One Big Slice of Cheesecake. Pin-up travels the long road from barracks wall to high art

Since TASCHEN released The Great American Pin-up, international interest in this distinctly American art form has increased exponentially. Paintings by leading artists such as Alberto Vargas, George Petty, and Gil Elvgren that sold for $ 2,000 in 1996 are going for $ 200,000 and more today. Pin-up — drawings, paintings, and pastels of an idealized female face and figure intended for public display — was produced between 1920 and 1970 for calendars, magazine covers, and centerfolds. The majority of original paintings were discarded by publishers and calendar companies after printing, making the surviving art that much more precious.

Based on the formidably sized Art of Pin-up, this accessible edition gathers nearly 100 artists alongside in-depth showcases of the top 10 names in the game. Each chapter opens with a reproduction of an original calendar or magazine cover by that artist. The reproduction quality of the paintings, pastels, and preparatory sketches that follow — largely sourced from the original art — invites the viewer to trace the brushstrokes, while the exquisite period calendars, vintage prints, and original model photos document the artists’ creative process. Much of these ephemera were photographed on-site at the historic Brown & Bigelow Company, home to the world’s largest archive of vintage pin-up calendars.

In addition to the chapters on the 10 featured artists, the book includes bios and art of 85 painters, the most complete compendium of pin-up artists ever compiled. All this adds up to a hard-to-beat book on this popular subject.

The editor:

Dian Hanson produced a variety of men’s magazines from 1976 to 2001, including Juggs, Outlaw Biker, and Leg Show, before becoming TASCHEN’s Sexy Book Editor. Her titles include the “body part” series, The Art of Pin-up, Psychedelic Sex, and Ren Hang.

The contributing authors:

Sarahjane Blum is an author, cultural historian, and co-owner of Grapefruit Moon Gallery, which specializes in original American illustration art. She lives in Minneapolis, Minnesota.

Louis Meisel is owner of one of the oldest pin-up and illustration art galleries in New York. He is the co-author of TASCHEN’s The Great American Pin-up and Gil Elvgren: All his Glamorous American Pin-ups.

Imagined by Maly Siri, this coffee table book and accompanying postcard box set is a love letter to vintage magazines and an invitation to enter the spellbinding world of pin-ups.

An homage inspired by the iconography of the 1930’s to 1950’s, a concentrate of pure glamour, Pin-Up looks back at vintage magazines, giving an invitation to enter the spellbinding world of luscious pin-up models.

About the Author:

Maly Siri is a French painter and illustrator who has dedicated her work to her passion for pin-up girls. 

This amazing box contains 30 collectible, frameable and mailable large deluxe postcards. 30 pin-ups from the 30’s to the 50’s by Maly Siri.

About the Author:

Maly Siri is a French painter and illustrator who has dedicated her work to her passion for pin-up girls. 

Never Show Everything. Big curves and suggestive smiles

“Girls, Gags & Giggles,” ran publisher Robert Harrison’s recipe for dishing up pin-up to the American male. Men loved his tasty dishes, a mixture of strippers and starlets dressed in outfits so fetishistic no one noticed they were never nude. While other magazines delivered the girl next door, Harrison’s publications banked on bad girls in satin and leather, fishnet stockings, and six-inch heels performing slapstick stunts straight from the burlesque stage.

Harrison lured his readers in with vibrantly painted covers by top pin-up artists Earl Moran, Billy DeVorss and, most famously, Peter Driben. This Bibliotheca Universalis edition celebrates this eye-catching candy with every single cover from Beauty Parade, Wink, Titter, Eyeful, Flirt, and Whisper, from 1942 to 1955, as well as interior spreads, featuring, among others, a budding Bettie Page. In an age when far more graphic material is the norm, 1000 Pin-Up Girls celebrates an era of pin-up and pulp style to fuel your erotic imagination.

About the series:

Bibliotheca Universalis — Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!

Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together more than 100 of our all-time favourite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.

Bookworm’s delight — never bore, always excite!

One big slice of cheesecake. Pin-up travels the long road from barracks wall to high art

In the 15 years since TASCHEN released The Great American Pin-up, international interest in this distinctly American art form has increased exponentially. Paintings by leading artists such as Alberto Vargas, George Petty, and Gil Elvgren that sold for $ 2,000 in 1996 are going for $ 200,000 and more today. Pin-up: drawings, paintings and pastels of an idealized female face and figure intended for public display, was produced between 1920 and 1970, for use on calendars, and magazine covers and centerfolds. The majority of original paintings were discarded by publishers and calendar companies after printing, making the surviving art that much more precious. Today it’s popularity is huge, and ripe for an equally huge and truly comprehensive collector’s edition.

Formidably sized, The Art of Pin-up is an impressive book that will be coveted by casual fans as well as hardcore pin-up collectors. The top 10 artists are profiled in depth. Each chapter opens with a tipped-in reproduction of an original calendar or magazine cover by that artist. The reproduction quality of the paintings, pastels, and preparatory sketches that follow — largely sourced from the original art — invites the viewer to trace the brush strokes, while the exquisite period calendars, vintage prints, and original model photos document the artists’ creative process. Much of these ephemera were photographed on-site at the historic Brown & Bigelow Company, home to the world’s largest archive of vintage pin-up calendars.

In addition to the chapters on the 10 featured artists, the book includes thumbnail bios and representative art of 85 additional artists, the most complete compendium of pin-up artists ever compiled. All this adds up to a hard-to-beat book on this popular subject.

They'll always be there for you. A new pin-up to brighten your every day: TASCHEN's perpetual calendars

For those of you whose datebooks have been replaced by smartphones, TASCHEN has created the new 365 Day-By-Day series so that you can still enjoy the warm analog feeling of marking every day with the turn of a page. Each day you’ll discover a new image and a related quote - on special days you’ll also learn the birthdays of iconic pin-up models - ensuring a constant source of inspiration right on your desktop. At the end of the year, just turn back to the beginning and start again!

From the girl next door to sexy switch-blade sisters, the pin-up girls depicted in this collection of works by 15 of today's best artists boldly display the full spectrum of the genre.

Through masterful use of color and media, both traditional and digital, these artists from around the world capture the female form in ways that remain true to their forefathers (Gil Elvgren, Alberto Vargas, etc.) but also to their own contemporary styles. To dig deeper into the process, each artist's section includes a statement that unveils his or her inspiration and techniques.

Themes in the 280+ works included here are vast and cover everything from action, horror, and 70s cinema to mythology, comic books, science fiction, and fantasy. So, whether you're into zombies, angels, latex, burlesque, or pop-culture, there is fresh, modern pin-up art for everyone.

A treasure trove of pin-up girl images from photographer Bunny Yeager, celebrated for her playfully erotic photos of Bettie Page that continue to influence photography and fashion today.

The only woman pin-up photographer of her day, Bunny Yeager was also a model in her own right. After winning several beauty pageants in Miami, Yeager went to photography school, and in 1955, she hit the jackpot with her shot of Bettie Page scantily clad in a Santa hat, which sold instantly to the fledgling Playboy magazine. The beginning of a long collaboration, her photographs of Bettie have now been featured on more magazine covers than those of Marilyn Monroe.

This glamorous volume gathers more than a hundred lens-fogging photographs embodying the naughty girl-next-door eroticism of pin-up culture. Culled from Yeager’s extensive archive, the collection includes her most iconic shots of the legendary Bettie as well as many previously unpublished images.

Yeager’s pioneering self-portraits and excerpts from her charming 1960s how-to manuals are featured alongside dozens of wholesome beauties shot in the studio and on location.

A fun and sexy book, it is sure to tap into the current burlesque trend and the popularity of glamour photography and vintage American culture.

About the Author

Petra Mason is a cultural historian and creative director whose East Coast-centric book credits include: Last Train to Paradise: Centennial edition, South Beach Stories, The Carlyle, In the Spirit of Miami Beach and New York. Photographic installations include: The Glass House Icon Project.
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Пролистать книгу  Bunny Yeager's Darkroom: Pin-up Photography's Golden Era

A series of four picture books, compiled from the archives of the classic girlie magazines, Fiesta and Knave, which celebrates an age when glamour photography strove more for artistic ideals and risqué titillation than the sexually explicit top shelf titles of today. Statuesque models of the 1950s adopted the poses of Greek goddesses, in elaborately styled sets, while their equivalents from the Swinging Sixties displayed a more playful, almost naive innocence. A decade later, the pin-ups of the 1970s, invariably shot in luscious colour and sumptuous sets, offered a more seductive appeal, while the glamour girls of the 1980s became more sexually suggestive in their poses and attire - or lack of it. The bevy of beauties that graces the pages of these four books illustrates the changing faces - and bodies - of the glamour model over four decades, from the demure to the titillating, the seductive to the steamy, the erotic to the raunchy.

Другие книги серии 20th Century Pin-ups

1950s Glamour

1960s Glamour

1980s Glamour

A series of four picture books, compiled from the archives of the classic girlie magazines, Fiesta and Knave, which celebrates an age when glamour photography strove more for artistic ideals and risqué titillation than the sexually explicit top shelf titles of today. Statuesque models of the 1950s adopted the poses of Greek goddesses, in elaborately styled sets, while their equivalents from the Swinging Sixties displayed a more playful, almost naive innocence. A decade later, the pin-ups of the 1970s, invariably shot in luscious colour and sumptuous sets, offered a more seductive appeal, while the glamour girls of the 1980s became more sexually suggestive in their poses and attire - or lack of it. The bevy of beauties that graces the pages of these four books illustrates the changing faces - and bodies - of the glamour model over four decades, from the demure to the titillating, the seductive to the steamy, the erotic to the raunchy.

Другие книги серии 20th Century Pin-ups

1950s Glamour

1970s Glamour

1980s Glamour

Другие книги серии 20th Century Pin-ups

1960s Glamour

1970s Glamour

1980s Glamour

Buxom bombshells. Pictures from an age when eroticism was still innocent

They've been exciting generations of men, on calendars and covers, as centrefolds or even on playing cards: pin-ups. What started as an exercise in oils was soon taken up in various media - pin-up mascots graced the fuselages of American fighters, and became an essential feature of the male world of garages and barracks. And the age of political correctness hasn't ended their appeal.

This book tells the tale of a genre as utterly American as the paintings of Edward Hopper, describing its origins and development in detail and showcasing the most important artists. With over 500 illustrations, The Great American Pin-Up is a comprehensive studies of the genre.

The authors:

Charles G. Martignette was an art dealer and collector of original paintings by 20th century American illustrators and artists. His gallery in Hallandale Beach, Florida, housed the world’s largest collection of commercial illustration art. As of 1975 he published numerous articles about magazine, advertising, calendar, pulp, paperback, glamour and pin-up art. Paintings from his collection have been exhibited at the Smithsonian Institution as well as many other American and European museums. Charles G. Martignette died in 2008 in Hallandale, Florida.

Louis K. Meisel, owner-manager of one of the oldest galleries in New York’s Soho, has published several books and articles on contemporary art. In addition to art, he collects pin-up work.

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Посмотреть книгу  1000 Pin-Up Girls

Посмотреть книгу  Gil Elvgren. The Complete Pin-ups

It all started around 1900, and wouldn`t you know the French were the first? Whether you call them men`s sophisticates, nudie books, or girly magazines, this long-ignored art form has a rich international history. Author Dian Hanson, a girly magazine editor for 25 years, follows the evolution of the genre from 19th century France through the Jazz Age, two world wars, the breast-centric 1950s to the end of the swinging 60s. Along the way you`ll see hundreds of vintage magazines from Argentina, England, France, Germany, Mexico, and the US. Some covers are exquisitely painted by top pin-up artists Enoch Bolles, George Quintana, Earl Moran, and Peter Driben. Others are posed by Hollywood stars like Jane Mansfield, Tina Louise, and Marilyn Monroe. All are fascinating artifacts of their time, including La Vie Parisienne, the first men`s lifestyle magazine from 1900; jazz-infused Sex magazine from 1926; legendary fetish digest Bizarre from 1949; Hugh Hefner`s Playboy from 1953; up to hippie-inspired Nude Rebellion from 1967.

In 33 chapters and 672 pages you`ll see these and many, many more, accompanied by a fact-filled, informative text sure to give you a new appreciation for the magazines once kept hidden under the mattress.

Never show everything

"Girls, Gags & Giggles" - this was publisher Robert Harrison's recipe for dishing up the American pin-up to the U.S. male. In the 1950s his girlie magazines sold by the millions, before becoming icons of pulp and trash culture.

These skilfully illustrated girls with their curvaceous forms and inviting lingerie soon overtook America's national dessert, in terms of popularity, and even developed considerable potential as a cultural export during the 1940s. "Never show everything," was always the motto. Smiling prettily at the camera, the models exuded just the right amount of sex appeal without seeming too sophisticated or artful. They were the 'girls next door' whose wholesome attraction soon made one forget the magazines' deliberately trashy presentation. Their rosy complexions and innocent allures still titillate even in an age when far more graphic material is the norm. For everyone who enjoys pin-ups, push-ups and pulp style!

“To look at these pictures is to remember that there was a time when taking off your clothes was a potent gesture, when the mere fact of a naked woman could be thrilling.” National Post, Toronto

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Посмотреть книгу  The Great American Pin-Up

Посмотреть книгу  Gil Elvgren. The Complete Pin-ups