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Now available again, this beautiful volume offers high-quality reproductions and the latest biographical information on Paul Klee, who helped pave the way for Modernism.

Readers of this book will find much to discover and relish in Paul Klee’s art. Reproductions of his iconic works as well as those that are more rarely exhibited are featured alongside in-depth biographical information that looks beyond his many artistic achievements to explore the life and times of the artist. Photographs of Klee and his circle, as well as entertaining and enlightening anecdotes, offer a multifaceted perspective on a groundbreaking artist and the events that helped shape his colorful and imaginative work.

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Пролистать книгу Paul Klee: Life and Work

The first major survey on the graceful and colorful paintings of American artist Paul Resika.

This new monograph is the most comprehensive book on the work of Paul Resika (b. 1928) to date, highlighting his landscapes, portraits, and still lifes from the 1940s to the present. Resika's most important teacher was Hans Hofmann, with whom he studied on Cape Cod and in New York City in the mid-forties.

Resika's subjects are drawn from nature and reflect his surroundings, which change with the seasons: in winter, he lives in New York; in summer, Cape Cod; in spring he spends time painting in the south of France and in Italy. Province-town piers, fishing boats in the harbor, figures on the beach, and French farmhouses in the countryside emanate a dreamlike serenity and make up the rich visual vocabulary for which Resika is best known.

Produced in a large format with more than 220 color illustrations, this book reflects over eight decades of Resika's output, with scholarly essays that reveal his ongoing dialogue with Hofmann's sophisticated ideas about color and pictorial structure.

About the Authors:

Avis Berman is a writer, curator, and historian of American art, architecture, and culture. Jennifer Samet is a New York-based art historian, curator, and writer. Karen Wilkin is a New York-based independent curator and art critic specializing in twentieth-century modernism. John Yau is an American poet and critic who lives in New York.

Many of the greatest artists since Dürer and Rembrandt have used the print medium to explore some of their most important ideas. Paula Rego is in this tradition, giving full rein to her imagination in both etching and lithography, and using the media with exuberance to create work that is as disturbing, erotic and powerful as her paintings.

This sumptuously produced book, now expanded and updated and featuring reproductions in tritone and colour, discusses and illustrates all Rego’s prints, including unpublished work. The second edition includes chapters on five new series produced since 2003 – Moon Eggs, Prince Pig, Wine, Curved Planks and Female Genital Mutilation; on the influence of Irish playwright Martin McDonagh’s work on Rego; and an updated section of Works Out of Series.

Many of Rego’s prints are based on themes, as she says that one image triggers the idea for the next. Among these are Rego’s Nursery Rhymes, which reveal a darkly humorous take on the difficulties of childhood, and provide a rich seam for her precocious girls and individually characterized animals. Her work is known for revealing complex stories about the sinister side of sexuality and family relations, and Rego’s feminism underlies everything she does: the six works in the Female Genital Mutilation series are some of the most powerful images that she has ever produced

A fully updated edition of the most comprehensive illustrated survey of the life and work of Peter Blake, one of Britain’s most popular artists

Since his emergence in the early 1960s as a key member of the Pop Art movement, Peter Blake has become one of the best-known and most popular artists of his generation. Though primarily a painter, he has worked across many media, from drawings, watercolours and collages to sculpture and printmaking, as well as commercial art in the form of graphics and album covers – most notably his design for The Beatles’ Sgt. Pepper album in 1967.

Exploring his remarkable creative output from the 1950s to the present, Peter Blake is the most comprehensive illustrated survey available of the life and work of the artist. Marco Livingstone grounds Blake’s art firmly in his working-class origins, identifying a yearning for the innocence of childhood in his bittersweet paintings of the early to mid-1950s that depict children reading comics or going to the Saturday matinee at the cinema. From that moment, while studying at the Royal College of Art in London, Blake concerned himself with popular entertainments as subject matter, and as the source of formal solutions, for his paintings. The directness with which Blake gave expression to his enthusiasms for mass culture during the 1950s brought him to the forefront of the Pop Art movement before it had even been named, and independently of the investigations into similar areas by other British, American and European artists. The radical nature of his collage paintings of 1959–62, in particular, in which he combined existing imagery from popular culture with unapologetically bold and bright colours, made him a singularly influential figure within British Pop.

This fully updated edition includes a new chapter on what the artist has jokingly styled his ‘Late Period’, in which Blake has continued to mine the many strands of his art with undiminished energy and completed some of his most ambitious long-standing projects. As well as the sheer scale of Blake’s production, what becomes clear is the kaleidoscopic variety of subject matter, form and medium to be found in his work, its humour and friendly appeal, and, above all, its celebration of life and humanity.

Contents List:

Acknowledgmentsbr
Introduction
1 Amusements
2 Pop!
3 Fantasy Figures
4 Observations
5 Art for Others
6 Escapist Fantasies
7 Revisiting Art History
8 Encores and Premières: Blake in his Eighties
Postscript: Collecting as an Art
Chronology
Solo Exhibitions
Public Collections
Selected Bibliography
List of Illustrated Works
Photo Credits
Index

About the Author:

Marco Livingstone is an art historian, writer and independent curator who has written extensively on post-war painting and sculpture, particularly on Pop Art and figurative painting. His many publications include books and museum catalogues on David Hockney, Patrick Caulfield, R.B. Kitaj, Allen Jones, Clive Barker, Paula Rego, Peter Kinley, Adrian Berg, Duane Michals, Jim Dine, Tom Wesselmann, George Segal, Duane Hanson and Caroline Walker. Livingstone’s Hockney’s Portraits and People won the Sir Banister Fletcher Award for best book on the arts, and his other publications include Pop Art: A Continuing History, David Hockney and The Essential Duane Michals, all published by Thames & Hudson.

Coupling defeat and despair with rebellious humor, Danish artist Peter Linde Busk explores the grotesque conditions of human existence. Populating his works with tragic and awkward figures like fallen heroes, jesters, or outlaws in abstract spaces of detailed ornamentation, his figurations are  meticulously composed using a great variety of textures and techniques, and often incorporate random material relics from previous works. Similarly, his titles are wry quotes or poetic fragments: it is from Rilke that Peter Linde Busk has borrowed the title of the book, Who speaks of victory? To endure is all. 

This richly illustrated monograph features a major essay by art historian Maria Fabricius Hansen juxtaposing Linde Busk’s work with medieval mosaics and the grotesques of Renaissance art. A catalogue raisonné of works from 2015 to 2022 is supplemented by short prose texts and a playlist by writer Minna Grooss that suggests a sound track to the materially emphatic works by Linde Busk.

About the Author:

Peter Linde Busk (*1973, Copenhagen) is one of the most renowned Danish artists of his generation. Educated in London, New York and Düsseldorf and working in multiple media such as painting, sculpture, relief, and mosaic, a central theme of his work is seeing the beauty and value in what is normally considered failed. This is evident both in his motifs and in his choice of materials such as discarded matter or studio debris. Linde Busk lives and works in Berlin.

A sweeping retrospective of Philip Guston’s influential work, from Depression-era muralist to abstract expressionist to tragicomic contemporary master 

Philip Guston ― perhaps more than any other figure in recent memory ― has given contemporary artists permission to break the rules and paint what, and how, they want. His winding career, embrace of “high” and “low” sources, and constant aesthetic reinvention defy easy categorization, and his 1968 figurative turn is by now one of modern art’s most legendary conversion narratives. “I was feeling split, schizophrenic. The war, what was happening in America, the brutality of the world. What kind of man am I, sitting at home, reading magazines, going into a frustrated fury about everything ― and then going into my studio to adjust a red to a blue?”

And so Guston’s sensitive abstractions gave way to large, cartoonlike canvases populated by lumpy, sometimes tortured figures and mysterious personal symbols in a palette of juicy pinks, acid greens, and cool blues. That Guston continued mining this vein for the rest of his life ― despite initial bewilderment from his peers ― reinforced his reputation as an artist’s artist and a model of integrity; since his death 50 years ago, he has become hugely influential as contemporary art has followed Guston into its own antic twists and turns.

Published to accompany the first retrospective museum exhibition of Guston’s career in over 15 years, Philip Guston Now includes a lead essay by Harry Cooper surveying Guston's life and work, and a definitive chronology reflecting many new discoveries. It also highlights the voices of artists of our day who have been inspired by the full range of his work: Tacita Dean, Peter Fischli, Trenton Doyle Hancock, William Kentridge, Glenn Ligon, David Reed, Dana Schutz, Amy Sillman, Art Spiegelman and Rirkrit Tiravanija. Thematic essays by co-curators Mark Godfrey, Alison de Lima Greene and Kate Nesin trace the influences, interests and evolution of this singular force in modern and contemporary art — including several perspectives on the 1960s and ’70s, when Guston gradually abandoned abstraction, returning to the figure and to current history but with a personal voice, by turns comic and apocalyptic, that resonates today more than ever.

Philip Guston: A Life Spent Painting is an authoritative and comprehensive survey of the life and work of the visionary and influential painter Philip Guston.

Driven and consumed by art, Philip Guston painted and drew compulsively. This book takes the reader from his early social realist murals and the Abstract Expressionist works of the 1950s and early 1960s to the powerful new language of figurative painting, which he developed in the late 1960s and 1970s. Drawing on more than thirty years of his own research, the critic and curator, Robert Storr, maps Guston’s entire career in one definitive volume, providing a substantial, accessible, and revealing analysis of his work.

With more than 900 images, the book illustrates Guston’s key works, many unpublished paintings and drawings, and photographs showing the artist’s life at home, his work in the studio, and his relationship with fellow artists. An illustrated chronology, drawn from the Guston Foundation’s archives, contextualizes Guston’s life and provides in-depth coverage of his many exhibitions.

Guston was also able to speak about art with unrivalled passion and fluency. In celebration of this, the book features a final section devoted to Guston’s own thoughts on his drawing and one of his great heroes — Piero della Francesca.

About the Author:

Robert Storr, the preeminent art critic, artist, curator, and educator, is the former Dean of Yale School of Art and senior curator in the Department of Painting and Sculpture at the Museum of Modern Art, New York. He has written numerous catalogs, articles, and books on major 20th and 21st-century artists. He was the first American to be visual arts director of the Venice Biennale and has been researching and writing on Philip Guston for more than three decades.

In this generously illustrated and lively book, Christopher Lloyd sets out and interprets the lifelong achievement of Picasso (1881–1973) as a draftsman. Although there have been many publications about his drawings that have tended to focus on particular periods of his career, this stunning volume specifically examines how drawing serves as the vital thread connecting all of Picasso’s art, just as it also links his private world with his public persona of which he was becoming increasingly aware in his later years. 

Picasso and the Art of Drawing ultimately showcases how the basis of the titular artist's style as painter, sculptor, printmaker, and designer was manifestly achieved through drawing. 

About the Author:

Christopher Lloyd is an independent scholar and curator and previously served as Surveyor of The Queen’s Pictures in the British Royal Collection until his retirement in 2005.

Exploring Picasso’s seemingly opposite styles and artistic processes during a three-month summer vacation. This publication and the accompanying exhibition are the first to reunite major works from Picasso’s studio in Fontainebleau, France, in over 100 years.

Between July and September of 1921, in a rented villa in the town of Fontainebleau, France, Pablo Picasso created an astonishingly varied body of work. Published to accompany an exhibition at The Museum of Modern Art, New York, that reunites these works for the first time since they left the artist’s studio, Picasso in Fontainebleau presents both monumental versions of Three Musicians and Three Women at the Spring alongside other major works on canvas, small preparatory paintings, line drawings, etchings, and pastels he created in Fontainebleau. Encompassing both Cubist and classic academic styles, these works are complemented by never-before-seen photographs and archival documents. An introductory essay by curator Anne Umland examines the critical issues that distinguish Picasso's Fontainebleau oeuvre, and is followed by 15 short essays co-authored by curators and conservators that offer art historical analysis of groups of closely related works and object-based insights into materials, structures, and processes. By investigating Picasso’s decision to paint simultaneously in seemingly opposite styles, Picasso in Fontainebleau emphasizes the interconnectedness of his process and practice, and his ability to disrupt expectations of artistic evolution and stylistic consistency.

About the Authors:

Anny Aviram is Senior Paintings Conservator at MoMA.
Lee Ann Daffner is a Photography Conservator at MoMA.
Michael Duffy is a Paintings Conservator at MoMA.
Emilie Faust is an Paintings Conservator, the Fundación Almine y Bernard Ruiz-Picasso para el Arte.
Francesca Ferrari is a former Mellon-Marron Research Consortium Fellow in the Department of Painting and Sculpture at MoMA.
Starr Figura is Curator in the Department of Drawings and Prints at MoMA.
Alexandra Morrison is Curatorial Assistant in the Department of Painting and Sculpture at MoMA.
Erika Mosier is a Conservator at MoMA.
Rachel Mustalish is a Paper Conservator at The Metropolitan Museum of Art, New York.

Table of Contents:

Before Fontainebleau
1. “Where Is the Real Picasso?” by Alexandra Morrison and Michael Duffy
2. “Ballets Russes Designs” by Francesca Ferrari and Erika Mosier
3. “Pochoirs” by Starr Figura and Erika Mosier
In Fontainebleau
4. “Line Drawings” by Alexandra Morrison and Erika Mosier
5. “Family Photographs” by Lee Ann Daffner and Francesca Ferrari
6. “Maternities” by Francesca Ferrari, Anny Aviram, and Emilie Faust
7. “The Spring” by Anne Umland, Anny Aviram, and Erika Mosier
8. “Studies for Three Women at the Spring” by Francesca Ferrari, Anny Aviram, and Erika Mosier
9. “Studio Photographs” by Lee Ann Daffner, Francesca Ferrari, and Michael Duffy
10. “Three Women at the Spring and Three Musicians” by Anne Umland, Cindy Albertson, Anny Aviram, and Erika Mosier
11. “Red Chalk and Charcoal Drawings” by Alexandra Morrison, Erika Mosier, and Anny Aviram
12. “Pastels” by Rachel Mustalish and Anne Umland
13. “Cubist Still Lifes” by Alexandra Morrison and Anny Aviram
Coda
14. “The Wallace Fountain” by Francesca Ferrari and Erika Mosier
15. “Studies” by Francesca Ferrari and Anny Aviram
Backmatter
Illustrated chronology
Checklist of the exhibition
Selected Bibliography

Curated by noted Picasso biographer John Richardson, this exhibition catalogue examines the intersection of Picasso's bullfighting imagery with the mythological (and biographical) compositions of the 1930's.
Including works dating from 1897 to 1972, this fully illustrated catalogue presents a career-long survey of Picasso's engagement with ancient bullfighting and mythological narratives and includes essays by noted Picasso scholars Michael FitzGerald and Gertje Utley.

About the Author:

John Richardson is the author of a multivolume biography on the life of Picasso. He is a regular contributor to The New York Review of Books, The New Yorker, and Vanity Fair. Gertje Utley is an art historian, and the author of Pablo Picasso: The Communist Years, 2000. Michael Fitzgerald is director of the art history program at Trinity College, Hartford, CT, and has written several books on Picasso, including Picasso and American Art, 2006.

A rare look at the exceptional works on paper from private collections by the master of modern art. 

“There’s nothing more difficult than a line.” – Pablo Picasso

Picasso: Seven Decades of Drawing surveys Pablo Picasso’s prodigious career as a draftsman, including over 40 examples on loan from private collections spanning nearly 70 years of the artist’s long and celebrated career.

The book showcases drawings in a wide range of media, from works in charcoal and crayon to colored pencil, collage or papiers collés, graphite, gouache, ink, pastel, and watercolor.

Some of the drawings on loan are rarely on view and they provide insight into the evolution of his iconic paintings, such as Les Demoiselles d’Avignon and Guernica, while others stand alone as virtuoso, independent works, highlighting Picasso’s mastery of line, form, and medium. The book ultimately examines how drawing serves as the vital thread connecting all of Picasso’s art.

About the Author:

Olivier Berggruen is a German-American art historian and independent curator based in New York. Christine Poggi is Judy and Michael Steinhardt Director and Professor of Fine Arts at the Institute of Fine Arts, New York University.

This fascinating full-length study examines all works by the great Flemish painter Pieter Bruegel within the wider setting of art during his lifetime.

The recent rediscovery in Spain of Pieter Bruegel the Elder’s lost painting, The Wine of Saint Martin’s Day, has created even more interest in this much-loved artist, who was one of the Netherlands’ two great masters of satire and fantasy, along with Hieronymus Bosch. Although these two artists never met each other - Bruegel was born around 1525, a decade after Bosch’s death - numerous features link them; indeed, Bruegel painted several demon-infested hellscapes directly inspired by the older master, and he was known in Antwerp as a “second Bosch.” But Bruegel is most famous for his peasant scenes, often humorous and packed with anecdote, and for his landscapes, which poignantly evoke Nature’s changing seasons. His legacy to Netherlandish art was the enduring popularity of both these genres, as well as the artistic dynasty he founded, beginning with his painter sons Pieter the Younger and Jan Brueghel.

Critics have often remarked how Bruegel’s art, so keenly observed and richly detailed, seems to preserve a world in miniature. In this new monograph, Larry Silver, an eminent historian of Northern Renaissance art, serves as our guide to that world. He leads us expertly through Bruegel’s complex and fascinating iconography, allowing us to see his paintings and drawings from the same perspective as his sixteenth-century countrymen. Silver situates Bruegel within the visual culture of his time - exploring, for example, his relationship with the print publisher Hieronymus Cock - and within the broader context of Netherlandish history. All of Bruegel’s surviving paintings are reproduced here, with many full-page details, as well as all of his prints and representative works by his contemporaries and followers.

This volume on Bruegel complements Silver’s widely praised monograph on Hieronymus Bosch, which was published by Abbeville Press in 2006. These two books are the most authoritative and best-illustrated studies of their respective subjects, and together they present us with a panorama of Netherlandish art’s emergence into the distinctive form of the Northern Renaissance.

About the Author:

Larry Silver, a historian of Northern Renaissance art, received his Ph.D. from Harvard University and is currently Farquhar Professor of Art History at the University of Pennsylvania. His other books include the general survey Art in History and the recent Landscapes and Peasant Scenes: The Rise of Pictorial Genres in the Antwerp Art Market.

The first extensive monograph dedicated to the artist Rafael Megall, whose work is strongly interwoven with Armenian recent history.

This illustrated volume highlights the rich personality of the Armenian painter Rafael Megall (born 1983), his connection with the artistic tradition of his country, and the peculiar language inspired by the story of his people. The book offers a panorama of his production, among others: the famous “icons,” paintings on wood first showcased at the 57th Venice Biennale; the installation The Artist and His Mother, showcased at the National Gallery of Armenia, one of the most powerful artworks dedicated to the Armenian genocide; the unpublished series of portraits dedicated to Lev Tolstoy.

About the Author:

Demetrio Paparoni is an Italian art critic and writer, curator and essayist. Among his publications and monographs, often revealing the contemporary Asian world, are Ronald Ventura, Works 1998–2017 (2018), Nyoman Masriadi: Telepathy Contact (2020), The Devil: A Visual History (2017).

Published on the occasion of a major exhibition bringing together the best Rembrandt paintings from American collections. The great seventeenth-century Dutch artist Rembrandt van Rijn is one of the most important painters in the history of European art. This richly illustrated volume gathers some fifty of the finest paintings by the Dutch master and his followers from private and public collections across America, including the National Gallery of Art in Washington, D.C., and The Metropolitan Museum of Art, New York.

Rembrandt had an uncanny ability to depict light and shadow, and to capture the emotions of his sitters. In addition to his portraits, he is also known for historical scenes. Highlighting the authentic Rembrandts in America during the late nineteenth century’s Gilded Age, a time when American tycoons cultivated a passion for collecting European masterpieces, the book also features fifteen to twenty works that were originally attributed to the master’s hand but are now recognized as paintings by his successors, contemporary followers, and later imitators.

An introduction focusing on Rembrandt as a cultural phenomenon is followed by essays devoted to his life, the controversy associated with his workshop, and the pursuit of Rembrandt in America. Published in association with the Cleveland Museum of Art, the North Carolina Museum of Art, and the Minneapolis Institute of Arts

The definitive monograph on one of the world's best-loved artists, sumptuously illustrated in full color.

Pierre-Auguste Renoir (1841-1919) stands out among the great artists for his willingness to paint pictures that are straightforwardly pretty and charming: he chooses familiar and sympathetic human types as his subjects, and depicts them with an appealing immediacy, using an attractively bright and rosy palette. Not all of his four thousand or so paintings are equally good; some fall short on formal grounds, and others, not surprisingly, sink into sentimentality. But Renoir's best works are masterpieces, perhaps the most joyous and effervescent ones in the history of art - his great monuments to leisure, Dancing at the Moulin de la Galette and Luncheon of the Boating Party; his delicate portraits of women and children, like the winsome Girl with a Watering Can; and his many frankly sensual nudes.

In this highly readable monograph, noted art historian Anne Distel offers an illuminating new account of the life of the man who created such singularly sparkling works. The author deftly narrates Renoir’s rise from apprentice porcelain painter to celebrated artist, quoting judiciously from the painter’s own vivid letters and offering keen analyses of his style at each stage of his sixty-year career. And Distel does not consider that career in isolation, but uses the latest discoveries in the documentary evidence - some of them her own - to re-create the artistic and social milieus in which Renoir worked. She traces his relationships with other artists, both his fellow Impressionists and older contemporaries like Corot and Daubigny as well as the younger Bonnard, Matisse, and Picasso; with writers like Zola, Mallarmé, and Mirbeau; and, in particular, with the dealers and patrons who were so important to his career, like Paul Durand-Ruel, Ambroise Vollard, the Bernheim brothers, the Charpentiers, the Berards, Charles Ephrussi, and Dr. Barnes.

Distel's authoritative text is illustrated throughout with some three hundred beautiful color reproductions of the artist’s finest and most representative works, ensuring that this will be the Renoir monograph of reference for years to come.

About the Author:

Anne Distel, is the conservateur général honoraire du patrimoine at the Musée d'Orsay and author of numerous books on 19th century painting . She is also a professor of art history at the University of Paris Sorbonne-Paris and an impressionist painting specialist.