The volume is dedicated to the work of Jenny Saville (Cambridge, 1970), one of the greatest contemporary painters and a leading voice in the international art scene.

Saville transcends the limits between figurative and abstract, between informal and gestural, managing to transfigure the news into a universal image, which puts the human figure at the center of the history of art. Huge, naked bodies, with a carnal physicality and oppressed by a weight that is more existential than material, Saville is linked to the great European pictorial tradition in constant comparison with the modernism of Willem de Kooning and Cy Twombly and the portraiture of Pablo Picasso and Francis Bacon.

Her work also outlines a strong correlation with the masters of the Italian Renaissance, in particular with some of Michelangelo’s great masterpieces. 

The volume contains a rich catalogue of paintings and drawings from the 1990s to today.

The most comprehensive monograph on figurative painter Jenny Saville, whose large-scale nudes continue to challenge accepted ideals of beauty.

Thirteen years after her first Rizzoli monograph, British artist Jenny Saville, an original member of the Young British Artists, releases her most definitive book, including never-before-published paintings from her most recent exhibition at Gagosian in New York. This much-anticipated volume unites new work with many of Saville's paintings and drawings to date, accompanied by essays that explore Saville's continuing fascination with the human body within a broad art-historical context. The book also features Saville in an extensive conversation with acclaimed American photographer Sally Mann. An illustrated chronology of Saville's career completes this elegant volume. This beautifully produced monograph is an important addition to the library on one of the world's most influential and enduring living painters.

About the Authors:

Jenny Saville received her B.A. Honors Fine Art from Glasgow School of Art, Scotland. Saville's works are featured in several public collections, including The Metropolitan Museum of Art, New York; The Broad, Los Angeles; and Saatchi Collection, London. Richard Calvocoressi is a director and senior curator at Gagosian Gallery, London. Previously, he was director of the Henry Moore Foundation and director of the Scottish National Gallery of Modern Art in Edinburgh. Sally Mann's photographs have been the subject of major exhibitions at the Institute of Contemporary Art, Philadelphia, and the Corcoran Gallery of Art, Washington, D.C. Her work can be found in many collections, including The Metropolitan Museum of Art and the Whitney Museum of American Art. Mark Stevens is the former art critic of New York magazine. He is coauthor, along with Annalyn Swan, of the 2005 Pulitzer Prize-winning de Kooning: An American Master. Lauren Mahony organizes special exhibitions for Gagosian. She previously worked in the Department of Painting and Sculpture at The Museum of Modern Art, New York.

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Oxyrhynchus is a city in upper Egypt that was established in 332 BC and is considered one of the most important archaeological sites ever discovered. Saville references the layer upon layer of discoveries at Oxyrhynchus in her new body of work, the final effect being a mysterious narrative of layered bodies and images. The dozen new works presented are a combination of oil, charcoal, and pastel on canvas and a combination of landscape and figures weaving throughout each other.

About the Author:

John Elderfield, a consultant at Gagosian Gallery, is Chief Curator Emeritus of Painting and Sculpture at The Museum of Modern Art, where he directed numerous celebrated exhibitions, among them Kurt Schwitters, Henri Matisse: A Retrospective, and De Kooning: A Retrospective. In 2005, Time magazine named him one of the 100 Most Influential People of the Year; and in 2006 he was made Officier dans l’Ordre des Arts et des Lettres by the French government.