Монографії та збірки робіт відомих архітекторів

Richard Meier, Architect: Volume 5 comprehensively documents Meier’s work since 2004. 

This extensively illustrated presentation vividly conveys the purity and power of Meier’s vision. Thirty residential, commercial, and civic projects are featured, including the Ara Pacis Museum in Rome, the Burda Collection Museum and Arp Museum in Germany, San Jose City Hall, the Broad Art Center at UCLA, apartment towers in Manhattan and Brooklyn, and master plans for Newark, New Jersey, and Manhattan’s East Side. 

Richard Meier received his architectural training at Cornell University and began his career in the early 1960s designing private residential projects whose elegant modernist style and white facades have become icons of modern architecture. 
Since that time, his international practice has included museums, courthouses, city halls, corporate headquarters, educational facilities, and public housing, in addition to private houses. 

He has received numerous awards for his work, including the Pritzker Prize for Architecture and the Gold Medal of the American Institute of Architects.

About the Author

Kenneth Frampton is the author of numerous volumes, essays, and articles of architectural criticism and theory, including, for Rizzoli, American Masterworks. He is the Ware Professor of Architecture at Columbia University. 

Paul Goldberger is an architecture critic for The New Yorker magazine and has won the Pulitzer Prize for his work at The New York Times. He holds the Joseph Urban Chair in Design and Architecture at the New School in New York.

This new title in the Modern Masters series is dedicated to the distinguished American architect and includes an introductory essay by Kenneth Frampton, one of the most prestigious names in the field of architecture history. This complete monograph presents 89 of Meier’s buildings, documenting the principal stages of Meier’s career in chronological order, from his early private homes and residential buildings—such as the two large complexes of Twin Parks, Bronx, New York and the Bronx Development Center—to recent major projects in the United States and in several European countries, including Italy. Among the well-known works in this volume are the Getty Center in Los Angeles, the Barcelona Museum of Contemporary Art and the church of Dives in Misericordia, Rome. In the early 1970s, Meier was one of the “New York Five,” an informal group of East Coast architects who shared a preference for new and original contributions to the modern tradition and shaped an alternative to the “gray” architecture that dominated highrise East Coast buildings at the time.

82 colour and 107 b/w illustrations

From the second half of the sixties the rise and consolidation, and more in general the creative career, of Richard Meier has been characterised by slow but steady reflection on modernity, its matrix and the possibility that it can be considered, even today, as a means of regeneration.
A positive obsession, marked by admirable persistence within an overall picture that is very heterogeneous and often confused.
This book attempts to clarify matters regarding the works and projects created over the last decade, mature works that also mark the definitive consecration of Meier as one of the masters of contemporary North American architecture and of the international scene in general.
These reflections on a modernism that is both solar and the conceptual child of abstract culture are superimposed on thoughts about contemporary cities and landscapes and easily lead us to many recent works such as the large complex of the Getty Center in Los Angeles or the museums for the Ara Pacis in Rome and contemporary art museum in Barcelona.
A project development that above all favours great public works creating the opportunity to give a definition to what imagining a collective space means and what a monument is in contemporary terms.
The recently church for the Jubilee in Rome, from this point of view, shows how it is still possible to unite considerations on the modernity of an architectural work with its deep relationship with the simplicity and emotion of form, light and material.

Born and raised in Vienna, Richard Neutra (1872-1970) came to America early in his career, settling in California. His influence on post-war architecture is undisputed, the sunny climate and rich landscape being particularly suited to his cool, sleek modern style. Neutra had a keen appreciation for the relationship between people and nature; his trademark plate glass walls and ceilings which turn into deep overhangs have the effect of connecting the indoors with the outdoors. Neutra's ability to incorporate technology, aesthetics, science, and nature into his designs him recognition as one of Modernist architecture`s greatest talents.

About the Series:

Every book in TASCHEN's Basic Architecture Series features:

- approximately 120 images, including photographs, sketches, drawings, and floor plans
- introductory essays exploring the architect's life and work, touching on family and background as well as collaborations with other architects
- the most important works presented in chronological order, with descriptions of client and/or architect wishes as well as construction problems and resolutions
-an appendix including a list of complete or selected works, biography, bibliography, and a map indicating the locations of the architect's most famous buildings

History is the lens through which Robert A.M. Stern and his fifteen design partners envision an architecture for today. Robert A.M. Stern Architects: Buildings and Projects 2010–2014 is the seventh volume in a series that encompasses the breadth of the firm’s work since Stern’s earliest projects in the mid-1960s.

Emphasizing the output of the office over the past five years, this volume covers the most globalized period of practice so far. Featuring profiles of well over 100 designs built domestically and abroad, Robert A.M. Stern Architects: Buildings and Projects 2010–2014 includes significant projects in Asia, from China to India. In the United States, the firm’s educational, cultural, commercial, religious, and residential work continues to broaden its exploration of traditional and contemporary architectural expression.

This volume presents the firm’s continued influence on campuses across the United States, reflecting the position that education holds in its ethic, with new additions to Drexel University in Philadelphia, Wake Forest University in Winston-Salem, North Carolina, and the University of Colorado Boulder. The office also remains key to the ongoing development of its home in New York City, with new residential towers on the High Line and in Greenwich Village.

Пролистать книгу Robert A. M. Stern Architects: Buildings and Projects 2010-2014

Другие книги о творчестве Robert A.M. Stern

Robert A.M. Stern: Houses and Gardens

Robert A.M. Stern: Buildings and Towns

Robert A.M. Stern: Buildings and Projects 1999-2003

Robert A.M. Stern: Buildings and Projects 2004-2009

Robert A. M. Stern Architects: Buildings and Projects 2010-2014

Robert A.M. Stern. On Campus

Evidence: The Work of Robert A. M. Stern Architects

Designs for Living: The Houses of Robert A. M. Stern Architects

In over thirty years of practice, Robert A.M. Stern has developed a distinctive architecture committed to the synthesis of tradition and innovation and, above all, to the creation and enhancement of a meaningful sense of place. This monograph, covering the years 1999–2002, is the fourth in a series on Stern's work. The volume includes more than one hundred projects, including houses and apartments, buildings for cultural institutions and universities, office and commercial structures, government facilities, and designs for products, including fabric and tableware.

Другие книги о творчестве Robert A.M. Stern

Robert A.M. Stern: Buildings and Towns

Robert A.M. Stern: Buildings and Projects 2004-2009

Robert A. M. Stern Architects: Buildings and Projects 2010-2014

Robert A.M. Stern: Houses and Gardens

Robert A.M. Stern. On Campus

Evidence: The Work of Robert A. M. Stern Architects

Designs for Living: The Houses of Robert A. M. Stern Architects

I think that all architecture comes from what went before. And how carefully one hews to precedent or how many liberties one takes, in my view, is part of a larger set of judgments as to what is, or could be called, “appropriate.” Appropriate from every point of view, especially from the site, the cultural expectations of a community and of the specific client. — Robert A. M. Stern

Central to the work of Robert A. M. Stern is a commitment to an architecture that reinterprets the past to serve contemporary life. This monograph, the fifth volume since Stern opened his practice in 1969, explores the application of this principle to a wide range of building types, including libraries, university buildings, cultural centers, offices, towers, and private residences.

Focused on the years 2004 through 2009, an exceptionally productive period for Stern’s firm, this volume includes designs for the Miami Beach, Jacksonville, and Clearwater Public Libraries in Florida, the vast Zubiarte retail complex in Bilbao, Spain, two new residential colleges at Yale University, the widely acclaimed 15 Central Park West condominium in New York, Comcast, a crystalline addition to the Philadelphia skyline, and the George W. Bush Presidential Center in Dallas, Texas.

In a conversation with renowned architecture critic Paul Goldberger, Stern discusses the principles that have guided the firm since its inception, focusing on the collaborative nature of the work and the importance of precedent and context. He also describes his own role as an educator, as dean of the architecture school at Yale University, and his deep interest in the history of architecture, first awakened during his student days at Yale. 

About the Author
Robert A. M. Stern, the principal partner of the architectural practice he founded in 1969, is also dean of the Yale School of Architecture. In addition to monographs on the firm's work, Stern has written a series of books on New York's architecture and urbanism, including New York 1880, New York 1900, New York 1930, and New York 1960.

Projects featured include:

Guild Hall, East Hampton, New York
Miami Beach Library, Miami Beach, Florida
Peter Jay Sharp Boathouse, Swindler Cove Park, Upper Manhattan, New York, New York
Clearwater Public Library, Clearwater, Florida
Zubiarte Retail and Leisure Complex, Bilbao, Spain
Comcast Center, Philadelphia, Pennsylvania
Robinson and Merhige Courthouse, Richmond, Virginia
Baker Library | Bloomberg Center, Harvard Business School, Boston, Massachusetts
American Revolution Center at Valley Forge, Valley Forge, Pennsylvania
Residence at One Central Park, New York, New York
55 West, Las Vegas, Nevada
St. Regis Hotel, Bal Harbor, Florida
Fifteen Central Park West, New York, New York
Wasserstein Hall, Caspersen Student Center, and Clinical Wing, Harvard Law School, Cambridge, Massachusetts
Museum for African Art, Museum Mile, New York, New York
International Quilt Study Center and Museum, University of Nebraska, Lincoln, Lincoln, Nebraska
The Mansion on Peachtree, Atlanta, Georgia
Four Seasons Downtown, Hotel and Private Residences at 30 Park Place, New York, New York
Tour Carpe Diem, La Défense, Courbevoie, France
Classical Opera and Ballet Theater, Astana, Kazakhstan
George W. Bush Presidential Center, Southern Methodist University, Dallas, Texas
New Residential Colleges, Yale University, New Haven, Connecticut

Другие книги о творчестве Robert A.M. Stern

Robert A.M. Stern: Buildings and Towns

Robert A.M. Stern: Buildings and Projects 1999-2003

Robert A. M. Stern Architects: Buildings and Projects 2010-2014

Robert A.M. Stern: Houses and Gardens

Robert A.M. Stern. On Campus

Evidence: The Work of Robert A. M. Stern Architects

Designs for Living: The Houses of Robert A. M. Stern Architects

Central to the work of Robert A. M. Stern is a commitment to architecture that reinterprets the past to serve contemporary life. Buildings and Towns explores the application of that principle to a wide range of building types, including libraries, university buildings, cultural centers, offices, health care facilities, courthouses, and recreational complexes completed throughout the world over the past twenty years. The sequel to the highly successful Robert A. M. Stern: Buildings (1996), this volume also incorporates master plans for towns and campuses.

Among the sixty-five featured projects are the Miami Beach Public Library, the new campus for the Darden School of Business at the University of Virginia, multiple projects for Disney including the Ambassador Hotel in Japan, and a range of apartment towers culminating with 15 Central Park West, the largest residential structure in New York City, opening in fall 2007.

Другие книги о творчестве Robert A.M. Stern

Robert A.M. Stern: Buildings and Projects 1999-2003

Robert A.M. Stern: Buildings and Projects 2004-2009

Robert A. M. Stern Architects: Buildings and Projects 2010-2014

Robert A.M. Stern: Houses and Gardens

Robert A.M. Stern. On Campus

Evidence: The Work of Robert A. M. Stern Architects

Designs for Living: The Houses of Robert A. M. Stern Architects

Robert A. M. Stern is dedicated to the synthesis of tradition and innovation. In more than thirty-five years of practice, he has produced a wide range of building types with a variety of stylistic influences, all inspired by the great legacy of American architecture. His firm, Robert A. M. Stern Architects, was first recognized for its distinguished houses, and residential design remains the cornerstone of the practice. This beautifully illustrated monograph - a companion to the best-selling Robert A. M. Stern: Houses - presents twenty-six of the firm's most memorable houses.

Located in diverse settings across North America - from a valley in Colorado with sweeping views of the Aspen mountains to a bluff overlooking Long Island Sound to an island off the coast of British Columbia - these remarkable houses reveal the architect's emphasis on the importance of context and his dedication to exploring the nature of space. Each house invokes the vernacular architectural heritage particular to its region while gracefully reflecting its unique natural surroundings. Whether they are Shingle Style "cottages" by the sea, colonial Georgian country estates, or elegant Regency designs, Stern's houses are unique both for their timelessness and their ability to evoke a conversation with the past - a dialogue he believes lies at the heart of architecture.

Другие книги о творчестве Robert A.M. Stern

Robert A.M. Stern: Buildings and Towns

Robert A.M. Stern: Buildings and Projects 1999-2003

Robert A.M. Stern: Buildings and Projects 2004-2009

Robert A. M. Stern Architects: Buildings and Projects 2010-2014

Robert A.M. Stern. On Campus

Evidence: The Work of Robert A. M. Stern Architects

Designs for Living: The Houses of Robert A. M. Stern Architects

Приголомшлива колекція з дванадцяти визначних проектів Роберта Кайма, починаючи від Блумсбері до Багамських островів, від ірландської сільської місцевості до глибини Франції. Чудові, спеціально замовлені фотографії Тесси Трегер супроводжуються текстом, який поєднує в собі ґрунтовні описи рішень та викликів, пов'язаних з кожним проектом, з розповіддю про те, як цей найкультурніший з дизайнерів розвивав своє бачення. З передмовою Його Королівської Високості Принца Уельського, це вичерпна книга про Роберта Кайма, одного з найшанованіших та найвпливовіших англійських дизайнерів сучасності.

Про авторів:

Колишній учитель і давній друг Роберта Кайма, Алістер Ленглендс, тісно співпрацював з Робертом, його друзями та клієнтами, щоб запропонувати багату та нюансовану картину його досягнень як дизайнера.

Тесса Трегер — одна з видатних фотографів свого покоління і широко визнана тим, що підняла тему фотографічного натюрморту з їжею до статусу мистецтва. Тесса Трегер здобула освіту в Школі фотографії та образотворчого мистецтва Гілдфорда, а з 1960-х років працювала в студії Rossetti Studios у Челсі, Лондон. Вона особливо відома своїми натюрмортами, зробленими на великоформатні камери, багато з яких були опубліковані під час її тривалої співпраці з британським Vogue. Вона регулярно виставляється з 1978 року, а її роботи представлені в Національній портретній галереї, Музеї Вікторії та Альберта в Лондоні, Національній бібліотеці в Парижі та Метрополітен-музеї в Нью-Йорку. Її книга «Лабіринт садівника» була написана Патріком Кінмонтом і видана видавництвом Edward Booth-Clibborn Editions англійською, німецькою та голландською мовами. Книга Voices of the Vivarais, яка підтримала її персональну виставку в галереї Purdy Hicks у червні 2010 року, здобула премію «Фотографічна книга» на British Book Design and Production Awards 2010.

Over the last 10 years, Rome has initiated an extensive process of urban transformation involving important changes in both the city s centre and suburbs. The MenoèPiù competition proposes a system of new parks, squares, schools and buildings in the new periphery. With the participation of several architects from Italy and the rest of Europe, new urban settings and future architectures mark a strategy for the capital's transformation. This book presents 12 of the best projects, including 5+1AA, Labics, Ricci&Spaini, Actar/Nabito, Gianfriddo, Grafton, ecc.

Since founding RoTo Architecture in 1991, Michael Rotondi and Clark Stevens have demonstrated that the applications of vibrant avant-garde style can be both wide-ranging and successful.

The presumptive post-Frank Gehry flag bearer of L.A. modernism, Roto has earned international recognition for its expertise in community planning in rural areas, city parks, and on campuses. Featuring essays by architecture critic Mildred Friedman and design theorist Michael Benedikt, RoTo Architecture illustrates the breadth and depth of the firm's commissions, including a memorial for the L.A. Fire Department, an experimental theater complex in La Jolla, California, a large Buddhist stupa in Santa Cruz, California, and a city planning project in Louisville, Kentucky, where a seventy-acre industrial site was transformed into an extension of the city's center.

RoTo Architecture is a testament to the grace and imagination with which Rotondi consistently meets his disparate clients' demand for cutting-edge designs that are sound and skillful.

Roy Lichtenstein in His Studio is a portfolio of vivid and engaging photographs by Laurie Lambrecht, who was an administrative assistant to Lichtenstein for three years. She and the artist worked together daily, and the bond between them is evident in the photographs. Lichtenstein is shown working on two major series, Reflections and The Interiors. He is completely absorbed, oblivious to the camera, as he mounts ladders, assembles colors, composes, and steps back to consider the effect.

During this period Lambrecht assisted in gathering material for a major retrospective at the Guggenheim Museum in New York. As a result, the photographs include scrapbooks and sketchbooks and other archival material that document Lichtenstein’s entire career. There are stencils of Ben-Day dots, clippings from newspapers and comic books, Polaroid snapshots, rolls of tape, and boxes of colored pencils.

Lichtenstein encouraged Lambrecht to make photographs and was often pleased and amused by the results. These images offer fascinating insight into Lichtenstein’s working processes and source materials, as well as being vibrant works of art in their own right.

In her essay Dorothy Lichtenstein, wife of the artist, recalls the collegial atmosphere of the studios in New York and Southampton in the early 1990s, a time of extraordinary productivity. Edward Robinson, an associate curator at the Los Angeles County Museum of Art, describes Lambrecht’s process and approach.Roy Lichtenstein in His Studio is a portfolio of vivid and engaging photographs by Laurie Lambrecht, who was an administrative assistant to Lichtenstein for three years. She and the artist worked together daily, and the bond between them is evident in the photographs. Lichtenstein is shown working on two major series, Reflections and The Interiors. He is completely absorbed, oblivious to the camera, as he mounts ladders, assembles colors, composes, and steps back to consider the effect.

During this period Lambrecht assisted in gathering material for a major retrospective at the Guggenheim Museum in New York. As a result, the photographs include scrapbooks and sketchbooks and other archival material that document Lichtenstein’s entire career. There are stencils of Ben-Day dots, clippings from newspapers and comic books, Polaroid snapshots, rolls of tape, and boxes of colored pencils.

Lichtenstein encouraged Lambrecht to make photographs and was often pleased and amused by the results. These images offer fascinating insight into Lichtenstein’s working processes and source materials, as well as being vibrant works of art in their own right.

In her essay Dorothy Lichtenstein, wife of the artist, recalls the collegial atmosphere of the studios in New York and Southampton in the early 1990s, a time of extraordinary productivity. Edward Robinson, an associate curator at the Los Angeles County Museum of Art, describes Lambrecht’s process and approach.