Книги про скульптуру и керамику

In the early 1990s Andy Goldsworthy was invited to propose a project for Cumbria, a region of outstanding natural beauty where the landscape has been moulded for centuries by agriculture and in particular by sheep-farming. His response was to repair or rebuild a swathe of Cumbrian sheepfolds – with the intention that, wherever possible the folds would still be accessible to sheep.

Among the sculptures are slate works and balanced stones embedded in walls and a series of sixteen folds each containing a massive boulder rolled down from the nearby hillside. By 2006 over forty structures had been completed: it is this extraordinary project that forms the core of Enclosure.

This impressive volume is testament to Goldsworthy's lifelong interest in the land, its history and its inhabitants.

Andy Goldsworthy, the internationally renowned sculptor, was born in Cheshire in 1956. There are regular exhibitions of his work in Britain, France, The United States and elsewhere. Although he travels all over the world to carry out his commissions, the landscape around his home in south-west Scotland, remains at the heart of his work.

Ferdinand Preiss (1882-1943) was the most prolific sculptor of the Art Deco period in Germany; he combined ivory, bronze, onyx and marble to create the most dazzling sculptures of his day.

Preiss entered into an apprenticeship with his uncle, a master ivory carver, at the age of sixteen, following the death of his parents. He went on to become the most important Art Deco sculptor in Germany and, indeed one of the most accomplished in the whole of Europe, during the Nazi period.

This book, the only work devoted entirely to this subject, follows the development of ivory carving in Erbach, Germany, focusing on the life and work of one of the country's most talented and prodigious sons. The political climate which Preiss and other artists were forced to endure during this time, its difficulties, constraints and influences on their work, is also explored. Extensive research into Nazi archives, interviews with family members, recently unearthed documents and the most comprehensive collection of sumptuous colour illustrations, truly enable the extraordinary talents of this formidable artist to shine.

A celebration of the enormously popular Italian painter, sculptor and interior decorator

Piero Fornasetti established an enduring reputation as a designer with a style that was all his own – a style based on illusionism, architectural perspectives and a host of personal leitmotifs, such as the sun, playing cards and fishes, from which he spun seemingly endless variations. 'He makes objects speak' said Gio Ponti, his friend and longtime collaborator.

Designers and collectors today celebrate his use of allusion, unsettling images and striking juxtaposition to create unique, whimsical objects. Fornasetti's masterpieces shock, delight and inspire.

This comprehensive survey of the work of the Swiss-born modern master Alberto Giacometti offers a fresh and incisive account of his creative output. Published on the occasion of Giacometti’s first major museum presentation in the US in over a decade, the volume brings together nearly 200 sculptures, paintings, and drawings to trace the artist’s wide-ranging and hugely innovative engagement with the human form across various mediums.

While Giacometti may be best known for his distinct figurative sculptures that emerged after World War II, including a series of elongated standing women, striding men, and expressive busts, this volume devotes equal attention to the artist’s early and midcareer development. It explores his lesser-known engagement with Cubism and Surrealism as well as African, Oceanic, and Cycladic art, while also highlighting his remarkable talents as a draftsman and painter alongside his sculptural oeuvre. Of particular focus is Giacometti’s studio practice, which is examined through rarely seen plaster sculptures that highlight the artist’s working process, in addition to historical photographs documenting his relationship with the Solomon R. Guggenheim Museum — which hosted the artist’s first US museum exhibition, in 1955 — and with New York City.

An intimate and complete journey into the world of Gianluca Pacchioni, sculptor, designer, and master in arts and crafts.

This book is an exploration of the artistic world of Gianluca Pacchioni, from the backstage of his workshop in Milan to his incredible studio-house, as well as finished projects and open-air installations. It also touches on his inspiration, which is drawn from a mix of Italian classicism and Japanese minimalism, with a dash of French seventeenth-century decorative style.

First based in Paris, where Pacchioni became a sculptor in the 1990s, and then in Milan, his hometown, his atelier constantly forges sculptures and limited-edition furniture produced for international clients. As a pioneer in the art and design world, his approach to art is experimental and innovative, and over the years he has shifted from iron to stainless steel, and his most recent works have been made with cast bronze and semiprecious stones and marble.

About the Author:

Federica Sala is an independent curator and design adviser. Olivier Gabet is an art historian and Director of the Musée des Arts Décoratifs in Paris. Alberto Cavalli is General Director of the Cologni Foundation for the Métiers d’Art. Clio Lavau is curator at FILAF, the International Art Book and Film Festival of Perpignan.

Beautiful photographs of painted vases from ancient Greece, with depictions of famous myths or scenes from everyday life
Latest title in Scala's series of official guides to Berlin museum collections, following Pergamon Museum and Gemäldegalerie Berlin

Greek vases are a vital source of information on mythology and society in ancient Greece. These painted clay vessels played a variety of roles in daily life and religious ritual, and the pictures and patterns on them provide a key to understanding these roles.

The Antikensammlung (Collection of Classical Antiquities) in Berlin stretches back more than 300 years, and vase paintings illustrating well-known myths and sagas have long been a key field of interest. Today, the Berlin collection ranks alongside those of the British Museum, the Louvre, the Hermitage and the Metropolitan Museum as one of the largest and most diverse of its kind.

Co-published with Ernst Wasmuth Verlag, this lavishly illustrated new book is the first to focus exclusively on the Antikensammlung's Greek vases. The authors, who are distinguished specialists on the collection, have selected 62 of its finest works and provided an expert commentary.

Italian monumental sculpture of the 19th and early 20th centuries is among the most remarkable ever made, and remains surprisingly unknown. Its emotional charge is caught in this collection of specially taken photographs, while the scholarly texts analyse the iconographic, cultural and art historical background to the works.

Which living artists keep their price? Who will be regarded as an investment 30 years from now? Both limited edition artist monographs of this book sold out in months, attaining instant investment status.
Here comes the unlimited popular edition!
The definitive work on the most controversial artist of his generation. A book owned by the world's major collectors and institutions, including New York's MoMA. See the exhibition in Berlin and remember why you've always loved Koons, even though you'd love to hate him – he's not only richer, but better looking. And he once married a porn star!
Then plunge into this Taschen überwerk and revel in the kinky and kitsch, but always conceptual art of Jeff Koons. Basketballs in tanks! Stainless steel blow-ups! Topiary dog sculptures! Come on.
Michael and Bubbles in porcelain. No artist since Warhol has made the banal appear so profound, and the trivial carry such import. So here's an object that bears his name. Does that make it mysterious – or valuable? Let's see.
Includes a biographical essay, analyis of Koons from a European perspective, and a scholarly study of his work. With hundreds of large format full color images, it traces Koons’ career from 1979 to today. A sumptuous objet d'art – he says so himself – and the definitive overview of Koons' work.

The provocative art of Jeff Koons (*1955) leaves no one cold. The “king of kitsch” is skilled at manipulating the media, exploding the boundaries of all genres with his appropriations from Pop Art and popular culture, and playing the keyboard of the art market like no other. Collectors scramble for his large collages and colossal stainless-steel balloon animals. Yet, in his eye-poppingly colorful, immaculately perfect works Koons also exposes the seductive potential of the glittering world of commodities; his ready-mades and gigantic toys are amusing and thought provoking at the same time. The American artist’s once controversial work has now been recognized for its prescience. This publication presents his oeuvre in two volumes: paintings from all of the artist’s creative phases form the core of the first volume. Koons’ sculptures are the focal point of the second volume, in which objects from the Liebieghaus collection, stemming from five thousand years of cultural history, are placed in a dialogue with his works.

Ces trois ouvrages d’initiation sont à nouveau disponibles. Chacun détaille les techniques de base de leur domaine, les procédés et les matériaux. Cette collection reprend également les connaissances historiques, esthétiques et pratiques qui permettent aux amateurs ou aux professionnels de nourrir un socle de savoirs indispensables à la pratique de leur art.

Sommaire :
Aperçu historique, connaissance de la pierre, l’atelier, le projet, la taille directe, techniques du métier de sculpteur, la technique pas à pas, glossaire.

Ce livre de référence traite des techniques du bronze et du moulage.
Il s’adresse avant tout à ceux qui travaillent dans la statuaire. De nombreuses photos et schémas explicatifs permettent aux amateurs de découvrir la complexité du métier de fondeur.

Sommaire :
Historique de la fonderie d’art. Introduction au moulage. Le moulage au sable. La fonte à pièces. Le tirage d’épaisseur.
La médaille. La fonte tirée ou fonte à figure. Le remmoulage. La cire perdue. Les alliages cuivreux. La fusion métallurgie. La présentation et conduite des fours. La finition des pièces. La patine. Matériel et matériaux. Lexique.

Ces trois ouvrages d’initiation sont à nouveau disponibles. Chacun détaille les techniques de base de leur domaine, les procédés et les matériaux. Cette collection reprend également les connaissances historiques, esthétiques et pratiques qui permettent aux amateurs ou aux professionnels de nourrir un socle de savoirs indispensables à la pratique de leur art.

Sommaire :
Aperçu historique, les caractéristiques du verre, les matériaux et les outils, les techniques d’élaboration, réalisations pas à pas, glossaire.

In recent years a new generation of artists and designers has discovered that garden plants - from moss and grass to fullgrown trees - can become astonishing works of living sculpture. Iconoclast garden designer Paul Cooper has gathered together the best examples of this exciting new art form while overturning many preconceptions about what is possible in the context of both gardening and art, showing that every garden has the potential to include dramatic and lasting sculpture.

Spanning the entirety of the artist's career, Mel Kendrick: Seeing Things in Things charts the singular trajectory of one of the country's most adventurous sculptors.

With more than 100 works representing four decades, this is the definitive monograph on abstract sculptor Mel Kendrick, who first emerged in 1970s New York, where he studied with legends Tony Smith and Robert Morris. At a time when Minimal and Conceptual art dominated, Kendrick forged his own path, embarking on a career-long series of provocative investigations into the fundamentals and possibilities of sculpture, his restless experimentations with form, scale, and materiality realized in wood, rubber, cast paper, or concrete. Essays by Nancy Princenthal, Allison N. Kemmerer, Terrie Sultan, and Adam D. Weinberg, and a conversation between Kendrick and fellow artist Carroll Dunham provide fascinating perspective on forty years of art making in the aftermath of Minimalism.

About the Author:

Carroll Dunham is an American painter and close friend of Kendrick. Allison N. Kemmerer is Interim Director and Mead Curator of Photography and Senior Curator of Contemporary Art, Addison Gallery of American Art. Nancy Princenthal is a New York-based writer for publications including Art in America and the New York Times. Terrie Sultan is director of the Parrish Art Museum. Adam D. Weinberg is the Alice Pratt Brown Director of the Whitney Museum of American Art.

Taschen 25 - Special edition!

Michelangelo between earthly passions and fear of God

During the Renaissance, several great homosexual artists - from Leonardo da Vinci and Botticelli to Michelangelo and Raphael - transformed the history of art, striving for ever closer imitation of nature while shaping it to their tastes. In their art ambiguous beings were born, half man, half woman; female breasts were planted on male busts and a young man's gaze peeped out beneath the eyelids of a Madonna.

From his earliest youth Michelangelo transformed personal torment into exquisite creativity - attempting to reconcile the apparently conflicting forces that inhabited him: his earthly passions and his fear of God. Hence the peerless monuments to beauty, celestial and infernal alike, that Michelangelo raised to the glory of God. His predecessors aspired to Heaven through faith alone; Michelangelo sought absolution through the contemplative exaltation of beauty - even on the ceiling of a papal chapel: the Sistine. This exposed him to a chorus of derision from prudish critics, who accused him of exhibiting paganism in a place of religion, and who clothed his immodest Titans in painted "breeches".

It was Michelangelo's curse to remain a colossus outside and apart from his time. It is the birthright of the comet to inspire fear and awe in the spectator; but the spectacle of such glory can sear the tender eye.

About the Series:
Every book in TASCHEN's Basic Art Series features:

* a detailed chronological summary of the artist's life and work, covering the cultural and historical importance of the artist
* approximately 100 color illustrations with explanatory captions
* a concise biography