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New in paperback, The Typography Workbook provides an at-a-glance reference book for designers on all aspects of type.

The book is part of Rockport's popular Workbook series of practical and inspirational workbooks that cover all the fundamental areas of the graphic design business. This book presents an abundance of information on type - the cornerstone of graphic design - succinctly and to the point, so that designers can get the information they need quickly and easily.

Whereas many other books on type are either very technical or showcase oriented, this book offers ideas and inspiration through hundreds of real-life projects showing successful, well-crafted usage of type. The book also offers a variety of other content, including choosing fonts, sizes, and colors; incorporating text and illustrations; avoiding common mistakes in text usage; and teaching rules by which to live (and work) by.

About the Author:

Timothy Samara is a graphic designer based in New York City, where he divides his time between teaching, writing, lecturing, and consulting through STIM Visual Communication. His 18-year career in branding and information design has explored projects in print, packaging, environments, user interface design, and animation. He has been a senior art director at Ruder Finn, New York's largest public relations firm, and senior art director at Pettistudio, a small multidisciplinary design firm. Before relocating to Manhattan, he was principal of Physiologic in Syracuse, located in upstate New York. In 1990, he graduated a Trustee Scholar from the Graphic Design program at the University of the Arts, Philadelphia. Mr. Samara is a faculty member at New York's School of Visual Arts, New York University, Purchase College/SUNY, and The New School, and has published six books on design and typography, all through Rockport Publishers: Making and Breaking the Grid; Typography Workbook; Publication Design Workbook; Type Style Finder; Design Elements, Design Evolution, and, most recently, Letterforms, released in September, 2018. Mr. Samara and his partner live in the Williamsburg neighbourhood of Brooklyn.

The first comprehensive book on the work of Jun Takahashi of UNDERCOVER, an icon of Harajuku streetwear and the presumptive heir to the heavy mantle of Japanese deconstruction. Takahashi Jun’s fashion is not born out of an excessively intellectualized agenda. While not quite populist, his generative influences are instead romantic — even gothic. A fixture of the Paris collections for more than ten years — plus seventeen uninterrupted seasons in Tokyo prior to that — Takahashi’s life’s work confirms a maturation from self-conscious artifice and rebel pastiche to a steely, withering elegance all his own. Hailing from Gunma Prefecture like his friend NIGO® of *A Bathing Ape®, Takahashi’s long association with the undisputed king of Ura-Harajuku in the early 1990s is now the stuff of local fashion lore. But Takahashi would blaze an entirely different path to legend and notoriety. The violent rending and hasty reassembly that characterized his early work, its calculated imperfections and sutured seams, have given way to collections that he himself now calls "sexy and feminine." UNDERCOVER is insightfully curated with fashion-filled chapters devoted to Takahashi’s sketches, graphic work, collaborations, and most innovative designs to date. Lavishly illustrated with more than 200 photographs and in-depth essays by fashion writers, curators, and colleagues, this book gives readers first-time access into Takahashi’s UNDERCOVER, one of the most desired and multidimensional clothing lines in contemporary fashion.

About the Author:

Jun Takahashi is the founder of UNDERCOVER, a label he started in 1990. Suzy Menkes is a British journalist and fashion critic.

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Understanding Jewellery is a comprehensive guide to 19th and 20th Century jewellery. From the methods used to identify and date pieces, to the factors that can affect their value, this volume contains an abundance of expertise relating to precious stones and metals. With almost 1000 magnificent colour illustrations accompanied by straightforward but thorough explanations, this publication offers a richer and more accessible reading experience than traditional text-dominated books.

Including introductions to precious and semi-precious stones, and details of the stylistic developments of jewellery over the last 200 years, this volume is a standard work of reference and aninvaluable tool for collectors and dealers alike.

- Brings together in one volume identification and dating of jewellery made in the last 200 years
- Almost 1,000 superb colour illustrations to help facilitate identification and understanding
- Written in straightforward, non-technical English
- A standard work of reference

About the Authors:

David Bennett is the Worldwide Chairman of Sotheby’s International Jewellery Division and the Chairman of Sotheby’s Switzerland. He has sold four out of the five most expensive jewels in auction history. Having worked as an auctioneer at the firm since 1978, Bennett is renowned internationally as an authority on jewellery. He played a key role in numerous illustrious sales, such as the ‘Jewels of the Duchess of Windsor’ (1987), a tiara from the Collection of Princess Katharina Henckel von Donnersmarck (2011) and Henry IV of France’s Beau Sancy (2012).

Daniela Mascetti is Sotheby’s Chairman of Jewellery in Europe. She joined Sotheby’s in 1980, opening the firm’s Milan-based department. She is one of Sotheby’s most experienced scholars in the history of jewellery, and has collaborated extensively in the sales of historic collections. Her research has assisted with several notable auctions, from The Jewels of the Duchess of Windsor to the collections of Elton John and Gina Lollobrigida.

Understanding Jewellery, by authors David Bennett and Daniela Mascetti, is often described as the must-have jewellery book of our time – a ‘Bible’ in the jewellery trade. First published in 1989, it has remained in print ever since, amassing a loyal following of devotees who admire its detailed information and stunning imagery.

In this new work, Bennett and Mascetti have taken the original concept of Understanding Jewellery a stage further. Now, with the benefit of 20 years of hindsight, they have concentrated on the 20th century alone by conducting a detailed survey of each decade, identifying the key players, trends and movements. The book is an encyclopedic history of the various forms, techniques and materials employed by the companies and individuals who defined jewellery in the 20th century.

Most significantly, this book includes a new set of photographs, which make Understanding Jewellery: The Twentieth Century one of the most dazzling, absorbing and varied collections of jewellery images ever assembled in a book. This large format hardback volume is a perfect gift for all lovers of jewellery and the definitive guide for those who desire a deeper understanding of the subject. 

About the Authors:

David Bennett is the Worldwide Chairman of Sotheby’s International Jewellery Division and the Chairman of Sotheby’s Switzerland. He has sold four out of the five most expensive jewels in auction history. Having worked as an auctioneer at the firm since 1978, Bennett is renowned internationally as an authority on jewellery. He played a key role in numerous illustrious sales, such as the ‘Jewels of the Duchess of Windsor’ (1987), a tiara from the Collection of Princess Katharina Henckel von Donnersmarck (2011) and Henry IV of France’s Beau Sancy (2012).

Daniela Mascetti is Sotheby’s Chairman of Jewellery in Europe. She joined Sotheby’s in 1980, opening the firm’s Milan-based department. She is one of Sotheby’s most experienced scholars in the history of jewellery, and has collaborated extensively in the sales of historic collections. Her research has assisted with several notable auctions, from The Jewels of the Duchess of Windsor to the collections of Elton John and Gina Lollobrigida.

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Пролистать книгу Understanding Jewellery: The 20th Century

From camisoles to corsets, basques to boudoir caps and girdles to garters, Underwear: Fashion in Detail gets up close to some of the most intimate items in the V&A. The book traces the evolution of underwear, from rare examples dating from the sixteenth century and the exaggerated shapes of eighteenth-century courtly undergarments, to Dior's curvaceous 'New Look' girdles to contemporary lingerie by Agent Provocateur and Rigby and Peller. Meticulous colour photography shows these fascinating garments in close detail, while intricate line drawings reveal their construction. The book also highlights the work of designers such as Vionnet and Westwood, who have taken influence from underwear for their own outerwear creations.

About the Author:

Eleri Lynn has managed the refurbishment of the V&A's Fashion Gallery and the new Clothworkers' Centre for the Study and Conservation of Textiles and Fashion at Blythe House. She is curator of the V&A exhibition, Undressed: 350 Years of Underwear in Fashion, was assistant curator of The Golden Age of Couture (V&A 2007) and co-coordinator of V&A's Fashion in Motion series of live catwalk events.

This expanded and revised version of the best-selling Universal Methods of Design is a comprehensive reference that provides a thorough and critical presentation of 125 research methods, synthesis/analysis techniques, and research deliverables for human-centred design.

The text and accompanying photos and graphics of this classic resource are delivered in a concise and accessible format perfect for designers, educators, and students. This new, expanded edition includes updated information on scenarios, secondary research, territory maps, and other chapters. The addition of 25 new chapters brings fresh relevance to the text with innovative design methods that have emerged since the first edition, such as backcasting, behavioural design, horizon scanning, and transition design.

​Universal Methods of Design, Expanded and Revised distils each method down to its essence, in a format that helps design teams select and implement the most credible research methods suited to their design culture. Each method is presented in a two-page format. The left-hand page contains a concise description of the method, accompanied by references to further reading. On the right-hand page, images and case studies for each method are presented visually. The relevant phases for design application are highlighted as numbered icons along the right side of the page, from phases 1 (planning, scoping, and definition) through 5 (launch and monitor).

Build more meaningful products with these methods and more: Affinity Diagramming, Behavioral Mapping, Bodystorming, Contextual Design, Critical Incident Design, Directed Storytelling, Empathy Maps, Graffiti Walls, Image Boards, Parallel Prototyping, Simulation Exercises, Touchstone Tours, and Weighted Matrix.

This essential guide:

- Dismantles the myth that user research methods are complicated, expensive, and time-consuming
- Creates a shared meaning for cross-disciplinary teams
- Illustrates methods with compelling visualizations and case studies
- Characterizes each method at a glance
- Indicates when methods are best employed to help prioritize appropriate design research strategies

Universal Methods of Design, Expanded and Revised is an essential resource for designers of all levels and specializations.

About the Authors:

Bruce Hanington is a professor and head of the School of Design at Carnegie Mellon University in Pittsburgh, Pennsylvania. Prior to this, he was director of graduate studies, and program chair of industrial design. Bruce has dedicated his teaching and research to methods and practices for human-centred design, with an emphasis on design ethnography, participatory design, and the meaning of form in context. In addition to working with industry partners through collaborative projects and executive education, his work has been published in Design Issues, The Design Journal, and Interactions, with chapters in Affective Sciences in Human Factors and Human-Computer Interaction and The Routledge Handbook of Sustainable Design.

Bella Martin is a Lead User Experience Researcher in Atlanta, Georgia. After contributing to award-winning design projects for Microsoft Research, the U.S. Postal Service, GlaxoSmithKline, and Allstate Financial, she now invests much of her time working with organizations who are new to the methods of user-centred research, but eager to give their users a voice in the design process. Bella holds a Master of Design from Carnegie Mellon University, where she first began her ongoing work in visualizing user-centred research methods.

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Пролистать книгу Universal Methods of Design Expanded and Revised: 125 Ways to Research Complex Problems, Develop Innovative Ideas, and Design Effective Solutions на Google  Books.

Universal Principles of Branding is a concise, visual introduction to 100 of the most fundamental elements of branding. 

Universal Principles of Branding presents 100 concepts, theories, and guidelines that are critical for defining, building, and delivering brands today.

Richly illustrated and easy to navigate, this comprehensive reference pairs clear one-page explanations of each principle with visual examples of it applied in practice on the facing page. By considering these concepts and examples, you can learn to make more informed, and ultimately better, branding decisions.

Featured principles are as diverse as:

- Authenticity
- Social Responsibility
- World Building
- atekeepers
- Rituals and routine

Each principle is presented in a two-page format. The left-hand page contains a succinct definition, a full description of the principle, examples of its use, and guidelines for use. Sidenotes appear to the right of the text, and provide elaborations and references. The right-hand page contains visual examples and related graphics to support a deeper understanding of the principle.

The titles in the Rockport Universal series offer comprehensive and authoritative information and edifying and inspiring visual examples on multidisciplinary subjects for designers, architects, engineers, students, and anyone who is interested in expanding and enriching their design knowledge. 

About the Author:

Mark Kingsley is a creative director and strategist with a wide range of experience and recognition. He is a faculty member in the School of Visual Arts Masters in Branding program and currently holds the endowed Melbert B. Cary Professorship in Graphic Arts at the Rochester Institute of Technology.  As Executive Strategy Director at Collins, he developed the new global positioning for Ogilvy and helped Equinox enter the luxury hotel business. For over 17 years, his studio Greenberg Kingsley specialized in music and arts, including several years of branding and advertising for Central Park Summer Stage; work for the Guggenheim Museum store; and music packaging for John Coltrane, Pat Metheny, and Quincy Jones. His current studio, Malcontent, serves global advertising firms, fin-tech startups, arts organizations, living legends, and Pulitzer Prize winners.

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Пролистать книгу Universal Principles of Branding: 100 Key Concepts for Defining, Building, and Delivering Brands на Google Books.

Universal Principles of Color is an in-depth introduction to color and its myriad applications, presenting 100 elements, theories, innovative ideas, and effective uses and solutions.

A comprehensive, cross-disciplinary overview of color, Universal Principles of Color presents 100 core concepts and guidelines that are critical to a successful use of color. Richly illustrated and easy to navigate, it pairs clear explanations of every topic with visual examples of it applied in theory and in practice.

The book is organized alphabetically so that principles can be easily and quickly referenced. For those interested in addressing a specific color challenge or application problem, the principles are also indexed by pathways based on nine topics of color study ranging from science, art and design, and industry. "

Each principle is presented in a two-page format:

- The left-hand page contains a succinct definition, a full description of the principle, and examples of and guidelines for its use. Side notes, which appear to the right of the text, provide elaborations and references.
- The right-hand page contains visual examples and related graphics to support a deeper understanding of the principle.

Whether in a branding campaign or a healthcare facility, a product’s packaging or a software user interface, the color we see is the culmination of many concepts and practices brought together from a variety of disciplines to increase appeal, influence perception, and enhance usability.

By considering these concepts and examples, you can learn to make more informed and ultimately better color decisions. This landmark reference is the standard for designers, engineers, architects, and students who seek to broaden and improve their understanding of and expertise in color.

The titles in the Rockport Universal series offer comprehensive and authoritative information and edifying and inspiring visual examples on multidisciplinary subjects for designers, architects, engineers, students, and anyone who is interested in expanding and enriching their design knowledge.

About the Authors:

Stephen Westland is Professor of Color Science and Technology in the School of Design at the University of Leeds (UK). He was previously Head of the School of Design at Leeds (2006-2013). His research interests are color design, color vision and color measurement and he has published over 250 peer-reviewed papers, book chapters and books about these topics. He is a Fellow of the Society of Dyers and Colourists and was President of the Society in 2019. In 2008 he was awarded the Davies Medal from the Royal Photographic Society (London) for his color research. He has won numerous research grants from both government and industry and has recently worked with AkzoNobel, Colgate and Unilever on color-related projects. He holds several visiting professorships including at the University of Texas (USA) and Huazhong University of Science and Technology in Wuhan (China). 

Maggie Maggio is a designer, artist and art educator who has studied, taught, and worked with color for over forty years. Her personal explorations into the science of light and pigments led to the creation of workshops for artists and designers who want to incorporate the latest research in color science into their creative practice. As a member of the Board of Directors of the US Inter-Society Color Council (ISCC) and co-chair of the International Color Association Study Group on Color Education, Maggie focuses on bridging between the art, science and industry of color and advancing color literacy for the 21st century. She is the current chair of the Joint International Color Association/ISCC Color Literacy Project advocating for the integration of art and science in color education programs worldwide.

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Пролистать книгу Universal Principles of Color: 100 Key Concepts for Understanding, Analyzing, and Working with Color на Google Books.

Universal Principles of Design, Updated and Expanded Third Edition is a comprehensive, cross-disciplinary encyclopedia, now with fully updated existing entries and expanded with 75 new entries to present a total of 200 laws, guidelines, and considerations that are important to successful design.

Richly illustrated and easy to navigate, this essential design guide pairs clear explanations of every design concept with visual examples of the ideas applied in practice.

Whether a marketing campaign or a museum exhibit, a video game or a complex control system, the design we see is the culmination of many concepts and practices brought together from a variety of disciplines. Because no one can be an expert on everything, designers have always had to scramble to find the information and know-how required to make a design work — until now.

Each principle is presented in a two-page format. The left-hand page contains a succinct definition and a full description of the principle, examples of and guidelines for its use, and side notes that provide elaborations and references. The right-hand page contains visual examples and related graphics to support a deeper understanding of the principle.

The book is organized alphabetically so that principles can be easily and quickly referenced by name. From the Abbe Principle to the Zeigarnick Effect, every major design concept is defined and illustrated, including these new additions:

- Feature creep
- Gamification
- Root cause
- Social trap
- Supernormal stimulus

A landmark reference for designers, engineers, architects, and students, Universal Principles of Design has become the standard for anyone seeking to broaden and improve their design expertise, explore brainstorming ideas, and improve the quality of their design work.

The titles in the Rockport Universal series offer comprehensive and authoritative information and edifying and inspiring visual examples on multidisciplinary subjects for designers, architects, engineers, students, and anyone who is interested in expanding and enriching their design knowledge.

About the Authors:

William Lidwell is the Chief R&D Officer at Avenues: The World School, where he leads teams tasked with conducting research in education and the learning sciences; the development of new educational curricula, programming, and technologies; and the architecture and design of new campuses around the world. The co-author of Universal Principles of Design and The Pocket Universal Principles of Design, he has written other books in a variety of disciplines, including design, education, and management. His online lectures on the psychology of color are available at TheGreatCourses.com, and his online courses on the universal principles of design and logo design are available at LinkedInLearning.com. He lives in Houston, Texas.

Kritina Holden is a Human Factors Technical Fellow with Leidos at the NASA Johnson Space Center. She has over thirty years of experience working in the area of Human Factors, with a focus on human-computer interaction (HCI), human-centered design, and usability. She has served as Principal Investigator for several NASA-funded research efforts, including studies onboard the International Space Station. She is also a subject-matter expert for all of the major spaceflight programs. Tina received her Ph.D. in Engineering Psychology from Rice University. She lives in Houston, Texas.

Jill Butler is the founder and president of Stuff Creators Design, an interaction design consultancy. She has over twenty years of experience designing, teaching, and consulting in the areas of graphic design, information design, and typography. She has designed covers, layouts, and typography for more than a hundred published novels and children's books, and more websites than she can count. Her current focus is the UI/UX design of global online K-12 learning systems. Her online courses on the universal principles of design and typography are available at LinkedInLearning.com. She lives in Houston, Texas.

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Пролистать книгу Universal Principles of Design: 200 Ways to Increase Appeal, Enhance Usability, Influence Perception, and Make Better Design Decisions, Updated and Expanded Third Edition на Google Books.

Master the art of user experience design through the 100 laws, guidelines, human biases, and general considerations in this comprehensive, cross-disciplinary encyclopedia.

Richly illustrated and easy to navigate, Universal Principles of UX pairs clear explanations of each concept with visual examples of the ideas applied in practice. The book is organized into six broad categories:

- Consider
- Empathize
- Define
- Research
- Design
- Validate

And, features principles as diverse as:

- Design is not neutral
- Make the choice easy
- Some complexity cannot be reduced
- Map the ecosystem
- So you think you can scroll
- Don’t grade your own homework

User Experience is a field notable for its expansiveness, complexity and persistent evolution. This book is not a chronological retelling of the history of user experience design. It is also not a technical how-to book that will show you how to become a perfect user experience designer one step at a time. It's a philosophical anthology of case studies, situations, problems, and contradictions encountered across more than fifteen years of working on real-world client projects that will teach you how to think, rather than tell you what to do. 

Each principle is presented in a two-page format. The left-hand page contains a succinct definition, a full description of the principle, examples of its use, and guidelines for use. Sidenotes appear to the right of the text, and provide elaborations and references. The right-hand page contains visual examples and related graphics to support a deeper understanding of the principle.

This landmark reference is the standard for designers, engineers, managers, and students who seek to broaden and improve their user experience design expertise.

The titles in the Rockport Universal series offer comprehensive and authoritative information and edifying and inspiring visual examples on multidisciplinary subjects for designers, architects, engineers, students, and anyone who is interested in expanding and enriching their design knowledge.

About the Author:

User Experience Director and Designer, Irene Pereyra is responsible for translating business requirements into intuitive interactive solutions. She has led the strategy and UX initiatives for clients including The Met, Wacom, Balenciaga, USA Today, EA, HTC, Google, Nickelodeon, FOX, Verizon, BBC, Red Bull, and many more for both the web and cross-platform applications. Her work has been recognized by Cannes, The Webbys, FWA, Interaction Design Association and The European Design Awards. Irene has been a guest speaker at numerous conferences, such as OFFF and FITC, and taught at prestigious learning institutions like Hyper Island in Sweden, SVA in New York, Elisava in Barcelona, Harbour Space in Barcelona, and the Design Academy in the Netherlands. Her personal projects have been displayed in design conferences and festivals in Amsterdam, Antwerp, Paris, New York, Singapore, and Tegucigualpa. Originally from Amsterdam, she holds a Bachelor’s Degree in Fine Arts from the Art Institute of Atlanta and a Master of Science in Communications Design from Pratt Institute in New York. She currently resides in Barcelona and heads up her design studio, Anton & Irene, together with her creative partner, Anton Repponen.

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Пролистать книгу Universal Principles of UX: 100 Timeless Strategies to Create Positive Interactions between People and Technology на Google Books.

We all engage with digital user experience design and user interfaces every day - if you are reading this on an e-commerce platform then you are doing it right now. This is an invaluable introduction for designers and creatives on how to create successful digital environments for users.

The discipline of graphic design is increasingly carried out in the virtual sphere, with a greater emphasis on user interaction and user experience than ever before. This book takes students through the crucial stages and skills that are needed for creating successful interactive digital environments, including:

- Data collection
- User analysis
- Testing
- Creating valid content
- Design for different devices and platforms
- Prototyping and visualization

Visual examples range from screen shots to diagrams and physical prototypes, while case studies featuring digital agencies and creatives from around the world show how they approach each project.

About the Author:

Mark Wells is a Senior Lecturer at University of Brighton. He specializes in interactive design.

Spanning four centuries, the V&A's Fashion Collection is the most comprehensive in the world, housing unrivalled collections of dress, accessories, shoes and hats from the seventeenth century to the present day. This thoroughly revised and redesigned edition shows the collection, from rare eighteenth-century gowns and exquisite bodices to 1930s evening wear, post-war couture, and show-stopping ensembles by contemporary designers. Among the designers featured are Charles Frederick Worth, Madeleine Vionnet, Coco Chanel, Cristobal Balenciaga, Christian Dior, Mary Quant, Stephen Jones, Vivienne Westwood, and Alexander McQueen.

About the Authors:

Claire Wilcox is Senior Curator in the Department of Furniture, Textiles & Fashion at the V&A and Professor in Fashion Curation at the London College of Fashion, University of the Arts London. She has curated many exhibitions including Vivienne Westwood (2004) and The Golden Age of Couture (2007) and co-curated Alexander McQueen: Savage Beauty (2014). Jenny Lister is a Curator of Textiles and Fashion at the V&A. She co-curated the V&A exhibitions Swinging Sixties and Grace Kelly Style and co-edited the accompanying books.

These beautiful postcards have been selected from the bestselling V&A Pattern titles. 

Drawing on designs intended for textiles, wallpaper, fashion and furnishing, this richly varied collection is a resource for artists, designers and students, as well as a charming addition to the design fan's stationery collection. Presented in a colourful presentation box, these beautifully printed patterns range from the intricate floral motifs of William Morris and C.F.A. Voysey to the wit and vibrancy of Pop era design; from the cool restraint of Fifties textile design to the iconic designs of Liberty & Co. 

A desirable gift and a surprising trove of design inspiration, this postcard collection is the perfect introduction to the V&A's design collections.

About the Artist:

William Morris - textile designer, writer and social pioneer, William Morris and his work have long been associated with the V&A. In 1865, his company was commissioned to design the West Dining Room at the museum, which features early examples of a number of the organic patterns that would make his name. Born in Walthamstow in 1836, Morris was captivated by nature from childhood, spending much of his time exploring Epping Forest and the surrounding countryside. These themes informed much of his textile design, and his mastery of pattern ensured an enduring appeal.

V&A Pattern: William Morris highlights both popular and lesser-known patterns designs by the most famous designer of the Arts and Crafts Movement.

A source of inspiration for designers from William Morris to Alexander McQueen, the V&A holds over three million designs for textiles, decorations, wallpapers and prints. Now beautifully re-presented, the bestselling V&A Pattern series invites you to appreciate the work of some of the greatest names and styles in design history, highlighting interesting and imaginative works that are all too rarely seen.

Each pocket-sized book features 66 carefully selected patterns, and has a concise expert introduction, making these an invaluable source of inspiration for creatives – and the perfect gift for pattern-lovers.

Val Garland, the fashion industry’s leading makeup artist, explores her career highlights and the inspiration behind her most memorable work. She talks for the first time about working with cultural icons including Kate Moss, Edward Enninful, Nick Knight, Vivienne Westwood, John Galliano and more.

Structured around key themes from Val’s work, from raw to colour chaos, sexy to savage, the book is packed with campaign and catwalk photography, magazine covers and backstage pictures as well as anecdotes and quotes from leading industry figures. Validated is a must-have for fashion lovers, industry professionals, makeup artists and followers of Val Garland.

About the Author:

Val Garland’s career includes Vivienne Westwood and Alexander McQueen shows, campaigns for Dior, Topshop and Mulberry, and editorials with Vogue US, UK, France and Italy. She is currently L’Oreal Paris Global Makeup Director and contributing beauty editor to British Vogue. This is her first book.