Мистецтво

The first book on the great American landscape painter to focus primarily on his work in Nevada, capturing the beauty of the American West, its open spaces and the developing landscape at the dawn of the modern era.

This is the first comprehensive publication on the paintings, letters, photographs, and poetry made by Maynard Dixon (1875–1946) while he was in Nevada. This large, landscape format book accompanies a blockbuster exhibition on this colorful western painter and illustrator.

Although Dixon’s contributions as an artist are widely recognized throughout the American West, this significant publication surveys nearly 180 artworks he created in Nevada, Lake Tahoe, and the Eastern Sierra from 1901 to 1944. Dixon first visited the state of Nevada nearly 125 years ago; and while much has changed during the past century, one can still explore many of the same remote locales depicted in these paintings or drive across the state beneath what many like to refer to as a cloud-filled, “Maynard Dixon sky.”

Richly illustrated, including a wealth of privately owned paintings never before reproduced, the volume includes by texts by scholar Donald J. Hagerty on Dixon’s Nevada journeys, a significant essay on the art of the Boulder Dam (now Hoover Dam), and Dixon’s depictions of the workers who built the dam. The book has a 3-piece binding and gilded edges.

About the Authors:

Ann M. Wolfe is the Andrea and John C. Deane Family Chief Curator and Associate Director at the Nevada Museum of Art, Reno.

Donald J. Hagerty is the author of Desert Dreams: The Art and Life of Maynard Dixon, The Life of Maynard Dixon, and Art of Maynard Dixon.

Ann Keniston, PhD, is a Reno-based poet, essayist, and literary critic and professor of English at the University of Nevada, Reno.

John Ott, PhD, is Professor of Art History at James Madison University.

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Пролистать книгу Sagebrush and Solitude: Maynard Dixon in Nevada  на сайте издательства.

Salvador Dali was one of the most important artists of the twentieth century, as well as a cultural figure who challenged convention. 

He worked in an incredible array of different media, but is best-known for his Surrealist paintings, abound with Symbolism representing eroticism, death and decay, and demonstrating his fascination with Freud and later science and religion. 

This wonderful, heavily-illustrated book is a fascinating foray into the life and works of a man whose ability to reveal the gap between reality and illusion proved to be of huge influence to many artists, as well as popular culture in general.

The first book on painter and sculptor Sam Moyer, best known for her unique practice of combining remnants of stone and natural materials inlaid into painted canvas, creating powerfully expressive works.

Sam Moyer has developed a distinctive language of abstraction, creating paintings, structures, and sculptural objects that draw inspiration from architectural space and natural materials. Recognized for a diverse practice in which she unites found textures and objects in innovative ways, Moyer crafts compelling hybrids, often combining hand-painted fabrics with repurposed marble, slate, and stone that carry textural imperfections reflecting industrial design processes. Her practice has evolved from its more conceptual and process-based origins to address formal and theoretical issues regarding the construct of painting. In all her productions, issues of scale and space remain critical. Moyer is particularly interested in the way architecture functions in tandem with her objects to create dynamic visual experiences.

In this volume, the artist’s first monograph, curators Renaud Proch and Scout Hutchinson contribute the first extended critical essay on the artist’s art and career, identifying key works and exhibitions of the last ten years and detailing her artistic trajectory. Artist and writer Ross Simonini, who has known Moyer for a decade, contributes an in-depth interview with the artist, and noted novelist Kaitlyn Greenidge offers a poetic reading of Moyer’s artwork.

About the Author:

Kaitlyn Greenidge’s debut novel, We Love You, Charlie Freeman (Algonquin Books), was one of the New York Times Critics’ Top 10 Books of 2016. Her writing has appeared in Vogue, Glamour, the Wall Street Journal, Elle, Buzzfeed, Transition Magazine, Virginia Quarterly Review, the Believer, and American Short Fiction. She is the recipient of fellowships from the Whiting Foundation, the National Endowment for the Arts, the Radcliffe Institute for Advanced Study, the Lewis Center for the Arts at Princeton University, and the Guggenheim Foundation. She is currently Features Director at Harper’s Bazaar as well as a contributing writer for the New York Times. Her second novel, Libertie (Algonquin Books), was published in 2021. Scout Hutchinson is a curator, researcher, and writer based in New York. She has provided cura­torial support to numerous art institutions, includ­ing deCordova Sculpture Park and Museum, the Fred Jones Jr. Museum of Art at the University of Oklahoma, the Mead Art Museum at Amherst College, and the Whitney Museum of American Art. She served as a research assistant for Hauser & Wirth Institute’s catalogue raisonné of Franz Kline's paintings, and in 2021 was an inaugural research fellow with the Holt/Smithson Foundation. Renaud Proch is Executive and Artistic Director of Independent Curators International (ICI), an organization dedicated to advancing the work of curators to create stronger art communities through experimentation, collaboration, and inter­national engagement. Before joining ICI in 2009, he was senior director of the Project gallery in New York, as well as director of MC in Los Angeles. He is a co-founder of the Backroom, an evolving archive of artists’ source materials and itinerant research project, and of ART2102, an independent art space in Los Angeles (2003–11). Ross Simonini is a multidisciplinary artist, working in painting, writing, music, performance, and dia­logues. He has held exhibitions of his work at the Sharjah Biennial 13, anonymous gallery, Et al., Shoot the Lobster, Jack Hanley Gallery, and Human Resources. He has released many albums of music, under his own name and with collaborators. His first novel, The Book of Formation, was published in 2018 (Melville House Books).

Japanese swords, particularly those wielded by famous samurai warriors, hold a continuing fascination for collectors of fine arts and historical military weapons. This book is designed to enhance one's appreciation for the wide variety of Japanese swords (as well as their related polearms), their manufacture and their preservation.

A fascinating opening chapter explains how the elite Samurai class dominated Japan for more than a thousand years, how technological and ideological advances overtook the Samurai in the 1860s, heralding a more up-to-date political and military system of governance, and how such changes affected Samurai sword design and manufacture.

Subsequent chapters present topics of greatest relevance to today's sword collector: namely, the modern Japanese sword; different types of swords and their construction and testing; collecting and studying Japanese swords (and the tremendously important etiquette involved); and techniques of preserving and polishing swords.

This book is beautifully illustrated with paintings, photographs, drawings, and maps. In addition, there is an in-depth glossary and useful tables explaining Japanese calligraphic symbols relating to swords, both of great value to the collector.

About the Author:

Clive Sinclaire is an instructor in the kendo form of martial arts and has been collecting Japanese swords for more than forty years. He is Chairman of the To-ken Society of Great Britain and frequently writes articles on Japanese sword culture and collecting that are featured on the society's website (www.To-ken.com) as well as in magazines. He has become a frequent visitor to Japan in the course of his research and studies, and in particular to the NBTHK (Nihon Bijitsu To-ken Hozon Kyodai) sword shows.

A lush new volume devoted to the best works by beloved American Impressionist and portraitist John Singer Sargent, whose dazzling use of light and color depicts modern subjects with arresting intimacy.

An ideal introduction to the painter’s work, Sargent: The Masterworks features 100 of his most beloved paintings. Illustrating all aspects of his diverse oeuvre — portraits, landscapes, mural commissions — in oil and watercolor, this handsome new book includes works from both private and public collections, including the Metropolitan Museum of Art’s infamous Madame X.

Author Stephanie L. Herdrich draws on a wealth of new research to provide both an essential overview and a more nuanced understanding of the great American painter. Richly illustrated, the book’s three chapters cover the artist’s career from his childhood and early years in Paris, to his mid-career portraits made in England and United States, and his later years painting out of doors. An illustrated chronology contains fascinating details and archival imagery about the artist’s life. Sargent’s cosmopolitan upbringing and education made him perfectly suited to capture the upwardly mobile bourgeoisie and aristocrats of his era, creating sensual portraits that depict his sitters with startling vibrancy. Though he achieved tremendous success in portraiture, Sargent focused on painting outdoors after 1900, achieving the most brilliant and personal images of his career. One of the greatest portraitists and watercolorists of his time, Sargent remains one of the most well-known and well-loved of all American artists.

About the Author:

Stephanie L. Herdrich is assistant curator of American painting and sculpture at the Metropolitan Museum of Art, New York. She was cocurator of Sargent: Portraits of Artists and Friends (2015) and Navigating the West: George Caleb Bingham and the River (2015) and is coauthor of American Drawings and Watercolors in The Metropolitan Museum of Art: John Singer Sargent (2000).

This is the first book to be published on one of the greatest American designers of the 20th century, who was as famous for his work in film as for his corporate identity and graphic work. Saul Bass (1920-1996) created some of the most compelling images of American postwar visual culture. Having extended the remit of graphic design to include film titles, he went on to transform the genre. His best-known works include a series of unforgettable posters and title sequences for films such as Alfred Hitchcock's Vertigo and Otto Preminger's The Man with the Golden Arm and Anatomy of a Murder. He also created some of the most famous logos and corporate identity campaigns of the century, including those for major companies such as AT&T, Quaker Oats, United Airlines and Minolta.

His wife and collaborator, Elaine, joined the Bass office in the late 1950s. Together they created an impressive series of award-winning short films, including the Oscar-winning Why Man Creates, as well as an equally impressive series of film titles, ranging from Stanley Kubrick’s Spartacus in the early 1960s to Martin Scorsese’s Cape Fear and Casino in the 1990s.

Designed by Saul Bass's daughter Jennifer and written by distinguished design historian Pat Kirkham, who knew Saul Bass, this book contains more than 1,400 illustrations, many from the Bass archive and never published before, providing an in-depth account of one of the leading graphic artists of the 20th century.

This definitive study is eagerly anticipated by design and film enthusiasts.

Що таке креатурний дизайн? У кожного з нас є уявлення — здебільшого складається з образів потойбічних істот, які скачуть, пливуть, літають і часто атакують героя епічного фільму чи історії. Але що робить істоту правдоподібною? У продовженні свого бестселера «Реальні та вигадані тварини: фантазія про те, що є і що може бути», всесвітньо відомий художник Терріл Вітлет розкриває секрет правдоподібного дизайну істот: анатомію.

Анатомія є наріжним каменем успішного дизайну істот, незалежно від того, чи є вони реальними чи уявними. Точна анатомія часто є ключем до призупинення недовіри, дозволяючи вам малювати уявних істот, яким глядачі повірять.

Ми запрошуємо вас заглибитися в складну роботу численних анатомій тварин — і красу, якою вони володіють — у Науці про дизайн істот: розуміння анатомії тварин. Чудові та харизматичні ілюстрації Вітлетча будуть інформувати та захоплювати читачів з кожним поворотом сторінки. Вона ділиться цінними техніками, отриманими за роки роботи на Lucasfilm і Walt Disney Feature Animation, а також над такими фільмами, як Джуманджі, Брат Ведмідь і Полярний експрес. Крім того, Вітлетч має нескінченну любов до справжніх тварин, що продовжує надихати її фантастичні уявні істоти, які захопили глядачів у всьому світі.

Про автора:

Терріл Вітлетч — досвідчений ілюстратор із науковою та академічною підготовкою, який активно вивчав зоологію хребетних і анатомію тварин. Вона працювала в різних зоопарках і музеях Сполучених Штатів, а також старшим консультантом з мистецтва дикої природи та анатомії тварин у Всесвітньому фонді дикої природи. Вона вважається одним із найкращих дизайнерів істот і анатомів тварин, які сьогодні працюють у цій галузі. За більш ніж 25-річну кар’єру Вітлетч має багато проектів, зокрема «Зоряні війни: Прихована загроза», «Зоряні війни: Спеціальне видання», «Джуманджі», «Люди в чорному», «Брат Ведмідь», «Серце дракона», «Елвін і бурундуки», «Цікавий Джордж», «Полярний експрес» і «Беовульф». Понад сім років вона працювала на Lucasfilm, Industrial Light & Magic і JAK Films Джорджа Лукаса. Її навички ілюстрації та всебічне знання анатомії та руху тварин є важливими для створення правдоподібних істот.

Of Absence and Weight is the first comprehensive monograph of Pakistani-born, New York-based artist Seher Shah, a leading figure in South Asian art working at the edge of architectural drawing and abstraction.

The book surveys twenty years of Shah’s practice across drawing, printmaking, and sculpture. Her work speaks to the poetics and fractures of the surrounding landscape, spanning the historical and the intimate. She has explored ideas in architecture and perspective drawing traditions; contested relationships between history, objects, and time; and examined the relationship between poetry and abstraction.

Her works are found in collections including the Metropolitan Museum of Art and the Museum of Modern Art, in New York; the Centre Pompidou, in Paris; the Tate Modern, in London; and the Art Jameel Collection, in Dubai.

About the Author:

Murtaza Vali is a writer and curator based between Brooklyn and Sharjah, United Arab Emirates. Sean Anderson is associate professor and director of the undergraduate program in architecture at Cornell University. Jyoti Dhar is an art critic and editor based in Dubai. Catherine David is an art historian, curator, and former director of the Musée National d’Art Moderne at Centre Pompidou in Paris.

What is the artistic impulse uniting Robert Hooke’s drawings of insects, George Stubbs’s studies of horses and Damien Hirst’s pickled shark? In this new and spirited account of British art, Jonathan Jones argues for empiricism. From the Enlightenment to the present, British artists have shared a passion for looking hard at the world around them. Jones shows how this zeal for precision and careful observation paved the way for Realism, Impressionism and the birth of modern art.

This essential art book is a must-read for fans of Gombrich’s The Story of Art and the perfect introduction to British art history.   

About the Author:

Jonathan Jones is the art critic for The Guardian newspaper. He was on the jury for the 2009 Turner Prize and is the author of The Loves of the Artists: Art and Passion in the Renaissance and The Lost Battles: Leonardo, Michelangelo and the Artistic Duel that Defined the Renaissance.

“Sensations presents a radically new story of British art. It connects the artists of today with British culture more than three hundred years ago as it finds an unexpected thread that links William Hogarth and Tracey Emin, Thomas Gainsborough and Lucian Freud. What they share is an eye for the real world. I hope this book will change how you see Britain, and its art.” – Jonathan Jones

An exploration of how war, uncertainty, and displacement inspired one of Japan’s greatest painters

Three essays by leading scholars in the field of Japanese art explore Sesson Shūkei’s unique life and unconventional painting style, as well as how scholarly perceptions of the artist have changed over time. Fifty-three entries highlight major works by Sesson as well as those by other artists before, during, and after his time.

Sesson Shūkei (ca. 1492 – ca. 1577) stands out as an anomaly in the history of Japanese art. Among the vast canon of Japanese ink painting, Sesson departed from convention. Inspired by the untamed landscape of the eastern regions of Japan, Sesson led a peripatetic existence caused by a lifetime of experiencing warfare and upheaval – yet he created some of the most visually striking images in the history of Japanese ink painting. Drawing on new art historical and sociological insights into Japan’s sixteenth century, this book considers how war, uncertainty, and displacement can spawn untamed creativity. This publication explores new ways of understanding and interpreting one of Japan’s greatest painters and the world that shaped him.

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Пролистать книгу Sesson Shukei: A Zen Monk-Painter in Medieval Japan

Провідний скульптор Ентоні Гормлі, натхненний творчістю протягом усього життя, а також мистецтвознавець та історик Мартін Гейфорд досліджують центральну роль скульптури в розвитку людської культури від доісторії до наших днів.

Скульптура – ​​універсальне мистецтво. Його практикували всі культури по всьому світу і тягнеться в далеке минуле. Перші збережені фігурні камені, можливо, навіть передували появі мови. Прагнення формувати камінь, глину, дерево та метал у форми, очевидно, закладено глибоко в нашій психіці та біології. Це пов’язує запитання «Що таке скульптура?» із запитанням «Що таке людство?»

У цій широкомасштабній книзі два взаємодоповнюючих голоси – один, що належить художнику, який звертається до азіатських і буддистських традицій так само, як і до західної історії скульптури, інший – до критика та історика – розглядають, наскільки скульптура була центральною в еволюції нашого потенціалу мислення та почуттів. Скульптуру не можна розглядати ізольовано як естетичний захід; це пов’язано з непереборним бажанням людства залишити свій слід на ландшафті, будувати, робити картини, сповідувати релігію та розвивати філософську думку.

Спираючись на приклади від тисячоліть до нашої ери й донині та з усього світу, автори розглядають скульптуру як транснаціональну форму мистецтва з власною переконливою історією. Вони враховують матеріали та техніки, а також розглядають основні теми, такі як космос, світло та темрява. Перш за все, вони обговорюють свій погляд на скульптуру як на форму фізичного мислення, здатну змінювати почуття людей і запрошувати їх поглянути на скульптуру, з якою вони стикаються, і, ширше, на світ навколо них зовсім по-іншому.

Список вмісту:

Передмова • 1. Тіла в космосі • 2. Поза стіною • 3. Кургани, поля та каміння • 4. Дерева та життя • 5. Світло та темрява • 6. Глина та моделювання • 7. Порожнечі • 8. Тіло та блок • 9. Бронзова ера • 10. Тіла та будівлі • 11. Колос і раб • 12. Час і смертність • 13. Драпірування та анатомія • 14. Дії та події • 15. Страх і фетишизм • 16. Колекціонування та вибір • 17. Індустрія та хеві-метал • 18. Формування мінливого світу

Про авторів:

Сер Ентоні Гормлі — видатний британський художник і скульптор, можливо, найвідоміший завдяки своєму величезному Ангелу Півночі в Гейтсхеді. Він отримав премію Тернера в 1994 році, а з 2003 року є Королівським академіком. Гормлі є одним із найбільш шанованих митців, які працюють на міжнародному рівні, його роботи мають універсальний резонанс. Мартін Гейфорд — мистецтвознавець The Spectator та автор відомих книг про Ван Гога, Констебля та Мікеланджело. Він є автором Man with a Blue Scarf, Rendez-vous with Art та A Bigger Message.. Він співпрацював з Девідом Хокні над A Bigger Message: Conversations with David Hockney та A History of Pictures, а також написав збірку подорожей і розмов із Філіпом де Монтебелло: Rendez-vous with Art.

This monograph on the life and work of iconoclastic Japanese artist Shiro Tsujimura demonstrates how, in his signature self-taught manner, he has reinvented the classic ceramic art form.

Shiro Tsujimura is a vanguard contemporary ceramic artist. While his creations and techniques are deeply rooted in traditional Japanese and Korean styles, his independent streak defines his practice with a sense of freedom, playfulness, and self-confidence that results in decidedly unique works. This monograph takes readers inside his studio and home to discover his artistic practice and lifestyle. Axel Vervoordt, Alexandra Munroe, and longtime friend Hiroshi Sujimoto each contribute a highly personal essay, providing rare insight into this magnetic artist. Tsujimura himself shares his approach to ceramics, deeply linked to both his training as a monk and his fierce independence, which drove him from his spiritual practice to become an artist. Each of his creations is pure and spiritual, where the passing of time and the art of imperfection play an important role.

Tsujimura has held solo exhibitions around the world and his works have been acquired from Japan to Berlin to New York by the world’s most prestigious museums, including the Met and The British Museum.

About the Authors:

Axel Vervoordt is a collector, antiquarian, designer, and curator who regularly incorporates Tsujimura’s work into interior design projects. Alexandra Munroe is curator of Asian Art at the Guggenheim in New York. Hiroshi Sugimoto is a renowned photographer and architect. Shiro Tsujimura is an eminent Japanese artist and potter. Laziz Hamani is a luxury still life photographer who has contributed to more than thirty books. Shouya Grigg is a fine art photographer and cinematographer based in Hokkaido. Jan Liégeois is a photographer specialized in interiors and architecture.

The painted ivories of Norman Sicily count among the most original creations known from medieval Palermo. These small, lavishly decorated objects reveal the fascination of the Norman kings for Islamic art and culture. This is the first book to be devoted exclusively to the Sicilian ivories since 1939. The text, drawn from proceedings of an international conference held in Berlin in 2007, contains essays by Marianne Barrucand, Jonathan Bloom, Anthony Cutler, Thomas Dittelbach, Erica Cruikshank Dodd, Antony Eastmond, Barry Flood, Maria Vittoria Fontana, Eva Hoffman, Lucy-Anne Hunt, Mat Immerzeel, Adeline Jeudy, Martina Müller-Wiener, David Knipp, Mourad Rammah, Mariam Rosser-Owen, Avinoam Shalem, and Bas Snelders.

About the Author:

David Knipp is an art historian and research fellow. He is a recipient of the Hanno and Ilse Hahn Prize for Outstanding Contributions to Italian Art History.

Sketch with Asia is the first major publication from online manga-inspired art phenomenon, Asia Ladowska.

Asia blends her talent for hyper-realism with her passion for manga, creating the distinctive artistic style she is well-loved and recognized for. Further to her regular and inspirational #SketchwithAsia challenge on Instagram (where she has over 900k followers), now explore this beautifully presented 168 page art book to discover an even more detailed exploration of Asia’s processes as she creates her art. From faces and expressions, to hair, hands, and more, learn how she draws both traditionally or digitally, and how she so successfully employs colored markers and pencils to complete her art. The fascinating book also includes a collection of Asia's finished artwork, including exciting pieces created especially for this publication. Presented in an entertaining and easy-to-read way, this book is a unique resource for fans of manga, for fans of Asia herself, and for any aspiring artist sharing their art in a modern world.

About the Author:

Asia Ladowska is an artist and designer from Poland currently living in the UK, who is well known for her Manga style art. In the last three years Asia has built up a huge following across social media and a solid reputation amongst peers for the standard of her artwork. She is on the 2018 judging panel for the prestigious animation industry awards, The Rookies, and can be found further encouraging budding artists each week on Instagram, with her popular #sketchwithasia challenges.

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Посмотреть видео о книге Sketch with Asia: Manga-inspired Art and Tutorials by Asia Ladowska

Ця насичена частина популярної серії Sketching from the Imagination досліджує творчість художників аніме та манги з усього світу, відзначаючи 50 талановитих творців із пристрастю до цих яскравих наріжних каменів японської поп-культури.

Відкрийте для себе рідкісні ескізи, чернетки та незавершені роботи відібраних традиційних і цифрових художників із творчих індустрій у всьому світі. Від каваї-персонажів до футуристичних роботів, від магічних лицарів до антиутопічних кіберпанків, цей захоплюючий том зібрав сотні надихаючих зображень, які порадують будь-якого ентузіаста аніме та манги.

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Переглянути відео про книгу Sketching from the Imagination: Anime & Manga