився від традиційних методів і став першим художником у Японії, який створив справді абстрактну керамічну скульптуру. Наприкінці 1960-х років інша художниця, Місіма Кімійо, розробила техніку шовкографії на глині ​​та почала створювати керамічні газети, щоб прокоментувати поширення цих медіа. Вона захопилася сміттям, відтворюючи його з глини, і працювала у відносній безвісті протягом десятиліть, поки у 2015 році не відбулася велика виставка в Токіо.

Виставка Listening to Clay з передмовою куратора, письменника та історика Гленна Адамсона та передмовою Моніки Бінчик, заступника куратора японського декоративного мистецтва в Метрополітен-музеї, була проектом, який понад п'ятнадцять років створювали авторки Еліс та Холсі Норт, шановані та обізнані колекціонери та меценатки сучасної японської кераміки, та Луїза Еллісон Корт, почесний куратор кераміки Національного музею азійського мистецтва Смітсонівського інституту. Книга також містить розмови з п'ятьма важливими дилерами сучасної японської кераміки, які відіграли та відіграють вирішальну роль у представленні робіт цих художників світові, кілька детальних додатків та глосарій термінів, відповідних людей та стосунків.

Listening to Clay – це давно очікувана та прониклива книга, яка вперше висвітлює деяких найвідоміших сучасних японських художників-керамістів через особисті, своєрідні розповіді про їхнє повсякденне життя, надаючи особливий доступ до їхнього творчого процесу та художнього розвитку.

Про авторів:

Аліса та Холсі Норт – новатори-колекціонери та прихильники сучасної японської кераміки. Вони організували керамічні тури Японією для Нью-Йоркського Японського товариства. Їхня колекція була представлена ​​на виставці «Сучасна глина: японська кераміка для нового століття», що проходила в Музеї образотворчих мистецтв у Бостоні у 2005-2006 роках, та в Нью-Йоркському Японському товаристві у 2006-2007 роках. Основним завданням їхнього колекціонування та пропаганди було познайомити нову аудиторію з цим видом мистецтва. Вони передали значну частину своєї колекції американським музеям, зокрема Метрополітен-музею в Нью-Йорку, Музею образотворчих мистецтв у Бостоні та Національному музею азійського мистецтва Смітсонівського інституту у Вашингтоні, округ Колумбія. У Метрополітен-музеї також зберігається база даних, архіви та бібліотека їхньої колекції.

In recent years a new generation of artists and designers has discovered that garden plants - from moss and grass to fullgrown trees - can become astonishing works of living sculpture. Iconoclast garden designer Paul Cooper has gathered together the best examples of this exciting new art form while overturning many preconceptions about what is possible in the context of both gardening and art, showing that every garden has the potential to include dramatic and lasting sculpture.

Spanning the entirety of the artist's career, Mel Kendrick: Seeing Things in Things charts the singular trajectory of one of the country's most adventurous sculptors.

With more than 100 works representing four decades, this is the definitive monograph on abstract sculptor Mel Kendrick, who first emerged in 1970s New York, where he studied with legends Tony Smith and Robert Morris. At a time when Minimal and Conceptual art dominated, Kendrick forged his own path, embarking on a career-long series of provocative investigations into the fundamentals and possibilities of sculpture, his restless experimentations with form, scale, and materiality realized in wood, rubber, cast paper, or concrete. Essays by Nancy Princenthal, Allison N. Kemmerer, Terrie Sultan, and Adam D. Weinberg, and a conversation between Kendrick and fellow artist Carroll Dunham provide fascinating perspective on forty years of art making in the aftermath of Minimalism.

About the Author:

Carroll Dunham is an American painter and close friend of Kendrick. Allison N. Kemmerer is Interim Director and Mead Curator of Photography and Senior Curator of Contemporary Art, Addison Gallery of American Art. Nancy Princenthal is a New York-based writer for publications including Art in America and the New York Times. Terrie Sultan is director of the Parrish Art Museum. Adam D. Weinberg is the Alice Pratt Brown Director of the Whitney Museum of American Art.

Taschen 25 - Special edition!

Michelangelo between earthly passions and fear of God

During the Renaissance, several great homosexual artists - from Leonardo da Vinci and Botticelli to Michelangelo and Raphael - transformed the history of art, striving for ever closer imitation of nature while shaping it to their tastes. In their art ambiguous beings were born, half man, half woman; female breasts were planted on male busts and a young man's gaze peeped out beneath the eyelids of a Madonna.

From his earliest youth Michelangelo transformed personal torment into exquisite creativity - attempting to reconcile the apparently conflicting forces that inhabited him: his earthly passions and his fear of God. Hence the peerless monuments to beauty, celestial and infernal alike, that Michelangelo raised to the glory of God. His predecessors aspired to Heaven through faith alone; Michelangelo sought absolution through the contemplative exaltation of beauty - even on the ceiling of a papal chapel: the Sistine. This exposed him to a chorus of derision from prudish critics, who accused him of exhibiting paganism in a place of religion, and who clothed his immodest Titans in painted "breeches".

It was Michelangelo's curse to remain a colossus outside and apart from his time. It is the birthright of the comet to inspire fear and awe in the spectator; but the spectacle of such glory can sear the tender eye.

About the Series:
Every book in TASCHEN's Basic Art Series features:

* a detailed chronological summary of the artist's life and work, covering the cultural and historical importance of the artist
* approximately 100 color illustrations with explanatory captions
* a concise biography

A glorious exploration of Michelangelo's works

"The photography is sharp, the colour true and full of lustre...This will prove to be one of the art books of the year." - The Good Book Guide, London

Before reaching the tender age of thirty, Michelangelo Buonarroti (1475-1564) had already sculpted David and Pièta, two of the most famous sculptures in the entire history of art. Like fellow Florentine Leonardo da Vinci, Michelangelo was a shining star of the Renaissance and a genius of consummate virtuosity. His achievements as a sculptor, painter, draughtsman, and architect are unique - no artist before or after him has ever produced such a vast, multi-faceted, and wide-ranging oeuvre. Only a handful of other painters and sculptors have attained a comparable social status and enjoyed a similar artistic freedom. This is demonstrated not only by the frescoes of the Sistine Chapel but also by Michelangelo’s monumental sculptures and his unconventional architectural designs, whose forms went far beyond the accepted vocabulary of his day. Such was his talent that Michelangelo was considered a demigod by his contemporaries and was the subject of two biographies during his lifetime.

The edition explores Michelangelo's life and work in depth and detail. The different parts of the book concentrate on the life of Michelangelo via an extensive and copiously illustrated biographical essay and include gorgeous, full page reproductions and enlarged details that bring readers up close to the works.

This sumptuous tome also takes account, to a previously unseen extent, of Michelangelo's more personal traits and circumstances, such as his solitary nature, his thirst for money and commissions, his miserliness, his immense wealth, and his skill as a property investor. This survey of Michelangelo's life and oeuvre is a basic reference for every art lover.

Authors:
Christof Thoenes studied art history in Berlin and Pavia, before completing his doctorate in Berlin. Thoenes lives in Rome, where for many years he has worked for the Bibliotheca Hertziana (Max-Planck-Institute), and is honorary professor in Hamburg. He has contributed to numerous publications on Italian art, particularly on architecture and architectural theory of the 15th to 18th centuries.

Frank Zöllner wrote his doctoral theses on artistic and architectural theory (1987) and Leonardo Da Vinci (1996). He has written numerous publications on the art and artistic theory of the Renaissance and on Paul Klee. Since 1996 he has been Professor of Renaissance and Modern Art at Leipzig University. He is also the author of TASCHEN's XL monograph on Leonardo da Vinci.

From Leighton to Lucas, thismagnificent survey explores sculpture in Britain over the last 130 years.

Considering the way in which sculpturemediates issues of national identity and how Britains links with its Empire have shaped its artistic output, the book also highlights the dialogues between British and international sculpture.

The importance of the countrys landscape as a location andmediumis examined, as is the perennial choice faced by the sculptor between figuration and abstraction.

Sculpture has changed dramatically in the last century. Traditionalmaterials have given way to expanded practices and the dematerialisation of the art object altogether.

With incisive essays by a number of leading authorities, and including previously unpublished archivematerial and new bibliographic sources, this compelling book documents these seismic shifts.

Volume 1:  288 pages, 325 illustrations.
Volume 2:  416 pages, 900 illustrations in colour and 342 signatures.

The Japanese belt accessories for men known as netsuke aroused great interest in Europe already at the end of the 19th century. Today they have become special, highly-prized collector’s items all over the world.

The main subjects are mythical creatures, gods of popular religion, and exotic animals and also depictions of Europeans, particularly Dutchmen, who fascinated the Japanese in the 18th and 19th century. The craftsmanship is of incomparable perfection, and the materials include boxwood, ivory, horn, coral, tortoise-shell and much else. Famous artists like Yoshimura Shûzan (1700–1773) and Ohara Mitsuhiro (1810–1878) created masterpieces which strongly influenced this art form.

The two volumes present more than 850 objects from the collection of Anne and Christian Trumpf, one of the most important netsuke collections worldwide, with in-depth commentary and lavish illustrations. The author, Dr. Patrizia Jirka-Schmitz, is a well-known scholar in this field. A new standard work on netsuke – an area of collecting that over the last few years has grown immensely on an international scale.

The human form has inspired some of the finest sculpture in art history. It also evokes in the viewer complex reactions.

Looking at magnificent nude sculptures by Michelangelo, Rodin, Henry Moore, and other great artists, we are in awe of the beauty and power of the art, as well as of the nude figure. But we may also experience other emotions, perhaps uncomfortably close to those we feel when we see an unclothed human body. This astonishing work provides a visual survey of nude sculpture throughout the ages, enhanced by an illuminating essay by noted critic Vicki Goldberg probing our various responses to this most realistic art form. While photographs distance us from the art works they depict, they also offer close-up details that permit us to see nude sculptures in new and surprising ways. Photographer David Finn, who has expanded the way we look at art in Abrams' How-to-Look-at titles, enables us — through his remarkable photographs — to glimpse the sculptor's creative process as well as the qualities of presence, texture, and detail that give the finest sculpture its grace and majesty.

About the Authors:

David Finn is a writer and photographer whose acclaimed images have illustrated several books on Italian Renaissance and contemporary sculpture. His Abrams books How to Look at Photographs, How to Visit a Museum, How to Look at Sculpture, and How to Look at Everything have delighted readers looking for an introduction to the appreciation of fine art. He lives in Westchester County, New York.

Vicki Goldberg has written extensively on art and photography for the New York Times, American Photo, and Vanity Fair. She lives in New York City.

This lavishly illustrated volume documents the first public presentation of a recent monumental sculpture by Richard Serra, one of the most significant artists of his generation.

Richard Serra has produced large-scale sculptures for architectural, urban, and landscape settings spanning the globe. This volume, published to coincide with a 2021–22 exhibition at Gagosian Le Bourget in Paris, presents a recent sculpture by the artist: Transmitter (2020). Made of weatherproof steel, Transmitter is monumental in scale, measuring approximately 4 meters in height and 18 meters in width and length. Here, immersive installation views of the sculpture within the vast exhibition space of Gagosian Le Bourget in Paris are accompanied by plate photography of fourteen recent works on paper by the artist. A new text by art historian Maria Stavrinaki (in English and French) reads Serra’s long sculptural practice through three formal, temporal, and political moments.

Richard Serra was born in 1938 in San Francisco, and lives and works in New York. His work is held in major museum collections around the world. Since 1983, Gagosian has presented thirty-seven exhibitions of Serra’s work in the United States and Europe.

About the Authors:

Maria Stavrinaki is Associate Professor of Art History and Theory at the Université Paris I, Panthéon-Sorbonne. She has worked extensively on the art of the 20th century and is particularly interested in questions of time and history in modernity, working at the crossroads of artist practices and discourses, the construction of the human sciences, and political questions. Her most recent book is Saisis par la préhistoire: Enquête sur l’art et le temps des modernes (2019), translated into English by Zone Books (Transfixed by Prehistory: An Inquiry into Modern Art and Time, 2022).  She co-curated the exhibition Préhistoire: Une énigme moderne at the Centre Pompidou, Paris (2019), and is currently preparing an exhibition on art in the atomic age for the Musée d’Art Moderne de Paris (2024).

500 colour plates

This book is the first complete listing of Robert Gober’s sculptures and installations made between 1979 to 2007. It comprises around 250 catalogued works, all with large-format illustrations. Comprehensive descriptions are rounded out with the artist’s commentary on individual works, as well as technical information on how they were produced and the history behind them.

Master of the human form. Rodin's ode to flesh in bronze, marble, and clay

One of the most celebrated sculptors of all time, Auguste Rodin transformed sculptural substance not only into human forms, but into the evocation of human experience. In bronze, marble, and clay, his captivating works summon up all the passions, joys, and vices of life. 

About the series:

Each book in TASCHEN's Basic Art series features:

- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions

Scupture is not considered an ornament for architecture anymore but is one of the most important elements in the work of the architect or the urban planner and stands out as an object of aestheticism. This book is devoted to sculptures from around the world by world famous sculptors and great artists

Ranging from ancient to contemporary sculpture, this book is the first study of the history of sculpture to present such an original and comprehensive approach. Taking the sculptures out of the museum context (and thus off of their proverbial pedestals), this volume presents a completely new view which affords enlightening comparisons between eras and genres. This remarkable work is indispensable for artlovers of all tastes and disciplines.

Contributing authors:
Xavier Barral i Altet, Geneviève Bresc-Bautier, Philippe Bruneau, Bernard Ceysson, Jean-Luc Daval, Georges Duby, Maurizio Fagiolo dell'Arco, Sophie Guillot de Suduiraut, Reinhold Hohl, Antoinette Le Normand-Romain, Friedrich Meschede, Anne Pingeot, Barbara Rose, François Souchal, and Mario Torelli.