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Haring as activist and egalitarian: a fresh, accessible and dynamic look at one of New York’s most exhilarating artists.

Lavishly illustrated with essays and reflections by cultural leaders, Keith Haring: Art Is for Everybody surveys Haring’s dynamic art practice from 1978 to 1990, shining a bright light on the iconic and beloved artist known for his fluid, uniform lines, intricate compositions and repeating imagery such as the barking dog and radiant baby. Forty years after he came to prominence, Haring’s art continues to garner worldwide recognition, breaking down barriers and spreading joy, while taking on complex issues that remain crucial today, from environmentalism, capitalism and the proliferation of new technologies to religion, sexuality and race.

Titled after a quote from Haring’s journals, Art Is for Everybody centers on the artist’s activism, the emphasis he placed on community and his egalitarian approach to art and life. The volume is organized chronologically and thematically, emphasizing Haring’s work made with publics in mind such as the subway drawings and murals, his collaborative practice and his unflinching belief that art is essential in making a better world.

Keith Haring was born in Reading, Pennsylvania, in 1958 and arrived in New York from Pittsburgh in 1978, befriending artists including Kenny Scharf and Jean-Michel Basquiat. During the 1980s, Haring achieved international recognition and participated in numerous group and solo exhibitions. After contracting HIV in 1988, he focused his activism on the AIDS crisis. Less than two years later, Haring died of an AIDS-related illness.

This volume is considered the most comprehensive monograph about the life and career of the female pioneer who integrated abstract painting, music, and dance, Lalan.

Born in Guizhou, Xie Jinglan (nicknamed “Lalan”) was a multidisciplinary artist trained across various art forms, including painting, music, and dance. Excelling in all such categories, Lalan united these fields in her artistic practice to create an oeuvre that epitomized “synthesized art.” Her lifelong explorations resulted in an unusual kind of exhibition/performance named Spectacle, which assimilates dance and music within her artworks. Her works can be found in important Western and Asian museums, such as the Centre Pompidou Musée National d’Art Moderne, and Musée d’Art Moderne de la Ville de Paris, Shanghai Art Museum, and others.

This book reviews her entire career by selecting her most representative masterpieces and celebrating her life journey as the backdrop, between dream and drama. The materials in this book have been collected by a dedicated research team through a painstaking process lasting more than two years.

Lalan’s paintings are a melting pot of many important features inspired by traditional Chinese culture on the one hand (including the spirit of Taoism, the practice of qigong, and the essence of ink landscapes during the Song Dynasty), and Western abstract painting on the other.

About the Author:

Lalan studied music, dance, and art and produced works combining all three disciplines from the 1960s onward. Véronique Bergen is a philosopher, novelist, poet, and author of monographs and articles on contemporary artists.

Accompanying catalogue of an exhibition at Gagosian Gallery, Paris. The catalogue includes a fully illustrated, comprehensive listing of the paintings, drawings, and prints in Lichtenstein’s Expressionism series. Among the styles and movements appropriated by Lichtenstein, his borrowing of Expressionist motifs — from Alexei Jawlensky’s close-up, pensive faces to Ernst Ludwig Kirchner’s jagged, feline figures — strikes the clearest irony. Including key paintings, sculpture, drawings, and woodcuts, this catalogue demonstrates the bold paradox that Lichtenstein posed by translating Expressionist subjects into the primary colors and pop flatness of his signature style.

About the Authors:

Brenda Schmahmann is a research professor in the Faculty of Art, Design, and Architecture at the University of Johannesburg. She is the author of many articles and books, the most recent of which is Picturing Change: Curating Visual Culture at Post-Apartheid Universities. Hans Ulrich Obrist is a curator, critic, and art historian. He is codirector of exhibitions and programs and director of international projects at the Serpentine Gallery, London. Mayen Beckmann is the granddaughter of Max Beckmann and the editor of several publications that focus on the artist. Ruth Fine is a curator at the National Gallery of Art, Washington, D.C., and the author of the introduction to The Prints of Roy Lichtenstein: A Catalogue Raisonné, 1948–1993. Sidney B. Felsen is cofounder and codirector of Gemini G.E.L., an artists’ workshop and publisher of limited-edition prints and sculptures in L.A., and it had a long-standing publishing relationship with Roy Lichtenstein.

A gorgeous new edition with the cover printed on silver.

Tiffany was highly skilled in jewellery design, ceramics, enamels, and metalwork but he is best known for his beautiful stained-glass designs. 

Using opalescent glass in a variety of colours and textures, he created a stunning range of jewel-like Art Nouveau works, many of them presented here in this luxurious volume.

The exhibition catalogue of Lucian Freud: The Self-portraits, which opens at the RA in October 2019. Expert authors – including those who knew and worked with Freud – reveal an approach to the genre that is both unexpected and intriguing.

This 152-page hardback catalogue was published to accompany the exhibition Lucian Freud: The Self-portraits at the Royal Academy of Arts, 27 October 2019 to 26 January 2020.

The first to focus on Freud’s self-portraits, the book provides a fascinating insight into the psyche of this enigmatic yet extremely private artist. Expert authors David Dawson, Joseph Leo Koerner, Jasper Sharp and Sebastian Smee reflect on Freud’s place within the history of self-portraiture and the role self-portraits play within his wider oeuvre.

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In 1964 Lucian Freud set his students at the Norwich College of Art an assignment: to paint naked self-portraits and to make them 'revealing, telling, believable... really shameless'. It was advice that the artist was often to follow himself. Visceral, unflinching and often nude, Freud's self-portraits give us an insight into the development of his style as a painter. The works provide the viewer with a constant reminder of the artist's overwhelming presence, whether he is confronting the viewer directly or only present as a shadow or in a reflection.

Essays by leading authorities - including those who knew him well - explore Freud's life and work, and analyse the importance of self-portraiture in his practice and the intensity that he maintained when studying his own.

Accompanies an exhibition at the Royal Academy of Arts, London (27 October 2019 to 26 January 2020) and the Museum of Fine Arts, Boston (22 February to 25 May 2020). Exhibition organised by the Royal Academy of Arts, London, in collaboration with the Museum of Fine Arts, Boston.

About the Authors:

David Dawson is a painter and photographer, and Freud's former studio assistant. Joseph Leo Koerner is the Thomas Professor of History of Art and Architecture and Senior Fellow of the Society of Fellows, Harvard University. Jasper Sharp is Adjunct Curator for Modern and Contemporary Art at the Kunsthistorisches Museum, Vienna. The Pulitzer Prize-winning art critic Sebastian Smee is author of The Art of Rivalry: Four Friendships, Betrayals and Breakthroughs in Modern Art (2016).

A revelatory look at this Italian-American modernist painter of highly realistic and romanticized still lifes, landscapes, and portraits drawn from his life in the gay New York scene and rural Vermont.

This first comprehensive survey of the life and work of Luigi Lucioni (1900–1988) places him in the context of fellow Regionalist painters Grant Wood, Charles Sheeler, and Maxfield Parrish. Lucioni is known for meticulously rendered still lifes, landscapes, and arresting portraits drawn from his close-knit circle of queer New York artists and cultural figures, including Paul Cadmus, Jared French, George Platt Lynes, and Lincoln Kirstein. In the early 1930s, Lucioni discovered Vermont, whose landscapes reminded him of northern Italy. It was there that he met Electra Havemeyer Webb, who was to become his single most important patron. For more than 50 years, the New York City–based artist spent every summer painting landscapes of trees, barns, and buildings in Vermont with sharply observed realism and a cool, precise style.

Key scholars examine Lucioni’s oeuvre, materials, techniques, and his role in American modernism.

About the Author:

David Brody is Professor of Design Studies at Parson School of Design at the New School. Thomas Denenberg is Director of Shelburne Museum. Katie Wood Kirchhoff is Associate Curator at Shelburne Museum. Alexander Nemerov is Carl and Marilynn Thoma Provostial Professor in the Arts and Humanities and Chair of the Department of Art and Art History at Stanford University. Nancie Ravenel is Object Conservator, Preservation and Conservation at Shelburne Museum. Richard Saunders is Director of the Middlebury College Museum of Art.

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Пролистать книгу Luigi Lucioni: Modern Light

A landmark book documenting the first-ever art amusement park – launched in 1987 in Hamburg, Germany – in anticipation of its global reintroduction

In the late 1980s, more than 30 of the era’s most acclaimed artists – including Jean-Michel Basquiat, David Hockney, Roy Lichtenstein, Salvador Dalí, and Keith Haring – designed unique and fully operational fairground attractions specifically for the original park, including rides, interactive sculptures, games, performances, and music.

Each artist’s contribution is documented in photographs that show the artist at work, with details of the artworks, and showing the art in the context of the exhibition. Giving access to rare artworks that have not been widely viewed in 35 years, this book is being published for the first time in English with an updated preface.

About the Author:

André Heller is an acclaimed international multimedia artist. He is the creator of best-selling books, largescale flying and floating sculptures, and garden artworks, and has had a platinum-selling career as a singer and songwriter. In addition to directing shows, plays, circuses, films, and operas, he has also designed fire spectacles, labyrinths, and museums. He lives and works between Vienna and Marrakech.

This major new book on René Magritte offers fresh interpretations of the artist’s use of symbols and imagery to articulate his particular brand of surrealism.

In this beautiful monograph, a collection of revelatory essays focuses on five common images in Rene Magritte’s work — fire, shadows, curtains, words, and the fragmented body. Featuring vibrant reproductions of more than 100 works, this book helps readers understand how the artist employed these images in ways both deceptive and realistic. 

The book explores how he distorted accepted interpretations of classic symbols; why he so often used words as elements of his paintings; and how he applied aspects of the theater in his works. As Magritte’s paintings have become subsumed by the very commercialism they sought to ridicule, this volume takes a fresh look at an artist whose familiarity masks an incredible gift for deception and rapier-like intellect.

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Пролистать книгу Magritte: The Treachery of Images

The official 70th-anniversary publication by Marimekko, celebrating the classic design collaborations, pattern designs and vibrant textiles from the much-loved Finnish lifestyle design house

In 1951, Marimekko, Finnish for ‘Mary’s Dress’, held its first fashion show at a hotel in Helsinki. By 1960, Jacqueline Kennedy was wearing Marimekko on the cover of Sports Illustrated. Marimekko: The Art of Printmaking celebrates seventy years of the much-loved Finnish brand's joyful, liberatory approach to dressing and living, featuring over 100 of its most iconic prints, a multitude of colour-ways and a wealth of archival and brand-new imagery.

Delving into the bold, creative world of Marimekko, this is essential reading for any lover of print and pattern.

About the Authors:

Marimekko is a Finnish lifestyle and design house, celebrated worldwide for its lively, original prints and products.

Laird Borelli-Persson is Archive Editor at Vogue.com and author of seven books, including Fashion Illustration Now and Fashion Illustration Next, both published by Thames & Hudson.

The first international monograph of one of the most exciting painters working in Brazil today, Marina Perez Simão.

Marina Perez Simão (1981–) is an internationally recognized contemporary artist who uses a variety of techniques, such as collage, drawing, watercolor, and oil painting, as starting points to combine interior and exterior landscapes. She composes visual journeys that sometimes traverse the unknown, the abstract, and the nebulous, but which also include visions and memories.

Simão’s work is held in several public collections worldwide, including the Musée d’Art Moderne et Contemporain, in Saint-Étienne, France; the Ekard Collection in the Netherlands; the Samdani Art Foundation in Bangladesh; the Sifang Art Museum in China; the Speed Art Museum in Kentucky; and the Dallas Museum of Art, among others.

About the Author:

Osman Can Yerebakan is a freelance culture writer and curator based in New York. His writing has appeared in the Guardian, T: The New York Times Style Magazine, the Paris Review, Artforum, Brooklyn Rail, BOMB, New York Magazine, ArtNet, Art in America, Playboy, art + agenda, the Village Voice, Interview, Town and Country, and Architectural Digest among others. Solange Pessoa is a contemporary artist. She lives and works in Belo Horizonte, Brazil. Fernanda Brenner is a curator and writer. She is the founder and artistic director of Pivô, a non-profit art space in São Paulo. Pedro Mendes is a gallerist and one of the founders of the gallery Mendes Wood DM (São Paulo, Brussels, New York). 

A landmark monograph on an unprecedented scale that allows all aspects of Mark Rothko’s career to be heard in full voice, published in close collaboration with the artist’s family and featuring beloved works from major collections as well as never-before-seen canvases and paintings on paper.

Deluxe and comprehensive, this revelatory volume examines the brilliance of Mark Rothko (1903–1970), a pioneer of the New York School and major figure in the Abstract Expressionist movement. Illustrated with more than 275 images that explore his paintings, prints, and works on paper, this book highlights the best-known and also lesser-known works by Rothko — from his early figurative and Surrealist works to his mesmerizing color-field paintings of immense scale to the more restricted palette of his luminous later works and his final series of black-and-gray paintings. Among Rothko’s artistic philosophies, he held that painting was a deeply psychological and spiritual experience through which basic human emotions could be communicated. This is the first book to include foldouts that highlight works from the Rothko Chapel in Houston and the Rothko Room at the Phillips Collection in Washington, D.C.

Kate Rothko Prizel and Christopher Rothko draw on intimate knowledge of the artworks and the artist’s life to give a fuller picture of their father and place him within the context of art history; they endeavor to give an impartial portrait—the man and his work—while introducing personal details where they can enlighten. Alexander Nemerov and Hiroshi Sugimoto provide reflections about the artist’s work.

About the Author:

Christopher Rothko is the son of Mark Rothko and is actively involved in managing his father's legacy. He has helped prepare more than two dozen Rothko exhibitions. Kate Rothko Prizel is the daughter of Mark Rothko. She fought and won a prolonged legal battle that resulted in the return of almost 700 of her father’s works to his estate. Alexander Nemerov is Professor at Stanford University. Hiroshi Sugimoto is a contemporary photographer and architect.

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Пролистать книгу Mark Rothko

Mark Rothko's awe-inspiring yet deceptively simple, iconic colour field paintings belie the mythical and emotional complexity behind them. 

Rothko put his heart and soul into creating works that were to act upon the viewer in an almost physical way, progressing from figurative and symbolist works to eventually using shimmering and enveloping colour to elevate you to higher spiritual awareness. 

This gorgeous book enables you to discover the themes, thinking and methodology behind the oeuvre, from Greek tragedy and Nietzsche to music and colour, whilst experiencing his pieces displayed in full, free of clutter, for you to immerse yourself and be swept away. 

Travel is a fundamental experience of human existence. For Max Beckmann it was of existential importance both in a symbolic, but also in a deeply personal sense. In the 1920s, he regularly traveled to the noble health resorts and palace hotels on the Dutch, Italian, and French coasts. His defamation as a "degenerate" artist by the Nazi regime, however, forced him to retreat, first from Frankfurt to Berlin and subsequently into exile in Amsterdam. His emigration to the United States marked the culmination of a life entwined with the longing to travel as well as uprooting, transit and exile. Max Beckmann. DEPARTURE assembles an outstanding selection of artworks and initiates a dialogue with hitherto unseen objects and materials from the Max Beckmann Archive. It shows Beckmann’s relationship to film and literature as a producer of images of aspirations and longing resonating with notions of identity and home.

About the Author:

Max Beckmann (1884-1950) is one of the most important artists of the 20th century. A star of the Berlin Secession, Beckmann’s career was slowed by World War I and a personal crisis, but continued in the 1920s. After the Nazis forced him to resign his professorship in Frankfurt in 1933, he went into exile in Amsterdam in 1937 and subsequently emigrated to the US in 1947. Teaching in St. Louis and New York, he became the most successful German artist in the United States of his time.

With an engaging text by renowned Michelangelo scholar William E. Wallace, Michelangelo: The Complete Sculpture, Painting, Architecture brings together in one exquisite volume the powerful sculptures, the awe-inspiring paintings, and the classical architectural works of one of the greatest artists of all time. Including everything from his sculptures Pietàs and David to his beautiful paintings of the Sistine Chapel and the Doni Tondo, the book provides an opportunity to view Michelangelo’s work as never before, and to more fully understand the artist who, through his work, spoke of his life and times. The frescoes are specially printed on onion skin paper to recreate the actual appearance of light reflecting off of the plaster walls. The stunning black-and-white photography of the sculptures is printed in four colors to bring out the rich details of the marble.

About the Author:

William E. Wallace is associate professor of art history at Washington University in St. Louis, and is an internationally recognized authority on Michelangelo and his contemporaries.

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Пролистать книгу Michelangelo: The Complete Sculpture, Painting, Architecture

Discover the evolution of Modigliani’s art, through the prism of his relationship with his art dealer, Paul Guillaume.

This beautifully illustrated catalogue and its accompanying exhibition at the Musée de l’Orangerie in Paris demonstrate how Modigliani’s partnership with his gallerist Paul Guillaume influenced his painting. When Amedeo Modigliani arrived in Paris in 1906, the Jewish-Italian artist was a painter. His meeting with sculptor Constantin Brancusi in 1909 was a revelation, and inspired Modigliani to sculpt ― almost exclusively ― until 1914, when he met art dealer Paul Guillaume. The effects of this meeting were sudden and total. Modigliani would return to painting and never look back. This volume unveils the relationship that prompted this change through analysis of Modigliani’s paintings and Guillaume’s writings. With these resources at hand, the reader gains an intimate insight into this intriguing duo whose combined talents as artist and promotor left an indelible mark on the history of twentieth-century art. The book highlights their complicity and shared interests in African art, literature, and poetry.

About the Author:

Cécile Girardeau is a curator at the Musée de l’Orangerie. Simonetta Fraquelli is an independent curator and art historian. Yaëlle Biro is assistant curator of African Art at the Metropolitan Museum of Art. Marie-Amélie Senot is a curator of modern and contemporary art.