This is the definitive and most authoritative book ever published on the glories of English gardening -- historically and horticulturally, a tour de force.

An unprecedented in-depth look at the English garden by one of Britain's foremost garden writers and authorities, this book showcases the enduring appeal of the English garden whose verdant lawns and borders of colorful plants are the inspiration for garden lovers worldwide. Kathryn Bradley-Hole -- the longtime garden columnist for Country Life -- takes a fresh look at more than seventy gardens from across England and distills the essence of what makes the English garden style so sought after.

Seasonal photographs capture the gardens -- some grand, some personal, some celebrated, some rarely photographed -- at their finest moments, accompanied by sparkling, insightful text. Featuring photographs from the unparalleled archives of Country Life, the full story of the English garden is here, from medieval monastery gardens to the Victorians and the Arts and Crafts movement to the twenty-first century. Designs by many of the horticultural world's greats are amply featured, including Gertrude Jekyll, Capability Brown, Piet Oudolf, and Arne Maynard, as well as gardens famous the world over -- Sissinghurst, Hidcote, and Great Dixter -- alongside new and less-well-known ones, many open to the public.

About the Authors:

Kathryn Bradley-Hole is the author of six gardening books, including the bestselling BBC "Gardeners' World" Garden Lovers' Guide to Britain and Lost Gardens of England from the Archives of Country Life. A fellow of The Linnean Society, she was for 18 years the gardens editor of the highly esteemed weekly magazine Country Life as well as the author of a regular column, Nature Notes. Her personal gardening interests focus on achieving visual harmony with the broader landscape and creating environments that assist wildlife.

The Duke of Devonshire resides at Chatsworth House, famous for one of the finest landscapes and gardens in England and home to the Cavendish family since 1549.

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Live the romance of the British countryside through this lavish tour of the seasons, landscapes, gardens, and great houses that epitomize British country life, as seen through the eyes of Country Life magazine.

For 125 years Country Life has presented its readers with the finest insider’s tour of everything quintessentially British. Now in one volume, this spectacular collection of images offers the best of life in the British countryside, from charming Cotswolds villages to panoramic views across the Yorkshire dales and Glastonbury for readers who will revel in tramping across the heather filled moors to see King Charles’s favorite view in all England, the white cliffs of Dover, and the Dark Hedges of Northern Ireland. Discover on these pages the culture and seasonal activities of country life, whether it be a gentleman farmer showing off his prize cattle, fly fishing in the Scottish highlands, swan upping on the Thames, or cricket on the village green.

Country Life is renowned for its unprecedented access to the magnificent castles and palaces, as well as private estates and manor houses that dot the countryside from Dorset to the Scottish highlands, revealing many to its fans for the first time. In this volume readers are treated to the loveliest and most important houses and gardens from the last century, from Holkham Hall, Chatsworth, and Burghley, to Munstead Wood, Sissinghurst, and Kelmscott.

This book satisfies readers’ seemingly insatiable desire to capture in their own lives a small slice of the romance of English countryside living.

About the Author:

John Goodall has been architectural editor at Country Life since 2007 and is the author of three books, including English House Style: From the Archives of Country Life. Kate Green is deputy editor of Country Life and the author of ten books. She has also worked as an equestrian reporter at four Olympic Games. Mark Hedges has been the editor-in-chief of Country Life for more than 15 years.

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A celebrated photographer focuses his lens on distinctive period and contemporary residences amid the natural beauty of New York’s Catskill Mountains and Hudson River Valley

The majestic panoramas, lush vegetation, and bucolic vibe of the Catskill Mountains and Hudson River Valley in upstate New York have long proved irresistible for city dwellers seeking respite from urban life and inveterate country lovers alike. Their homes, whether hundreds of years old or brand new, all resonate with their natural surroundings, as each of the 20 houses that photographer William Abranowicz captured for this volume attests. They range from the historic houses of Thomas Cole and Frederic Church, quintessential landscape painters of the Hudson River School, to the rustic wood–and–stone house of a dealer of mid–century furniture, art, and jewelry, in which the clean lines of Frank Lloyd Wright side tables and other mid–century furnishings are exuberantly contrasted by vibrant textiles and contemporary ceramics. Perusing the pages of Country Life is the equivalent of taking a vacation and being warmly invited into the homes of artists, architects, writers, museum curators, dancers, photographers, antiques dealers, set designers, a social worker, a yogi, and even a hall of fame BBQ chef.

About the Authors:

William Abranowicz has published three books with Vendome, including Sean Scherer’s Kabinett & Kammer: Creating Authentic Interiors, which has inspired a cult following. Over his nearly 40–year career, Abranowicz’s work has appeared in countless international publications, including Condé Nast Traveler, where he has been a contributing photographer for 25 years. He is also a master printer, a licensed falconer, and an ardent environmentalist. Abranowicz lives atop a mountain in the Catskills town of Margaretville, New York.

Zander Abranowicz is a writer and strategist. He has contributed to Travel + Leisure, ELLE Decor, Elite Traveler, and Upstate Diary, and has collaborated with his father, William Abranowicz, on American Originals and This Far and No Further. His monthly newsletter, Buzzcut, covers travel, style, history, and nature. He is the cofounder and strategy director at Abbr. Projects, a strategic design studio. He lives in Richmond, Virginia.

An inspirational look at the most iconic interior styles of magnificent English country houses: a thousand years of decorating as told through famous and many never-published photographs, all culled from the incomparable archive of Country Life magazine.

This gorgeously illustrated tome is as indispensable as it is beautiful, a rich resource and a visual guide of quintessential British country house style for decorators, architects, designers, and the many armchair travelers who fantasize about revitalizing or re-creating their own castle on the hill.

English House Style traces the evolution of sixteen quintessential interior styles found in British homes that have helped lay the foundations for what have become the touchstones for every decorator, designer, and architect working today. Each style, from Gothic and Tudor to Cottage, Arts and Crafts, and Palladian, is represented through lavish photography culled from the rich archive of Country Life, the hugely popular 120-year-old British magazine about life and living in the estates, castles, and cottages that are ubiquitous across the countryside. Also explored are the most influential tastemakers through the centuries, from Horace Walpole and William Morris to Nancy Lancaster and Colefax and Fowler. Decorators across the globe draw from these styles, which are embodied in the most important homes across England, Scotland, Wales, and Ireland, many of which are featured here, including the magnificent Castle Howard, Chatsworth House, Strawberry Hill, and Hatfield House, along with exquisite hidden gems, such as Wardington Manor, Marchmont House, and Lindisfarne Castle.

About the Author:

John Goodall is an award-winning author and the architectural editor of Country Life magazine, which he joined in 2007. He oversees the magazine's celebrated weekly architectural pages.

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Come along on the hunt to coveted country sources and the best secret antiquing spots, and learn how to create country farmhouse style in your city dwelling.

Author Kim Leggett is the creator of City Farmhouse, an interior design business, pop-up antiquing fairs, and vintage store. She is also a legendary “picker” and favorite designer to celebrity clients (and country-style mavens) including Meg Ryan, Ralph Lauren, Sheryl Crow, and Phillip Sweet and Kimberly Schlapman of Little Big Town. In City Farmhouse Style, Leggett offers great style advice, breaking down the design vocabulary that makes for fresh country style (no matter the setting).

The popularity of farmhouse style has designers, home­owners, and fans in search of inspiration to create this look in all its rural glory. City Farmhouse Style is the first design book of its kind to focus entirely on transforming urban interiors with unfussy, welcoming, country-style decor.

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Featuring breathtaking photographs of some of Scotland’s most remarkable and little-known houses, this book tells the story of how incomers adopted the North of Scotland as a recreational paradise and left an astonishing legacy of architecture and decoration inspired by the romanticized image of the Highlands.  Known as shooting lodges because they were designed principally to accommodate the parties of guests that flocked north for the annual sporting season, these houses range from Picturesque cottages ornées and Scotch Baronial castles to Arts and Crafts mansions and modern eco-lodges. While their designs respond to some of Britain’s wildest and most stirring landscapes, inside many were equipped with the latest domestic technology and boasted opulent decoration and furnishings from the smartest London and Parisian firms.  A good number survive little altered in their original state, and some are still owned by descendants of the families that built them.

Images from the famous Country Life Picture Library and specially commissioned photographs evoke the dramatic settings and arresting detail of these houses, making the book as appealing to decorators and architectural historians as it is to travelers and sportsmen.

About the Author:

Mary Miers commutes between her home in the Scottish Highlands and England, where she works as the Fine Arts and Books Editor for Country Life magazine. Her books include: 'The English Country House’ (Rizzoli); 'Highlands and Islands; an anthology of poetry of place’ (Eland); and 'The Western Seaboard; an illustrated architectural guide’ (Rutland Press). The late Paul Barker was one of England’s premier interior and architectural photographers, whose books included English Country House Interiors, The Drawing Room, and English Ruins.

Over the course of the twentieth century, Country Life’s influential weekly articles on gardens have resulted in an unrivalled archive of gardening history, which forms the basis for this book. The ephemeral nature of gardens means that they can very easily become ‘lost’. The 45 lost English gardens illustrated and discussed in detail are organised by region and cover a wide range of period and style from the 1890s through to the 1930s, revealing the magic of Victorian and Edwardian garden design.

Beautifully reproduced in duotone, the 160 stunning photographs bear testament to the rich and varied heritage of English gardens and of the people who created them. Kathryn Bradley-Hole has revisited the locations and her carefully researched, perceptive text explains their background and their fate.

The Arts and Crafts Country House is a fascinating and beautifully illustrated survey of some of Britain’s most important houses.

The Arts and Crafts Movement produced some of our country’s greatest works of design, architecture and decorative art. It grew out of a reaction against the Industrial Revolution in the late 1850s, inspired by an alternative vision of life based on the revival of traditional building crafts and the use of local materials.

Country Life magazine, founded in 1897, championed the movement in the weekly articles it devoted to country houses, illustrated with specially commissioned photographs. In his stunning book, Clive Aslet draws upon this unique archive to provide a detailed survey of 25 major country houses, designed by the movement's foremost architects, including Lutyens, Webb, Williams-Ellis and Blow. He also shows how the Arts and Crafts tradition continues to influence architects today. The 22nd title in this acclaimed series, The Arts and Crafts Country House reveals the enduring legacy of an architectural ideal.

The Regency Country House is the twelfth in what The Sunday Telegraph called ‘the magisterial Aurum Press series based on beautiful… photographs from the archives of Country Life’. As critics recognised on publication of the original hardback edition, it is the first book to provide a comprehensive survey of the key English country houses of 1800 to 1830. The book is divided into three parts: it looks first at the princely palaces and houses associated with the Prince Regent, from Brighton Pavilion to Buckingham Palace, then at nobleman's houses such as Tregothnan, Eastnor Castle and Goodwood and finally at gentleman's residences such as Southill, Bedfordshire and Sheringham, Norfolk. The duotone and colour illustrations, the work of some of Britain’s leading architectural photographers, show work by leading country houses architects including the Wyatt dynasty, Henry Holland, John Nash, Thomas Hopper, Humphry Repton and Sir John Soane—as well as regional designers such as Dobson of Newcastle and Webster of Kendal. John Martin Robinson will also be looking critically at important architectural themes of the Regency, from the development of the Graeco-Roman style associated originally with the Wyatts, the Gothic Revival, the Picturseque and cottage ornee and the role of Thomas Hope. Mid-20th century Country Life authors such as Christopher Hussey and Margaret Jourdain played a significant role in rediscovering and popularising the Regency period, a time when the English country house took on many of the qualities and attributes that we still take for granted today, and make Regency country houses as enjoyable to live in as when they were first built.

Many of London’s historic houses and even greater numbers of domestic interiors have been lost to us since 1939, as a result of political and social changes, war and a tradition of continual rebuilding. But, thanks to the unique photographic archive of Country Life, this book allows us a vivid glimpse of an age that now seems impossibly remote – the era of great political hostesses in their Park Lane Mansions, of society beauties in smart Art Deco flats and of famous painters at work in the studio houses of Holland Park. The 200 images reproduced here, mostly taken between 1918 and 1939, are arranged to follow the route of a leisurely walk through the capital’s most exclusive residential districts - from the heart of Westminster to St James’s, Mayfair and Park Lane, then ‘North of the Park’ and finally west from Belgravia to Kensington. They show the vanished magnificence of the interiors of the great aristocratic houses like Norfolk House or Chesterfield House. We are taken inside Robert Adam’s Home House when it was home to Samuel Courtauld’s celebrated collection of Impressionist masterpieces and shown the monumental Classical interiors of Dorchester House shortly before they were swept away. There are also many examples of the fashionable decorative arts of the interwar years, including Lady Diana Cooper’s bathroom, ‘Chips’ Channon’s staggering dining rooms and the elegant apartment of Lord and Lady Louis Mountbatten. As well as being a unique record of some of London’s finest homes, this book is a collection of some of the twentieth century’s finest architectural photography accompanied by an illuminating commentary by a leading historian of domestic architecture. John Cornforth, who died in 2004, was a regular contributor to Country Life for nearly forty years. His other books included The Country Houses of England 1948 -1998 and, with John Fowler, English Decoration in the 18th Century.

In the spring of 1903, Country Life’s first staff photographer, Charles Latham, set off from London’s Victoria station with his large-format camera and several boxes of fragile glass negatives bound for Rome. He spent the months that followed photographing some of Italy's finest historic gardens. In all, Latham photographed thirty-seven gardens, and his powerfully evocative pictures were published by Country Life in 1905 in two volumes under the title of The Gardens of Italy, with a text by the well known contemporary garden writer, Evelyn March Phillipps. Latham’s photographs were immediately acclaimed and the images are characteristic of his work in their exceptional clarity. As a result of the political turmoil that overtook Italy in the nineteenth century, many of the gardens had already fallen into a state of picturesque decrepitude; others, around Florence, had been taken over by English and American expatriates and were in the process of restoration. But even though some of the aristocratic owners and their gardeners might have gone, the elaborate architecture, statuary and ingenious waterworks which Renaissance designers so admired remained largely intact and were brilliantly captured in all their faded magnificence by Latham’s camera. Today, many of these gardens have vanished, destroyed by social upheaval and war, though a few were painstakingly restored in the post-war years.

Charles Latham's outstanding compositions bear testament to the rich heritage of some of Italy's great gardens in the golden age just before the First World War. The 200 superbly reproduced photographs are accompanied by Helena Attlee's incisive commentary on twenty-one of these magnificent Renaissance and Baroque gardens.

Helena Attlee has made Italy and its gardens her special subject for over twenty years. A leading authority on garden history, she writes for a range of journals and magazines, lectures widely, and leads specialist tours to Italy, France and Portugal. She is the author of several books, including Italian Gardens, A Cultural History (2006).

For over a century, Country Life has been an influential force in the world of garden design, chiefly as a result of its weekly articles on country houses and gardens illustrated with specially commissioned photography. The magazine’s unrivalled archive of photographs is the key source for this comprehensive history of the changing styles of garden design during the twentieth century. Gertrude Jekyll was one of the first contributors and advisors to Country Life, and in her wake a succession of gardening and architectural editors has used its pages to champion a favoured garden style. Tim Richardson, himself a former gardens editor of the magazine, has drawn on this remarkable legacy to produce the first serious study of English garden design in the twentieth century. The story begins with Arts and Crafts gardens, typified by herbaceous borders and modern planting, and continues with the Edwardian debate between formality and ‘wild’ gardening, interwar grandeur, post-war practicality, and finally the emergence of visionary and pioneering artists’ gardens.

The English country house reached its apotheosis in the nineteenth century.

Designed by the most eminent architects of the age, the houses were bigger, more elaborate and more lavishly furnished than ever before, becoming a byword throughout the world for luxury, technological innovation and convenience of plan.

Michael Hall's new survey draws on the Country Life archive to present the most complete visual record yet published of the Victorian country house. Chronologically arranged to span the decades from the 1830s to the 1890s, the houses range from the High Gothic of Tyntesfield to Ferdinand Rothschild's flamboyantly French Waddesdon Manor and Philip Webb's Arts and Crafts interiors at Standen.

Victorian houses have suffered more from sales and demolitions than houses from any other period. The Country Life images are the only record of great houses such as Wrest Park, Thoresby Hall and Hewell Grange in their heyday. Houses that have survived with their interiors intact but are little known to the public are also featured, such as Flintham Hall and the Earl of Harrowby's Sandon Hall. Here, too, are spectacular colour photographs of some of the most celebrated houses of the period, from A. W. N. Pugin's Scarisbrick Hall to J. D. Crace's astonishing interiors at Longleat.

With over 150 superb photographs and a commentary by one of the world's leading authorities on the subject, this book provides an excellent overview of a major period in British architectural history.

Michael Hall is an architectural historian and the Editor of Apollo magazine. A former Architectural Editor and Deputy Editor of Country Life, he is a Fellow of the Society of Antiquaries, a trustee of Emery Walker's Arts and Crafts house and Chairman of the Victorian Society's activities committee. His books include The English Country House: From the Archives of Country Life, also published by Aurum.

Over 150 superb photographs from the Country Life archive are selected especially here to highlight 25 major houses and their architects in a stunning and astoundingly thorough display.

In The Classical Country House architectural historian David Watkin takes a fresh and innovative look at the traditional British country house and shows how Classicism has been a seminal influence on British architecture since the seventeenth century. He demonstrates how the antecedents of the British Classical house, which lie in both Greek and Roman antiquity, were vigorously revived in the masterpieces of the Italian Renaissance, and enjoyed new life when transplanted to Britain by Inigo Jones, after his Grand Tour of the Continent in 1613 14. The book consists of five parts. The first looks at the birth of English Classicism in the seventeenth century, when houses such as Wilton House in Wiltshire (where Jones and John Webb designed the celebrated Double Cube Room) and Coleshill in Berkshire, reflect a rejection of contemporary styles in favour of a Renaissance-influenced design. The second part shows how the flowering of Classic design in the eighteenth century led to the creation of some of the most celebrated houses of the period: Chiswick House, Holkham Hall, Sir John Soane's Pitzhanger Manor, and the Grecian templar house, Grange Park. The third part recounts how the austerity of many buildings designed in the 18th century gave way to the richer styles of the Italian Renaissance Revival in the 19th century seen, for example, in Kingston Lacy, Dorset and Brodsworth Hall, Yorkshire. The final two chapters, on the twentieth century and beyond, reveal how even as individual an architect as Sir Edwin Lutyens immersed himself in a Classical language of design, in houses as diverse as Nashdom, Gledstone and the British Embassy in Washington D.C; and how, as the influence of Modernist design has waned, Classical styles have been revived most notably in the houses of Raymond Erith after the Second World War, and more recently by architects such as Quinlan Terry. David Watkin has selected over 150 of the finest images from the Country Life archive to illustrate an incisive study of 26 major houses and their architects. This highly informative and enlightening survey of Classicism through the centuries is a major addition to architectural history.

For over 100 years, "Country Life" has regularly covered British gardens and gardening - but it has also featured fine gardens made abroad, particularly those in the Mediterranean region. Kathryn Bradley-Hole has visited gardens in the South of France and all over mainland Italy, but also in North Africa, Sicily, Greece and Spain, and unearthed the absorbing stories behind their creation and development. More than 35 glorious locations are featured here, illustrated with stunning archive photographs from the Country Life Picture Library. They include private residences in Greece, Spain and Italy, and the iconic gardens of the French Riviera - including Villa Maryland on Cap Ferrat, La Leopolda at Beaulieu, the novelist Edith Wharton's own villa garden at Hyeres and Auguste Renoir's home at Cagnes-sur-mer. The book also reveals, uniquely, the fabulous colonial and Arabic gardens of Algeria, a troubled region that has been unknown and out of bounds to present generations, which Kathryn revisited and re-photographed in 2005.