Искусство

This beautifully illustrated revised edition of Dolls’ Houses celebrates some of the best-loved dollhouses from the collection of London’s Victoria and Albert Museum of Childhood (or Young V&A Museum), curated by author Halina Pasierbska.

Featuring specially commissioned photography detailing the astonishing skill and craftsmanship required to create these homes in miniature scale, this book presents a close-up look at the most interesting and historically significant examples of this absorbing craft, including the exquisite Nuremberg House of 1673 to the brightly colored 21st-century Kaleidoscope House.

From lavish country mansions to cozy suburban villas, Dolls’ Houses explores their fascinating roles as both domestic teaching aids and records of contemporary lifestyle, providing unique insights into the world of their owners.

Includes Color Photographs

About the Author:

Halina Pasierbska is former Curator of Dolls' Houses and Toys at the V&A.

The third and final volume of the graphic novel adaptation of Dune, the groundbreaking science-fiction classic by Frank Herbert.

The highly anticipated finale of the graphic novel adaptation of Frank Herbert's 1965 novel Dune comes to an epic conclusion in DUNE: The Graphic Novel, Book 3: The Prophet.

The final battle for Arrakis is swiftly approaching. Paul Atriedes has accepted his role as the leader of the Fremen but knows his power over them teeters on the brink-they will either take back their planet or lead a jihad that will consume the entire cosmos. Lady Jessica has become a Reverend Mother and must balance her support of her son with the expectations of the Bene Gesserit Order. Meanwhile, Baron Harkonnen has continued to groom his cunning nephew, Feyd-Rautha, to rule the desert planet. All their destinies collide in an epic finale that will change Arrakis-and the universe-forever.

Brian Herbert, son of Frank Herbert, and New York Times bestselling author Kevin J. Anderson conclude their faithful adaptation of the novel Dune with Paul's manifestation of his great and terrible purpose. Once more illustrators Raúl Allén and Patricia Martín transport readers to the Dune universe in this visual masterpiece that blends classic science fiction with contemporary comics storytelling.

About the Author:

Frank Herbert (1920–1986) was an American science-fiction writer best known for his novel Dune and its subsequent five sequels. Brian Herbert, the son of Frank Herbert, has written a moving biography of his father, Dreamer of Dune. Brian is also known for his collaborations with author Kevin J. Anderson, with whom he has written multiple sequels and prequels to his father’s landmark 1965 science-fiction novel Dune. Kevin J. Anderson is the author of more than 50 bestsellers. He has written spin-off novels for Star Wars, StarCraft, and the X-Files and, with Brian Herbert, is the co-author of the Dune prequel series. Raúl Allén and Patricia Martín are artists living in Valladolíd, Spain. Allén and Martín have worked for Marvel Comics, Valiant, and DC Comics, with writers such as Matt Fraction, Jeff Lemire, Matt Kindt, and Peter Milligan. Bill Sienkiewicz is an Eisner-winning, Emmy-nominated artist best known for revamping the style of comic and graphic novel illustration, most notably with Marvel Comics and DC Com

The name Fabergé has long been a byword for luxury. Combining an entrepreneurial vision for craftsmanship with innovative material sourcing and technical ability, Carl Fabergé created an astonishing array of bespoke jewelled and enamelled objects at the end of the 19th and beginning of the 20th century.

This beautifully illustrated book explores the history and legacy of the House of Fabergé, from its origins in Russia – and its role in the glamorous world of the Romanovs – to global recognition. Much of the story is familiar, but less well-known is the important part played by the London branch. Opened in 1903, and the only one outside Russia, it became a choice destination for Edwardian high society and an international clientele. Featuring over 120 pieces, from delicate flowers to Imperial Easter eggs, and with contributions from leading experts Fabergé: A Russian Love Affair celebrates the enduring fascination with this master craftsman’s works.

Fabergé in London: Romance to Revolution

This exhibition explores master goldsmith, Carl Fabergé – whose internationally recognised firm symbolised Russian craftsmanship, luxury and elegance – and the Anglo-Russian relationship which saw the opening of a London branch in 1903.

About the Authors:

Kieran McCarthy is the Managing Director at Wartski.

Hanne Faurby is Project Curator of the Fabergé: a Russian Love Affair exhibition at the V&A.

An exclusive insight into glamour of Edo–period society through the medium of 140 exquisite ukiyo-e

This sumptuous book explores the important role that woodblock prints played in the fashionable world of Edo–period Japan (1603–1868). One hundred and forty ukiyo-e (“pictures of the floating world”) offer us a vivid view of the culture of entertainment, style, and glamour that developed in bustling urban centers. Expert curators bring to life the scenes and figures depicted, and highlight the fashions, dress accessories, and hairstyles shown in these colorful and compelling images by artists such as Utagawa Kunisada and Utagawa Hiroshige.

Benefitting from the V&A’s world-leading collection and including many rarely seen prints, this is a fascinating glimpse into an exciting world of celebrity actors, courtesans, kimono retailers, fabric workshops, makeup brands, theatre managers, brothel keepers, and restaurant owners.

About the Authors:

Anna Jackson is Keeper, Asia Department at the V&A. Masami Yamada is Curator, Asia Department at the V&A

The Galleria Borghese brings together an extraordinary collection of ancient and modern sculpture within a beautifully decorated villa. This volume, dedicated to modern sculpture (Late Renaissance to Baroque to Neoclassical), marks the start of a new general catalogue of the collection.

The introduction narrates the history of the collection, from its creation by Cardinal Scipione Borghese in the 17th century to its sale to the Italian Republic at the end of the 19th century. The entries are full of chronological details, new attributions, information on restorations and account for the different historical settings thanks to an accurate study of the inventory records of the villa. They include world-famous masterpieces by Algardi, Bernini and Canova among others. The sale to Napoleon of many of its Antique works of art (now in the Louvre) was key to the Borghese's commission of works of ancient inspiration, the analysis of which animates the pages of another section, based on the concepts of copy and remake.

The catalogue closes with a section on restoration, that gives an account of the fundamental role of 16- to 18th-century sculptors in the maintenance and transformation of the archaeological collection in relation to the villa's display requirements.

Text in Italian.

About the Authors:

Anna Coliva is considered to be among the foremost experts on the history and works of the Galleria Borghese, of which she was for a long time director (1991-2020). Her specialist studies concern in particular Roman and Emilian Mannerism and the 17th century, with particular reference to Bolognese painting and Roman patronage. She has dedicated essays and monographic works to Bernini and Caravaggio. Vittoria Brunetti received her doctorate at the Scuola Normale Superiore of Pisa. She studies Roman Baroque sculpture between 17th and 18th centuries, with a particular focus in portraiture and collecting.

_Iconographic apparatus with high quality images, mainly taken by Luciano Romano.
_Analysis of pieces that have never before been catalogued.
_Unpublished archival research.
_New attributions of several artworks.

Renowned throughout the world as purveyors of beauty, mystery and allure, geisha have come to represent the epitome of Japanese elegance and chic.

The rich 250-year history of these performance artists is vividly presented in this volume, taking the reader behind the mask-like makeup and into both the studios where they train and rehearse and the teahouses where they entertain. Geisha have altered definitions of feminine beauty and identity and are the prevailing icons of Japanese womanhood. Their influence on Japan’s decorative arts is documented by their beautiful kimono and hair ornaments and by the musical instruments and fans they use in their performances.

The contributors to this book, all prominent specialists on Japanese culture, each consider a particular aspect of geisha tradition and aesthetics, from their music and dance to misperceptions of the profession by foreigners, from the portrayal of geisha as recurring characters in the theatre and film to profiles of talented women who choose this life and work today. Illustrated with woodblock prints and paintings as well as historical and contemporary photographs, this groundbreaking study also explores the dynamic tension between image and reality in the art of these exquisite entertainers. 

Geisha: Beyond the Painted Smile is a comprehensive presentation of geisha culture from its origins nearly three centuries ago to contemporary Japan. Disciplined performance artists of supreme grace and beauty, geisha are unique ambassadors of Japan’s traditional culture.

About the Author:

Edited by the Peabody Essex Museum with contributions by Liza Dalby, Lesley Downer, Arthur Golden, Peter M. Grilli, Money L. Hickman, Allen Hockley, and Andrew L. Maske

_Provides a behind-the-scenes look at the life of the geisha, and a comprehensive overview of geisha culture
_With contributions by many specialists on Japanese culture, including best-selling authors Arthur Golden and Liza Dalby
_Illustrated throughout with historical and contemporary photographs, as well as woodblock prints and paintings

The three-dimensional look of today’s visual culture is being shaped by techniques and styles from fine art and handicraft

High Touch is a powerful collection of cutting-edge tactile design. This choice selection of three-dimensional work defines a new visual language for presentation and storytelling. The handicraft and artisanship necessary for the creation of these works appeal to the interdisciplinary mindset of our time and activate more of our senses than standard two-dimensional images ever could.

High Touch documents an inspiring range of material objects and spatial orchestrations that meld crafts including crochet, papercraft, and the design of costumes and masks with the techniques of more traditional art forms such as installation, sculpture, collage, photography, and illustration. The examples featured in the book prove that the scope for this trailblazing work is enormous. Applications include advertising, brand presentations, editorial design, photography, product design, stage design, and scenography, as well as related fields that either exist already or that their creators have yet to invent.

Today’s visual culture is shaped by a vast wealth of influences from diverse styles, cultures, and eras. Handcrafts including crochet, papercraft, and the design of costumes and masks are being melded with the techniques of more traditional art forms such as installation, sculpture, collage, photography, and illustration. 

A new visual language is currently being formed out of the skillful and unusual combination of creative styles, as well as the use of an expanded range of materials and techniques. One of the most striking aspects of today’s visual culture is its handcrafted quality. The recent work of many creatives is characterized by craftsmanship and an intensive, even laborious exploration of the featured techniques, materials, or styles.

High touch is a term used in design theory to describe an accessible, human visuality. The book High Touch is a compilation of current work that is broadening and enriching this definition in a contemporary way. It presents a rich selection of innovative, often handmade design created with the full spectrum of materials and stylistic devices in existence today - all of which also strive to expand this palette of visual possibilities in a meaningful way.

The examples featured in High Touch prove that the scope of application for this trailblazing work is enormous. It includes advertising, brand presentations, photography, product design, stage design, and scenography, as well as related fields that either exist already or that their creators have yet to invent.

One of the most prolific and successful artists of the Golden Age of American Illustration, J. C. Leyendecker captivated audiences throughout the first half of the 20th century. Leyendecker is best known for his creation of the archetype of the fashionable American male with his advertisements for Arrow Collar. These images sold to an eager public the idea of a glamorous lifestyle, the bedrock upon which modern advertising was built. He also was the creator instantly recognizable icons, such as the New Year’s baby and Santa Claus, that are to this day an integral part of the lexicon of Americana and was commissioned to paint more Saturday Evening Post covers than any other artist.

Leyendecker lived for most of his adult life with Charles Beach, the Arrow Collar Man, on whom the stylish men in his artwork were modelled.

The first book about the artist in more than 30 years, J. C. Leyendecker features his masterworks, rare paintings, studies, and other artwork, including the 322 covers he did for the Post. With a revealing text that delves into both his artistic evolution and personal life, J. C. Leyendecker restores this iconic image maker’s rightful position in the pantheon of great American artists.

About the Authors:

Laurence S. Cutler is an architect, author and the chairman and co-founder of the National Museum of American Illustration. Judy Goffman Cutler is an art dealer, author, owner of the American Illustrators Gallery in New York and a co-founder of the National Museum of American Illustration.

In 1868, Japan underwent a dramatic transformation following the overthrow of the shogun by supporters of Emperor Meiji, marking the end of feudal military rule and ushering in a new era of government that promoted modernizing the country and interacting with other nations.

Japanese print culture, which had flourished for more than a century with the production of color woodcuts (the so-called ukiyo-e, or “floating world” images), also changed course during the Meiji era (1868–1912), as societal changes and the once-isolationist country’s new global engagement provided a wealth of new subjects for artists to capture. Featuring selections from the renowned Achenbach Foundation for Graphic Arts’ permanent collection, Japanese Prints in Transition: From the Floating World to the Modern World documents the shift from delicately colored ukiyo-e depictions of actors, courtesans, and scenic views to brightly colored images of Western architecture, modern military warfare, technology (railroad trains, steam-powered ships, telegraph lines), and Victorian fashions and customs.

About the Authors:

Rhiannon Paget is the curator of Asian art at the John & Mabel Ringling Museum of Art in Sarasota, Florida. Karin Breuer is curator in charge of the Achenbach Foundation for Graphic Arts.

A lavishly illustrated history of Japanese screens — limited to 3,000 numbered copies

Japanese screens (byobu, meaning “barrier against the wind”) are made of wooden lattices with two to twelve panels, covered with a paper or fabric canvas. They are unique for being beautiful artworks as well as portable furnishings, acting as backdrops for court ceremonies or partitions for intimate tea services. Artists have embraced screens as three-dimensional objects, creating dynamic compositions that guide the viewer’s eye from one panel to the next.

This sumptuous book explores the 1,300-year history of Japanese screens. The authors, leading experts on Japanese art and culture, describe how screens developed from the eighth to the twenty-first century, from their ceremonial use in palaces and temples to their functional and decorative use in ordinary Japanese homes. They examine the stylistic evolution of screens and the wide variety of subjects, such as animals, the seasons, The Tale of Genji, and calligraphic designs.

Bound in the Japanese style and housed in a handsome clamshell box, this volume also comes with a poster-sized reproduction of an exceptional screen, suitable for framing. Japanese Screens will be an essential addition to any art lover’s library.

About the Authors:

Anne-Marie Christin was professor emeritus of classical literature at the University of Paris, founder of the Center for the Study of Writing and Image (CEEI), and author of A History of Writing.

Torahiko Terada is a professor of comparative culture and literature at the University of Tokyo.

Claire-Akiko Brisset is a professor of Japanese cultural history at the University of Geneva.

The most comprehensive monograph on figurative painter Jenny Saville, whose large-scale nudes continue to challenge accepted ideals of beauty.

Thirteen years after her first Rizzoli monograph, British artist Jenny Saville, an original member of the Young British Artists, releases her most definitive book, including never-before-published paintings from her most recent exhibition at Gagosian in New York. This much-anticipated volume unites new work with many of Saville's paintings and drawings to date, accompanied by essays that explore Saville's continuing fascination with the human body within a broad art-historical context. The book also features Saville in an extensive conversation with acclaimed American photographer Sally Mann. An illustrated chronology of Saville's career completes this elegant volume. This beautifully produced monograph is an important addition to the library on one of the world's most influential and enduring living painters.

About the Authors:

Jenny Saville received her B.A. Honors Fine Art from Glasgow School of Art, Scotland. Saville's works are featured in several public collections, including The Metropolitan Museum of Art, New York; The Broad, Los Angeles; and Saatchi Collection, London. Richard Calvocoressi is a director and senior curator at Gagosian Gallery, London. Previously, he was director of the Henry Moore Foundation and director of the Scottish National Gallery of Modern Art in Edinburgh. Sally Mann's photographs have been the subject of major exhibitions at the Institute of Contemporary Art, Philadelphia, and the Corcoran Gallery of Art, Washington, D.C. Her work can be found in many collections, including The Metropolitan Museum of Art and the Whitney Museum of American Art. Mark Stevens is the former art critic of New York magazine. He is coauthor, along with Annalyn Swan, of the 2005 Pulitzer Prize-winning de Kooning: An American Master. Lauren Mahony organizes special exhibitions for Gagosian. She previously worked in the Department of Painting and Sculpture at The Museum of Modern Art, New York.

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A vibrant look at the celebrated artist and designer KAWS.

Multidisciplinary artist KAWS was first known for his work as a graffiti artist and his subersive approach to poular imagery on bus shelter and phone booth advertisements.  This is the first comprehensive survey of the artist's body of work.

About the Authors:

Multidisciplinary artist KAWS was first known for his work as a graffiti artist and his subversive approach to popular imagery on bus shelter and phone booth advertisements. This is the first comprehensive survey of the artist’s body of work.
Mónica Ramírez-Montagut is a curator at The Aldrich Contemporary Art Museum.
Germano Celant is an art historian and director of Fondazione Prada in Milan.

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Accompanying catalogue for the Marina Abramović exhibition at the Royal Academy from 23 September – 1 January 2024.

Over the past half century, Marina Abramović has earned worldwide acclaim as a pioneer of performance art. This handsome new book records the first UK exhibition to include works from her entire career. Re-performances of some of her best-known and most radical pieces appear alongside new and recent work. An augmented-reality app for iOS and Android enables readers to watch films of Abramović’s original performances while reading the book.

An essential purchase for all followers of Abramović’s extraordinary 55-year career, this important publication brings expert voices into the debate that her groundbreaking art engenders. How far should an artist push herself in pursuit of her work? What role does the audience play in creating a performance? How can performance art outlive the moment in which it takes place?

• Records the first UK exhibition to include works from Abramović’s entire career
• An augmented reality app for iOS and Android enables readers to watch films of Abramović’s original performances while reading the book

About the Authors:

Karen Archey is Curator of Contemporary Art at the Stedelijk Museum, Amsterdam. Adrian Heathfield is Professor of Performance and Visual Culture at the University of Roehampton, London. Svetlana Racanović is Professor of Theory of Contemporary Art in the Faculty of Fine Arts Cetinje at the University of Montenegro. Andrea Tarsia is Director of Exhibitions at the Royal Academy of Arts, London. Devin Zuber is Associate Professor of American Studies, Religion and Literature at the Graduate Theological Union, Berkeley, and George F. Dole Professor of Swedenborgian Studies at the Center for Swedenborgian Studies, Berkeley.

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While sculpture remained central to his artistic practice, Isamu Noguchi’s (1904–1988) interests and production spanned an exceptionally broad terrain that included furniture and lamps, stage sets for dance, plazas, courtyards — and gardens. Noguchi made no distinction between design, craft, and the so-called fine arts: in his view all of these could all be considered art should their aesthetic qualities sufficiently transcend those generated by the simple address of need.

Although his gardens include several of the twentieth century’s most iconic landscape designs and have received almost universal praise, Noguchi nonetheless occupies a place removed from the normal practice of landscape architecture. As an artist he relied more on intuition – bolstered by focused study where required – than on objective analysis, and he shaped his landscapes as sculpture, with space as their primary vehicle. To Noguchi landscape design was a spatial and formal art, and from his earliest environmental projects to the works of his later maturity, he succeeded in conceiving and constructing a series of remarkable places.

In this comprehensive and richly illustrated study of Noguchi’s gardens, noted landscape historian Marc Treib describes and critiques projects that date from his early unrealised projects for playgrounds and monuments to a large park in Sapporo, Japan, whose construction was completed only posthumously. The story begins with the discussion of Noguchi sculpture that relate in some way to actual landscapes, then moves to the dance set designs for Martha Graham, finally entering the realm of actual landscapes with his gardens for the Reader’s Digest offices in Tokyo and UNESCO House in Paris. Many more projects followed in the United States, Japan, and Israel.

Varying in their content and structure, several chapters collectively treat subjects such as landform, water, and the courtyard, while others focus on the major gardens monographically. Accompanied by stunning images from the archives of Isamu Noguchi Foundation and Garden Museum archives and the author’s own photographs, the story of Noguchi’s Gardens: Landscape as Sculpture will reward those interested in landscape architecture, art history, garden design, and art more broadly. 

About the Author:

Marc Treib Professor of Architecture Emeritus at the University of California, Berkeley, is a historian and critic of landscape and architecture who has published widely on modern and historical subjects in the United States, Japan, and Scandinavia. Books published by ORO Editions include Landscapes of Modern Architecture; Austere Gardens; The Landscapes of Georges Descombes: Doing Almost Nothing; and Thinking a Modern Landscape Architecture, West and East; and more recently The Aesthetics of Contemporary Planting Design and Serious Fun: The Landscapes of Claude Cormier.

This heartfelt tribute to Americas best-known, best-loved illustrator, first published shortly after his death in 1978 is an inspiring examination of Norman Rockwell's vision of America, one that is especially appreciated today.

Rockwell's famous Saturday Evening Post covers, the four Freedoms he painted during the years of World War II, his depictions of American towns, families, and traditions are all represented in this enchanting volume. They offer a picture of America that we hold dear, representing a world of hope and humanity.

Fred Bauer writes about Rockwell's message of optimism and the artist's faith in America and its people in a forthright and sympathetic text complemented by numerous Rockwell favourites in all their warmth and colour. Bauer visits Stockbridge, Massachusetts, and Arlington, Vermont, talking to the people who lived with Rockwell and posed for his anecdotal pictures, the people about whom the artist said, "If you are interested in the characters you draw and understand them and love them, why, the people who see your pictures are bound to feel the same way." This lovely book enables us to partake once again of that unique love and understanding that Norman Rockwell still communicates to America.