Yves Saint Laurent was one of the most recognisable fashion designers of 20th century and creator of classic items such as the trouser suit, the Mondrian dress, and the introduction of the leather jacket to the mainstream.

The Little Book of Yves Saint Laurent is a stylish gift for any lover of fashion.

Little Book of Yves Saint Laurent is the pocket-sized and exquisitely illustrated story of 60 years of innovative fashion design.

An enigmatic, daring and astonishingly creative designer, Yves Saint Laurent is credited with the elevation of haute couture to fine art, turning the fashion show into a spectacle of breathtaking proportions, and revolutionizing the gendered norms of womenswear.

Describing Saint Laurent's beginnings in Algeria as a precocious boy making miniature garments from fabric scraps, Little Book of Yves Saint Laurent depicts, in beautiful photographs and insightful text, the designer's ascent from fashion student to the right-hand of Christian Dior. Going on to found his own fashion house in 1961, Saint Laurent created his famous 'le smoking' trouser suit, brought the leather jacket to the mainstream and astounded the fashion world with his blend of elegance and artistic drama.

Little Book of Yves Saint Laurent is a stylish gift for any lover of fashion.

About the Author:

Emma Baxter-Wright has taught fashion journalism at the University of the Arts, London and UCA. She has contributed to many publications including the New York Observer, Cosmopolitan and Marie Claire, and is the bestselling author of Little Book of Chanel. Emma lives in Gloucestershire, England.

The marriage between flowers and fashion has never been more pronounced than when seen in the work of Yves Saint Laurent. This retrospective examines Yves Saint Laurent’s use of flowers from their symbolism to their fruition on the runway.

Flowers in every form inspired fashion designer Yves Saint Laurent, serving as a leitmotif in his work. His passion for plants manifested itself in countless patterns and techniques, and he adorned women in floral appliqués, prints, and embroideries. From a thousand and one rose buds to sprigs of lily of the valley, from an avalanche of bougainvillea to delicate poppy touches, and from sheaves of wheat to majestic lilies, nature was an essential part of his visual palette.

Through the discerning eyes of Olivier Saillard, this veritable garden of Yves Saint Laurent’s designs — culled from a broad range of styles — metamorphoses into a bouquet of flowering silhouettes. Under the direction of Elsa Janssen and Alexis Sornin, essays from Emanuele Coccia, Marc Jeanson, and Serena Bucalo Mussely explore, respectively, the symbolism of flowers, characteristics of his recurring prints, and the designer’s signature use of flora in accessories.

About the Authors:

Olivier Saillard, director of the Fondation Azzedine Alaïa and former director of the Palais Galliera, is a fashion historian, curator, and author.
Emanuele Coccia, philosopher, university lecturer, and author of The Life of Plants, specializes in the relationship between visual theory and the nature of life.
Botanist Marc Jeanson is former director of the museum of natural history in Paris and former botany director of the Majorelle Garden in Marrakesh.
Serena Bucalo Mussely, chief curator and art historian, is head of collections at the Musée Yves Saint Laurent Paris.

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Пролистать книгу The Flowers of Yves Saint Laurent

Showcasing more than sixty pieces from the Pierre Bergé-Yves Saint Laurent Foundation and the Museum of Lace and Fashion collections, Sheer highlights the designer’s mastery over transparent fabrics

Through archival drawings and photographs, and newly shot sheer silhouettes designed by Yves Saint Laurent from the collections of the Musée Yves Saint Laurent Paris and the Museum for Lace and Fashion, Calais, Sheer: The Diaphanous Creations of Yves Saint Laurent highlights the couturier’s pioneering work in lace and other sheer fabrics, uncovering how he was able to overturn codes of unveiling the body to present a new, powerful and sensual feminine figure.

The book shows how he worked to ‘reveal’ the body of the woman wearing his clothes with both elegance and audacity: the Nude Dress of 1968, for example, made entirely of transparent chiffon, provided ‘modesty’ in the form of ostrich feathers. Original outfits, sketches, collection boards and fabric swatches give an intimate window into the designs, while photographs of models and clients such as Catherine Deneuve and Naomi Campbell bring to life the designer’s creations in a way that still shocks even now.

Sheer is an essential read for fashion fans, and a fascinating and unique look at the work of one of the great designers.

About the Authors:

Patricia Canino is a photographer and filmmaker based in Paris. Émilie Hammen is Professor of Fashion History & Theory at Institut Français de la Mode. Shazia Boucher is Curator and Deputy Director at Cité de la Dentelle et de la Mode, Calais. Domitille Éblé, Judith Lamas and Alice Coulon-Saillard all work at the Musée Yves Saint Laurent Paris. Sophie Henwood is Collections Manager at Cité de la Dentelle et de la Mode, Calais. Anne-Claire Laronde is Director at Cité de la Dentelle et de la Mode, Calais.

Legendary couturier Yves Saint Laurent continually reinvented the silhouette throughout his career, from his modernist “Trapeze” dress for Christian Dior in 1958 to his pop art illusion prints.

A fashion revolutionary, Yves Saint Laurent and his creations were resolutely modern. His ongoing exploration of shape and form incessantly pushed the boundaries of his creativity and led to his most groundbreaking and iconic designs. His works were influenced by the artistic trends of the time — from simple and geometric abstraction to constructivism and concrete art — whose many movements mirror the multifaceted talent of the designer. A bold, exacting gesture underpinned his art: his minimalist dresses were often monochromatic compositions seemingly sprung from a single line. A colorist, he imagined pure yet exuberant abstract designs by combining flat surfaces in vibrant hues. Transposing pictorial material onto textiles, he thus balanced color, form, surface, and line. An illusionist, he would juxtapose black and white to suggest movement in the garment through optical illusion. By using flat, simple lines, shape prevailed over color.

This volume accompanies an exhibition, Yves Saint Laurent: Shapes and Forms, at the Musée Yves Saint Laurent Paris from June 9, 2023, to January 14, 2024, which features key pieces from the Yves Saint Laurent archives in dialogue with the set design and works by ceramic artist Claudia Wieser.

About the Authors:

Elsa Janssen is director and Serena Bucalo-Mussely is head of collections at the Musée Yves Saint Laurent Paris. Cécile Bargues is an art historian and curator. Julien Fronsacq is an art critic and chief curator and deputy director at MAMCO.

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Пролистать книгу Yves Saint Laurent: Form and Fashion на сайте издательства.

A stylish collection of legendary designer Yves Saint Laurent’s maxims on fashion, craft, women and inspiration, presented in an attractive gift format.

Founded by Yves Saint Laurent and Pierre Bergé in 1962, shortly after the young couturier left his post at the helm of Christian Dior, Yves Saint Laurent would soon become one of the most successful and influential haute couture houses in Paris. Introducing Le Smoking, the first tuxedo suit for women, in 1966, Saint Laurent also presented iconic art-inspired creations, from Mondrian dresses to precious Van Gogh embroidery and the famous Ballets Russes collection.

The designer put the women who wore his clothes first (‘What’s most important in couture is the body we dress, the woman we dress, more so than the ideas we might have’) and was determined to change attitudes of the era (‘Fashion’s purpose was not only to make a woman look beautiful, but also to reassure them and to give them confidence’). He could be critical of the fashion industry (‘I adore clothes but I hate fashion’) and saw himself as a craftsman who perfectly understood his customer (‘I think there are three kinds of designers. The big ones, the real ones, and those who know how to strike a chord with a woman just by making a very simple dress, or a very simple suit’).

Presented in a beautiful package and accessible format, The World According to Yves Saint Laurent is the perfect gift for fashion fans, capturing the essence of a true visionary.

About the Authors:

Patrick Mauriès is a writer and publisher of many notable titles on fashion and design, including Cabinets of Curiosities, The World According to Karl and The World According to Christian Dior, all published by Thames & Hudson.

Jean-Christophe Napias is an author, translator and editor of books on dandies, dance music and camp culture. His recent publications include The World According to Karl, Choupette: The Private Life of a High-Flying Fashion Cat and The World According to Coco, all published by Thames & Hudson.

An unforgettable journey through art history with Yves Saint Laurent as a guide

From the ancient world to pop art, Yves Saint Laurent regularly took inspiration from art history as he combined colours, carved out new forms and rethought the structure of garments in order to create his own masterpieces.

Juxtaposing his creations with art works from the collections of five major Paris institutions – the Musée d’Orsay, the Louvre, the Centre Pompidou, the Musée d’Art Moderne de Paris and the Musée National Picasso – this book explores the couturier’s homages to the masters of art and his never-ending quest for new means of aesthetic expression. Androgynous silhouettes and Proustian gowns stand alongside the elegance of Impressionism; a feathered coat responds to Jackson Pollock’s drip paintings; flowing silhouettes merge with a mural by Raoul Dufy; Lucio Fontana’s neon lights make metallic fabrics sparkle; and bold appliqué motifs echo The Dance by Henri Matisse. This is an unforgettable journey through art history with Yves Saint Laurent as a guide.

About the Authors:

Mouna Mekouar is an art critic and independent curator based in Paris, France. She was associate curator of Simple Shapes at Centre Pompidou-Metz (2014) and was curator at the Palais de Tokyo, Paris, from 2012 to 2014. Stefan Janson is a fashion designer and co-curator of Yves Saint Laurent at the Museums. Madison Cox is director of the Saint Laurent Museums in Paris and in Marrakech, and president of the Pierre Bergé-Yves Saint Laurent Foundation.

The world’s leading authorities on fashion and design celebrate the 60th anniversary of YSL’s first runway presentation with a lexicon that includes many images from the designer’s extraordinary archives.

Yves Saint Laurent (1936–2008) is credited with reviving French haute couture in the 1960s, with making ready-to-wear reputable, and with using non-European cultural references. In addition to the kaleidoscope of images in this book, a coterie of tastemakers have supplied listings that encompass YSL’s style inspirations (C is for Costumes, as exemplified by the Russian theme of the famed autumn-winter 1976–77 collection; T is for Tuxedo, which the designer initially referenced with his 1965 “Le Smoking”) and important facets of his life (J is for Jardin Majorelle, the garden of the couturier’s paradisiacal retreat in Marrakech; R is for Rive Gauche, the bohemian, chic neighborhood of Paris where the YSL boutique is situated and also the name of the house’s famous perfume launched in 1970). This distillation and celebration of the designer’s life reveals the inner world of a twentieth-century master. 

About the Authors:

Martina Mondadori is the founder of Cabana magazine. Stephan Janson is a fashion designer.

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Пролистать книгу YSL Lexicon: An ABC of the Fashion, Life, and Inspirations of Yves Saint Laurent

On January 21, 1971, couturier Yves Saint Laurent presented his Spring-Summer haute couture collection. Inspired by the garments of the war years, the collection included short dresses, platform shoes, square shoulders, and exaggerated makeup. The show caused an outrage among the public, the critics, and the press alike, earning it the title of “Paris’s ugliest collection.” Nevertheless, the haute couture designs of the runway made their way to the boulevards, giving full sway to the “retro” trend that quickly conquered the streets.

Yves Saint Laurent: The Scandal Collection, 1971 offers a behind-the-scenes look at the influential collection that “drew fire in the fashion world” — from the collection’s inspiration to the press coverage that followed. Beautifully illustrated and documented with well-researched essays, this book is enriched with personal interviews and archival photographs of the show, the models, the designs, and the textile and print samples, as well as sketches and international press clippings.

About the Authors:

Olivier Saillard is the director of the Palais Galliera, Museum of Fashion, and the curator of the Yves Saint Laurent 1971: The Scandal Collection exhibition.
Dominique Veillon is a historian.

An incredible collection of Yves Saint Laurent’s designs, beautifully captured by the leading fashion photographers of the 20th century

Yves Saint Laurent: Icons of Fashion Design & Photography is a gorgeous homage to the uncrowned king of haute couture. Originally published in 1988, the book traces the success of Saint Laurent’s haute couture and ready-to-wear designs from 1962 to 1988 through the lens of the world’s leading fashion photographers, including Richard Avedon, Helmut Newton, William Klein, and more. Inside, 135 photographs document Saint Laurent’s groundbreaking designs worn by the most beautiful women of the ’60s, ’70s, and ’80s: Audrey Hepburn, Twiggy, Jean Shrimpton, Mounia, and Veruschka. Saint Laurent was equipped with an infallible instinct for reading the aesthetic signs of the times, and this enabled him to have a profound effect on fashion. With an introduction by Marguerite Duras, this classic volume documents Saint Laurent’s ever-evolving artistry and the combined efforts of the world’s most talented fashion photographers and is as beautiful and rewarding as one of Saint Laurent’s creations.

About the Author:

Marguerite Duras (1914–1996) was an acclaimed French writer and filmmaker.

‘YSL: The initials evoke allure and sophistication, and this brilliant illustrated portrait of the iconic designer has both’ Tatler

Yves Saint Laurent is a name synonymous with style, elegance and high fashion. When he came on the scene at Dior and then started his own line, he quickly changed the way people regarded haute couture and the world of fashion itself. He revolutionized women’s evening wear when he introduced Le Smoking, a woman’s tuxedo, and made couture accessible to a younger generation.

Yves Saint Laurent is Roxanne Lowit’s personal photographic history of Saint Laurent, the man and the fashion, from 1978, the year she first met him, to the last show he gave in 2002. With contributions from YSL’s muses and admirers, including Catherine Deneuve, Betty Catroux, Lucie de la Falaise, Pat Cleveland and Valerie Steele, this book represents the backstage experience at YSL’s shows as Lowit experienced them herself. Whether surrounded by beautiful models or peeking at the catwalk from the wings, every moment was a magnificent photo opportunity. Lowit shares magical moments of YSL with the world – intimate, social, absorbed in fashion – and creates a unique portrait of this towering figure of postwar couture.

Contents List:

Introduction • The Photographs, interspersed contributions from YSL’s muses and admirers.

About the Author:

Roxanne Lowit is a New York-based fashion photographer who started taking pictures in the 1970s. Her photographs have appeared in many magazines, including Vogue, Vanity Fair, Elle, V Magazine and Glamour, and she has worked on numerous advertising campaigns for, among others, Dior, Barney’s and Vivienne Westwood. Pierre Bergé was Yves Saint Laurent’s partner and co-founder of Yves Saint Laurent Couture House.

The first comprehensive overview of Yves Saint Laurent’s haute couture collections, presented through original catwalk photography

Founded by Yves Saint Laurent and Pierre Bergé in 1961, shortly after the young couturier left his post at the helm of Christian Dior, Yves Saint Laurent would soon become one of the most successful and influential haute couture houses in Paris. Introducing Le Smoking, the first tuxedo suit for women, in 1966, Saint Laurent also presented iconic art-inspired creations, from Mondrian dresses to precious Van Gogh embroidery and the famous Ballets Russes collection.

This definitive publication opens with a concise history of the house, followed by a brief biographical profile of Yves Saint Laurent, before exploring the collections themselves, organized chronologically. Each collection is introduced by a short text unveiling its influences and highlights, and illustrated with a gallery of carefully curated catwalk images. These showcase hundreds of spectacular clothes, details, accessories, beauty looks and set designs – and, of course, the top fashion models who wore them on the runway. A rich reference section concludes the book.

About the Authors:

Suzy Menkes is the international editor of Vogue.

The Musée Yves Saint Laurent Paris is home to the collection of the Fondation Pierre Bergé – Yves Saint Laurent, which holds over 34,000 objects.

Jéromine Savignon is a fashion historian and the author of several texts on Yves Saint Laurent, including Yves Saint Laurent's Studio: Mirror and Secrets.

Contents List:

Preface by Andrew Bolton • Introduction by Suzy Menkes • Yves Saint Laurent: A Short Biography by Suzy Menkes • The Making of a Collection by Olivier Flaviano • The Collections 1962–2002

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An authoritative book published in collaboration with Christie’s, featuring photographs of the Bergé Saint Laurent collection in situ, complete with estimated value information and final auction prices.

In February 2009, 733 pieces from Pierre Bergé’s and Yves Saint Laurent’s art collection - one of the world’s largest private collections - was auctioned off in a record-breaking sale of the century.

Modern paintings, baroque bronzes, antique silverware, statues, cameos, and minerals comprise this diverse collection that furnished the pair’s two luxurious residences in Paris, and included major works by Picasso, Brancusi, Matisse, Mondrian, in addition to furniture by the Art Deco masters Eileen Gray and Jean Dunand. Many works sold for prices far exceeding the highest estimates.

The five-volume catalog published by Christie’s for the event sold out before the end of the auction, leaving collectors and art connoisseurs the world over empty-handed.

This new book features one hundred of the most important pieces from the collection with detailed commentary by Christie’s experts. An introduction by Christie’s vice president François de Ricqlès revisits the intense three-day auction at the Grand Palais. An appendix includes images of the works sold, accompanied by their estimated values and final auction prices.

Publication coincides with the auction of the collection from their Château Gabriel property in November 2009.

A unique visual journey exploring Asia's influence on Yves Saint Laurent

Yves Saint Laurent was always fascinated by the art and culture of Asia. Taking his cue from elegant brocades, lavish embroidered silks and delicate lacquerwork, he used his collections to construct his own imaginary vision of the East, a dreamlike realm of luxury and delight. Influences from India, China and Japan are brought together here in a glittering showcase of Asian-inspired couture, alongside the designer’s original sketches and a selection of striking art objects from his personal collection.

Contents List:

Introduction • India • China • Opium • Japan

About the Authors:

Aurélie Samuel is Director of Collections at the Yves Saint-Laurent museums in Paris and Marrakesh.
Olivier Flaviano is the Director of the Yves Saint-Laurent Museum in Paris.

Yves Saint Laurent is one of the world’s most famous designers, whose haute couture collections have deeply marked society and revolutionised the image of women.

All About Yves documents the life of this great designer, from his childhood, to the seminal moments of his career, up until his death in 2008. This one-of-a-kind book includes unseen sketches and photographs of Saint Laurent’s key collections, as well as fascinating removable documents that include handwritten letters, paper dolls, contact sheets, magazines and invitations. All About Yves was compiled in collaboration with the Fondation Pierre Bergé – Yves Saint Laurent and is essential reading for those with a passion for YSL.

About the Author:

Catherine Örmen studied at the Ecole du Louvre, Ecole du Patrimoine and Studio Bercot, and is an expert on the history of fashion. She works as a curator, teacher and author, and has written several reference works on the history of fashion, including L’art de la Mode and Dior for ever.

An exclusive homage to – and retrospective of – the iconic fashion designer's couture accessories

'One can never overstate the importance of accessories. They are what turns a dress into something else. I like dresses to be sober and accessories to be wild', Yves Saint Laurent, 1977.

Yves Saint Laurent Accessories is the first book to date to shed light on the breathtaking accessories created by one of the most influential fashion designers of all time. From his first collection in 1962 to his acclaimed final presentation in 2002, Yves Saint Laurent created exquisite jewellery, hats, shoes, and handbags to complement and enhance each of his couture creations. Beautifully designed, in a small format evocative of a jewellery box, the book offers an unprecedented glimpse into the highly confidential archives of The Yves Saint Laurent Foundation in Paris, which is home to over 20,000 remarkable accessories.

The book features specially commissioned photography of the accessories alongside a treasure trove of rare materials including preparatory sketches, intimate portraits of Saint Laurent at work, behind-the-scenes snapshots of models, catwalk photographs, and advertising campaigns. Yves Saint Laurent Accessories introduces readers to a prominent yet rarely seen side of Saint Laurent's art, leading them backstage and through the history of a house that helped to shape the course of fashion.

About the Author:

Patrick Mauriès is a French writer, editor, and journalist. He has written over forty titles, including books on Christian Lacroix, Karl Lagerfeld, Yves Saint Laurent, Jean-Paul Goude, and Chanel. He is a regular contributor to Vogue, Purple Magazine, AD, and The World of Interiors.